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    STEINS;GATE HD KR

    STEINS;GATE HD KR

    Games and Entertainment

    (0 Ratings) Rate It

    App

    STEINS;GATE has sold over 1,000,000 copies since 2009! "STEINS;GATE", based on the anime currently...

    jobs.ch

    jobs.ch

    Business and Lifestyle

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    App

    Find your next job today with the free app of jobs.ch, the leading online job portal in Switzerland....

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Lou Grande (148 KP) rated The Endless (2018) in Movies

Jul 20, 2018  
The Endless (2018)
The Endless (2018)
2018 | Horror, Sci-Fi, Thriller
6
7.9 (11 Ratings)
Movie Rating Watch
I saw Benson and Moorhead’s Resolution (2012) back when it was released, so I was excited when I saw they would be teaming up again for The Endless. Especially when it was marketed as Lovecraftian with a cult theme. Maybe I built it up too much in my mind, because I was really disappointed.

Two brothers have escaped from a UFO Doomsday cult and participate in deproframming while eking out a meager existence. Until they receive a cassette with a message from one of the cult members. They decide to return to “Camp Arcadia” to “get it out of their system.”

The Endless is a slow burn that ultimately fizzles. It involves time travel and something vast and infinite in the woods. Normally I’d be right on board, but this movie was really...boring. I’ve never seen a bunch of white guys that looked so similar, and the setting gets monotonous after a too-long run time of 112 minutes. There are callbacks to Resolution that answer questions for that film, but raise more for the one you’re watching. The effects (when utilized) were meh. I expected cosmic horror and got—well, nothing, really.
  
    Fantasy hook

    Fantasy hook

    Games

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    The innovative place strategy card Mobile Games epic blockbuster hits! Imagine the city beyond the...

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Paul Morrissey recommended The Leopard (1963) in Movies (curated)

 
The Leopard (1963)
The Leopard (1963)
1963 | International, Classics, Drama
(0 Ratings)
Movie Favorite

"A magnificent example of European filmmaking, totally undramatic and hypnotically watchable thanks to the extraordinary visual beauty of the photography by Giuseppe Rotunno, the set design by Mario Garbuglia, and the costumes by Piero Tosi, all under the superb control of a great director, Luchino Visconti. An extended time-travel visit to another world, the film is comprised of two major events are a family’s trip from the city to a summer residence and a forty-minute attendance at a ball. It’s probably the finest physical production ever filmed anywhere in Europe or America, a relic of a time when taste, intelligence, and artistry were still in operation, but perhaps even then only in Italy, and only with Visconti. The undisputed master of the costume film (he made only six), this is his masterpiece, dominated by the extraordinarily majestic performance of Burt Lancaster. The tall, athletic, handsome Irish American from 116th Street in Manhattan brought a dignity, strength, and reserve to the part of a Sicilian prince that no one else could have played better. Without him, it would be hard to imagine the film as good."

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