Search
Search results
Lyndsey Gollogly (2893 KP) rated Spirit Ascendancy ( The Gateway Trilogy book 3) in Books
Nov 19, 2021
190 of 250
Kindle
Spirit Ascending ( The Gateway Trilogy book 3)
By E.E. Holmes
Once read a review will be written via Smashbomb and link posted in comments
In the wake of their terrifying escape from Fairhaven Hall, sisters Jess and Hannah Ballard find themselves on the run, pursued by the two most powerful groups in the history of the spirit world.
On one side, the Durupinen, determined to capture the girls and prevent their role in an ancient prophecy that promises to destroy them and unleash the spirit hordes on the earth. On the other side, the Necromancers, ancient enemies of the Durupinen, hell-bent on bringing the same prophecy to fruition. When the girls are betrayed and one of them falls into the Necromancers' hands, both face decisions with cataclysmic consequences.
Will the lure of power prove too great to resist, or will the bond between the sisters survive this last, most crucial of tests?
This was possibly the hardest to get into and remember where that last one left off. But it was so good towards the end and definitely the ending it deserved. I’m looking forward to reading the following on series now too.
A good series for YA.
Kindle
Spirit Ascending ( The Gateway Trilogy book 3)
By E.E. Holmes
Once read a review will be written via Smashbomb and link posted in comments
In the wake of their terrifying escape from Fairhaven Hall, sisters Jess and Hannah Ballard find themselves on the run, pursued by the two most powerful groups in the history of the spirit world.
On one side, the Durupinen, determined to capture the girls and prevent their role in an ancient prophecy that promises to destroy them and unleash the spirit hordes on the earth. On the other side, the Necromancers, ancient enemies of the Durupinen, hell-bent on bringing the same prophecy to fruition. When the girls are betrayed and one of them falls into the Necromancers' hands, both face decisions with cataclysmic consequences.
Will the lure of power prove too great to resist, or will the bond between the sisters survive this last, most crucial of tests?
This was possibly the hardest to get into and remember where that last one left off. But it was so good towards the end and definitely the ending it deserved. I’m looking forward to reading the following on series now too.
A good series for YA.
Tall Tales
10.0
Rate It
Book
The second book in a new trilogy of twisted fairy tales from New York Times bestselling author James...
ClareR (5950 KP) rated Morgan is my Name in Books
Jul 5, 2023
Morgan is My Name is a fantastic retelling of the Arthurian legend from Morgan’s (or as we’re most likely to know her, Morgana) perspective.
Morgan le Fey is the daughter of the Lord that King Uther Pendragon vanquished. Uther then goes on to claim her mother, the Lady Igraine - and in the most underhand way possible with the help of the equally unpleasant Merlin.
Actually, the men don’t do well out of this retelling. Even the lover that a young Morgan takes, abandons her when she is found out and sent to a convent.
This book had me in its grip within minutes of pressing ‘play’. Vanessa Kirby’s narration was wonderful, and she made a convincing Morgan. She built on the book, making the reader/ listener really believe in the duality of Morgan. Not the evil woman we’ve been led to believe in (not in this first instalment, anyway!), but a young woman with a thirst for knowledge, who wants the freedom to pursue it. But it’s always the men who put a stop to her ambitions: whether it’s Uther, Merlin or her feckless husband (whatever happens to him, he deserves it!).
Oh, and the magic! Just the icing on the cake!
I can’t wait for the next book in this trilogy to come out!
Morgan le Fey is the daughter of the Lord that King Uther Pendragon vanquished. Uther then goes on to claim her mother, the Lady Igraine - and in the most underhand way possible with the help of the equally unpleasant Merlin.
Actually, the men don’t do well out of this retelling. Even the lover that a young Morgan takes, abandons her when she is found out and sent to a convent.
This book had me in its grip within minutes of pressing ‘play’. Vanessa Kirby’s narration was wonderful, and she made a convincing Morgan. She built on the book, making the reader/ listener really believe in the duality of Morgan. Not the evil woman we’ve been led to believe in (not in this first instalment, anyway!), but a young woman with a thirst for knowledge, who wants the freedom to pursue it. But it’s always the men who put a stop to her ambitions: whether it’s Uther, Merlin or her feckless husband (whatever happens to him, he deserves it!).
Oh, and the magic! Just the icing on the cake!
I can’t wait for the next book in this trilogy to come out!
Hazel (2934 KP) rated The Silent Man in Books
Aug 27, 2023
I didn't realise this was the last book in a trilogy when I started reading it and whilst it is clear that I have missed the back story, it didn't affect my enjoyment of this book one little bit. My only gripe is with myself, how did I miss the first 2 books in this series??
From the very first page, I was hooked and couldn't read it fast enough. The characters are excellent and I loved the easy and natural relationship between Archer and Quinn. The story is told from various points of view which give a rounded view of the two main plots and whilst this can sometimes cause confusion, not so here.
Written at a fast pace with plenty of twists, turns and scenes of violence and peril, The Silent Man is a book that I can highly recommend to those of you who love a gritty and dark story with a serial killer who uses a unique way to both identify and despatch his victims.
I will definitely be looking out for more by David Fennell in the future and thanks must go to him, Bonnier Books, Zaffre and NetGalley for enabling me to read and share my thoughts of The Silent Man.
From the very first page, I was hooked and couldn't read it fast enough. The characters are excellent and I loved the easy and natural relationship between Archer and Quinn. The story is told from various points of view which give a rounded view of the two main plots and whilst this can sometimes cause confusion, not so here.
Written at a fast pace with plenty of twists, turns and scenes of violence and peril, The Silent Man is a book that I can highly recommend to those of you who love a gritty and dark story with a serial killer who uses a unique way to both identify and despatch his victims.
I will definitely be looking out for more by David Fennell in the future and thanks must go to him, Bonnier Books, Zaffre and NetGalley for enabling me to read and share my thoughts of The Silent Man.
Otway93 (580 KP) rated The 7th Voyage of Sinbad (1958) in Movies
Dec 29, 2021
Special Effects (for the time) (2 more)
Story
Acting
Casting (1 more)
Acting
A film ahead of it's time.
An incredibly fun film, only improved by the the very special effects of Ray Harryhausen.
The first thing that must be mentioned with the first of the Sinbad trilogy, is Ray Harryhausen's special effects. While his work can't be compared in realism to that of the digital age, but the sheer skill and effort put into the creatures are incredible, and create something that no digital method can approach in charm.
The story, loosely based on one of the 7 voyages of Sinbad from the Arabian Nights, is great fun, and makes for compelling viewing. The acting from the main cast is excellent, if a little cheesy in places, but sadly this is detracted from by some of the questionable acting from smaller cast members and extras, but with these films, it is expected, and in its own way adds to the enjoyment.
Finally, something that couldn't really be helped in that era, but the casting of white people as famous Muslim characters. Obviously being the 1950s things were quite different in terms of inclusion, but they still made a film to be proud of :)
The first thing that must be mentioned with the first of the Sinbad trilogy, is Ray Harryhausen's special effects. While his work can't be compared in realism to that of the digital age, but the sheer skill and effort put into the creatures are incredible, and create something that no digital method can approach in charm.
The story, loosely based on one of the 7 voyages of Sinbad from the Arabian Nights, is great fun, and makes for compelling viewing. The acting from the main cast is excellent, if a little cheesy in places, but sadly this is detracted from by some of the questionable acting from smaller cast members and extras, but with these films, it is expected, and in its own way adds to the enjoyment.
Finally, something that couldn't really be helped in that era, but the casting of white people as famous Muslim characters. Obviously being the 1950s things were quite different in terms of inclusion, but they still made a film to be proud of :)
The Shifter (Legends of Pern Coen: Fated #1)
10.0
Rate It
Book
Saving her could cost him everything. Bran has spent his life being hunted for what he is. Born...
Romance Fantasy Fade-to-Black Celtic/Roman
The King's Champion (The Boar King's Honor #3)
Book
American reporter Kate Shaw and English Major Sebastian Mainwaring clash from the moment they meet...
Historical Fantasy Romantic Elements
David McK (3600 KP) rated Star Wars X-Wing: Wedge's Gamble (Rogue Squadron #2) in Books
Sep 8, 2024 (Updated Sep 8, 2024)
Second entry in Michael A Stackpole's Star Wars: X-Wing series (a total of 10 novels, the first four written by Stackpole and centring around a reconstituted Rogue Squadron), following on from'Rogue Squadron' and taking as its inspiration the old LucasArt X-Wing/TIE fighter series of computer games. Hadn't read books these since the late 90s.
These novels (and the aforementioned games, now all considered 'Legends' by Disney) are my head-canon of what the sequel trilogy should have been.
Anyway, in this novel in particular, the action now moves from space to the city-planet of Coruscant, the seat of the Imperial Government that took over from the Old Republic and - in the Legends continuity at least - also that of the New Republic.
Here, we have the members of Rogue Squadron infiltrating said city planet and looking for a way to bring down the planetary shields so that the rest of the fleet can arrive, but they may be playing into the villain-of-the-piece Ysanne Isard's hands in so doing ...
For anybody that hasn't read this, it ends in a massive cliff-hanger, so be warned you'll be wanting to move onto the sequel 'The Krytos Trap' not long after finishing it ...
These novels (and the aforementioned games, now all considered 'Legends' by Disney) are my head-canon of what the sequel trilogy should have been.
Anyway, in this novel in particular, the action now moves from space to the city-planet of Coruscant, the seat of the Imperial Government that took over from the Old Republic and - in the Legends continuity at least - also that of the New Republic.
Here, we have the members of Rogue Squadron infiltrating said city planet and looking for a way to bring down the planetary shields so that the rest of the fleet can arrive, but they may be playing into the villain-of-the-piece Ysanne Isard's hands in so doing ...
For anybody that hasn't read this, it ends in a massive cliff-hanger, so be warned you'll be wanting to move onto the sequel 'The Krytos Trap' not long after finishing it ...
Dragon Day
5.0
Rate It
Book
From the producers of the Maze Runner trilogy comes this fictional oral history of the appearance of...
RəX Regent (349 KP) rated The Dark Knight Rises (2012) in Movies
Feb 19, 2019
Contains spoilers, click to show
After four years, since The Dark Knight ended, leaving us wanting more and seven years since Christopher Nolan reinvented the comic book adaptation with Batman Begins, The final chapter of The Dark Knight Trilogy has arrived.
With this much hype, would it possible live up to potentially bloated expectations? The first reviews hit last monday, with 4 to 5 stars being the consensus. Well, it did! The Dark Knight returns one last time, after eight years have passed since the events of The Dark Knight and Batman had retreated into the rebuilt Wayne Manor as Commissioner Gordon (Gary Oldman), maintaining the lie that Harvey Dent was Gotham’s The White Knight, and not the maniacal Two-Face, had managed to clean up Gotham City.
Batman was no longer needed but in the meantime, Bane has arrived in the city with grand plans for its destruction. I won’t go much further into the plot that this, though I will probably write a more spoiler heavy review for the Blu-ray later in the year. But for now, I will try to maintain the film’s integrity.
When we first meet Bruce Wayne after almost a decade of seclusion, he is a broken man, both physically and mentally following the murder of his childhood sweetheart, Rachel Dawes in the previous film and the toll of nightly combat. So the first port of call is to bring Batman back to the streets of Gotham. The sense of excitement is palpable and very much a part of what makes Nolan’s films tick.
He draws his audience into the narrative as if we are part of the events and the universe as it unfolds, leaving us not just wanting Batman to return for the sake of the action but for Gotham’s sake as well. Bane, played so excellently by Tom Hardy, was a little difficult to understand from behind his mask, but still conveyed an enormous amount of presence and power, as he lays siege to the city but not as Terrorist per say, but as a freedom fighter or revolutionary, with many visual references to the French Revolution to keep us going.
Anne Hathaway’s Catwoman, though not named as anyone other than Selina Kyle, was a credit to her character as well as the actress. Dark, sultry, seductive and agile, her feline credibly was intact, whilst still being a very human character. Her duplicity was bread from desperation rather than evil and her motives convincingly drive her in both good and more dubious endeavours.
*** MAJOR SPOILER***
The less said about Talia Al Ghul the better, but the for those aware of her role, it was well-played, though her final scene was the hammiest in the film, possibly the entire trilogy.
Then there’s the supporting cast, such as Mathew Modene, who does a great job as Dept. Commissioner Foley and Cillian Murphy’s back again, as the subtly unrecognisable Scarecrow, who besides some frayed shoulder’s on his jacket, could have been anyone,and that’s the beauty of Nolan’s Batman universe. It’s fluid and you can’t count on anything on anyone for too long.
But this franchise would be nothing without Hans Zimmer percussive score, pounding as much as it was gentle, it works well among with Nolan’s direction to craft the near perfect conclusion to the Trilogy. Both riff on earlier films and supe it up accordingly whilst maintaining the film’s integrity.
In the end, my expectations were met and exceeded. Nolan has crowned his trilogy with a film which is of the same calabar as the two which preceded it, filling in many of the blanks, choosing the right characters to take on and doing so a variety of ways, touching this time on the flamboyant Bain, though scrapping the “Venom” plot from the comics, creating an intriguing Catwoman and building another major character in the form of R. John Blake (Joseph Gordon-Lovett).
The ending of the film is just perfect, not only for this but for the entire Trilogy. With nods to Inception though I believe that it is just a nod and not as similar as some would protest, but this is epic in the way that The Dark Knight never tried to be and Batman Begins didn’t need to be. The threat is apocalyptic, in keeping with the genre, but believable in keeping with Nolan.
The same can be said for the action, though I must admit, the sentimentalist in me wanted to see the Batmoble/Tumber back, though it was there in triplicate, as Bane steels three prototype Tumbers from Wayne Enterprises, for his private army, but the Bat (Batwing) was stunning, and the Batpod made a reappearance. The Final showdown will leave you breathless, the perfect blend of direction, Zimmer’s score and some of the most intense and meaningful action you’ll see on the big screen.
The only real faults with The Dark Knight Rises stem from its scale and change in direction. It’s more about Batman’s evolution from crime fighter to savour. Less intense on a personal level, but much grander in its ideals and horror as Gotham is destroyed on scale never seen in a film of this type. But it’s not as far-fetched as one may think, as it grounds itself with historical references, such as the French Revolution, which was hardly far-fetched, though it was hard-hitting and is well translated here.
Bruce Wayne completes his journey from the boy who witnessed his parents murder, to a young man who could not grow beyond it, to a man who lost himself in a journey to understand the criminal mind. Finally returning as Batman, who defied his mentor to protect his beloved city, to a master detective. But here, he returns to his roots.
The billionaire who never cared about his wealth as much as he cared for the people of Gotham, he ends up exactly where he needed to be. Decide for yourself, whether it’s a happy ending, sad or satisfying, but either way, it was not only the best way to advance the saga, but the best way to end the series as a whole. Thanks to Nolan and his crew, we now have the most definitively brilliant Batman series EVER committed to celluloid, (or digital), and no matter what is to follow, whether it is to be the Justice League mash-up or another reboot, I suspect that it will be a long, long time before anyone can beat these.
With this much hype, would it possible live up to potentially bloated expectations? The first reviews hit last monday, with 4 to 5 stars being the consensus. Well, it did! The Dark Knight returns one last time, after eight years have passed since the events of The Dark Knight and Batman had retreated into the rebuilt Wayne Manor as Commissioner Gordon (Gary Oldman), maintaining the lie that Harvey Dent was Gotham’s The White Knight, and not the maniacal Two-Face, had managed to clean up Gotham City.
Batman was no longer needed but in the meantime, Bane has arrived in the city with grand plans for its destruction. I won’t go much further into the plot that this, though I will probably write a more spoiler heavy review for the Blu-ray later in the year. But for now, I will try to maintain the film’s integrity.
When we first meet Bruce Wayne after almost a decade of seclusion, he is a broken man, both physically and mentally following the murder of his childhood sweetheart, Rachel Dawes in the previous film and the toll of nightly combat. So the first port of call is to bring Batman back to the streets of Gotham. The sense of excitement is palpable and very much a part of what makes Nolan’s films tick.
He draws his audience into the narrative as if we are part of the events and the universe as it unfolds, leaving us not just wanting Batman to return for the sake of the action but for Gotham’s sake as well. Bane, played so excellently by Tom Hardy, was a little difficult to understand from behind his mask, but still conveyed an enormous amount of presence and power, as he lays siege to the city but not as Terrorist per say, but as a freedom fighter or revolutionary, with many visual references to the French Revolution to keep us going.
Anne Hathaway’s Catwoman, though not named as anyone other than Selina Kyle, was a credit to her character as well as the actress. Dark, sultry, seductive and agile, her feline credibly was intact, whilst still being a very human character. Her duplicity was bread from desperation rather than evil and her motives convincingly drive her in both good and more dubious endeavours.
*** MAJOR SPOILER***
The less said about Talia Al Ghul the better, but the for those aware of her role, it was well-played, though her final scene was the hammiest in the film, possibly the entire trilogy.
Then there’s the supporting cast, such as Mathew Modene, who does a great job as Dept. Commissioner Foley and Cillian Murphy’s back again, as the subtly unrecognisable Scarecrow, who besides some frayed shoulder’s on his jacket, could have been anyone,and that’s the beauty of Nolan’s Batman universe. It’s fluid and you can’t count on anything on anyone for too long.
But this franchise would be nothing without Hans Zimmer percussive score, pounding as much as it was gentle, it works well among with Nolan’s direction to craft the near perfect conclusion to the Trilogy. Both riff on earlier films and supe it up accordingly whilst maintaining the film’s integrity.
In the end, my expectations were met and exceeded. Nolan has crowned his trilogy with a film which is of the same calabar as the two which preceded it, filling in many of the blanks, choosing the right characters to take on and doing so a variety of ways, touching this time on the flamboyant Bain, though scrapping the “Venom” plot from the comics, creating an intriguing Catwoman and building another major character in the form of R. John Blake (Joseph Gordon-Lovett).
The ending of the film is just perfect, not only for this but for the entire Trilogy. With nods to Inception though I believe that it is just a nod and not as similar as some would protest, but this is epic in the way that The Dark Knight never tried to be and Batman Begins didn’t need to be. The threat is apocalyptic, in keeping with the genre, but believable in keeping with Nolan.
The same can be said for the action, though I must admit, the sentimentalist in me wanted to see the Batmoble/Tumber back, though it was there in triplicate, as Bane steels three prototype Tumbers from Wayne Enterprises, for his private army, but the Bat (Batwing) was stunning, and the Batpod made a reappearance. The Final showdown will leave you breathless, the perfect blend of direction, Zimmer’s score and some of the most intense and meaningful action you’ll see on the big screen.
The only real faults with The Dark Knight Rises stem from its scale and change in direction. It’s more about Batman’s evolution from crime fighter to savour. Less intense on a personal level, but much grander in its ideals and horror as Gotham is destroyed on scale never seen in a film of this type. But it’s not as far-fetched as one may think, as it grounds itself with historical references, such as the French Revolution, which was hardly far-fetched, though it was hard-hitting and is well translated here.
Bruce Wayne completes his journey from the boy who witnessed his parents murder, to a young man who could not grow beyond it, to a man who lost himself in a journey to understand the criminal mind. Finally returning as Batman, who defied his mentor to protect his beloved city, to a master detective. But here, he returns to his roots.
The billionaire who never cared about his wealth as much as he cared for the people of Gotham, he ends up exactly where he needed to be. Decide for yourself, whether it’s a happy ending, sad or satisfying, but either way, it was not only the best way to advance the saga, but the best way to end the series as a whole. Thanks to Nolan and his crew, we now have the most definitively brilliant Batman series EVER committed to celluloid, (or digital), and no matter what is to follow, whether it is to be the Justice League mash-up or another reboot, I suspect that it will be a long, long time before anyone can beat these.