Search
Search results
Flapper: A Madcap Story of Sex, Style, Celebrity, and the Women Who Made America Modern
5.0
Rate It
Book
Blithely flinging aside the Victorian manners that kept her disapproving mother corseted, the New...
1920s
The Rise and Fall of the Dinosaurs: A New History of a Lost World
7.0
Rate It
Book
A sweeping and revelatory new history of the age of dinosaurs, from one of our finest young...
War of Mist (The Oremere Chronicles #3)
8.0
Rate It
Book
War is here. Toxic mist drives all life to the brink of destruction and the conqueror queen, Ines,...
BankofMarquis (1832 KP) rated Guardians of the Galaxy Vol. 3 (2023) in Movies
May 6, 2023
A Return to Form for the MCU
Welcome back, MCU, we missed you.
With GUARDIANS OF THE GALAXY, VOLUME 3, the MCU has returned to the top ranks of movie-making, creating a thrilling, character-driven action/adventure that is emotionally charged and satisfying.
Directed and Written by James Gunn (as he has done with the first 2 Guardians films), Guardians 3 ties off the trilogy of this ragtag group of heroes in an appropriate, fun way by focusing on something that recent MCU films failed to do - it focuses on the characters and their relationships and how the out-of-this-world adventure that they are on will, ultimately, grow and enrich these characters and relationships.
Chris Pratt (Star-Lord), Zoe Saldana (Gamora), Dave Bautista (Drax), Pom Klementieff (Mantis) and the voice of Vin Diesel (Groot) are all back and they all slip, comfortably, into their roles and relationships and it feels good to have them back together again.
Karen Gillan (Nebula) and, especially, Bradley Cooper (the voice of Rocket Racoon) shine above the rest as the script calls for their characters to grow in smart, fulfilling ways and both actors shine in these circumstances.
This film also has something that the previous few films - especially the latest Ant-Man film - were lacking…a terrific villain. Chukwudi Iwuji is terribly scary as THE HIGH EVOLUTIONARY who is so single-minded in his mission that living beings - and planets - are expendable. It is a terrific performance (and the 2nd straight strong one from Iwuji in a comic book vehicle, following his work in the HBO-MAX DCU TV Series Peacemaker). He is a talent to keep an eye on.
Of course, credit to all of this goes to James Gunn who, after some controversy, returned to helm the end of the Guardians trilogy (at least the Guardians of the Galaxy with THESE characters) and he hits the mark, finding the right blend of action and character that makes the audience care very much what happens to this group. It is a strong exit film from the MCU for Gunn and the DCU is very lucky/smart to hire him as their artistic director going forward.
A very rewarding end to the Guardians trilogy - and a return to form (at least for 1 film) for the MCU.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
With GUARDIANS OF THE GALAXY, VOLUME 3, the MCU has returned to the top ranks of movie-making, creating a thrilling, character-driven action/adventure that is emotionally charged and satisfying.
Directed and Written by James Gunn (as he has done with the first 2 Guardians films), Guardians 3 ties off the trilogy of this ragtag group of heroes in an appropriate, fun way by focusing on something that recent MCU films failed to do - it focuses on the characters and their relationships and how the out-of-this-world adventure that they are on will, ultimately, grow and enrich these characters and relationships.
Chris Pratt (Star-Lord), Zoe Saldana (Gamora), Dave Bautista (Drax), Pom Klementieff (Mantis) and the voice of Vin Diesel (Groot) are all back and they all slip, comfortably, into their roles and relationships and it feels good to have them back together again.
Karen Gillan (Nebula) and, especially, Bradley Cooper (the voice of Rocket Racoon) shine above the rest as the script calls for their characters to grow in smart, fulfilling ways and both actors shine in these circumstances.
This film also has something that the previous few films - especially the latest Ant-Man film - were lacking…a terrific villain. Chukwudi Iwuji is terribly scary as THE HIGH EVOLUTIONARY who is so single-minded in his mission that living beings - and planets - are expendable. It is a terrific performance (and the 2nd straight strong one from Iwuji in a comic book vehicle, following his work in the HBO-MAX DCU TV Series Peacemaker). He is a talent to keep an eye on.
Of course, credit to all of this goes to James Gunn who, after some controversy, returned to helm the end of the Guardians trilogy (at least the Guardians of the Galaxy with THESE characters) and he hits the mark, finding the right blend of action and character that makes the audience care very much what happens to this group. It is a strong exit film from the MCU for Gunn and the DCU is very lucky/smart to hire him as their artistic director going forward.
A very rewarding end to the Guardians trilogy - and a return to form (at least for 1 film) for the MCU.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank (ofMarquis)
Connor Sheffield (293 KP) rated Vikings - Season 1 in TV
May 15, 2017
Historically Accurate in terms of culture (2 more)
Doesn't hold back on the gore and grim nature of Vikings
Great Character development
A Historically accurate fantasy series
Vikings was a show that I didn't begin watching until it was already 3 seasons in. However it is a show that I instantly fell in love with because it was very different from any show like it.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Many shows these days such as Game Of Thrones and Vikings, etc. are becoming more daring with reaching a specific audience rather than the wider audience gained through less graphically violent shows. These shows are not afraid to show us a blade slicing through someones flesh or the blood pouring out of the wounds.
Vikings, as known throughout history, have been recorded as violent and brutish warriors who slaughtered hundreds of men and women during their travels to England and other European lands. The show does not hold back when it comes to portraying their brutality in battle. It is not all brutality and war though, as the drama aspect of this show, is shown through the main cast in their homeland of Scandinavia.
Ragnar is definitely a great character to follow as we watch him rise to become Jarl of his home town. Portrayed by Travis Fimmel (Warcraft: The Beginning / The Baytown Outlaws), the character of Ragnar Lothbrok is one we see develop in many different ways. Based upon the legend of a man of the same name, who, though recorded throughout history, is a character that some historians are unsure existed, thought his sons are definitely recorded to have existed. The only way I can explain this is that his legend is so incredible that there are some who chose to believe it and others who chose to believe it is simply stories made up by travelers and poets.
Either way, this show is a brilliant fantasy drama that combines fiction with historical accuracy. This first season follows Ragnar as he begins his journey to defy the Jarl of Kattegat and sail towards England to raid, pillage and bring back treasure unlike anything the north had ever seen.
The soundtrack to the series is also brilliant and really brings the scenes of the films to life, and give them a beautiful atmosphere that sucks you into the moment, and leaves you on the edge of your seat.
With a great cast, excellent writers and great directing and cinematography, Vikings is beautiful, thrilling and horrifying and certainly, in my opinion, one of the greatest shows I have ever watched.
Jamie (131 KP) rated Dead by Daylight in Video Games
Jul 15, 2017
Genuinely fun & thrilling (2 more)
Survive with Friends & Kill Your Friends modes are both fun
Steep learning curve that rewards skilled players
Riddled with bugs and easily exploited (2 more)
Toxic community
Useless ranking system
Fun horror themed multiplayer action
It's been almost a year since DBD was first released and for me it's been a year of both joy and frustration. I love the game, it's still one of my favorites, and it's an absolute blast to play with friends. The developers have made signifcant progress since launch in terms of fixing bugs, rebalancing mechanics, and adding content both to keep the game fresh but also to improve the quality of life for both survivors and killers. When I first started it was genuinely tense until I got used to the game, and the Halloween update last year brought back the old scares at least for a little while even for relatively seasoned players. It's nice to see that the dev team is still actively working on the game.
With that said, while I recommend this game I do so cautiously. On release the game was riddled with bugs and had serious issues with the queue system, and while some of the issues with both of those things have been fixed there are still some glaring problems that don't seem to have any easy fixes. The game can be easy to abuse and there have been problems in the past with cheaters and bots (thankfully not so much anymore). Game lobbies are peer to peer which means that survivors will be at the mercy of the other person's internet connection. There is a ranking system that means next to nothing as there are no end of season rewards, just a steam achievement and bragging rights.
Add in the fact that this game is extremely competitive, you'll pretty regularly run into some salty people. You get killers that camp, survivors that abuse infinites, and on occasion the random angry messages and trash talk on steam. A good number of the folks I used to play with ended up rage quitting for one reason or another, so this game can have that effect on folks.
Overall though, I still enjoy DBD on occasion, I like to see the new stuff that gets added or fixed. While the bugs, occasional long queue times, and lag can be extremely frustrating at times I feel that the good outweighs the bad. As long as you don't take it too seriously and just have fun it can be a really enjoyable, especially with the right people.
With that said, while I recommend this game I do so cautiously. On release the game was riddled with bugs and had serious issues with the queue system, and while some of the issues with both of those things have been fixed there are still some glaring problems that don't seem to have any easy fixes. The game can be easy to abuse and there have been problems in the past with cheaters and bots (thankfully not so much anymore). Game lobbies are peer to peer which means that survivors will be at the mercy of the other person's internet connection. There is a ranking system that means next to nothing as there are no end of season rewards, just a steam achievement and bragging rights.
Add in the fact that this game is extremely competitive, you'll pretty regularly run into some salty people. You get killers that camp, survivors that abuse infinites, and on occasion the random angry messages and trash talk on steam. A good number of the folks I used to play with ended up rage quitting for one reason or another, so this game can have that effect on folks.
Overall though, I still enjoy DBD on occasion, I like to see the new stuff that gets added or fixed. While the bugs, occasional long queue times, and lag can be extremely frustrating at times I feel that the good outweighs the bad. As long as you don't take it too seriously and just have fun it can be a really enjoyable, especially with the right people.
Ross (3284 KP) rated Awaken Online: Retribution (Side Quest) in Books
Mar 1, 2019
A nice little side-story but a different feel to the main books
Retribution is a side-story from the LitRPG Awaken Online series, where Riley, one of the main characters, takes some time out to carry out a quest of her own.
The brilliance of Awaken Online, aside from the storytelling and the novelty of having a main character with an "evil" alignment, is the sheer scale of it. Jason, the main character, summons zombies and skeletons to engage in large scale battles and assaults, and the focus of the books quickly became quite large-scale. The action is very much strategic where Jason orchestrates the attacks and defences from a distance, using all the weapons at his disposal to great, at time devastating, effect.
It is refreshing here to take a bit of a breather from all of that and focus more on a smaller scale. At the end of the second AO book, Riley was rewarded with an intriguing bow as a prize for completing an epic dungeon task. That reward came with a quest to complete to maximise the weapon's abilities. This book tells the story of Riley on that quest alone. Due to that reason, and her not being the same class as Jason, the book has a very different feel to it. The action is not large-scale and strategic, it is small-scale and pretty frantic at times.
The first half rattles along really well, with us getting more appreciation for Riley's personal life outside the game of Awaken Online, and the troubles she is facing at school. On her quest she quickly falls in with a gang of other players heading the same way, and she helps them to improve their skills. Once in the magic city of Vaerwald, the book takes on a different feel again, as the city feels more like early industrial than medieval. Here Riley sets out investigating an apparent "magic plague" that seems to have struck down some children and is spreading.
There are some thrilling set piece action sequences in the later stages of the book, and some great character development for Riley.
I hope the story here has more of a bearing on the final book in the main series as I can see some scope for this.
Overall, an engaging distraction from the somewhat heavier main books, with a different feel. While the book itself is quite short, it felt like a dragged a little in places, but has continued the overall world's story.
The brilliance of Awaken Online, aside from the storytelling and the novelty of having a main character with an "evil" alignment, is the sheer scale of it. Jason, the main character, summons zombies and skeletons to engage in large scale battles and assaults, and the focus of the books quickly became quite large-scale. The action is very much strategic where Jason orchestrates the attacks and defences from a distance, using all the weapons at his disposal to great, at time devastating, effect.
It is refreshing here to take a bit of a breather from all of that and focus more on a smaller scale. At the end of the second AO book, Riley was rewarded with an intriguing bow as a prize for completing an epic dungeon task. That reward came with a quest to complete to maximise the weapon's abilities. This book tells the story of Riley on that quest alone. Due to that reason, and her not being the same class as Jason, the book has a very different feel to it. The action is not large-scale and strategic, it is small-scale and pretty frantic at times.
The first half rattles along really well, with us getting more appreciation for Riley's personal life outside the game of Awaken Online, and the troubles she is facing at school. On her quest she quickly falls in with a gang of other players heading the same way, and she helps them to improve their skills. Once in the magic city of Vaerwald, the book takes on a different feel again, as the city feels more like early industrial than medieval. Here Riley sets out investigating an apparent "magic plague" that seems to have struck down some children and is spreading.
There are some thrilling set piece action sequences in the later stages of the book, and some great character development for Riley.
I hope the story here has more of a bearing on the final book in the main series as I can see some scope for this.
Overall, an engaging distraction from the somewhat heavier main books, with a different feel. While the book itself is quite short, it felt like a dragged a little in places, but has continued the overall world's story.
Billie Wichkan (118 KP) rated Final Betrayal (Detective Lottie Parker, #6) in Books
May 22, 2019
She lifted the flap of the envelope and pulled out the single white page. As she opened it up she stared, open mouthed. Four words were typed on the page. I am watching you.
When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and dont arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.
The case is given to Detective Lottie Parker, when the girls blood-soaked bodies are found, days later, in a derelict squat. Chillingly, both girls are clutching silver coins in their hands what message is this killer leaving behind? All the signs point to Conor but his alibi is water tight.
As Lottie examines Penny and Amys final days alive in a desperate search for clues, two more girls are found stabbed to death in a luxury apartment complex. Caught up in what is fast becoming her toughest case yet, Lottie is unaware that somebody is watching her every move.
Then Lotties two daughters, Katie and Chloe suddenly disappear from the town centre. Terrified that the killer has her girls, the stakes have never been higher for Lottie.
But as Lottie puts everything on the line to find her daughters and solve the case, shes about to find herself in terrible danger someone has a personal axe to grind with her and they know the best way to get to her is to hurt the ones she loves the most.
This is book #6 of the D.I. Lottie Parker series. It can be read as a standalone novel.
This book is fast paced and full of action. The story line twists and turns and kept me hooked from the very first page.
When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and dont arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.
Full of red herrings, thrilling circumstances, and dark and devious characters; 'Final Betrayal' is an atmospheric, twisted read and I LOVED every second of it
Looking forward to the next one already.
Highly recommend reading.
I would like to thank Netgalley and Bookouture for an advance copy of Final Betrayal.
When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and dont arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.
The case is given to Detective Lottie Parker, when the girls blood-soaked bodies are found, days later, in a derelict squat. Chillingly, both girls are clutching silver coins in their hands what message is this killer leaving behind? All the signs point to Conor but his alibi is water tight.
As Lottie examines Penny and Amys final days alive in a desperate search for clues, two more girls are found stabbed to death in a luxury apartment complex. Caught up in what is fast becoming her toughest case yet, Lottie is unaware that somebody is watching her every move.
Then Lotties two daughters, Katie and Chloe suddenly disappear from the town centre. Terrified that the killer has her girls, the stakes have never been higher for Lottie.
But as Lottie puts everything on the line to find her daughters and solve the case, shes about to find herself in terrible danger someone has a personal axe to grind with her and they know the best way to get to her is to hurt the ones she loves the most.
This is book #6 of the D.I. Lottie Parker series. It can be read as a standalone novel.
This book is fast paced and full of action. The story line twists and turns and kept me hooked from the very first page.
When Amy Whyte and Penny Brogan leave a local nightclub in the early hours of Sunday morning and dont arrive home, their families are beside themselves with worry. Conor Dowling has just been released from prison, a man full of hatred for Amy, the girl who put him behind bars in the first place.
Full of red herrings, thrilling circumstances, and dark and devious characters; 'Final Betrayal' is an atmospheric, twisted read and I LOVED every second of it
Looking forward to the next one already.
Highly recommend reading.
I would like to thank Netgalley and Bookouture for an advance copy of Final Betrayal.
Movie Metropolis (309 KP) rated Taken 3 (2015) in Movies
Jun 11, 2019
Impossible to recommend
The first Taken propelled Liam Neeson to action man stardom and became one of the most surprising hits of 2009. Its successor to some extent managed to capture the same thrilling suspense despite its ridiculous 12A certification.
Despite Neeson’s efforts to shut the series down, he decided to return as Bryan Mills for his final outing, Taken 3, but can it hold a candle to its predecessors?
No is the short answer. Everything from Neeson’s phoned-in performance to the horrific camerawork and poor special effects ensure it becomes the first turkey of 2015, and by the end, you’ll wish it was you being taken – out of the cinema.
Taken 3 follows Mills as he tries to evade the LAPD after he is wrongly accused of killing his wife Lenny – played by Famke Janssen who wasliamneeson clearly more interested in the paycheque than anything else.
This is the first problem with the film. Showing the killing of Janssen’s character in the trailer makes the audience all too aware of where the film is going – destroying any suspense that you would expect from the murder of a series’ main character.
Maggie Grace returns as Kim, now looking like the world’s oldest teenager and is the only actor to leave the film with their reputation intact. Her performance is decent but the hammy, almost comedic dialogue she is given to work with spoils her credibility.
Taken-3-Movie-PosterA new addition is Forest Whitaker who plays the detective tasked with bringing Mills in, Franck Dotzler, though he again gives a career-worst performance.
As with its predecessor, Taken 3 suffers from a ridiculous 12A certification which means that Neeson is only able to look vaguely menacing. The action which was such an integral part of the first film is completely lost and becomes repetitive after seeing the 15th punch in a row.
Unfortunately, Oliver Megaton’s uninspiring direction only worsens things. Taking lessons from the Michael Bay school of cinematography, everything is ridiculously shaky, devoid of any suspense or tension at all.
The final act of Taken 3’s 109 minute running time alleviates the offerings somewhat but there’s a twist you can see coming from a mile away.
Overall, Neeson’s performances have always bettered some of the more average films of his career, but by the time the end credits role here it feels like Liam himself is fed up. From an incomprehensible script to bland performances, Taken 3 is a dire film which simply is impossible to give a recommendation.
https://moviemetropolis.net/2015/01/09/impossible-to-recommend-taken-3-review/
Despite Neeson’s efforts to shut the series down, he decided to return as Bryan Mills for his final outing, Taken 3, but can it hold a candle to its predecessors?
No is the short answer. Everything from Neeson’s phoned-in performance to the horrific camerawork and poor special effects ensure it becomes the first turkey of 2015, and by the end, you’ll wish it was you being taken – out of the cinema.
Taken 3 follows Mills as he tries to evade the LAPD after he is wrongly accused of killing his wife Lenny – played by Famke Janssen who wasliamneeson clearly more interested in the paycheque than anything else.
This is the first problem with the film. Showing the killing of Janssen’s character in the trailer makes the audience all too aware of where the film is going – destroying any suspense that you would expect from the murder of a series’ main character.
Maggie Grace returns as Kim, now looking like the world’s oldest teenager and is the only actor to leave the film with their reputation intact. Her performance is decent but the hammy, almost comedic dialogue she is given to work with spoils her credibility.
Taken-3-Movie-PosterA new addition is Forest Whitaker who plays the detective tasked with bringing Mills in, Franck Dotzler, though he again gives a career-worst performance.
As with its predecessor, Taken 3 suffers from a ridiculous 12A certification which means that Neeson is only able to look vaguely menacing. The action which was such an integral part of the first film is completely lost and becomes repetitive after seeing the 15th punch in a row.
Unfortunately, Oliver Megaton’s uninspiring direction only worsens things. Taking lessons from the Michael Bay school of cinematography, everything is ridiculously shaky, devoid of any suspense or tension at all.
The final act of Taken 3’s 109 minute running time alleviates the offerings somewhat but there’s a twist you can see coming from a mile away.
Overall, Neeson’s performances have always bettered some of the more average films of his career, but by the time the end credits role here it feels like Liam himself is fed up. From an incomprehensible script to bland performances, Taken 3 is a dire film which simply is impossible to give a recommendation.
https://moviemetropolis.net/2015/01/09/impossible-to-recommend-taken-3-review/
Hazel (1853 KP) rated Nirvana (Nirvana #1) in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Imagine a world without any bees. That is the world that J. R. Stewart conjures up in this new dystopian series, <i>Nirvana</i>. Twenty years from now, the bees have become extinct. There are no more trees, flowers, fruits or vegetables; and more animals have become extinct as a result. Young adult, Larissa, is living in a world that seems unimaginable, but not only is she dealing with this new way of life, she is also grieving the loss of her husband, Andrew.
Andrew was a scientist, an occupation that earned himself and Larissa a place in the Barracks where he could continue with his important research. They both believed they were lucky to receive this opportunity, but then Andrew went out on a mission and never came back. No matter how hard people try to convince her, Larissa cannot accept that her husband is dead, especially as she has seen him in <i>Nirvana</i> – a virtual reality world. As she struggles to piece together what is real and what is not, secrets are being uncovered that blur the lines between reality and the cybernetic domain.
<i>Nirvana </i>is an interesting concept. Firstly, the issue with the extinction of the bees is a very real concern for scientists at the moment. If bees were to die out there would be no pollination of the vital plants that humans use daily. Humanity would be faced with a future not unlike Larissa’s. Secondly, with the advance in computer technology, virtual reality has become a popular phenomenon in contemporary society, and with more expansion it is likely that something similar to Nirvana will be produced.
As a story, however, nothing exciting really happened. There was no major build up to the ending. Characters were suspected of hiding the truth from the very beginning and therefore it was no surprise when certain facts came to light later in the novel. <i>Nirvana</i> is also a very short first installment of the series, which does not give the story much chance to develop at an adequate pace, thus it is difficult to get our heads around the virtual reality concept that Stewart writes about.
Despite these misgivings there is the chance that the following novels in this series will become more thrilling as the truth begins to unravel about Andrew’s disappearance or death.
Imagine a world without any bees. That is the world that J. R. Stewart conjures up in this new dystopian series, <i>Nirvana</i>. Twenty years from now, the bees have become extinct. There are no more trees, flowers, fruits or vegetables; and more animals have become extinct as a result. Young adult, Larissa, is living in a world that seems unimaginable, but not only is she dealing with this new way of life, she is also grieving the loss of her husband, Andrew.
Andrew was a scientist, an occupation that earned himself and Larissa a place in the Barracks where he could continue with his important research. They both believed they were lucky to receive this opportunity, but then Andrew went out on a mission and never came back. No matter how hard people try to convince her, Larissa cannot accept that her husband is dead, especially as she has seen him in <i>Nirvana</i> – a virtual reality world. As she struggles to piece together what is real and what is not, secrets are being uncovered that blur the lines between reality and the cybernetic domain.
<i>Nirvana </i>is an interesting concept. Firstly, the issue with the extinction of the bees is a very real concern for scientists at the moment. If bees were to die out there would be no pollination of the vital plants that humans use daily. Humanity would be faced with a future not unlike Larissa’s. Secondly, with the advance in computer technology, virtual reality has become a popular phenomenon in contemporary society, and with more expansion it is likely that something similar to Nirvana will be produced.
As a story, however, nothing exciting really happened. There was no major build up to the ending. Characters were suspected of hiding the truth from the very beginning and therefore it was no surprise when certain facts came to light later in the novel. <i>Nirvana</i> is also a very short first installment of the series, which does not give the story much chance to develop at an adequate pace, thus it is difficult to get our heads around the virtual reality concept that Stewart writes about.
Despite these misgivings there is the chance that the following novels in this series will become more thrilling as the truth begins to unravel about Andrew’s disappearance or death.