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London Uncovered: Sixty Unusual Places to Explore
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London Uncovered opens the doors to sixty of the capital's most intriguing places, all visitable but...
The Letter for the King
Tonke Dragt and Laura Watkinson
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A young messenger. A secret mission. A kingdom in peril. It is the dead of night. Sixteen-year-old...
Emma @ The Movies (1786 KP) rated The Rental (2020) in Movies
Feb 28, 2021
After saying in my review of Tone Deaf that there are a lot of films that seem to be very similar coming out, you'd think I'd choose different films to watch... evidently not.
Charlie and Mina's hard work is finally paying off and they book a holiday home for some well deserved downtime. When they arrive with their partners they attempt to settle into the idyllic setting. But there's something not quite right about their host and their relaxing weekend starts to take a turn.
So... The Rental, Tone Deaf, The Intruder... People go to homes with weird owners and bad things happen. Something grabbed me about this one, it was a little different to the others and I'm glad I didn't dismiss it for the initial similarities.
I think the success for The Rental is its serious tone. In the other two films I mentioned we have an underlying humour, whether intentional or from overacting. It's much more of a thriller that made for some compelling moments.
Although the main cast are very familiar for various things, the "star power" didn't outshine the film around it. It's well balanced, and the chemistry between the four of them is incredibly good. The characters themselves aren't all that exciting though, and normally that would be a massive problem. While it may have been better to have something a little more thrilling happening with them, it actually leaves the film to do its thing around them.
The film was noticeably quiet to me, though the music did pipe up at key points to good effect. (Apart from one point that felt entirely out of place.) The pinpointed music combined with the location worked well together to add to the suspense as the film ramps up.
At only 88 minutes I worried about what a thriller could do in that time, but I needn't have. The build up across the film led well into the "action" of the ending, and that ending really appealed to me for how it dealt with everything that came before it. While I don't think The Rental is going to become a must see movie, it was definitely a pleasant surprise and worth the time I spent watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/the-rental-movie-review.html
Charlie and Mina's hard work is finally paying off and they book a holiday home for some well deserved downtime. When they arrive with their partners they attempt to settle into the idyllic setting. But there's something not quite right about their host and their relaxing weekend starts to take a turn.
So... The Rental, Tone Deaf, The Intruder... People go to homes with weird owners and bad things happen. Something grabbed me about this one, it was a little different to the others and I'm glad I didn't dismiss it for the initial similarities.
I think the success for The Rental is its serious tone. In the other two films I mentioned we have an underlying humour, whether intentional or from overacting. It's much more of a thriller that made for some compelling moments.
Although the main cast are very familiar for various things, the "star power" didn't outshine the film around it. It's well balanced, and the chemistry between the four of them is incredibly good. The characters themselves aren't all that exciting though, and normally that would be a massive problem. While it may have been better to have something a little more thrilling happening with them, it actually leaves the film to do its thing around them.
The film was noticeably quiet to me, though the music did pipe up at key points to good effect. (Apart from one point that felt entirely out of place.) The pinpointed music combined with the location worked well together to add to the suspense as the film ramps up.
At only 88 minutes I worried about what a thriller could do in that time, but I needn't have. The build up across the film led well into the "action" of the ending, and that ending really appealed to me for how it dealt with everything that came before it. While I don't think The Rental is going to become a must see movie, it was definitely a pleasant surprise and worth the time I spent watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/02/the-rental-movie-review.html
Mediocre sequel
I received a free copy from Netgalley in exchange for an honest review.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
Kristy H (1252 KP) rated The Good Sister in Books
Apr 15, 2021
A predictable yet oddly thrilling read
Fern and Rose are extremely close sisters and incredibly dependent on one other. Rose has always been the responsible one and Fern, with her sensory-processing issues, the one people look at a bit oddly. Their mother was abusive, scarring Rose, who saw through to her true nature. Fern, who always looks to the good side of people, remembers her more fondly. But Rose has always protected her sister, especially since, as children, Fern did something horrible. Rose has faithfully kept her sister's secret, even though both girls wonder if it made Fern a terrible person. Now Rose and her husband are having trouble conceiving. Fern realizes she could finally do something for Rose: give her a child. However, Rose worries that Fern could make some disastrous choices if pregnant, just as she did so many years ago.
"Most people think of me as Fern's protector. But the truth is, in her own funny way, she's always been mine."
This is an excellent book in terms of the page-turner element. I was madly flipping the pages. It is especially remarkable because the story was actually fairly predictable. I kept waiting for some big twist, but I felt the plot was pretty well telegraphed from the beginning.
What kept me spellbound was the characters, particularly Fern. There was just something about her--you couldn't help but become attached. The cast here is small: the sisters, Rose's husband, Fern's acquaintance Wally, but they are quite well-drawn. Hepworth does a fantastic job with the two sisters, both depicting their childhood and then their current state, as Fern becomes determined to do something for Rose, her long-time protector, and Rose struggles with what Fern's choice means.
It's best to go into this one blind. To me, the story felt pretty straightforward and nothing really surprising happened, but it was still well-written and exciting. Yes, I would have loved a great twist or two to push this thriller from good into great territory. I still think it's worth a read, though, especially if you don't read a ton of mysteries and are more likely to be surprised. The relationship and dynamic between Fern and Rose is really worth a read by itself. 3 stars.
"Most people think of me as Fern's protector. But the truth is, in her own funny way, she's always been mine."
This is an excellent book in terms of the page-turner element. I was madly flipping the pages. It is especially remarkable because the story was actually fairly predictable. I kept waiting for some big twist, but I felt the plot was pretty well telegraphed from the beginning.
What kept me spellbound was the characters, particularly Fern. There was just something about her--you couldn't help but become attached. The cast here is small: the sisters, Rose's husband, Fern's acquaintance Wally, but they are quite well-drawn. Hepworth does a fantastic job with the two sisters, both depicting their childhood and then their current state, as Fern becomes determined to do something for Rose, her long-time protector, and Rose struggles with what Fern's choice means.
It's best to go into this one blind. To me, the story felt pretty straightforward and nothing really surprising happened, but it was still well-written and exciting. Yes, I would have loved a great twist or two to push this thriller from good into great territory. I still think it's worth a read, though, especially if you don't read a ton of mysteries and are more likely to be surprised. The relationship and dynamic between Fern and Rose is really worth a read by itself. 3 stars.
Bob Mann (459 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 16, 2020
Gal Gadot: stunning (2 more)
Movie with real heart
Excellent cinematography
WW dot Well Worth Waiting for Gadot
The long delayed release of the Wonder Woman sequel has finally happened, and it is well worth waiting for.
Gal Gadot is fabulous as the Amazonian beauty (and then some) with Chris Pine reprising his role from the first thing. (Of all the WTF moments of 2020 trailers, this was top of the list.... just HOW? A McGuffin is involved, but no spoilers here!).
In brief, Patty Jenkins delivers a popcorn blockbuster than has legs (over and above Gadot's perfect specimens!): the Goblet-of-Fire-Potteresque pre-title sequence is thrilling and engaging. And the story builds cleverly through the first half of the movie. Above all, there is a heap of HEART involved here.... this is not your run of the mill supervillain showdown flick. In fact, it's a movie with TWO villain (normally a doom-laden premise for this reviewer... "Spider Man 3".... shudder), but here it really works well.
Sure, there is a requirement for a suspension of belief, but - hey - it's a DC movie. On a slight downside, the second half of the movie - for me -unfortunately doesn't quite live up to the promise of first half, blending "Bruce Almighty" with "Superman 2" and rather over-egging the pudding.
But in a morass of B-pics, this sequel is one that is gorgeous to look at (Matthew Jensen's cinematography is superb), gorgeous to listen to (an epic score by Hans Zimmer) and is genuinely engaging. There's also a nice vein of humour running through it... when Kristen Wiig is in a park, a rough sleeper on a bench is reading "Waiting for Godot".... or is it "Waiting for Gadot"??
It's such a brief scene, I wasn't sure!
Although I DEPLORE the Warner Brother's decision to release their material in parallel to streaming, here is a movie that is WELL WORTH you getting out to the cinema to see... assuming that you can find a UK cinema open (I saw this in the excellent Showcase De Luxe in Southampton).
Oh, and if you are someone who dives for the exit at the first title... resist... there is an excellent mid-title sequence featuring a wonderful cameo for us older folks!
(Please check out the full graphical review on bob-the-movie-man, which will be going live shortly. Thanks).
Gal Gadot is fabulous as the Amazonian beauty (and then some) with Chris Pine reprising his role from the first thing. (Of all the WTF moments of 2020 trailers, this was top of the list.... just HOW? A McGuffin is involved, but no spoilers here!).
In brief, Patty Jenkins delivers a popcorn blockbuster than has legs (over and above Gadot's perfect specimens!): the Goblet-of-Fire-Potteresque pre-title sequence is thrilling and engaging. And the story builds cleverly through the first half of the movie. Above all, there is a heap of HEART involved here.... this is not your run of the mill supervillain showdown flick. In fact, it's a movie with TWO villain (normally a doom-laden premise for this reviewer... "Spider Man 3".... shudder), but here it really works well.
Sure, there is a requirement for a suspension of belief, but - hey - it's a DC movie. On a slight downside, the second half of the movie - for me -unfortunately doesn't quite live up to the promise of first half, blending "Bruce Almighty" with "Superman 2" and rather over-egging the pudding.
But in a morass of B-pics, this sequel is one that is gorgeous to look at (Matthew Jensen's cinematography is superb), gorgeous to listen to (an epic score by Hans Zimmer) and is genuinely engaging. There's also a nice vein of humour running through it... when Kristen Wiig is in a park, a rough sleeper on a bench is reading "Waiting for Godot".... or is it "Waiting for Gadot"??
It's such a brief scene, I wasn't sure!
Although I DEPLORE the Warner Brother's decision to release their material in parallel to streaming, here is a movie that is WELL WORTH you getting out to the cinema to see... assuming that you can find a UK cinema open (I saw this in the excellent Showcase De Luxe in Southampton).
Oh, and if you are someone who dives for the exit at the first title... resist... there is an excellent mid-title sequence featuring a wonderful cameo for us older folks!
(Please check out the full graphical review on bob-the-movie-man, which will be going live shortly. Thanks).
Gareth von Kallenbach (980 KP) rated A Cure For Wellness (2017) in Movies
Jul 12, 2019
What if you were told that you could be cured from any and every ailment, all while relaxing in the picturesque Swiss Alps. Would you go? A Cure For Wellness is a psychological thriller directed by Gore Verbinsky whom in the past brought us Disney’s Pirates of The Caribbean. I’m not sure going with a psychological thriller was the best choice for him.
After a young power-hungry stockbroker receives an odd letter from the CEO during a major merger he becomes blackmailed into going and retrieving him. Pembroke (Harry Groener) has taken up permanent residence in a mysterious gothic styled rehabilitation center in a remote part of the Swiss Alps. Pembroke has no intentions of leaving the hospital so Lockhart has plenty of time to explore. As soon as he arrives though, he notices that there is something strange going on. Patients are eating decadent and costly meals and flying kites as if they were on vacation rather than in treatment. Little does he know, he will be at the center of it all after an accident turns him into a patient rather than a visitor.
I feel as though this was less of a thriller and more of a flop. I wasn’t able to connect to Lockhart and frankly at times his character was rather annoying. This made it difficult to sympathize with what might be happening to him. Lockhart reminded me of Leonardo DiCaprio in Scorsese’s Shutter Island. Though Scorsese’s film was way more entertaining and thrilling than this. The film was extremely long (2.5 hours) and when you thought it was going to end another curve ball would be thrown. Though the film was less than entertaining, the actors portrayed their parts well. The scenery and landscapes along with the colors of the filters used did give the film that bit of eeriness the story needed. Some scenes were creepy and others involving animals were disturbing and could’ve been left out in my opinion. I left the theater scratching my head with the old “what the heck did I just watch” thought. This film was just not for me and seemed more like Verbinski bit off more than he could chew. The audience also seemed to be disappointed with it as well.
After a young power-hungry stockbroker receives an odd letter from the CEO during a major merger he becomes blackmailed into going and retrieving him. Pembroke (Harry Groener) has taken up permanent residence in a mysterious gothic styled rehabilitation center in a remote part of the Swiss Alps. Pembroke has no intentions of leaving the hospital so Lockhart has plenty of time to explore. As soon as he arrives though, he notices that there is something strange going on. Patients are eating decadent and costly meals and flying kites as if they were on vacation rather than in treatment. Little does he know, he will be at the center of it all after an accident turns him into a patient rather than a visitor.
I feel as though this was less of a thriller and more of a flop. I wasn’t able to connect to Lockhart and frankly at times his character was rather annoying. This made it difficult to sympathize with what might be happening to him. Lockhart reminded me of Leonardo DiCaprio in Scorsese’s Shutter Island. Though Scorsese’s film was way more entertaining and thrilling than this. The film was extremely long (2.5 hours) and when you thought it was going to end another curve ball would be thrown. Though the film was less than entertaining, the actors portrayed their parts well. The scenery and landscapes along with the colors of the filters used did give the film that bit of eeriness the story needed. Some scenes were creepy and others involving animals were disturbing and could’ve been left out in my opinion. I left the theater scratching my head with the old “what the heck did I just watch” thought. This film was just not for me and seemed more like Verbinski bit off more than he could chew. The audience also seemed to be disappointed with it as well.
Ross (3284 KP) rated A Little Hatred in Books
Oct 1, 2019
The latest instalment in the world of the First Law is the start of Abercrombie's new series - The Age of Madness. The story take place some 30 years after the events of the First Law trilogy, and we are deep into that world's industrial revolution. Across the Union, tradesmen are being rendered obsolete by technological advancement. Savine dan Glokta, the daughter of the shining, shitty star of the First Law trilogy, has made her fortune by investing in such innovations and mercilessly milking their genius inventors for every mark of profit. Half of the story follows her on a trip to oversee the running of one of her investments, a trip which soon descends into riot, hostage-taking and a general shit-storm.
The rest of the story takes place in the North, where those Northmen are, once more, kicking up a fuss and trying to reclaim their land from the Union. These chapters focus on Rikke, the dogman's daughter, and Leo dan Brock, the Young Lion, as they fight against Black Calder and his crew.
Yes, this really is "First Law: The Next Generation". With very few exceptions, the main characters here are all the descendants of characters from the previous trilogy. What I couldn't quite come to terms with was the fact that Caul Shivers and Bremer dan Gorst seemed to have aged significantly less than I might have expected (based purely on my impression of their ages in the earlier books and other characters now).
The battle with the Northmen was pretty much a boiled-down version of the Heroes, and not all that enjoyable. Rikke was a new feature which just about saved this from utter tedium.
There was one exceptional scene revolving around the riot that Savine found herself in. This scene changed from one perspective to another seamlessly, truly like a scene from a film. This long chapter was so engaging and immersive I couldn't leave it unfinished.
Abercrombie's writing and dialogue once again shine through as top of the class.
However, what held the book back for me were the pace of the opening third (so much character introduction and yet so much of it is left to the reader based on the previous books), and the bulk of the chapters in the North. The rest of the book really felt new and exciting and thrilling, those sections really just felt like old hat.
The rest of the story takes place in the North, where those Northmen are, once more, kicking up a fuss and trying to reclaim their land from the Union. These chapters focus on Rikke, the dogman's daughter, and Leo dan Brock, the Young Lion, as they fight against Black Calder and his crew.
Yes, this really is "First Law: The Next Generation". With very few exceptions, the main characters here are all the descendants of characters from the previous trilogy. What I couldn't quite come to terms with was the fact that Caul Shivers and Bremer dan Gorst seemed to have aged significantly less than I might have expected (based purely on my impression of their ages in the earlier books and other characters now).
The battle with the Northmen was pretty much a boiled-down version of the Heroes, and not all that enjoyable. Rikke was a new feature which just about saved this from utter tedium.
There was one exceptional scene revolving around the riot that Savine found herself in. This scene changed from one perspective to another seamlessly, truly like a scene from a film. This long chapter was so engaging and immersive I couldn't leave it unfinished.
Abercrombie's writing and dialogue once again shine through as top of the class.
However, what held the book back for me were the pace of the opening third (so much character introduction and yet so much of it is left to the reader based on the previous books), and the bulk of the chapters in the North. The rest of the book really felt new and exciting and thrilling, those sections really just felt like old hat.