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Mark @ Carstairs Considers (2635 KP) rated Salt Water Wounds in Books

Aug 19, 2022 (Updated Aug 19, 2022)  
Salt Water Wounds
Salt Water Wounds
8
8.0 (1 Ratings)
Book Rating
Facing Wounds from the Past and Danger in the Present
It’s been two months since Hurricane Irma devastated the island of St. John, and in that time, Sabrina Salter and her friends have been trying to figure out how they are going to rebuild. Sabrina’s grandmother has some contacts back in the Boston area that will be able to help them get supplies, and she has asked Sabrina to join her so they can begin to search for Sabrina’s mother, who abandoned her as a toddler. Meanwhile, two explosions on St. John leave behind a dead body and danger for the friends Sabrina is leaving behind. Will they figure out what happened in the past and what is happening in the present?

If you are new to the series, know that this book will mean much more if you read it in order. We are seeing developments in several storylines we’ve followed since the beginning. While the two stories do start and end together, in many ways, we are seeing two parallel plots in this book. Both were compelling for different reasons, and I had a hard time putting the book down, reading the last third when I really intended to be doing something else. Elements of the climax are rushed, although that is a minor thing. Sabrina gets some wonderful character development here, and it’s great to see the rest of the cast again. This is a step away from the cozies I typically read, so keep that in mind before you pick up the book. If you are a fan, you’ll be happy with Sabrina’s latest adventure.
  
Children of a Lesser God (1986)
Children of a Lesser God (1986)
1986 | Drama, Musical, Romance
Unfortunately doesn't come out entirely unscathed from stage to screen, a touch too long and a touch too slow for this to be consistently potent - and some segments are a bit too writerly even for me as well as the occasional Broadway banality here and there that sort of brings this to a lull in the middle. But all the same, this is surprisingly complex and fragile filmmaking on the subject for 1986. On a technical note the music and visuals are hushed rhapsody together, and I particularly admire how there's an expressive intimacy in the conversations Hurt has with deaf characters whereas there's this palpably cold distance in the ones he has with hearing ones - an aspect that seems almost intrinsic. And on that note I also have to appreciate how it confronts Hurt's fixer mentality *as well as* Matlin's resistant anger rather than making the deaf character ultimately bend to the will of the 'virtuous helper' 'for their own good'. William Hurt is sensational, and Marlee Matlin is in one of the top-tier greatest performances of the 80s - the fact that they self-gratifyingly gave her their pity award and then immediately refused to cast her in much else is evidence #18,000 on why the Oscars are rancid bullshit. On top of all of that it's packed with awesome scenes and it's just a damn good romance... though if I have one more quibble: do the hearing characters really need to repeat aloud every fucking thing the deaf characters sign to them to absolutely no one at all but themselves like they're talking to a toddler? This really couldn't have been subtitled? But I digress, I still cried multiple times so we aight.
  
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