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BookwormMama14 (18 KP) rated An Elegant Façade (Hawthorne House, #2) in Books
Jan 2, 2019
How much is Lady Georgina willing to risk to protect her secret? Will she be able to keep up her façade long enough to land a titled husband who will protect her at all costs? First things first...I have NEVER read a book quite like this. And I LOVE it!!! The storyline overlaps A Noble Masquerade from both Lady Georgina's and Colin McCrae's perspective. Giving us a whole new level to the story. Simply brilliant. (Kristi, I am happy you were able to retain a bit of sanity while writing it, the result is beautiful!!!) We revisit several scenes and now I want to go back and reread the original scenes in A Noble Masquerade. Kristi weaves the story together so beautifully. Both intriguing and refreshing, there is not a dull moment between the covers of this book. Lady Georgina's character definitely lives up to the expectations presented to us in both the novella and the first book of the series. I fully expected her to be self-centered and snobbish and that is how she begins. However, her secret (and no, I'm not telling you what it is) adds a new dimension to her character that produced compassion in me, for her (yes I am shocked myself). Her journey and growth is astonishing to behold. And I can say that I am truly proud of the person that she becomes. And can I just say, "Lord bless Colin McCrae." Annie over on Just Commonly has already called dibs on Colin, which is fine with me. But he is one of the most charming and by far a favorite hero of mine. His growing admiration of Georgina was thrilling to see unfold before my eyes, and closely mirrored my own feelings about her. Faith and self acceptance play a big role in this book. Not only being ok with who you are and how God created you, but thriving in that knowledge that God accepts us for who we are. It is truly important to realise how valued we are, not just by God, but our friends and family as well. And above all, there is nothing too great to keep the Father's love from us. I am even more excited now for Trent's story in An Uncommon Courtship scheduled to come out in January 2017.
I received a free copy of An Elegant Façade from the author in exchange for my honest review. All opinions expressed are mine alone.
I received a free copy of An Elegant Façade from the author in exchange for my honest review. All opinions expressed are mine alone.
Phil Leader (619 KP) rated Jayden's Cybermountain (The Sanctum Series #1) in Books
Nov 15, 2019
I read this book on my recent holiday and it kept me enthralled, my eReader didn't leave my side and I was always itching to read a bit more to see what happened next.
At the start of the story Jayden is 11 and due to family problems is sleeping rough. One night he is given an opportunity to turn his life around from an unexpected source. Dubious at first, Jayden accepts and is soon settling into a new life, studying at a secret school where all the pupils are from disadvantaged backgrounds. Clearly there is a purpose behind the school, but what exactly is it?
This is a hard book to review simply because it's tough to give any idea of the story without spoiling it. And really this is a story I don't want to spoil for anyone.
Although aimed at young adults (particularly around 11, the same age as Jayden) as with all the best young adult fiction it's an excellent read for anyone.
The plot is really well handled; The journey of Jayden and his friends is one aspect, the purpose of the school another and the reader is kept on their toes by regular twists and turns. Some of these are totally unexpected, others are nicely flagged for the observant reader who will feel very pleased with themselves for having spotted the clue.
The characters are all clearly drawn and the descriptions are detailed enough to sketch them out out not laboured and allow enough space for the reader's imagination to add the finishing touches. All the main characters are very positive role models for young people and many will identify with them and hopefully appreciate how they develop. The writing moves at a really good pace and it is never slow and always grabs attention.
There are moments of humour - mostly around the student's antics either trying to break the rules or playing tricks on each other. Much darker threads are wound in with skill by Cope covering topics such as drug abuse, bullying and terrorism but these are never laboured and always dealt with sympathetically and optimistically. As a parent it is great to see these topics mentioned.
My 9-going-on-10 year old read this book and said it was 'great' and could he have 'more like that'. I don't think you could get a better recommendation.
Overall this is definitely a must read, not just for its target audience but anyone who wants to read a thoughtfully constructed, engaging and thrilling story. I will definitely be reading the sequel.
At the start of the story Jayden is 11 and due to family problems is sleeping rough. One night he is given an opportunity to turn his life around from an unexpected source. Dubious at first, Jayden accepts and is soon settling into a new life, studying at a secret school where all the pupils are from disadvantaged backgrounds. Clearly there is a purpose behind the school, but what exactly is it?
This is a hard book to review simply because it's tough to give any idea of the story without spoiling it. And really this is a story I don't want to spoil for anyone.
Although aimed at young adults (particularly around 11, the same age as Jayden) as with all the best young adult fiction it's an excellent read for anyone.
The plot is really well handled; The journey of Jayden and his friends is one aspect, the purpose of the school another and the reader is kept on their toes by regular twists and turns. Some of these are totally unexpected, others are nicely flagged for the observant reader who will feel very pleased with themselves for having spotted the clue.
The characters are all clearly drawn and the descriptions are detailed enough to sketch them out out not laboured and allow enough space for the reader's imagination to add the finishing touches. All the main characters are very positive role models for young people and many will identify with them and hopefully appreciate how they develop. The writing moves at a really good pace and it is never slow and always grabs attention.
There are moments of humour - mostly around the student's antics either trying to break the rules or playing tricks on each other. Much darker threads are wound in with skill by Cope covering topics such as drug abuse, bullying and terrorism but these are never laboured and always dealt with sympathetically and optimistically. As a parent it is great to see these topics mentioned.
My 9-going-on-10 year old read this book and said it was 'great' and could he have 'more like that'. I don't think you could get a better recommendation.
Overall this is definitely a must read, not just for its target audience but anyone who wants to read a thoughtfully constructed, engaging and thrilling story. I will definitely be reading the sequel.
LeftSideCut (3776 KP) rated Star Wars: Episode VIII - The Last Jedi (2017) in Movies
Dec 17, 2019
Without a shadow of doubt, The Last Jedi is the most divisive entry in the Star Wars saga. Some people absolutely loved it, others hated it with a deep rooted passion. Personally, I sit somewhere in the middle.
I would be lying if I said that I wasn't a little dissappointed with TLJ. After the fantastic (albeit safe AF) The Force Awakens, the tone of this follow up takes a sharp turn.
A huge focus of TLJ is Luke Skywalker, and his complete disinterest in the Jedi way. I found myself struggling to accept this at times. I almost felt like that although this was an interesting avenue to explore, it didn't fit quite right with the main storyline.
Another issue I took with TLJ is some of the character arcs attributed to a few of the cast. The focal point in this regard is Kylo Ren and Rey, which is fine, but characters set up in TFA ar forced into a backseat role. An example of this is Finn. In TFA, he was interesting, existing as a defective stormtrooper. It felt fresh! Now that he is a fully fledged rebel, he just has nothing to do, and spends most of his screen time bumbling around a really out of place casino planet, a scene which plays out like an extended scene from Austin Powers.
Poe Dameron is similar, here all he seems to do is argue with a new character played by (a completely wasted) Laura Dern. It just all seems a bit loose, and it's unclear where it wants to go at time.
I absolutely respect that Rian Johnson opted to go in a different path, but it misses the mark for me more often than not.
That being said, there is still plenty to like about TLJ. I really enjoy Adam Drivers performance as Kylo Ren once again, and definitely the most engaging character here. The connection between him and Rey is explored a bit more, and it definitely provides some of the films high points, including a thrilling and incredible looking fight scene in the Supreme Leader's throne room.
The action sequences look amazing as they did in TFA, and the whole finale scene set on Crait is incredibly striking and colourful.
As I said, I left the cinema feeling a little disheartened, but I still liked The Last Jedi. It has some high highs, and some frustrating lows, but us Star Wars fans are used to that by now!
I would be lying if I said that I wasn't a little dissappointed with TLJ. After the fantastic (albeit safe AF) The Force Awakens, the tone of this follow up takes a sharp turn.
A huge focus of TLJ is Luke Skywalker, and his complete disinterest in the Jedi way. I found myself struggling to accept this at times. I almost felt like that although this was an interesting avenue to explore, it didn't fit quite right with the main storyline.
Another issue I took with TLJ is some of the character arcs attributed to a few of the cast. The focal point in this regard is Kylo Ren and Rey, which is fine, but characters set up in TFA ar forced into a backseat role. An example of this is Finn. In TFA, he was interesting, existing as a defective stormtrooper. It felt fresh! Now that he is a fully fledged rebel, he just has nothing to do, and spends most of his screen time bumbling around a really out of place casino planet, a scene which plays out like an extended scene from Austin Powers.
Poe Dameron is similar, here all he seems to do is argue with a new character played by (a completely wasted) Laura Dern. It just all seems a bit loose, and it's unclear where it wants to go at time.
I absolutely respect that Rian Johnson opted to go in a different path, but it misses the mark for me more often than not.
That being said, there is still plenty to like about TLJ. I really enjoy Adam Drivers performance as Kylo Ren once again, and definitely the most engaging character here. The connection between him and Rey is explored a bit more, and it definitely provides some of the films high points, including a thrilling and incredible looking fight scene in the Supreme Leader's throne room.
The action sequences look amazing as they did in TFA, and the whole finale scene set on Crait is incredibly striking and colourful.
As I said, I left the cinema feeling a little disheartened, but I still liked The Last Jedi. It has some high highs, and some frustrating lows, but us Star Wars fans are used to that by now!
LeftSideCut (3776 KP) rated The Walking Dead - Season 9 in TV
Feb 6, 2020
Clawing its way back
Contains spoilers, click to show
After a hugely underwhelming couple of seasons, it's nice to see TWD back on a stronger path, with a new showrunner, and new time setting (more on that in a minute).
After All Out War came to a climax at the end of season 8, Rick and co. are now looking towards building a new life. Truly bringing the communities together, including those who remain if The Saviours. It's a fair slow burn start, but the tension between the various camps and those still loyal to Negan is enough to keep things interesting enough.
And then of course, along came Rick Grimes' last episode. Andrew Lincoln has been a massive part of TWD from day one, so his departure is a big deal. The episode itself is pretty powerful, sharing some genuinely emotional moments with visions of characters that are long gone - the then recent passing of actor Scott Wilson (Hershel) was particularly moving - and it concluded Ricks involvement with TWD nicely, whilst leaving the doors wide open for the upcoming movies.
By the episodes end, were thrown a time jump of 7 years, and this is where the bulk of the season unfolds.
The time jump feels like a fresh start, were spared the mourning of Rick's apparent death, and we get to see the communities some time down the line. Characters like Michonne, Carol, Judith, Negan - all feel familiar yet so different. It's an interesting oath to take, but one I think benefited the show as a whole.
The mid-season finale is genuinely thrilling, as we're introduced to The Whisperers, the best villains since The Governor.
Their involvement has injected a genuine feeling of horror back into TWD, that has been missing for a few years.
They're lead by the unhinged, and ruthless Alpha (a fantastic Samantha Morton), and just like that, TWD feels tense once again.
A few new characters (Magna etc) are introduced, and I honestly hated all of them at first, but they grew in me by the end. Same goes for Henry and some of the other teenagers - the first generation to have been born and raised during the zombie apocalypse, another interesting direction.
The season ends with an infamous plot beat from the comic series, and I was left excited for the future of TWD for the first time in a while.
With the show coming to an apparent close in the next few years, I'm hoping that this is the start of a strong conclusion. It's certainly a step in the right direction!
After All Out War came to a climax at the end of season 8, Rick and co. are now looking towards building a new life. Truly bringing the communities together, including those who remain if The Saviours. It's a fair slow burn start, but the tension between the various camps and those still loyal to Negan is enough to keep things interesting enough.
And then of course, along came Rick Grimes' last episode. Andrew Lincoln has been a massive part of TWD from day one, so his departure is a big deal. The episode itself is pretty powerful, sharing some genuinely emotional moments with visions of characters that are long gone - the then recent passing of actor Scott Wilson (Hershel) was particularly moving - and it concluded Ricks involvement with TWD nicely, whilst leaving the doors wide open for the upcoming movies.
By the episodes end, were thrown a time jump of 7 years, and this is where the bulk of the season unfolds.
The time jump feels like a fresh start, were spared the mourning of Rick's apparent death, and we get to see the communities some time down the line. Characters like Michonne, Carol, Judith, Negan - all feel familiar yet so different. It's an interesting oath to take, but one I think benefited the show as a whole.
The mid-season finale is genuinely thrilling, as we're introduced to The Whisperers, the best villains since The Governor.
Their involvement has injected a genuine feeling of horror back into TWD, that has been missing for a few years.
They're lead by the unhinged, and ruthless Alpha (a fantastic Samantha Morton), and just like that, TWD feels tense once again.
A few new characters (Magna etc) are introduced, and I honestly hated all of them at first, but they grew in me by the end. Same goes for Henry and some of the other teenagers - the first generation to have been born and raised during the zombie apocalypse, another interesting direction.
The season ends with an infamous plot beat from the comic series, and I was left excited for the future of TWD for the first time in a while.
With the show coming to an apparent close in the next few years, I'm hoping that this is the start of a strong conclusion. It's certainly a step in the right direction!
Gareth von Kallenbach (980 KP) rated Gone Girl (2014) in Movies
Aug 6, 2019
Let me start by saying that the novel Gone Girl is a fantastic piece of literature. Author Gillian Flynn writes a wickedly deceptive story through the use of characterization and voice that is not only a rousing read, but also a gripping one that allows the reader to understand just exactly who the players are in this thrilling story.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
With this in mind, I was concerned that there was no way this film could capture the dark side of the characters and the story being told. I am glad to say that I was wrong. While the typical statement of “the book is better” does apply here, director David Fincher crafts a film that audiences will be able to understand and fill in the blanks of the devious motivations of the characters based on what is seen on screen. This is a refreshing theater experience as I feel that most novel adaptations often lead to lazy filmmaking that assumes the audience is familiar with the source material. Perhaps Fincher is helped by the fact that Gillian Flynn herself wrote the screen adaptation of her novel, keeping the most important elements in play.
Ben Affleck plays Nick Dunne, an introspective “nice” guy who finds himself the primary suspect in the missing persons/murder investigation of his wife Amy, played by Rosamund Pike. The two shine in their performances. They each took their characters from the pages of the book, breathed life into them and embodied Nick and Amy on screen. Combine them with a strong supporting cast of Carrie Coon, Kim Dickens, Neil Patrick Harris and Tyler Perry, who gave performances that were neither lost nor forgettable. This is important as each are needed to provide contrast to the main characters and propel the story forward.
Though this film is not perfect, if there is any one gripe I have about this movie, it’s that a simple line of missed dialogue may cause the theater patron to miss something important to the story, such as the significance of the woodshed. However this is a small gripe as I feel that the pacing of the film and the constant advancement of the story will keep most patrons’ attention and keep them interested in the destiny of the characters.
If you are a reader, I would recommend reading the book first to get into the minds of the characters and truly feel the thrill of this story. However, if you haven’t the time or just don’t like to read, you won’t be disappointed with this strong film adaptation.
Phillip McSween (751 KP) rated Haunt (2019) in Movies
Feb 15, 2020
Not Thought-Provoking But Fun!
In Haunt, a group of friends experience terror like no other when they go to a haunted house expecting a scare. For a movie that wasn’t done by a major studio, I have to say it ain’t half bad.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
Acting: 10
Beginning: 3
If it wasn’t for such a slow start, I would definitely have put Haunt on the great level. Things don’t get moving nearly as fast as you like making me wonder if the rest of the movie was going to be like this. Fortunately things do pick up and, once things get rolling, the movie is good to go.
Characters: 7
The antagonists in this movie are super creepy, creepy enough to keep you entertained the whole movie. Meanwhile, the friends that are stalked can be pretty cardboard and plain, although I did appreciate how character development was worked in with a select few. It ultimately kept the story interesting.
Cinematography/Visuals: 8
Conflict: 10
The creepiness level is on 1,000 here as there is danger around every turn. The movie definitely keeps you guessing, building on intensity scene after scene like a true-to-form horror movie. I loved that I was scared when I didn’t need to be. I also appreciated that, once the movie kicks into gear, no shot is wasted from that point on. Conflict abounds consistently throughout.
Entertainment Value: 7
Memorability: 8
The movie succeeds by providing a lot of different setpieces that remain etched in your memory. The kills aren’t half bad either. Sure, it’s not the most thought-provoking film, but not bad as slashers go.
Pace: 10
Plot: 5
Resolution: 10
This movie ramps up the intensity right up to its thrilling conclusion where probably one of the most awesome kills in the film happens. I always gripe about the payoff in scary movies and how they can sometimes end abruptly so as to preserve a sequel. Haunt avoids that pitfall and goes all in with its ending that’s both engaging and fun.
Overall: 78
I would say this isn’t a bad movie to watch if it’s October and you’re tired of the same old Krueger and Jason song and dance. Had the characters been a twinge more interesting and the beginning hit with a little more boom, I would be leaning more towards the side of great horror to watch anytime. I love when independent horror and sci-fi hit the mark.
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