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Ross (3284 KP) rated Domino Strays in Books
Sep 3, 2020 (Updated Sep 3, 2020)
Great comic novel
I received an advance copy of this book from the publishers in exchange for an honest review.
I have to admit to being a little disappointed when I realised this was an actual novel rather than a graphic novel. It had been filed as a graphic novel on netgalley and I was looking forward to my first reading of a Domino comic. However, once I started this disappointment evaporated. This is a wonderfully told and thrilling, charming book.
The story switches from different times through Domino's life so is very much an origin story. We have when Domino was growing up in a variation of Wolverine's Weapon X programme, as Project Armageddon sought to create the perfect soldier. Domino was one output from that programme, as she developed the mutant ability to have luck on her side. Then we have her time in an orphanage, having escaped the programme. Then her mission to track down the person who might have been responsible for her upbringing and finally her present mission, to rescue two adolescents who have been brainwashed by a cult leader. These different time periods are covered throughout the book, layering up her back story as we follow her on her current mission. This is superbly woven together, and we have almost parallel storylines near the end, her infiltrating Project Armageddon and her sneaking into the cult's base. A few times this got a little muddled in my head, but served to wonderfully draw a parallel between her upbringing and that of the non-mutant, more traditional cult.
Domino is accompanied on her later mission by Black Widow amongst others (the characters' real names are generally used, so it was fun to try and track down which Marvel characters they actually were), but she is very much the leader of her merc crew.
The storyline is good, combining plenty of backstory and exciting missions, with excellently narrated action sequences. I don't tend to like first person books as much as third person, but this angle gave Domino a much more likable personality, having a fair chunk of her friend Deadpool's humour, mixed with Rogue's childhood trauma and Wolverine's anger at experimentation.
As noted in Deadpool 2, having luck on your side isn't a superpower, and it isn't very cinematic. Domino's power is not overly laboured in the book, and it isn't used to make her seen completely invulnerable to injury. She uses it sparingly because luck going her way in a fight (bullets being deflected etc) can have adverse consequences for those around her. It was used when absolutely needed, but she has so many capabilities that she barely did.
This is a really great book that gives so much more backstory to a lesser-known Marvel character than could have been achieved in a graphic novel. A very strong female cast of role models.
The only downside was the overuse of footnotes which didn't tend to add much to the story, other than witty asides, and are quite frustrating on a kindle.
I have to admit to being a little disappointed when I realised this was an actual novel rather than a graphic novel. It had been filed as a graphic novel on netgalley and I was looking forward to my first reading of a Domino comic. However, once I started this disappointment evaporated. This is a wonderfully told and thrilling, charming book.
The story switches from different times through Domino's life so is very much an origin story. We have when Domino was growing up in a variation of Wolverine's Weapon X programme, as Project Armageddon sought to create the perfect soldier. Domino was one output from that programme, as she developed the mutant ability to have luck on her side. Then we have her time in an orphanage, having escaped the programme. Then her mission to track down the person who might have been responsible for her upbringing and finally her present mission, to rescue two adolescents who have been brainwashed by a cult leader. These different time periods are covered throughout the book, layering up her back story as we follow her on her current mission. This is superbly woven together, and we have almost parallel storylines near the end, her infiltrating Project Armageddon and her sneaking into the cult's base. A few times this got a little muddled in my head, but served to wonderfully draw a parallel between her upbringing and that of the non-mutant, more traditional cult.
Domino is accompanied on her later mission by Black Widow amongst others (the characters' real names are generally used, so it was fun to try and track down which Marvel characters they actually were), but she is very much the leader of her merc crew.
The storyline is good, combining plenty of backstory and exciting missions, with excellently narrated action sequences. I don't tend to like first person books as much as third person, but this angle gave Domino a much more likable personality, having a fair chunk of her friend Deadpool's humour, mixed with Rogue's childhood trauma and Wolverine's anger at experimentation.
As noted in Deadpool 2, having luck on your side isn't a superpower, and it isn't very cinematic. Domino's power is not overly laboured in the book, and it isn't used to make her seen completely invulnerable to injury. She uses it sparingly because luck going her way in a fight (bullets being deflected etc) can have adverse consequences for those around her. It was used when absolutely needed, but she has so many capabilities that she barely did.
This is a really great book that gives so much more backstory to a lesser-known Marvel character than could have been achieved in a graphic novel. A very strong female cast of role models.
The only downside was the overuse of footnotes which didn't tend to add much to the story, other than witty asides, and are quite frustrating on a kindle.
Thirteen Souls: Martial Arts Fighting Games
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*This app has no In-App Purchase. TouchArcade – “Thirteen Souls is an upcoming fighting game...
Lionheart: Dark Moon
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Pick up and play this brand new mobile RPG with stunning graphics and animation! Build your...
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RəX Regent (349 KP) rated Bad Boys II (2003) in Movies
Feb 25, 2019
What ya gonna do
this time?
Contains spoilers, click to show
Whilst the first outing of the Bad Boys shocked me by how good it actually was, this one left me a little disappointed. I was hardly expecting an Oscar winning deal here, as this was always going to be a Michael Bay adrenalin rush, but for a film with a two and a half hour running time, the adrenalin came in too short a bursts.
Bad Boys was Bay's first film and was but a taster of his over the top film making, which first arrives in The Rock a year afterwards, but this made eight years later was obviously going to take this to the next level, if not several levels further than that. But to me, it didn't. Granted, the action was thrilling, outrageous and very enjoyable, but the character development was barely visible. They bicker, Lawrence moaned a lot and Smith was cool and likable but there was just a shell of what there should have been. The entire story, including what's left of their character dynamics are only present to set up the next great action sequence.
Then, the was the taste issue. The crux of the plot as it developed was that the drug dealing villains where using corpses to smuggle drugs, and this was used to "Comic Effect" in two major set-pieces. Though in the first, a car chase, it was black comedy as bodies came thick and fast from the back of a van to be run over by the pursuing cars, the second was pushing the boundaries in a to a more disturbing area.
A criticism levied at Michael Bay by British critic Mark Kermode has been that he is a filmmaker with "pornographic sensibilities". Not just in the literal sense, but in the way that he views everything from cars, women and explosions for example. But this was no more clearly re- enforced than in a scene about 90 minutes in, when our two 'bad boys' are searching a morgue and after pulling back the sheets on fat white guys, they reveal a large breasted young woman, who is refer to as "The Bimbo" if my memory serves. It's worrying because I don't know whether this was being played for laughs or was supposed to be a titillating shot of a well endowed woman? Is it right to show a dead woman, who looks to have been strangled to death and referred to a bimbo in a mainstream 15 certificated movie?
I don't want to sound like a prude but the tone of this and pretty much every scene with the bodies being used, seemed to be in plain Bad, BAD taste and though this humour can play well in the right genre of movie, this just simply wasn't the film to do it in, in my opinion. But, that criticism aside, my main issues are the pacing. It was just too hollow to sustain its running time and my mind was beginning to wander from time to time between the spectacular action and the few moments of decent comedy.
It just didn't have the magic of the 90′s actioner, a genre which had faded considerably by the early 2000′s, and without offering anything new besides improved action, which was worth the ticket or DVD price in its own right, or even retaining the original character of the original, this was a sequel failed to hold its own.
Bad Boys was Bay's first film and was but a taster of his over the top film making, which first arrives in The Rock a year afterwards, but this made eight years later was obviously going to take this to the next level, if not several levels further than that. But to me, it didn't. Granted, the action was thrilling, outrageous and very enjoyable, but the character development was barely visible. They bicker, Lawrence moaned a lot and Smith was cool and likable but there was just a shell of what there should have been. The entire story, including what's left of their character dynamics are only present to set up the next great action sequence.
Then, the was the taste issue. The crux of the plot as it developed was that the drug dealing villains where using corpses to smuggle drugs, and this was used to "Comic Effect" in two major set-pieces. Though in the first, a car chase, it was black comedy as bodies came thick and fast from the back of a van to be run over by the pursuing cars, the second was pushing the boundaries in a to a more disturbing area.
A criticism levied at Michael Bay by British critic Mark Kermode has been that he is a filmmaker with "pornographic sensibilities". Not just in the literal sense, but in the way that he views everything from cars, women and explosions for example. But this was no more clearly re- enforced than in a scene about 90 minutes in, when our two 'bad boys' are searching a morgue and after pulling back the sheets on fat white guys, they reveal a large breasted young woman, who is refer to as "The Bimbo" if my memory serves. It's worrying because I don't know whether this was being played for laughs or was supposed to be a titillating shot of a well endowed woman? Is it right to show a dead woman, who looks to have been strangled to death and referred to a bimbo in a mainstream 15 certificated movie?
I don't want to sound like a prude but the tone of this and pretty much every scene with the bodies being used, seemed to be in plain Bad, BAD taste and though this humour can play well in the right genre of movie, this just simply wasn't the film to do it in, in my opinion. But, that criticism aside, my main issues are the pacing. It was just too hollow to sustain its running time and my mind was beginning to wander from time to time between the spectacular action and the few moments of decent comedy.
It just didn't have the magic of the 90′s actioner, a genre which had faded considerably by the early 2000′s, and without offering anything new besides improved action, which was worth the ticket or DVD price in its own right, or even retaining the original character of the original, this was a sequel failed to hold its own.
Phillip McSween (751 KP) rated Creed (2015) in Movies
May 28, 2019
About More Than Just Punching...but the Punching is Good Too
Adonis Creed (Michael B. Jordan), son of former heavyweight champion Apollo Creed, looks to follow in his father’s footsteps and become a legend in his own right.
Acting: 10
The wheels of Creed don’t turn without a stellar performance from star Michael B. Jordan as Adonis. I love what he does with the character, moving with a humble grit and intensity that lets you know that this won’t just be another Rocky character. Tessa Thompson matches his sincerity with realness playing the role of Bianca, love interest of Adonis. She is sensational as Bianca with a smile that can light up a room and the chill attitude of an average person you might meet on the street. Of course Sylvester Stallone does what he does best playing the role that he was born to play in Rocky Balboa. He’s a little older and a little wiser, yet, at his core, Stallone captures the essence of the character we have grown to love over the last forty years.
Beginning: 6
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
The conflict comes not just from the boxing matches, but in the knowing of Adonis trying to rise through the ranks. You see where he is at and rooting for where he ends up. The opponents he faces off against are more seasoned making it fun to watch Adonis’ progression as he continues to improve from the young punk that got knocked on his ass in the gym at the beginning of the movie. Watching the final matchup got me just as excited as when I watched Rocky take on the Russian.
Genre: 9
Almost as classic as the originals, Cinderella Man, or Raging Bull…but not quite. Those were movies that established the genre while this one transformed it. One of the absolute best in the realm of boxing.
Memorability: 10
The memorability comes in the journey. Despite being the son of a hall of fame boxer, Adonis doesn’t grow up with a silver spoon in his mouth. He has to really grind to get to a place of prominence and you get to be a part of that every single step of the way. Adonis has a dream that he can’t run from. From the first time you see him hit the mat to the thrilling conclusion, the movie is packed with memorable moments and a strong message about fighting for your dreams.
Pace: 10
The movie has enough in-the-ring action and training to keep the audience engaged. In between all of that awesomeness, it’s a treat watching the romance develop Adonis and Bianca as well. Creed never lingers too long in the “soft” spots. Before you know it the gloves are back on and we’re watching another showdown.
Plot: 10
Adonis has a dream that he can’t run from and the story doesn’t let him off the hook. I appreciated the unique spin on the “Father’s Foosteps” story. It’s not what you expect and it gives you yet another reason to root for Adonis. The story doesn’t have a ton of moving parts, but it does a fantastic job of doing a lot with a little.
Resolution: 10
Overall: 95
One of my favorite scenes in Creed is the first date between Adonis and Bianca. You hear about hopes and dreams and the obstacles that stand in the way. Watching these strar-crossed lovers succeed together drives the movie deeper than boxing. I hope this series continues to pack a punch for years to come.
Acting: 10
The wheels of Creed don’t turn without a stellar performance from star Michael B. Jordan as Adonis. I love what he does with the character, moving with a humble grit and intensity that lets you know that this won’t just be another Rocky character. Tessa Thompson matches his sincerity with realness playing the role of Bianca, love interest of Adonis. She is sensational as Bianca with a smile that can light up a room and the chill attitude of an average person you might meet on the street. Of course Sylvester Stallone does what he does best playing the role that he was born to play in Rocky Balboa. He’s a little older and a little wiser, yet, at his core, Stallone captures the essence of the character we have grown to love over the last forty years.
Beginning: 6
Characters: 10
Cinematography/Visuals: 10
Conflict: 10
The conflict comes not just from the boxing matches, but in the knowing of Adonis trying to rise through the ranks. You see where he is at and rooting for where he ends up. The opponents he faces off against are more seasoned making it fun to watch Adonis’ progression as he continues to improve from the young punk that got knocked on his ass in the gym at the beginning of the movie. Watching the final matchup got me just as excited as when I watched Rocky take on the Russian.
Genre: 9
Almost as classic as the originals, Cinderella Man, or Raging Bull…but not quite. Those were movies that established the genre while this one transformed it. One of the absolute best in the realm of boxing.
Memorability: 10
The memorability comes in the journey. Despite being the son of a hall of fame boxer, Adonis doesn’t grow up with a silver spoon in his mouth. He has to really grind to get to a place of prominence and you get to be a part of that every single step of the way. Adonis has a dream that he can’t run from. From the first time you see him hit the mat to the thrilling conclusion, the movie is packed with memorable moments and a strong message about fighting for your dreams.
Pace: 10
The movie has enough in-the-ring action and training to keep the audience engaged. In between all of that awesomeness, it’s a treat watching the romance develop Adonis and Bianca as well. Creed never lingers too long in the “soft” spots. Before you know it the gloves are back on and we’re watching another showdown.
Plot: 10
Adonis has a dream that he can’t run from and the story doesn’t let him off the hook. I appreciated the unique spin on the “Father’s Foosteps” story. It’s not what you expect and it gives you yet another reason to root for Adonis. The story doesn’t have a ton of moving parts, but it does a fantastic job of doing a lot with a little.
Resolution: 10
Overall: 95
One of my favorite scenes in Creed is the first date between Adonis and Bianca. You hear about hopes and dreams and the obstacles that stand in the way. Watching these strar-crossed lovers succeed together drives the movie deeper than boxing. I hope this series continues to pack a punch for years to come.