Search
Search results
LeftSideCut (3776 KP) rated Iron Man (2008) in Movies
Jan 27, 2020
Where it all began
After becoming essentially bankrupt in the mid 90s, Marvel Comics ended up selling off the film rights of their properties to various film studios, resulting in a decade of new superhero franchises varying in quality, from X-Men, to Dardevil, Spider-Man to Hulk, Blade to Ghost Rider, and so on.
As such, none of these films we ever close to being part of a connected universe.
Along comes 2008, and Marvel Comics and Kevin Feige hit the scene with their first offering from Marvel Studios. A company determined to just that, with the properties they still have left.
Before 2008, Iron Man was a beloved character to the comic book faithful. A lot of casual moviegoers had no idea who he was, and Iron Man was essentially a B-list risk. And now, in 2020, that couldn't be further from the truth. The trifecta of Iron Man, Tony Stark, and Robert Downey Jr. are arguably the premier face of Marvel, and it's all thanks to this fantastic B-list risk.
Director Jon Favreau wastes no time in introducing us to Tony himself, and RDJ does a fine job of letting us know just how arrogant, clever and sarcastic the titular hero is. When everything goes wrong and Tony ends up captive in a terrorist environment, were given a pretty gritty origin story to how Iron Man came to be.
As Tony is quickly forced into a situation where his life becomes fragile, we see a slow burning but evident change in his behaviour, and RDJ does a great job in sweeping the audience up alongside him in his path to becoming the people's hero.
It's a simple and effective origin template that has definitely been borrowed again in other MCU projects (looking at you Dr Strange), but it's easy to see why.
Along side Downey Jr is the always charismatic Jeff Bridges. He plays Obadiah Stane, a villain who has close ties to the Stark family, and is an imposing presence throughout. His character sees him go full super villain, which honestly cheapens his otherwise great performance. Also, in the ensuing clash between Iron Man and Iron Monger, this is the first of many MCU films to do the whole 'villain-is-just-an-evil-version-of-the-hero' trope, which is fine here (let's not forget - first MCU film after all), but did become annoyingly predictable here and there.
Gwyneth Paltrow is Pepper Potts, and I suitably charming in the role, and still remains a fan favourite now.
We also have Terrance Howard as James Rhodes, the future War Machine. I enjoyed him here, and it's evident that he had good chemistry with RDJ. It's a shame that he didn't stay on for more films, but that's money for you I guess!
Considering this film is entering it's 12th year of existence, the CGI still holds up incredibly well. The classic red and gold Iron Man suit is striking and looks great. The action scenes are pretty thrilling and fun, something that Marvel Studios have excelled in since, and just to top it all off, the now infamous post credit scene sets up the conjoined Avengers franchise that we all know and love.
Iron Man is a solid first effort from Marvel Studios, and set the MCU running out the gates, whilst simultaneously setting up a new injection of quality into Marvel movies.
As such, none of these films we ever close to being part of a connected universe.
Along comes 2008, and Marvel Comics and Kevin Feige hit the scene with their first offering from Marvel Studios. A company determined to just that, with the properties they still have left.
Before 2008, Iron Man was a beloved character to the comic book faithful. A lot of casual moviegoers had no idea who he was, and Iron Man was essentially a B-list risk. And now, in 2020, that couldn't be further from the truth. The trifecta of Iron Man, Tony Stark, and Robert Downey Jr. are arguably the premier face of Marvel, and it's all thanks to this fantastic B-list risk.
Director Jon Favreau wastes no time in introducing us to Tony himself, and RDJ does a fine job of letting us know just how arrogant, clever and sarcastic the titular hero is. When everything goes wrong and Tony ends up captive in a terrorist environment, were given a pretty gritty origin story to how Iron Man came to be.
As Tony is quickly forced into a situation where his life becomes fragile, we see a slow burning but evident change in his behaviour, and RDJ does a great job in sweeping the audience up alongside him in his path to becoming the people's hero.
It's a simple and effective origin template that has definitely been borrowed again in other MCU projects (looking at you Dr Strange), but it's easy to see why.
Along side Downey Jr is the always charismatic Jeff Bridges. He plays Obadiah Stane, a villain who has close ties to the Stark family, and is an imposing presence throughout. His character sees him go full super villain, which honestly cheapens his otherwise great performance. Also, in the ensuing clash between Iron Man and Iron Monger, this is the first of many MCU films to do the whole 'villain-is-just-an-evil-version-of-the-hero' trope, which is fine here (let's not forget - first MCU film after all), but did become annoyingly predictable here and there.
Gwyneth Paltrow is Pepper Potts, and I suitably charming in the role, and still remains a fan favourite now.
We also have Terrance Howard as James Rhodes, the future War Machine. I enjoyed him here, and it's evident that he had good chemistry with RDJ. It's a shame that he didn't stay on for more films, but that's money for you I guess!
Considering this film is entering it's 12th year of existence, the CGI still holds up incredibly well. The classic red and gold Iron Man suit is striking and looks great. The action scenes are pretty thrilling and fun, something that Marvel Studios have excelled in since, and just to top it all off, the now infamous post credit scene sets up the conjoined Avengers franchise that we all know and love.
Iron Man is a solid first effort from Marvel Studios, and set the MCU running out the gates, whilst simultaneously setting up a new injection of quality into Marvel movies.
Lyndsey Gollogly (2893 KP) rated Defiance (Rise of the Iliri #3) in Books
Mar 3, 2020
Contains spoilers, click to show
HER ONLY CHOICE IS TO CHANGE HER WORLD…
Salryc Luxx has come a long way in just four years, from slave to conscript, to elite Black Blade assassin, rising rapidly as her extraordinary abilities are revealed. Promoted to lieutenant after capturing a valuable shipment of metals and laying waste to the invading force, she and Cyno, her partner (in war and love), have been entrusted with a dangerous mission: to assassinate the King of Anglia and the five nobles in line for the throne, leaving the path to ascension clear for their own leader.
That’s one side of the story. The other is that she and Cyno have been assigned this suicide mission as Parliament’s first pass at removing the iliri taint from the military. Either way, without the strength of allies, the Conglomerate of Free Citizens cannot turn back the invaders, whose goal is to wipe out the whole iliri species, so Sal and Cyno are the only hope of ending the continental war devastating their species. Traveling for months, they are so far away from their home base that they’re beyond the mental link that connects the pack. They remain committed to their mission—and to each other, but… unhappily disturbed. They can only hope their separation from the pack bring them closer together. But the danger is, in the absence of the pack, their bond will wither.
A kind deed, helping what they take to be a wounded animal, leads to the discovery of their true nature, to strengthening and re-energizing their pack, and to a surprising alliance that offers hope for the future. The wounded animal, they learn, is a graour wolf, a species of ferocious warriors with language and traits nearly identical to iliri. When two of them ask to join her pack, Sal recruits them as Black Blades and the iliri are no longer the only dog in the fight for iliri freedom.
But Anglia is nothing like the Conglomerate of Free Citizens. Anglians discriminate based on gender, not species. Iliri are thought to be just a myth--until Sal shows her face. To convince the king and his council that yes, a woman really can be a soldier, she's going to have to make her own rules. The enemy is moving. She doesn't have time to deal with outdated court manners.
As the defiance of an entire species rises up in her, she really has no choice—she’ll just have to change the world.
Women readers will thrill to the reverse harem idea that pushes the boundaries of epic fantasy in this second world series that may remind some of Avatar without the scary beasts; or even Game Of Thrones, but happier, with more color—and a dazzling female protagonist. Fans of Anne McCaffrey’s Dragonriders of Pern will find Sal’s planet Ogun a thrilling destination for their next fantasy fix
They just keep getting better! Sal and Cyno are out on their own and they are kicking up a storm! We get to meet the Graour who the Iliri are descended from! We get a chance to see a whole new world building. I love the new characters and you are with them every step of the way on the battlefield it's also such a good feeling when the black blades are all back together and loving their new pack mates. It was only a matter of time before Cyno became her number 1 I'm glad Blaec took it well. Looking forward to book 4!
Salryc Luxx has come a long way in just four years, from slave to conscript, to elite Black Blade assassin, rising rapidly as her extraordinary abilities are revealed. Promoted to lieutenant after capturing a valuable shipment of metals and laying waste to the invading force, she and Cyno, her partner (in war and love), have been entrusted with a dangerous mission: to assassinate the King of Anglia and the five nobles in line for the throne, leaving the path to ascension clear for their own leader.
That’s one side of the story. The other is that she and Cyno have been assigned this suicide mission as Parliament’s first pass at removing the iliri taint from the military. Either way, without the strength of allies, the Conglomerate of Free Citizens cannot turn back the invaders, whose goal is to wipe out the whole iliri species, so Sal and Cyno are the only hope of ending the continental war devastating their species. Traveling for months, they are so far away from their home base that they’re beyond the mental link that connects the pack. They remain committed to their mission—and to each other, but… unhappily disturbed. They can only hope their separation from the pack bring them closer together. But the danger is, in the absence of the pack, their bond will wither.
A kind deed, helping what they take to be a wounded animal, leads to the discovery of their true nature, to strengthening and re-energizing their pack, and to a surprising alliance that offers hope for the future. The wounded animal, they learn, is a graour wolf, a species of ferocious warriors with language and traits nearly identical to iliri. When two of them ask to join her pack, Sal recruits them as Black Blades and the iliri are no longer the only dog in the fight for iliri freedom.
But Anglia is nothing like the Conglomerate of Free Citizens. Anglians discriminate based on gender, not species. Iliri are thought to be just a myth--until Sal shows her face. To convince the king and his council that yes, a woman really can be a soldier, she's going to have to make her own rules. The enemy is moving. She doesn't have time to deal with outdated court manners.
As the defiance of an entire species rises up in her, she really has no choice—she’ll just have to change the world.
Women readers will thrill to the reverse harem idea that pushes the boundaries of epic fantasy in this second world series that may remind some of Avatar without the scary beasts; or even Game Of Thrones, but happier, with more color—and a dazzling female protagonist. Fans of Anne McCaffrey’s Dragonriders of Pern will find Sal’s planet Ogun a thrilling destination for their next fantasy fix
They just keep getting better! Sal and Cyno are out on their own and they are kicking up a storm! We get to meet the Graour who the Iliri are descended from! We get a chance to see a whole new world building. I love the new characters and you are with them every step of the way on the battlefield it's also such a good feeling when the black blades are all back together and loving their new pack mates. It was only a matter of time before Cyno became her number 1 I'm glad Blaec took it well. Looking forward to book 4!
KalJ95 (25 KP) rated Resident Evil 3 (Remake) in Video Games
Apr 10, 2020
Nemesis. Oh, Nemesis. (1 more)
An action focused plot works more for Jill's experience in Racoon City.
Unbelievably short campaign. (2 more)
Cut corners for both the narrative and Nemesis.
Feels like downloadable content for RE2.
Nemesis of their own making.
RE3 is an enigma. After last years remake for RE2, I think the bar was set very high for RE3 to be on par, if not even better due to the introduction of the ultimate weapon in Nemesis. And although the action is amped up significantly, the horror is still here in buckets. So, this is another Resident Evil classic, revamped from the ground up, a classic for the current generation, right?
No, not in the slightest.
RE3 feels rushed, as if Capcom listened to fans begging for their next slice of nostalgia, and wanted to capitalise on the success of RE2. While RE2 felt like a continuous flow of Leon/Claire's story, RE3 feels like segments, all separated within cutscenes. This is more evident when you keep flitting between Jill and Carlos, both of whom don't have as much charisma or emotional weight as Claire or Leon. The opening is a blast of adrenaline and bullets, all contained within the beautifully burning remains of Racoon City. There is just enough exploration, puzzles and zombies to keep you satisfied. That is until Nemesis enters the game. As soon as the indestructible behemoth appears for a second time, the cat and mouse chase begins. Reminiscent of Mr X but on steroids, he simply never lets up, constantly on your back, looking to kill Jill whatever it takes. It's utterly relentless, thrilling, heart-pounding. This section was everything I expected RE3 to be.
Then everything collapsed under sections of nothing more than point and shoot. I know, this is RE, but the fear feels drained from the experience. Nemesis himself becomes a background character, simply added to the story just for boss battles. His pursuit of Jill doesn't feel spontaneous, but scripted, exactly the opposite of Mr X. The realisation of how disappointed I felt towards RE3 was when I discovered sections of the game were simply reused from RE2. The creativity that went into RE2 was so meticulous, crafted and positioned for the players experience. When I entered the Police Station with Carlos, a mass onslaught of zombies gathered in one section, only meant for me to rain bullets upon them. And this is the issue with the entire experience. Its nothing more than a five hour storm of sections of shooting monsters.
I do hate this game though. RE3 is fun, and anything remotely like last years experience I will play and enjoy. The story of Jill's residency in Racoon City being turned upside down over the space of a few days is excellent, and the new sections are all well fleshed out and great to explore, especially Racoon City and the Hospital. Its extremely short, and for a full retail price I think its absolutely scandalous, but there's so much replay value here.
If I had to end the review here, I want to end it on a message solely centred at Capcom. Why, in the name of God did you focus your time on the multiplayer mode, Resistance, rather than properly making RE3 a full experience? The past tells you Resident Evil doesn't work well mixed with multiplayer. For as much fun I had within my four hours and thirty two minute playthrough, this game is nothing more than DLC for RE2. And that hurts.
No, not in the slightest.
RE3 feels rushed, as if Capcom listened to fans begging for their next slice of nostalgia, and wanted to capitalise on the success of RE2. While RE2 felt like a continuous flow of Leon/Claire's story, RE3 feels like segments, all separated within cutscenes. This is more evident when you keep flitting between Jill and Carlos, both of whom don't have as much charisma or emotional weight as Claire or Leon. The opening is a blast of adrenaline and bullets, all contained within the beautifully burning remains of Racoon City. There is just enough exploration, puzzles and zombies to keep you satisfied. That is until Nemesis enters the game. As soon as the indestructible behemoth appears for a second time, the cat and mouse chase begins. Reminiscent of Mr X but on steroids, he simply never lets up, constantly on your back, looking to kill Jill whatever it takes. It's utterly relentless, thrilling, heart-pounding. This section was everything I expected RE3 to be.
Then everything collapsed under sections of nothing more than point and shoot. I know, this is RE, but the fear feels drained from the experience. Nemesis himself becomes a background character, simply added to the story just for boss battles. His pursuit of Jill doesn't feel spontaneous, but scripted, exactly the opposite of Mr X. The realisation of how disappointed I felt towards RE3 was when I discovered sections of the game were simply reused from RE2. The creativity that went into RE2 was so meticulous, crafted and positioned for the players experience. When I entered the Police Station with Carlos, a mass onslaught of zombies gathered in one section, only meant for me to rain bullets upon them. And this is the issue with the entire experience. Its nothing more than a five hour storm of sections of shooting monsters.
I do hate this game though. RE3 is fun, and anything remotely like last years experience I will play and enjoy. The story of Jill's residency in Racoon City being turned upside down over the space of a few days is excellent, and the new sections are all well fleshed out and great to explore, especially Racoon City and the Hospital. Its extremely short, and for a full retail price I think its absolutely scandalous, but there's so much replay value here.
If I had to end the review here, I want to end it on a message solely centred at Capcom. Why, in the name of God did you focus your time on the multiplayer mode, Resistance, rather than properly making RE3 a full experience? The past tells you Resident Evil doesn't work well mixed with multiplayer. For as much fun I had within my four hours and thirty two minute playthrough, this game is nothing more than DLC for RE2. And that hurts.
Phillip McSween (751 KP) rated The Lady Vanishes (1938) in Movies
Aug 5, 2019
A Film That Never Quite Steadies Itself
When a woman disappears after a train ride, iris Henderson (Margaret Lockwood), who was on the same train, is trying to prove that the woman was even there to begin with and get to the bottom of what’s going on. I always root for the classics (50’s or earlier) because of my immense respect for film and also wanting to recommend some hidden gems. Unfortunately this one fell a bit short for me and here’s why…
Acting: 10
I thought the performances were quite on par for the course. Lockwood delivers her lines with a sincerity and truth that almost manages to keep me engaged. I wish her character was more interesting, but that’s not her fault. She had a job and she did that job in stellar fashion along with some of the other main actors/actresses that came along for this ride.
Beginning: 10
Characters: 2
These characters were about as interesting as canned chicken noodle soup, not the kind you get from PF Chang’s. No, these are Great Value characters all day and they bored me to tears. I wanted someone, ANYONE, to make me care and I just couldn’t bring myself to latch on to any of them. You know what I always say and it bears repeating: When you have weak characters, you’re not even giving your story a fighting chance. Good characters are like the tires on a fine car. The car means nothing if it doesn’t have a means in which to be transported.
Cinematography/Visuals: 7
Conflict: 6
I never really felt like much was happening. There are flashes, sure, but I just couldn’t get a grasp on the stakes for some reason. I waited, believe me I did, but I left the viewing wanting much more than what I got.
Entertainment Value: 7
Memorability: 10
I know this is going to seem ass-backwards from everything I’ve written up to this point, but I scored this category so high because of the attempt at an original story. No, it wasn’t perfect. Yes, the execution could have been much better. However, I do feel like this is a film that needs to be respected within its time.
Pace: 5
Things never really steadied for me as I found myself continuously looking at the clock. While it picks up slightly towards its conclusion, it never really gains the steam that I was looking for. For me, there was just too much of too much, meaning it kept veering off into different directions before properly getting to the end of one road.
Plot: 5
Resolution: 10
As I mentioned, things definitely pick up steam at the end until you get to a thrilling conclusion. When it was all said and done, I found myself asking, “Why the hell couldn’t the rest of the movie be like this?” It was almost like there was a different director for the last fifteen minutes of the movie. Definitely ties a nice bow on things.
Overall: 68
As of this review, The Lady Vanishes has a 98% on Rotten Tomatoes with an 88% Audience Score. I plan to watch this movie again because it missed me the first time. Maybe the second time around I’ll pick up on the magic I seem to be missing.
Acting: 10
I thought the performances were quite on par for the course. Lockwood delivers her lines with a sincerity and truth that almost manages to keep me engaged. I wish her character was more interesting, but that’s not her fault. She had a job and she did that job in stellar fashion along with some of the other main actors/actresses that came along for this ride.
Beginning: 10
Characters: 2
These characters were about as interesting as canned chicken noodle soup, not the kind you get from PF Chang’s. No, these are Great Value characters all day and they bored me to tears. I wanted someone, ANYONE, to make me care and I just couldn’t bring myself to latch on to any of them. You know what I always say and it bears repeating: When you have weak characters, you’re not even giving your story a fighting chance. Good characters are like the tires on a fine car. The car means nothing if it doesn’t have a means in which to be transported.
Cinematography/Visuals: 7
Conflict: 6
I never really felt like much was happening. There are flashes, sure, but I just couldn’t get a grasp on the stakes for some reason. I waited, believe me I did, but I left the viewing wanting much more than what I got.
Entertainment Value: 7
Memorability: 10
I know this is going to seem ass-backwards from everything I’ve written up to this point, but I scored this category so high because of the attempt at an original story. No, it wasn’t perfect. Yes, the execution could have been much better. However, I do feel like this is a film that needs to be respected within its time.
Pace: 5
Things never really steadied for me as I found myself continuously looking at the clock. While it picks up slightly towards its conclusion, it never really gains the steam that I was looking for. For me, there was just too much of too much, meaning it kept veering off into different directions before properly getting to the end of one road.
Plot: 5
Resolution: 10
As I mentioned, things definitely pick up steam at the end until you get to a thrilling conclusion. When it was all said and done, I found myself asking, “Why the hell couldn’t the rest of the movie be like this?” It was almost like there was a different director for the last fifteen minutes of the movie. Definitely ties a nice bow on things.
Overall: 68
As of this review, The Lady Vanishes has a 98% on Rotten Tomatoes with an 88% Audience Score. I plan to watch this movie again because it missed me the first time. Maybe the second time around I’ll pick up on the magic I seem to be missing.
pregnant with mommy to be (healthy pregnancy)
Medical and Health & Fitness
App
It's so exciting to be pregnant! With mommy to be your time will be even more amazing and enjoyable....
Monster Trucks Nitro 2
Games and Entertainment
App
◆◆◆◆◆ OVER 2 MILLION DOWNLOADS IN 10 DAYS! PLAY NOW! Live out your car crushing dreams...
Highway Prado Racing Game!
Games
App
Drive 4x4 Prado fast from cockpit's view through the endless highway traffic and realistic city....
Snake Robot Transformation Pro
Games and Entertainment
App
Play this robot snake game and feel like a real snake to hunt on the streets of the big city in this...
The Hanging Club
8.0
Rate It
Book
"Tony Parsons puts you right there in every scene he writes. I love that kind of storytelling and...
Kill the Father
8.5
Rate It
Book
'The rock cast a sharp, dark shadow over a shape huddled on the ground. Please don't let it be the...