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Invisible In A Bright Light
Invisible In A Bright Light
Sally Gardner | 2019 | Fiction & Poetry, History & Politics, Young Adult (YA)
8
8.0 (1 Ratings)
Book Rating
This story is told from multiple perspectives and the protagonist of this book should be Celeste, a girl who wakes up in a basket as someone else, a girl called Maria. Celeste is very confused about who is this Maria, and why she is living her life. Even though this book tells Celeste’s journey, for me, the true protagonist of this book is Hildegard, a young girl, who was abused and bullied by her self centred mother. This whole story is kind of about her. That is the beauty of this book, the characters are so closely connected and entwined, that it makes this book a one beautiful and complex work of art.

I have to admit, this book was quite hard to read sometimes. Even though the plot is great and absorbing, the writing style felt quite jumpy and chaotic, and that made this book a little difficult to understand sometimes. I have to admit, if I would read it as a child, it would not make sense to me, but reading it as an adult, I truly learned how to enjoy it to the fullest. The author discussed very important topics in this book, such as emotional and physical abuse against children, lack of confidence in children, loss, friendship, self-obsession, and many more. The plot was quite layered, sometimes it is a ghost story, sometimes an adventure and it is filled with plenty of magic as well, all these changes in the atmosphere kept me entertained throughout the pages.
  
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LoganCrews (2861 KP) rated For a Good Time, Call... (2012) in Movies

Sep 19, 2020 (Updated Nov 26, 2020)  
For a Good Time, Call... (2012)
For a Good Time, Call... (2012)
2012 | Comedy, Drama
Started out a little worrisome but thankfully this is every bit as funny, progressive, breezy, joyous, and woefully slept on as its cult supporters make it out to be. Miller and Graynor's chemistry is out of this world; and Nia Vardalos, Mark Webber, and of course the man Justin Long are smashing in their respective supporting roles. This was right around the start of that era where these raunchy sex comedies started to get not just really fucking obnoxious but also formulaic and near intolerable - so it's more than refreshing to see one that gives its characters an insane amount of both agency and dignity, setting up a commendable amount of their intricacies and quirks without ever pandering on the former nor judging them for the latter. The whole thing just has this infectiously delightful verve and bright personality about it, and it never seems like it's making any of the topics it finds humor in the actual butt of the joke. I admit that I'm sick of seeing just random montages of the city in opening credits sequences like this though, it adds nothing to the experience other than to remind you that this takes place in New York - and it does show its clumsiness in other areas too sometimes, but it's a damn good time as well as a reminder in how far some thoughtfulness and authentic care can go in elevating an experience like this. Ends a bit suddenly but otherwise the realization of that last scene is simply perfect.
  
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