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Chinese Calligraphy: 50 Characters to Inspire Peace and Calm - Includes Book & Practice Journal
Suvana Lin, S.M. Wu and A.D. Puchalski
Book
For centuries, scholars have viewed Chinese calligraphy as a regimen, a practice of calming the mind...
Daniel Boyd (1066 KP) rated Synchronic (2019) in Movies
Mar 2, 2021
Direction (1 more)
Script
Under The Influence
Getting to review Synchronic was great, because it is a movie that is right up my alley and yet it totally passed me by upon release. I still don’t know how I wasn’t aware of this sci-fi thriller with horror elements since that description encapsulates almost everything that I am into. I recently got to see it for the first time and really I’m glad that I did. I also went into this movie pretty blind having only seen a short trailer and I would suggest doing the same in order to receive the optimal experience here.
Anthony Mackie and Jamie Dornan star as a pair of first responder paramedics based in Louisiana and both of them do a great job in carrying the film. Without giving too many plot details away, there are points in the movie where both have to show fairly intense levels of grief and I feel that both do this very well in how they choose to portray that respectively. Jamie Dornan’s accent does slip a few times, but he is charismatic enough that he can get away with it.
The movie is directed by Justin Benson and Aaron Moorhead and this is actually the first project that I’ve seen from either of them. The direction throughout the film is brilliant and has a real cohesion with the cinematography and the script, – this is probably because the script was written by Justin Benson and shot by Aaron Moorhead.
The script is an interesting one and the distinctiveness of it means that the film probably couldn’t have been directed by anyone else other than the person who wrote it. The dialogue throughout the movie is well written and I really believed the history and friendship in Mackie’s and Dornan’s relationship. There is also some humour interjected in the dialogue and surprisingly it lands and helps to alleviate some of the perpetual dread that is intertwined in the movie’s plot.
Read the rest of my review at: https://www.bigglasgowcomicpage.com/2021/02/13/review-synchronic/
Anthony Mackie and Jamie Dornan star as a pair of first responder paramedics based in Louisiana and both of them do a great job in carrying the film. Without giving too many plot details away, there are points in the movie where both have to show fairly intense levels of grief and I feel that both do this very well in how they choose to portray that respectively. Jamie Dornan’s accent does slip a few times, but he is charismatic enough that he can get away with it.
The movie is directed by Justin Benson and Aaron Moorhead and this is actually the first project that I’ve seen from either of them. The direction throughout the film is brilliant and has a real cohesion with the cinematography and the script, – this is probably because the script was written by Justin Benson and shot by Aaron Moorhead.
The script is an interesting one and the distinctiveness of it means that the film probably couldn’t have been directed by anyone else other than the person who wrote it. The dialogue throughout the movie is well written and I really believed the history and friendship in Mackie’s and Dornan’s relationship. There is also some humour interjected in the dialogue and surprisingly it lands and helps to alleviate some of the perpetual dread that is intertwined in the movie’s plot.
Read the rest of my review at: https://www.bigglasgowcomicpage.com/2021/02/13/review-synchronic/
Ministry Diary
Productivity
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Finance
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Enjoy secure and completely regulated trading from around the globe with 24option – the #1 binary...
Flight Instruments - Gyro Attitude Indicator and primary flight instruments on a glass cockpit PFD display
Navigation
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Attitude Indicator and other key flight instruments on your iPhone or iPad, using the iPhone 4 and...
Cruise (Moonshine Task Force #6)
5.5
Rate It
Book
The kid is now a man, and he’s got something to prove….. Caleb “Cruise” Harrison “A...
Debbiereadsbook (1608 KP) rated Hanging with Daddy (Pride Pet Play 2023) in Books
Jun 13, 2023
cute and sweet but maybe not for me.
Independent reviewer for Archaeolibrarian, i was gifted my copy of this book.
I love JP Sayle, you know I do. I've watched the skill this author has grow from the very beginning, and I'm incredibly proud of the work this author continues to produce.
But!
This one I found a little too sweet for me, and I hate that I did.
It's well told, from both Gaines and Austin's point of view. It's the first I've of a koala as a chosen pet for play, and at times, I did find the koala stuff too much. There were koalas in everything, EVERYTHING Gaines did, and it was a bit overpowering.
I loved that both men had an immediate and powerful reaction to the other, and both men, once they started to get to know each other, were fully able to adapt and bend to the others' needs, without sacrificing their own. I liked that Austin gave Gaines time to work things out in his head, before he came to Austin, even if it killed Austin to wait.
I loved that we got to catch up with Terrence and Warner from A Little Christmas, Terrence. It's always great catching up with characters fromprevious reads, even in those that can stand alone from others.
I really liked that, while some things *little* were mentioned in passing, and others were talked about, Gaines doesn't slip far into little-space. He's more a pet-space kinda guy and I did like that. LOVED the descriptions of Gaines climbing Austin like a pole! LOVED them!!
It's steamy and smexy, not overly emotional and there is no real drama, save for Gaines getting his head straight to talk to Austin.
It just didn't really work for me, and I hate that it didn't! I'm sorry, Jayne!
3 good, but not really for me, stars
*same worded review will appear elsewhere
I love JP Sayle, you know I do. I've watched the skill this author has grow from the very beginning, and I'm incredibly proud of the work this author continues to produce.
But!
This one I found a little too sweet for me, and I hate that I did.
It's well told, from both Gaines and Austin's point of view. It's the first I've of a koala as a chosen pet for play, and at times, I did find the koala stuff too much. There were koalas in everything, EVERYTHING Gaines did, and it was a bit overpowering.
I loved that both men had an immediate and powerful reaction to the other, and both men, once they started to get to know each other, were fully able to adapt and bend to the others' needs, without sacrificing their own. I liked that Austin gave Gaines time to work things out in his head, before he came to Austin, even if it killed Austin to wait.
I loved that we got to catch up with Terrence and Warner from A Little Christmas, Terrence. It's always great catching up with characters fromprevious reads, even in those that can stand alone from others.
I really liked that, while some things *little* were mentioned in passing, and others were talked about, Gaines doesn't slip far into little-space. He's more a pet-space kinda guy and I did like that. LOVED the descriptions of Gaines climbing Austin like a pole! LOVED them!!
It's steamy and smexy, not overly emotional and there is no real drama, save for Gaines getting his head straight to talk to Austin.
It just didn't really work for me, and I hate that it didn't! I'm sorry, Jayne!
3 good, but not really for me, stars
*same worded review will appear elsewhere
ClareR (6037 KP) rated If I Can’t Have You in Books
Dec 5, 2020
If I Can’t Have You is a story about obsession. It’s funny, serious, disturbing and at times, outrageous. Constance could be a character that would be easy to dislike, but I liked her vulnerability. She is a sad character who has had a troubled upbringing. When she believes that she has found the love of her life, and is then almost immediately let down by the frankly despicable Dr. Samuel Stevens, I felt so sorry for her. And continued to feel for her as he repeatedly uses her. He clearly neither knows or cares about Constance’s depth of feeling for him. She seems desperate as she lets him use her, and even more so as she looks for affection with her housemate, Dale. He certainly seems to have the potential to be a male version of Constance, and it’s clear that she actually feels revulsion with regards to him. But at the same time, she doesn’t want to be on her own.
I think the character of Edward, an elderly man who lives over the road from Samuel, is in part the father figure that she needs and never had. He needs her too. I think things could have been far worse for Constance if she hadn’t have had Edward to consider. Edward is the device that shows Constance is a caring person underneath the obsession. She makes time in her day to care for and visit him. Like the other two men, he is a broken soul - but his obsessive behaviour doesn’t translate in to being careless with people. Instead he is a hoarder of strange knick-knacks. Edward adds an element of humour as well - his relationship with Constance is lovely.
I found it hard NOT to put myself in Constance’s shoes. After all, isn’t that what we as readers do with the characters we read about? How easy would i be to slip from loneliness in to obsession? I hope I never find out, but it’s so well portrayed in this book. This is a supremely uncomfortable book in parts - Constance is used and abused, and she in turn can have some pretty unpleasant thoughts. But perhaps that’s because she doesn’t have someone to really confide in?
I can’t actually believe that this is a debut, and I will definitely be looking out for whatever comes next from Charlotte Levin.
Many thanks to The Pigeonhole for serialising this and to Charlotte for joining in with the chat in the margins!
I think the character of Edward, an elderly man who lives over the road from Samuel, is in part the father figure that she needs and never had. He needs her too. I think things could have been far worse for Constance if she hadn’t have had Edward to consider. Edward is the device that shows Constance is a caring person underneath the obsession. She makes time in her day to care for and visit him. Like the other two men, he is a broken soul - but his obsessive behaviour doesn’t translate in to being careless with people. Instead he is a hoarder of strange knick-knacks. Edward adds an element of humour as well - his relationship with Constance is lovely.
I found it hard NOT to put myself in Constance’s shoes. After all, isn’t that what we as readers do with the characters we read about? How easy would i be to slip from loneliness in to obsession? I hope I never find out, but it’s so well portrayed in this book. This is a supremely uncomfortable book in parts - Constance is used and abused, and she in turn can have some pretty unpleasant thoughts. But perhaps that’s because she doesn’t have someone to really confide in?
I can’t actually believe that this is a debut, and I will definitely be looking out for whatever comes next from Charlotte Levin.
Many thanks to The Pigeonhole for serialising this and to Charlotte for joining in with the chat in the margins!
Hazel (1853 KP) rated Valley of the Moon in Books
Sep 5, 2017
New Time Traveler's Wife
received this book for free through Goodreads First Reads.
For fans of The Time Traveler’s Wife (Niffenegger, 2003) this captivating story by Melanie Gideon is an alluring, spellbinding work of fiction about loving, being loved and finding somewhere you belong. With a touch of time travel in an otherwise typical reality, Valley of the Moon will excite, enrapture and touch readers’ hearts.
It is difficult to give a synoptic review without giving too much of the plot away. In short, the book contains the two lives of complete strangers who meet under extremely unlikely circumstances. It is 1975 and Lux Lysander is struggling to make ends meet as a single mother in San Francisco. Estranged from her parents, Benno has become her life; Lux would do anything for him. The other half of the story begins in 1906 in the Californian Sonoma Valley. Joseph has achieved his dream of creating an Edenic community where races and classes can live in harmony. Greengage is a self-sufficient society where everyone is seen as equal, however, something happens to shake up the peace – literally. A huge earthquake mysteriously leaves the valley unharmed but completely surrounded by a deadly fog. No one can leave and no one can enter, that is until Lux does.
Until the two characters’ lives collide, the narrative is fairly typical, but it quickly takes on a theme that most minds would attempt to debunk. Through a wall of fog, Lux can pass between 1975 and 1906, whereas Joseph and his friends can only stay in their own timeline. Lux begins to live a double life: one with her son Benno and one with the antiquated lifestyle of the Greengage community. Unfortunately, it is only possible to pass through the fog on a fall moon, and not necessarily every month.
Lux’s modern appearance and colloquialisms baffle the community but she soon finds herself a place amongst the inhabitants. For a while, Lux is able to keep her two lives separate, but one slip up causes her to temporarily lose the love and trust of her only son. Torn between her own flesh and blood and the only place she feels she belongs, Lux has to decide how far she would go for the people she loves.
One of the key themes of the novel is relationship. Although romance develops toward the latter stages of the story, the majority is focused on familial love and love between friends. Lux and Benno’s relationship is particularly important, especially when their love becomes strained by Lux’s secret dalliance with the past. The other significant theme is about finding oneself. Lux lives in an era where, despite developments in women’s equality, single mothers are still shunned. Conversely, in 1906 where historically things were worse for women, the egalitarian society feels much more like home.
Lux’s temerity is to be admired as she continues to visit the past despite it being beyond the bounds of possibility. More applaudable is her determination to win back her son as well as her distant parents.
Despite being set for the most part in the 1970s and 80s, Valley of the Moon has a futuristic air about it, with an element of fantasy and science fiction. It is almost a version of The Lion, the Witch and the Wardrobe (Lewis, 1950) but for adults, with more realistic themes. Melanie Gideon admits that she got the idea for the novel from the film Brigadoon (1954) in which the protagonist stumbles across a magical land in the woods. With similarities, Gideon has created her own version of this fairy-tale-like scenario.
Journeying through a range of emotions, Valley of the Moon is a story that engages readers from beginning to end. With ups and downs, the author explores the lives and personalities of the main characters, which develop beautifully over time. This book is not one likely to disappoint its readers.
For fans of The Time Traveler’s Wife (Niffenegger, 2003) this captivating story by Melanie Gideon is an alluring, spellbinding work of fiction about loving, being loved and finding somewhere you belong. With a touch of time travel in an otherwise typical reality, Valley of the Moon will excite, enrapture and touch readers’ hearts.
It is difficult to give a synoptic review without giving too much of the plot away. In short, the book contains the two lives of complete strangers who meet under extremely unlikely circumstances. It is 1975 and Lux Lysander is struggling to make ends meet as a single mother in San Francisco. Estranged from her parents, Benno has become her life; Lux would do anything for him. The other half of the story begins in 1906 in the Californian Sonoma Valley. Joseph has achieved his dream of creating an Edenic community where races and classes can live in harmony. Greengage is a self-sufficient society where everyone is seen as equal, however, something happens to shake up the peace – literally. A huge earthquake mysteriously leaves the valley unharmed but completely surrounded by a deadly fog. No one can leave and no one can enter, that is until Lux does.
Until the two characters’ lives collide, the narrative is fairly typical, but it quickly takes on a theme that most minds would attempt to debunk. Through a wall of fog, Lux can pass between 1975 and 1906, whereas Joseph and his friends can only stay in their own timeline. Lux begins to live a double life: one with her son Benno and one with the antiquated lifestyle of the Greengage community. Unfortunately, it is only possible to pass through the fog on a fall moon, and not necessarily every month.
Lux’s modern appearance and colloquialisms baffle the community but she soon finds herself a place amongst the inhabitants. For a while, Lux is able to keep her two lives separate, but one slip up causes her to temporarily lose the love and trust of her only son. Torn between her own flesh and blood and the only place she feels she belongs, Lux has to decide how far she would go for the people she loves.
One of the key themes of the novel is relationship. Although romance develops toward the latter stages of the story, the majority is focused on familial love and love between friends. Lux and Benno’s relationship is particularly important, especially when their love becomes strained by Lux’s secret dalliance with the past. The other significant theme is about finding oneself. Lux lives in an era where, despite developments in women’s equality, single mothers are still shunned. Conversely, in 1906 where historically things were worse for women, the egalitarian society feels much more like home.
Lux’s temerity is to be admired as she continues to visit the past despite it being beyond the bounds of possibility. More applaudable is her determination to win back her son as well as her distant parents.
Despite being set for the most part in the 1970s and 80s, Valley of the Moon has a futuristic air about it, with an element of fantasy and science fiction. It is almost a version of The Lion, the Witch and the Wardrobe (Lewis, 1950) but for adults, with more realistic themes. Melanie Gideon admits that she got the idea for the novel from the film Brigadoon (1954) in which the protagonist stumbles across a magical land in the woods. With similarities, Gideon has created her own version of this fairy-tale-like scenario.
Journeying through a range of emotions, Valley of the Moon is a story that engages readers from beginning to end. With ups and downs, the author explores the lives and personalities of the main characters, which develop beautifully over time. This book is not one likely to disappoint its readers.