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Phil Leader (619 KP) rated Adrianna's Surge in Books
Nov 8, 2019
Starting out as the story of Jayden, rescued from a life on the streets by a mysterious benefactor and enrolled into an advanced (and secretive) school, the Sanctum series has gone from strength to strength, and the fifth installment is no exception.
Following on directly from the end of the fourth book, Eric and the Black Axes, this follows the exploits of both The Sanctum and Ernest College as they try to stop the robot army. But Eric Showden is not the worse adversary they will face. Secrets will be revealed which will change things forever...
Once again this is a fantastic roller coaster ride of a book. By using the clever technique of having the children of both The Sanctum and Ernest College battling by means of controlling surrogate robots and computer hacking, infiltration and battles are fought at one remove. The fighting is also done without guns, but instead using martial arts skills. Combined with the high toughness and strength of the surrogates this allows for some thrilling fight scenes, often against seemingly insurmountable odds.
But there is a lot more to this book, with a lot of background of both Avando and Dr Ernest explored and explained. There are real shocks along the way with what happens and what is revealed, either through investigation or as a result of decisions made. The stakes are higher and everyone must dig deep to win through.
The ending is terrific and very dramatic and although it feels like it could be a permanent end, I really hope that there are more stories in the pipeline for Jayden and his friends. I would miss them a lot if this was all there was.
It's probably over-used but really this is a series that deserves to be filmed. Now we have seen the end of the Hunger Games and Harry Potter finished a while ago I can't think of a better concept to enthuse young adults (and a little younger).
Following on directly from the end of the fourth book, Eric and the Black Axes, this follows the exploits of both The Sanctum and Ernest College as they try to stop the robot army. But Eric Showden is not the worse adversary they will face. Secrets will be revealed which will change things forever...
Once again this is a fantastic roller coaster ride of a book. By using the clever technique of having the children of both The Sanctum and Ernest College battling by means of controlling surrogate robots and computer hacking, infiltration and battles are fought at one remove. The fighting is also done without guns, but instead using martial arts skills. Combined with the high toughness and strength of the surrogates this allows for some thrilling fight scenes, often against seemingly insurmountable odds.
But there is a lot more to this book, with a lot of background of both Avando and Dr Ernest explored and explained. There are real shocks along the way with what happens and what is revealed, either through investigation or as a result of decisions made. The stakes are higher and everyone must dig deep to win through.
The ending is terrific and very dramatic and although it feels like it could be a permanent end, I really hope that there are more stories in the pipeline for Jayden and his friends. I would miss them a lot if this was all there was.
It's probably over-used but really this is a series that deserves to be filmed. Now we have seen the end of the Hunger Games and Harry Potter finished a while ago I can't think of a better concept to enthuse young adults (and a little younger).
TacoDave (3826 KP) rated The Good Liar (2019) in Movies
Nov 12, 2019
Acting (2 more)
Actors
Story
Unexpected violence (2 more)
Unexpected adult themes
One random scene of nudity for no reason
A Good-ish Thriller
I had the pleasure of attending the premiere of "The Good Liar" on November 6 in New York City. (I won a sweepstakes to attend.) I was already interested in seeing the movie, but getting to watch it in a theater full of the people who made the movie was thrilling.
"The Good Liar" is the story of two people in their 70's who meet on a dating app. The man, played by Sir Ian McKellen, is clearly a con man. We get to see him interact with the woman - a fantastic Dame Helen Mirren - with a certain old man, kind hound-dog attitude, then immediately leave the room and work on a scam to steal thousands of pounds from unlucky rubes.
It seems, at face value, that he is indeed a good liar. But things are not always clear cut in a game of shells, and although we don't know what Helen Mirren's character is doing, it starts to become clear that she hasn't been completely honest about herself...
I won't spoil anything else in the plot: this is the kind of movie that unravels slowly as it builds with twists and turns. You should go into it with no more knowledge than what I've posted above.
If that was it - if the whole movie was a fun cat-and-mouse game between two phenomenal actors - I would have given it a higher score. But the movie also has a dark underbelly that surprised me and turned me off a bit. There is one gratuitous shot of nudity at the beginning of the film that makes little narrative sense and feels shoehorned in. There are a few moments of unexpected, brutal violence. And the reveal at the end relates to adult themes that left me feeling unsettled when the movie ended.
In short, I liked the movie quite a lot, but I wouldn't recommend it to my mom.
"The Good Liar" is the story of two people in their 70's who meet on a dating app. The man, played by Sir Ian McKellen, is clearly a con man. We get to see him interact with the woman - a fantastic Dame Helen Mirren - with a certain old man, kind hound-dog attitude, then immediately leave the room and work on a scam to steal thousands of pounds from unlucky rubes.
It seems, at face value, that he is indeed a good liar. But things are not always clear cut in a game of shells, and although we don't know what Helen Mirren's character is doing, it starts to become clear that she hasn't been completely honest about herself...
I won't spoil anything else in the plot: this is the kind of movie that unravels slowly as it builds with twists and turns. You should go into it with no more knowledge than what I've posted above.
If that was it - if the whole movie was a fun cat-and-mouse game between two phenomenal actors - I would have given it a higher score. But the movie also has a dark underbelly that surprised me and turned me off a bit. There is one gratuitous shot of nudity at the beginning of the film that makes little narrative sense and feels shoehorned in. There are a few moments of unexpected, brutal violence. And the reveal at the end relates to adult themes that left me feeling unsettled when the movie ended.
In short, I liked the movie quite a lot, but I wouldn't recommend it to my mom.
Sarah (7800 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 26, 2019
Great watch
I've always been a bit of a car person (or at least I like driving fast...) and it was watching Rush at the cinema back in 2013 that really got me into racing films, and is also probably to blame for my F1 interests. Le Mans '66 appealed to me exactly for these reasons and it really is a great film, and not just for the racing.
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...
The main appeal of this film is the relationship between Bale and Damon's characters. These two work so well together and it really pays off on screen. They're funny, heartwarming and serious and you really want to spend the whole 2.5 hours watching them. This isn't just a racing film after all, it's about the relationship between Miles and Shelby. There's a great supporting cast too, although I did think Josh Lucas was a little too slimy and Jon Bernthal was hugely underused. But this is mainly the Bale and Damon show and rightly so.
The film itself looks great and fits in with the era it's set, and the racing scenes are so well done and considering you're just staring at Christian Bale's face most of the time, the races are still surprisingly exciting and thrilling. I do think the 2.5 hour run time is a little long, and there are a few (admittedly brief) occasions in the middle where this does drag just a little, mostly when Bale and Damon aren't on screen together. There's also Bale's questionable accent, which seems a little too put on and not quiet natural.
Despite these few niggles though, this is a very enjoyable, excellent film with some potentially Oscar worthy performances. I knew nothing about the true story behind this, so for me this was also hugely informative. The only problem is that it made me want to drive like a racing driver on my way home, which isn't good for either my car or my license...
Phil Leader (619 KP) rated God's Rough Drafts in Books
Nov 29, 2019
Set around 100 years from now, this book considers a future where body part transplantation has become widespread, routine and big business. Big business for the pharmaceutical firms, those that can afford to pay for it and also for anyone who can make money by donating their good eyes or hands.
And so society has divided into those who change body parts at a whim, and those who provide them. The gap between the 'haves' and the 'have nots' becomes even wider and even more literal. But a few, a very very tiny few, discover that if they have just the right combination of parts then something happens, some sort of synchronicity, and they gain some sort of new ability.
Fallon is one such special person who finds her world turned upside down when she is framed for a crime and sent to a juvenile prison. Escaping with new found friends Danny and Emma, they soon find that being pursued by the law is the least of their problems.
This novel covers a lot of ground. At its heart is a thrilling chase but around this Scott has woven threads of social commentary, friendship, self-discovery and the dangers of treating people as commodities. These are characters you will care about as they struggle to overcome every obstacle and make some disturbing discoveries along the way. The vision of the future that is painted is all too real and possible but not one that seems very palatable, except to the people at the very top.
One last notable feature is that each chapter starts with a character narrating and filling in some of the gaps. This exposition is wonderfully self-aware, tongue in cheek and fourth wall breaking. I found it was perfectly juxtaposed to the main narrative.
This is a really good book. Dark, charming, forboding, sharp, witty and suspenseful in equal measure. Is it a must read? It most certainly is
And so society has divided into those who change body parts at a whim, and those who provide them. The gap between the 'haves' and the 'have nots' becomes even wider and even more literal. But a few, a very very tiny few, discover that if they have just the right combination of parts then something happens, some sort of synchronicity, and they gain some sort of new ability.
Fallon is one such special person who finds her world turned upside down when she is framed for a crime and sent to a juvenile prison. Escaping with new found friends Danny and Emma, they soon find that being pursued by the law is the least of their problems.
This novel covers a lot of ground. At its heart is a thrilling chase but around this Scott has woven threads of social commentary, friendship, self-discovery and the dangers of treating people as commodities. These are characters you will care about as they struggle to overcome every obstacle and make some disturbing discoveries along the way. The vision of the future that is painted is all too real and possible but not one that seems very palatable, except to the people at the very top.
One last notable feature is that each chapter starts with a character narrating and filling in some of the gaps. This exposition is wonderfully self-aware, tongue in cheek and fourth wall breaking. I found it was perfectly juxtaposed to the main narrative.
This is a really good book. Dark, charming, forboding, sharp, witty and suspenseful in equal measure. Is it a must read? It most certainly is
Neon's Nerd Nexus (360 KP) rated Parasite (2019) in Movies
Dec 16, 2019
Heavy Is The Head
Parasite is so utterly complex, brilliant and captivating that it brings an entire new meaning to the word perfection. A true revolution in film making with such tightly woven narative, twisted depictions of real life struggles and important intricate messages Parasite is practically bursting at the seems with metaphores, hidden meanings, symbolism and comparisons but whats so great about it is that its never feels forced, in your face or patronising once. Theres certainly a hell of a lot more there if you want to delve deeper thats for sure (just trying to decipher it all now for this review is hurting my head) but theres also plenty there for those that dont want that depth too. This is Korean cinema at its absolute finest mixing so many diffrent genres together flawlessly to create butter smooth tension, spine chilling horror, mind bending philosophy, harsh history, political accuracy, eye watering comedy, touching drama and stomach churning raw emotion. A tale of rich and poor at its core but also a film about entitlement, happiness, human nature, selfishness and ambition Parasite teaches us so cleverly/effectively to have new found appreciation for what we have no matter how little that may be and also to stand together/respect one another and apreciate those close to us before its to late. Being likened to a Tarantino film by many and while I can see the similarities I honestly found Parasite to be genuinely a way smarter, better structured/layered more thrilling and an all round tighter/more interesting movie compared to his work if im honest. I urge anyone that loves and takes cinema seriously to see this without hesitation its unpredictability/intricacy are a true experience to behold (just like the sensation you get when you slip on ice but regain your balance just before you fall) it will leave you cold, breathless, excited and entranced.
Mark @ Carstairs Considers (2340 KP) rated Death with a Dark Red Rose in Books
Feb 29, 2020
Mysterious Disappearance
Life is going well for Lena London. Her latest collaboration with bestselling novelist Camilla Graham is doing well, she and her fiance, Sam West, are just starting to plan their wedding, and she enjoys spending time with her new friends in Blue Lake. The only shadow is the new factory that is being built just outside of town. It looks like the building is going to be an eye sore, and Lena is not happy about it and other ways it might change this area she considers home. However, a cold wind blows in when someone vanishes. Soon, Lena and her friends are caught up in another race to figure out what is happening before things turn deadly. Will they solve things in time?
I thought this novel’s beginning was weak, but it was the weakest part of the story. Even then, that is a minor complaint since I was hooked from the very first page and could hardly put the book down until I reached the end. If real life didn’t interfere, I could have easily finished it in one sitting. I did see one or two twists coming, but there were plenty others I didn’t suspect, but they made perfect sense by the time we reached the end of the story. I love Lena and her friends, and we got plenty of time with them in these pages. Their relationships are fantastic. Each chapter starts with a quote from the projects that Lena and Camilla are currently working on, and I found they helped me better understand just how this series works Gothic elements into each book. Honestly, I’d love to read their books if they were real. It is best to read this series in order since some events of previous books are spoiled by necessity. That’s not an issue since all the books in this series are great. Set aside plenty of time when you pick up this book because you won’t want to put it down until you’ve read every thrilling page.
I thought this novel’s beginning was weak, but it was the weakest part of the story. Even then, that is a minor complaint since I was hooked from the very first page and could hardly put the book down until I reached the end. If real life didn’t interfere, I could have easily finished it in one sitting. I did see one or two twists coming, but there were plenty others I didn’t suspect, but they made perfect sense by the time we reached the end of the story. I love Lena and her friends, and we got plenty of time with them in these pages. Their relationships are fantastic. Each chapter starts with a quote from the projects that Lena and Camilla are currently working on, and I found they helped me better understand just how this series works Gothic elements into each book. Honestly, I’d love to read their books if they were real. It is best to read this series in order since some events of previous books are spoiled by necessity. That’s not an issue since all the books in this series are great. Set aside plenty of time when you pick up this book because you won’t want to put it down until you’ve read every thrilling page.
Gareth von Kallenbach (980 KP) rated Straw Dogs (2011) in Movies
Aug 7, 2019
Successful actress Amy Sumner (Kate Bosworth) is returning from her big city life to her southern hometown of Blackwater. Along with Amy is her well-educated and wealthy husband, David Sumner (James Marsdon). David quickly finds this vacation is filled with tension, particularly when it comes to Amy’s ex-boyfriend, Charlie (Alexander Skarsgård), who is not ready to be out of her life. So it is up to the weakling Harvard hero to protect his relationship, home, and way of life in a town he doesn’t quite understand.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.
A remake of the 1971 thriller classic of the same name, “Straw Dogs” has lost a lot of its appeal and logic with time. It still has gory moments and the plot is very similar to the original but many of the base thrills have been lost in the move to a present day setting.
This film asks the viewers to suspend disbelief, ignore a number of unfinished back-stories, and stand behind characters who are not engaging or believable. Details, both big and small miss the mark. James Marsdon is incorrectly suited as the shy bumbling academic. The house is a seeming fortress for no apparent reason. The side stories, interesting detractions from the overly built tension between the two leading males, are left unresolved.
Additionally, the themes are awkward and incomplete. There are literary throwbacks and some blatant social commentary but all of the film’s depth is lost on an audience who has no reason to care. Viewers will be preoccupied wondering what the point of the film is.
Sure, the story is engrossing and it does force self-analysis, but the modern adaptation would have benefitted from serious editorial cuts. Had the film been completed in a quarter of the time it might have actually managed to be thrilling!
Unbalanced, vapid, and pointless as a thriller “Straw Dogs” falls prey to the unnecessary remake trap. For a real psychological thrill it would be better to opt for the original.
The Fairyland
Games and Stickers
App
Did you ever dream like this? In the dream you are an alone traveler who lost in the space and time....
Virgil Exner: Visioneer: The Official Biography of Virgil M. Exner, Designer Extraordinaire
Book
The story of a man that brought his own personal style to the world of industrial design, from...
Sentimental Murder: Love and Madness in the Eighteenth Century
Book
On an April evening in 1779, a woman is shot on the steps of Covent Garden. Her murderer is a young...