Gone
Book
Welcome to the Fayz! This is Book 1 in the series that Stephen King calls a 'driving, torrential...
Connemara: A Little Gaelic Kingdom
Book
The triumphant conclusion to Tim Robinson's extraordinary Connemara trilogy, which Robert Macfarlane...
Things Fall Apart
Chinua Achebe and Biyi Bandele
Book
A compelling story of one man's battle to protect his community against the forces of change, the...
A Clockwork Orange
Anthony Burgess and Andrew Bissell
Book
Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of...
Sweetest Taboo: Dirtiest 3 (Stark/S.I.N.)
Book
From the New York Times bestselling author of the beloved, million-copy selling Stark series, comes...
The Girl Who Takes an Eye for an Eye: Continuing Stieg Larsson's Millennium Series
David Lagercrantz and George Goulding
Book
The girl with the dragon tattoo is not given to forgiveness. Lisbeth Salander has been forged by a...
Paradise Lost
Book
John Milton's celebrated epic poem exploring the cosmological, moral and spiritual origins of man's...
Brideshead Revisited: The Sacred and Profane Memories of Captain Charles Ryder: Sacred and Profane Memories of Captain Charles Ryder
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Brideshead Revisited is Evelyn Waugh's stunning novel of duty and desire set amongst the decadent,...
LeftSideCut (3776 KP) rated Thor: Ragnarok (2017) in Movies
Mar 5, 2021
One of my favourite working directors helming an MCU film is exciting indeed, and manages to deliver a film that injects new life into the Thor series, manages to fit in with other chapters of the franchise without feeling too alien, but still has liberal splashings of Waititi's trademark wit throughout.
The comedy in this entry is thick and fast, but everything lands just right. It's fair to say that it's taken a leaf out the Guardians of the Galaxy playbook, but manages to come across smoother and feel more refined in it's humour than Vol. 2.
Chris Hemsworth, Tom Hiddleston, Anthony Hopkins, Mark Ruffalo and Idris Elba are back and as good as ever with MCU newcomers Cate Blanchett, carving a memorable figure as this movies big bad Hela (who I really hope we see again at somepoint), Tessa Thompson as the badass Valkyrie, a wonderful Jeff Goldblum as secondary villain Grandmaster (another that I hope we see again), and Karl Urban as The Executioner. It's a well put together cast.
It's packed full of comic shit too, with references to Man Thing, Beta Ray Bill, and Bi Beast, a tie in appearance from Doctor Strange, the first appearance of Surtur, and Hulk rampaging through Asgard. It has relentlessly entertaining set pieces and an 80s synth style soundtrack that tops everything wonderfully.
Not much to complain about here - easily the best of the Thor trilogy and a solid entry into the wider MCU.
Dee (0 KP) rated Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1) in Books
Mar 12, 2021
This started out so well. It was incredibly magical - secret doorways on earth, which took the main character Karou, into a shop where her chimeara 'family' resided. Karou has little knowledge, being human, about her own origins or how she ended up in the care of Brimstone, the shop's custodian. All she knows is that he collects an endless supply of teeth (which she is often sent to pick up from around the world - the shop's doorway acting as a portal that deposits her anywhere on earth). There is a second door within the shop, which Karou is not allowed near and she has no idea what lies beyond it. Messages are sent to her via a crow-like creature. So far, so mysterious. It reminded me a little of Narnia or The Adventures of the Wishing Chair / Magic Faraway Tree. Oh, and if that's not enough - the teeth are used to help grant wishes (ranging from minor to major).
I'm a big fan of dual-world/magic-portal books. However, as the novel went on it became less intriguing. It slips into the sort of insta-love that is ten-a-penny in YA fiction. Also, I just felt that the 'big reveal' of what was behind the second door was a bit of a letdown. And the whole war between angels and chimera felt somehow jarring and unimaginative. I feel mean-spirited saying this, but the dynamic and world-building just didn't capture my imagination. The layering of the back-story also felt a bit forced and I started to find it dull.
I suppose the real test of the first book in a trilogy (as this is) is whether the reader can't wait to pick up the next instalment. Personally, I'm not sure I would bother. A shame, really, as it started out so well.

