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BookInspector (124 KP) rated Baby Doll in Books
Sep 24, 2020
When I read the description of this book, I was ready to enjoy the long and thrilling escape, with lots of twists along the way, but to my disappointment that didn’t happen. The first few chapters gave me the hope, so I carried on, and then decided to continue just to see what will happen.
This book is actually what happens after you escape your kidnapper and go back to safety. The victim who got away in this book was Lilly, during captive years she delivered a daughter Sky. Lilly has a twin sister Abby, and their mother Eve. The villain in this book is Rick – a high school teacher and a psychopath. The whole story of this book is told by Lilly, Abby, Eve, and Rick. The author made the whole plot into nicely flowing, continuous story, told by four different and unique characters.
Every character had their way of telling the story. Lilly was the sweet girl, who suffered immensely, and that tragedy follows her in everything she does, even though she is free. Abby is the rebel twin sister, who sees the whole situation in a more aggressive way, and all she wants is revenge. Eve is the mother, who struggles between their daughters and her own happiness. Rick is a sociopath/psychopath, who justifies his cruelty and doesn’t see any fault of his actions. I am really grateful when authors put into the story, what murderers and psychopaths think, I find it very interesting and amusing to read. It’s just mesmerizing, how messed up some people can be, even though they look like normal, respected citizens of the society. So there are plenty of characters to choose from, and my favourite was Abby. She knew what had to be done, and did it.
Even though the plot was not what I expected, it was still quite a page turner, because author brought in some unexpected turns and twists in this book, which left me surprised. There is quite a bit of psychological suspense in this thriller, opening up the post-traumatic state of mind and difficult adjustment into the society. Hollie Overton is an identical twin herself, and it was really lovely, the way she wrote about the connection between twins, that bond and sacrifices are truly magical to me.
The writing style of this book was easy to read and enjoyable. Even though it doesn’t have the nastiness which Lilly suffered in detail, it still contains some strong language due to Abby’s strong character. Another plus from me to this book was short chapters, which made it a quick and more suspenseful novel. I liked the way author ended this book, with yet another turn in the story, changing many lives and futures. So, even though it does not promise exciting escape, it still brings its subtle turns and twists, playing and manipulating with character’s different states of mind.
This book is actually what happens after you escape your kidnapper and go back to safety. The victim who got away in this book was Lilly, during captive years she delivered a daughter Sky. Lilly has a twin sister Abby, and their mother Eve. The villain in this book is Rick – a high school teacher and a psychopath. The whole story of this book is told by Lilly, Abby, Eve, and Rick. The author made the whole plot into nicely flowing, continuous story, told by four different and unique characters.
Every character had their way of telling the story. Lilly was the sweet girl, who suffered immensely, and that tragedy follows her in everything she does, even though she is free. Abby is the rebel twin sister, who sees the whole situation in a more aggressive way, and all she wants is revenge. Eve is the mother, who struggles between their daughters and her own happiness. Rick is a sociopath/psychopath, who justifies his cruelty and doesn’t see any fault of his actions. I am really grateful when authors put into the story, what murderers and psychopaths think, I find it very interesting and amusing to read. It’s just mesmerizing, how messed up some people can be, even though they look like normal, respected citizens of the society. So there are plenty of characters to choose from, and my favourite was Abby. She knew what had to be done, and did it.
Even though the plot was not what I expected, it was still quite a page turner, because author brought in some unexpected turns and twists in this book, which left me surprised. There is quite a bit of psychological suspense in this thriller, opening up the post-traumatic state of mind and difficult adjustment into the society. Hollie Overton is an identical twin herself, and it was really lovely, the way she wrote about the connection between twins, that bond and sacrifices are truly magical to me.
The writing style of this book was easy to read and enjoyable. Even though it doesn’t have the nastiness which Lilly suffered in detail, it still contains some strong language due to Abby’s strong character. Another plus from me to this book was short chapters, which made it a quick and more suspenseful novel. I liked the way author ended this book, with yet another turn in the story, changing many lives and futures. So, even though it does not promise exciting escape, it still brings its subtle turns and twists, playing and manipulating with character’s different states of mind.
Hazel (1853 KP) rated The Boy I Am in Books
Dec 22, 2020
Imagine a world where women are safe from men. Imagine a world where women are in charge. Imagine a world where men no longer reduce women to something to flirt with or dismiss as beneath them. This is the way of life in K. L. Kettle's dystopian novel The Boy I Am. War has left the Earth in ruins, and it is no longer safe to go outside, yet humanity is surviving in tall, secure tower blocks overseen by the Chancellor. Men and boys are confined to the basement floors as a punishment for their behaviour during the war. To earn their right to live on the upper floors, they must learn to behave like a gentleman, and never look at a woman's skin without their permission.
The protagonist, Jude, is running out of time to earn the right to live amongst the women. If he does not gain a sponsor, he faces a future in the dangerous mines. Yet, Jude is not sure he wants to live with the women, who have demeaned him for his gender since his birth. He has seen another side to them and believes the Chancellor has killed his best friend. Jude wants to escape, risk the poisonous fog outside and search for a better life. To do this, the Chancellor must die.
The way women treat men and boys is uncomfortable to read. Female readers, in particular, may have experienced similar treatment at the hands of men. Feminists desire an equal world, but there is the risk of going too far the other way. Yet, as Jude discovers, it is not as black and white as Female versus Male. An underground gang of women known as Hysterics are also trying to escape. They want to save themselves and the boys from a society not run by women, but by the elite.
K. L. Kettle explains her intentions behind the novel in a letter to the reader at the end of the book. She quotes Lord Acton's (1834-1902) proverb "absolute power corrupts absolutely" and questions if everyone is equal, does everyone have the ability to abuse the power they have? What may have seemed a good idea for humanity after the war, has become an oppressive state where no one is safe from those in power, not even the women. The Chancellor controls everyone, but Jude and the Hysterics are determined to take that power away from her.
Telling the story from Jude's perspective highlights the faults in today's societies. Many are unaware of the belittling behaviour happening around them, but when the roles are reversed, they are obvious. The Boy I Am is both thrilling and eye-opening, challenging gender roles and power dynamics in general. Those who have read books such as Noughts and Crosses by Malorie Blackman are guaranteed to enjoy K. L. Kettle's novel.
The protagonist, Jude, is running out of time to earn the right to live amongst the women. If he does not gain a sponsor, he faces a future in the dangerous mines. Yet, Jude is not sure he wants to live with the women, who have demeaned him for his gender since his birth. He has seen another side to them and believes the Chancellor has killed his best friend. Jude wants to escape, risk the poisonous fog outside and search for a better life. To do this, the Chancellor must die.
The way women treat men and boys is uncomfortable to read. Female readers, in particular, may have experienced similar treatment at the hands of men. Feminists desire an equal world, but there is the risk of going too far the other way. Yet, as Jude discovers, it is not as black and white as Female versus Male. An underground gang of women known as Hysterics are also trying to escape. They want to save themselves and the boys from a society not run by women, but by the elite.
K. L. Kettle explains her intentions behind the novel in a letter to the reader at the end of the book. She quotes Lord Acton's (1834-1902) proverb "absolute power corrupts absolutely" and questions if everyone is equal, does everyone have the ability to abuse the power they have? What may have seemed a good idea for humanity after the war, has become an oppressive state where no one is safe from those in power, not even the women. The Chancellor controls everyone, but Jude and the Hysterics are determined to take that power away from her.
Telling the story from Jude's perspective highlights the faults in today's societies. Many are unaware of the belittling behaviour happening around them, but when the roles are reversed, they are obvious. The Boy I Am is both thrilling and eye-opening, challenging gender roles and power dynamics in general. Those who have read books such as Noughts and Crosses by Malorie Blackman are guaranteed to enjoy K. L. Kettle's novel.
Becs (244 KP) rated Hollow City: The Second Novel of Miss Peregrine's Children in Books
Oct 2, 2019
Hollow City: The Second Novel of Miss Peregrine’s Peculiar Children by Ransom Riggs
Synopsis: September 3, 1940. Ten peculiar children flee an army of deadly monsters. And only one person can help them—but she’s trapped in the body of a bird. The extraordinary journey that began in Miss Peregrine’s Home for Peculiar Children continues as Jacob Portman and his newfound friends journey to London, the peculiar capital of the world. There, they hope to find a cure for their beloved headmistress, Miss Peregrine. But in this war-torn city, hideous surprises lurk around every corner. And before Jacob can deliver the peculiar children to safety, he must make an important decision about his love for Emma Bloom.
Genre: Fantasy, Young Adult, Paranormal, Fiction
Audience/Reading Level: Middle School+
Interests: Fantasy, Young Adult, Paranormal
Style: Light Read
Point of View: Third Person
Difficulty Reading: It was a very easy read and know even younger individuals will be able to understand what the underlying meaning of the story is.
Promise: Like its predecessor, this second novel in the Peculiar Children series blends thrilling fantasy with newly discovered (and thoroughly mesmerizing) vintage photography to create a one-of-a-kind reading experience that will delight readers of all ages.
Quality: Like your favorite cake with extra whip cream and ice cream. 😉
Insights: When I first read this series, I read Tales of the Peculiar by Ransom Riggs first to get a better understanding of the characters since I had a feeling that there was going to be a lot of references to it. I was right. I honestly fell in love with this series and love the way that Ransom Riggs writes. It just captures my attention and transports me into a world of fantasy that is a great escape from reality!
Favorite Quotes: “Laughing doesn’t make bad things worse any more than crying makes them better.”
“There was romance in the unknown, but once a place had been discovered and cataloged and mapped, it was diminished, just another dusty fact in a book, sapped of mystery. So maybe it was better to leave a few spots on the map blank. To let the world keep a little of its magic, rather than forcing it to divulge every last secret. Maybe it was better, now and then, to wonder.”
What will you gain: A love of a new fantasy world that will make you wish, you too were a part of the Peculiar children’s world.
Aesthetics: I absolutely love the vintage style this series has. The photographs help give an idea of who and what the characters look like. The way that Ransom Riggs writes, just draws anybody of any age into the plot and storyline, like an enchantment that takes you from the real world, into a world filled with magic, hope, love, and adventure.
“Some truths are expressed best in the form of myth.”
Synopsis: September 3, 1940. Ten peculiar children flee an army of deadly monsters. And only one person can help them—but she’s trapped in the body of a bird. The extraordinary journey that began in Miss Peregrine’s Home for Peculiar Children continues as Jacob Portman and his newfound friends journey to London, the peculiar capital of the world. There, they hope to find a cure for their beloved headmistress, Miss Peregrine. But in this war-torn city, hideous surprises lurk around every corner. And before Jacob can deliver the peculiar children to safety, he must make an important decision about his love for Emma Bloom.
Genre: Fantasy, Young Adult, Paranormal, Fiction
Audience/Reading Level: Middle School+
Interests: Fantasy, Young Adult, Paranormal
Style: Light Read
Point of View: Third Person
Difficulty Reading: It was a very easy read and know even younger individuals will be able to understand what the underlying meaning of the story is.
Promise: Like its predecessor, this second novel in the Peculiar Children series blends thrilling fantasy with newly discovered (and thoroughly mesmerizing) vintage photography to create a one-of-a-kind reading experience that will delight readers of all ages.
Quality: Like your favorite cake with extra whip cream and ice cream. 😉
Insights: When I first read this series, I read Tales of the Peculiar by Ransom Riggs first to get a better understanding of the characters since I had a feeling that there was going to be a lot of references to it. I was right. I honestly fell in love with this series and love the way that Ransom Riggs writes. It just captures my attention and transports me into a world of fantasy that is a great escape from reality!
Favorite Quotes: “Laughing doesn’t make bad things worse any more than crying makes them better.”
“There was romance in the unknown, but once a place had been discovered and cataloged and mapped, it was diminished, just another dusty fact in a book, sapped of mystery. So maybe it was better to leave a few spots on the map blank. To let the world keep a little of its magic, rather than forcing it to divulge every last secret. Maybe it was better, now and then, to wonder.”
What will you gain: A love of a new fantasy world that will make you wish, you too were a part of the Peculiar children’s world.
Aesthetics: I absolutely love the vintage style this series has. The photographs help give an idea of who and what the characters look like. The way that Ransom Riggs writes, just draws anybody of any age into the plot and storyline, like an enchantment that takes you from the real world, into a world filled with magic, hope, love, and adventure.
“Some truths are expressed best in the form of myth.”
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Ryan Hill (152 KP) rated Ant-Man (2015) in Movies
May 10, 2019
"I Know a Guy"
I've been a comic book junkie all my life. I have, however, never been really interested in Ant-Man. It's not an easy super hero to fall for. It is therefore to me all the more astonishing they managed to pull it off so well in this troubled production.
There are only a handful of ways to treat an origin story an Ant-Man breaks no molds there. It hits every single beat you'd expect it to, builds up the story like you'd expect it to and concludes it like you'd expect it to. So it is left to the moments in between and the schwung with which it delivers them to make the film. And it works like a charm.
Every time I felt myself getting a bit annoyed with yet another piece of expository dialogue or predictable plot development, it sideswiped me with a fantastic action sequence, hilarious fight scene or the utterly brilliant Michael Peña. There is so much clever entertainment chucked into the film that it was very easy for me to just say 'Fuck it' and enjoy the ride.
What I loved about it was the toned down treatment of the bizarreness of the super powers. It would have been very easy to go completely overboard with this, but Reed actually manages to bring a level headedness to the fantastical which I appreciated and which actually strengthened what they were basically trying to instill in Rudd's character, some semblance of identifiable humanity. As much as I love Wright, I'm perhaps one of the few people who don't think he would have been able to restrain himself and gone the route of Scott Pilgrim which is not something that would have worked I feel.
Rudd is excellent and plays it straight, casting off a vibe of 'What the hell am I doing?' very successfully. He is likable and his transformation into this unlikely hero worked mainly because of the way he played it. The rest of the cast is great (CGI-Michael Douglas will haunt me forever) and Michael Peña truly is stellar. Give him his own film. Please.
The main attraction in this type of film is usually the action. And while the action in this is fantastic, there is surprisingly little of it, making the final confrontation actually something to look forward to And boy does it deliver. It uses the potential of the, let's be honest, silliness of the powers to its fullest, making it what it should be. A thrilling ride.
Ant-Man surprised me. Wright's involvement is palpable, which is good. But its main attraction lies in the simple fact that it is effortlessly entertaining. Fun, funny and exciting. Exactly what it should be.
There are only a handful of ways to treat an origin story an Ant-Man breaks no molds there. It hits every single beat you'd expect it to, builds up the story like you'd expect it to and concludes it like you'd expect it to. So it is left to the moments in between and the schwung with which it delivers them to make the film. And it works like a charm.
Every time I felt myself getting a bit annoyed with yet another piece of expository dialogue or predictable plot development, it sideswiped me with a fantastic action sequence, hilarious fight scene or the utterly brilliant Michael Peña. There is so much clever entertainment chucked into the film that it was very easy for me to just say 'Fuck it' and enjoy the ride.
What I loved about it was the toned down treatment of the bizarreness of the super powers. It would have been very easy to go completely overboard with this, but Reed actually manages to bring a level headedness to the fantastical which I appreciated and which actually strengthened what they were basically trying to instill in Rudd's character, some semblance of identifiable humanity. As much as I love Wright, I'm perhaps one of the few people who don't think he would have been able to restrain himself and gone the route of Scott Pilgrim which is not something that would have worked I feel.
Rudd is excellent and plays it straight, casting off a vibe of 'What the hell am I doing?' very successfully. He is likable and his transformation into this unlikely hero worked mainly because of the way he played it. The rest of the cast is great (CGI-Michael Douglas will haunt me forever) and Michael Peña truly is stellar. Give him his own film. Please.
The main attraction in this type of film is usually the action. And while the action in this is fantastic, there is surprisingly little of it, making the final confrontation actually something to look forward to And boy does it deliver. It uses the potential of the, let's be honest, silliness of the powers to its fullest, making it what it should be. A thrilling ride.
Ant-Man surprised me. Wright's involvement is palpable, which is good. But its main attraction lies in the simple fact that it is effortlessly entertaining. Fun, funny and exciting. Exactly what it should be.
Interesting and very intriguing
Trigger Warnings: talk of rape, drug abuse, torture
When I first put this on, I was just putting it on as background noise while I worked on art. But I ended up becoming drawn into the thriller and mysteriousness of the story.
Chambers begins with the MC, Sasha Yazzie telling her father, Frank, that she is going out to study. But in reality, she's going out with her boyfriend TJ Locklear - in the hopes that she will lose her virginity. The couple goes into a mattress shop to do the deed when Sasha's head starts pounding. She ends up passing out and rushed to the hospital.
Months later, we see the scar from a heart transplant. Sasha had a heart attack, which was very random and rare. She is miserable from missing a ton of school, having to be on anti-rejection pills for the rest of her life, and for everyone treating her like a porcelain doll.
One day, she walks into Frank's shop and meets Ben Lefevre who was the father of Becky, the teenage girl who gave Sasha her heart. Sasha is deeply creeped out when Ben asks for Frank and her to come to dinner. But when she goes to refuse, Frank agrees since he empathizes with the family.
When they arrive, Sasha is peppered with questions about her ambitions from Nancy, Becky's mother and snarky comments from Becky's brother, Elliot. The Lefevres tell Sasha that they are taking Becky's college fund and establishing a scholarship that they want her to have. Sasha soon sees a picture of Becky and eventually starts having visions, a major one happens during an Arizona dust storm that forces the Yazzies to stay at the Lefevres' house.
Sasha accepts the scholarship where she attends Becky's old school. This new school is very upper class, I mean it has "nap rooms" and "life coaches" and not all of Becky's old friends are reluctant to be friends. Sasha finds out via a few of Becky's old friends how exactly Becky died, but it doesn't make sense at all. The show continues on with a few twists and turns, a few trigger scenes, and was captivating.
Chambers is an odd yet enthralling show that also gives a foreboding tone. The creator doesn't hide some of the messages you see in the first episode, but it's all things we've seen done before. Like the Lefevres having it all while the Yazzies are a working-class family. The main reason why I kept watching until the very end was the mystery surrounding Becky's death and Rose's performance as Sasha. Throughout the episodes, you can see that Sasha doesn't go around "stopping and smelling the roses" all because she was given another chance to live. She resents the heart and just wants to be a normal teen again. Which is totally understandable. Getting an organ transplant is a hard thing to go through, especially at such a young age like under 17 years old.
If you're into thrilling mysteries that have a bit foreshadowing, I highly recommend Chambers. You can stream it on Netflix!
When I first put this on, I was just putting it on as background noise while I worked on art. But I ended up becoming drawn into the thriller and mysteriousness of the story.
Chambers begins with the MC, Sasha Yazzie telling her father, Frank, that she is going out to study. But in reality, she's going out with her boyfriend TJ Locklear - in the hopes that she will lose her virginity. The couple goes into a mattress shop to do the deed when Sasha's head starts pounding. She ends up passing out and rushed to the hospital.
Months later, we see the scar from a heart transplant. Sasha had a heart attack, which was very random and rare. She is miserable from missing a ton of school, having to be on anti-rejection pills for the rest of her life, and for everyone treating her like a porcelain doll.
One day, she walks into Frank's shop and meets Ben Lefevre who was the father of Becky, the teenage girl who gave Sasha her heart. Sasha is deeply creeped out when Ben asks for Frank and her to come to dinner. But when she goes to refuse, Frank agrees since he empathizes with the family.
When they arrive, Sasha is peppered with questions about her ambitions from Nancy, Becky's mother and snarky comments from Becky's brother, Elliot. The Lefevres tell Sasha that they are taking Becky's college fund and establishing a scholarship that they want her to have. Sasha soon sees a picture of Becky and eventually starts having visions, a major one happens during an Arizona dust storm that forces the Yazzies to stay at the Lefevres' house.
Sasha accepts the scholarship where she attends Becky's old school. This new school is very upper class, I mean it has "nap rooms" and "life coaches" and not all of Becky's old friends are reluctant to be friends. Sasha finds out via a few of Becky's old friends how exactly Becky died, but it doesn't make sense at all. The show continues on with a few twists and turns, a few trigger scenes, and was captivating.
Chambers is an odd yet enthralling show that also gives a foreboding tone. The creator doesn't hide some of the messages you see in the first episode, but it's all things we've seen done before. Like the Lefevres having it all while the Yazzies are a working-class family. The main reason why I kept watching until the very end was the mystery surrounding Becky's death and Rose's performance as Sasha. Throughout the episodes, you can see that Sasha doesn't go around "stopping and smelling the roses" all because she was given another chance to live. She resents the heart and just wants to be a normal teen again. Which is totally understandable. Getting an organ transplant is a hard thing to go through, especially at such a young age like under 17 years old.
If you're into thrilling mysteries that have a bit foreshadowing, I highly recommend Chambers. You can stream it on Netflix!
Movie Metropolis (309 KP) rated Mission: Impossible – Rogue Nation (2015) in Movies
Jun 11, 2019
Relentless and action packed
The Mission: Impossible franchise has had something of a resurgence over the course of its five films. The first film in the series was praised for its thrilling action and commanding turn from Tom Cruise.
The following two films failed to recapture what made the original such a hit, despite being popular at the box-office. 2011’s Ghost Protocol ensured the franchise still had a pulse and four years later Cruise returns in Rogue Nation. But does it continue the upward trend?
Series newcomer Christopher McQuarrie directs a slick if massively overlong film that is supported by the strengths of its leading stars and Cruise in particular proves there’s no limits to his prowess as an action hero.
Rogue Nation follows Cruise’s Ethan Hunt as he tries to prove the existence of a criminal syndicate, intent on destroying the hard work the IMF has done over the last films.
It’s a nice twist on a story that has been done to death in Rogue Nation’s predecessors and ensures the wheels keep turning nicely on this ever-popular franchise, though at times it can feel a little like the plot is steamrolling ahead and leaving you behind to fill in the missing pieces.
Cruise stars alongside Jeremy Renner, Simon Pegg, Alec Baldwin and the ever-beautiful Rebecca Ferguson as he goes about avoiding thugs and the CIA across what feels like every country on the planet.
At 131 minutes, McQuarrie manages to cram in a lot of action and a lot of scenery and the result is a film that feels overstuffed and a little like a very expensive tourist brochure. There’s also some blatant product placement for BMW that smacks you in the face with its lack of subtlety.
This is a real shame as the action sequences are slickly shot and beautifully choreographed and the fact that Cruise does the majority of his own stunt-work gives a sense of realism not matched by many other films – there’s just too much of it.
Nevertheless, Ferguson and Cruise have real chemistry and their scenes together are positively sizzling, helped in part by an almost operatic soundtrack that punches above what the genre asks for.
Perhaps the most impressive thing about Rogue Nation is its lack of predictability. There are numerous red herrings making it nearly impossible to plan where the film is going and where it is going to end – a real plus point in my eyes.
The ending is a little anti-climactic after two hours of non-stop car chases, motorcycle races and explosions but it leaves itself open for yet another sequel, which is more than likely.
Overall, Rogue Nation is a relentless film that is very well filmed and for the most part, exceptionally paced. It’s not quite up there with the original, but in sequel terms, it’s one of the best and your mission, should you choose to accept it is to go and watch it too.
Gosh that theme tune is catchy!
https://moviemetropolis.net/2015/08/02/relentless-and-action-packed-mission-impossible-rogue-nation-review/
The following two films failed to recapture what made the original such a hit, despite being popular at the box-office. 2011’s Ghost Protocol ensured the franchise still had a pulse and four years later Cruise returns in Rogue Nation. But does it continue the upward trend?
Series newcomer Christopher McQuarrie directs a slick if massively overlong film that is supported by the strengths of its leading stars and Cruise in particular proves there’s no limits to his prowess as an action hero.
Rogue Nation follows Cruise’s Ethan Hunt as he tries to prove the existence of a criminal syndicate, intent on destroying the hard work the IMF has done over the last films.
It’s a nice twist on a story that has been done to death in Rogue Nation’s predecessors and ensures the wheels keep turning nicely on this ever-popular franchise, though at times it can feel a little like the plot is steamrolling ahead and leaving you behind to fill in the missing pieces.
Cruise stars alongside Jeremy Renner, Simon Pegg, Alec Baldwin and the ever-beautiful Rebecca Ferguson as he goes about avoiding thugs and the CIA across what feels like every country on the planet.
At 131 minutes, McQuarrie manages to cram in a lot of action and a lot of scenery and the result is a film that feels overstuffed and a little like a very expensive tourist brochure. There’s also some blatant product placement for BMW that smacks you in the face with its lack of subtlety.
This is a real shame as the action sequences are slickly shot and beautifully choreographed and the fact that Cruise does the majority of his own stunt-work gives a sense of realism not matched by many other films – there’s just too much of it.
Nevertheless, Ferguson and Cruise have real chemistry and their scenes together are positively sizzling, helped in part by an almost operatic soundtrack that punches above what the genre asks for.
Perhaps the most impressive thing about Rogue Nation is its lack of predictability. There are numerous red herrings making it nearly impossible to plan where the film is going and where it is going to end – a real plus point in my eyes.
The ending is a little anti-climactic after two hours of non-stop car chases, motorcycle races and explosions but it leaves itself open for yet another sequel, which is more than likely.
Overall, Rogue Nation is a relentless film that is very well filmed and for the most part, exceptionally paced. It’s not quite up there with the original, but in sequel terms, it’s one of the best and your mission, should you choose to accept it is to go and watch it too.
Gosh that theme tune is catchy!
https://moviemetropolis.net/2015/08/02/relentless-and-action-packed-mission-impossible-rogue-nation-review/