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Uptown Oracle (24 KP) rated Clockwork Angel in Books
Jun 30, 2017
Clare exceeds expectations with Clockwork Angel
Clockwork Angel is the first in a trilogy of books. This series is a prequel to The Mortal Instruments, also written by Cassandra Clare. Tessa traveled to London to live with her brother, when he appears missing she is captured. Saved by Will, Tessa lives within the institute with the Shadowhunters helping to find Nate, whilst also finding out what the Magister's evil plan is.
I've heard so many times that The Infernal Devices is so much better than the Mortal Instruments. In comparison I can definitely agree the writing and overall plot is improved. The main issue I had was that in some cases, it was too similar to The Mortal Instruments. My instant thought was Will was similar to Jace although I'm unsure if this was intentional or not. The love triangle was also reminiscent of Clare's previous work.
I enjoyed that Clockwork Angel was set in London rather than New York. I was getting fairly bored of being focused on New York so this gave us a chance to see a new institute. The different location and different time means the institute is extremely different to the one in TMI.
The big question of who is the Magister? in the first chapter was important in the book. I found it both predictable and unpredictable. If Pretty Little Liars has told me anything, if a character claims it's one person, it's probably not them. I was however surprised of who it actually was. So well played, Cassandra Clare.
One of the big improvements is that the adults actually take action. In TMI, there were so many times the teenagers acted purely because the adults weren't doing anything. I was so tired of the adults being incompetent that Charlotte and Henry were a welcome surprise. They also really tried to help Tessa find Nate immediately. There weren't multiple meetings with the Clave before they could do anything.
Clockwork Angel seemed to pick up a lot quicker than TMI and kept pace. The fighting scenes were written better. Less filler content was needed as we already know the world. Although there was a love triangle, a lot less content was put towards building on it. It seemed a lot more like a fantasy than a romance.
Please don't comment any spoilers as I haven't finished the other books yet. But I had a weird thought about Tessa's name being Gray. As the dark sisters are called Black and Dark, does the inclusion of the name Gray fit there? Is this an insight into who she will become? Or who she 'could' become if she is a bad guy? I just thought it was odd to use a name so similar.
I've heard so many times that The Infernal Devices is so much better than the Mortal Instruments. In comparison I can definitely agree the writing and overall plot is improved. The main issue I had was that in some cases, it was too similar to The Mortal Instruments. My instant thought was Will was similar to Jace although I'm unsure if this was intentional or not. The love triangle was also reminiscent of Clare's previous work.
I enjoyed that Clockwork Angel was set in London rather than New York. I was getting fairly bored of being focused on New York so this gave us a chance to see a new institute. The different location and different time means the institute is extremely different to the one in TMI.
The big question of who is the Magister? in the first chapter was important in the book. I found it both predictable and unpredictable. If Pretty Little Liars has told me anything, if a character claims it's one person, it's probably not them. I was however surprised of who it actually was. So well played, Cassandra Clare.
One of the big improvements is that the adults actually take action. In TMI, there were so many times the teenagers acted purely because the adults weren't doing anything. I was so tired of the adults being incompetent that Charlotte and Henry were a welcome surprise. They also really tried to help Tessa find Nate immediately. There weren't multiple meetings with the Clave before they could do anything.
Clockwork Angel seemed to pick up a lot quicker than TMI and kept pace. The fighting scenes were written better. Less filler content was needed as we already know the world. Although there was a love triangle, a lot less content was put towards building on it. It seemed a lot more like a fantasy than a romance.
Please don't comment any spoilers as I haven't finished the other books yet. But I had a weird thought about Tessa's name being Gray. As the dark sisters are called Black and Dark, does the inclusion of the name Gray fit there? Is this an insight into who she will become? Or who she 'could' become if she is a bad guy? I just thought it was odd to use a name so similar.
BankofMarquis (1832 KP) rated Alita: Battle Angel (2019) in Movies
Feb 20, 2019
Good visuals, not much else to recommend it
A few of my loyal readers recommended that I check out ALITA: BATTLE ANGEL in the biggest screen I could find, and in 3D. And...I'm glad I did for this film is a visual feast for the eyes, filled with eye-popping CGI and an interesting futuristic world on which the events of the film take place.
Unfortunately...that is all that there is to this film, for the rest of the movie does not live up to the fantastical elements laid forth visually.
Adapted to the screen from filmmakers James Cameron and Robert Rodriguez, ALITA: BATTLE ANGEL is a combination of the first 4 of Yukito Kishiro's series of 9 manga books, and (hopefully) the first in a trilogy of films that follows a robot, Alita, who is put back together by the mysterious Dr. Ido. When she awakens, she does not know what her past was, but as events transpire, it soon becomes apparent that Alita is much more than the sweet, young girl robot that her outward appearance would suggest.
Rosa Salazar is winning enough as the completely CGI creation of Alita, but no so charismatic that she can carry the film on her own, she will need help - and that's where this film falls down. Christoph Waltz is mediocre in the underwritten part of Dr. Ido. Instead of being interesting and mysterious, he is bland and boring. I'm beginning to think that Waltz needs the words of Quentin Tarantino to shine (because he does shine in Tarantino films) but is just so-so when speaking someone else's lines. Jennifer Connelly is wasted as Ido's ex-wife, somehow connected to the power elite of the Universe and Marashala Ali (who will soon win his 2nd Oscar) is completely shutdown and "one-note" as the big bad guy. Ed Skrein, Jackie Earle Haley (completely unrecognizable in voice or character as the CGI bad guy Grewishka) and Keean Johnson are all very forgettable as others in this world. Only Jeff Fahey (as a robot-Cowboy bounty hunter) is able to jump off the screen with what is the beginnings of an interesting character.
The battles, races, action and plot twists and turns are all "standard issue", pretty predictable and unsurprising. It is clear that Cameron and Rodriguez were so focused on the CGI and world building that they did not spend enough time on the plot, dialogue or pacing. And that's too bad, for besides the impressive visuals and graphics (and they are impressive), there is not much else to recommend from this film.
Letter Grade: B- (for the visuals)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Unfortunately...that is all that there is to this film, for the rest of the movie does not live up to the fantastical elements laid forth visually.
Adapted to the screen from filmmakers James Cameron and Robert Rodriguez, ALITA: BATTLE ANGEL is a combination of the first 4 of Yukito Kishiro's series of 9 manga books, and (hopefully) the first in a trilogy of films that follows a robot, Alita, who is put back together by the mysterious Dr. Ido. When she awakens, she does not know what her past was, but as events transpire, it soon becomes apparent that Alita is much more than the sweet, young girl robot that her outward appearance would suggest.
Rosa Salazar is winning enough as the completely CGI creation of Alita, but no so charismatic that she can carry the film on her own, she will need help - and that's where this film falls down. Christoph Waltz is mediocre in the underwritten part of Dr. Ido. Instead of being interesting and mysterious, he is bland and boring. I'm beginning to think that Waltz needs the words of Quentin Tarantino to shine (because he does shine in Tarantino films) but is just so-so when speaking someone else's lines. Jennifer Connelly is wasted as Ido's ex-wife, somehow connected to the power elite of the Universe and Marashala Ali (who will soon win his 2nd Oscar) is completely shutdown and "one-note" as the big bad guy. Ed Skrein, Jackie Earle Haley (completely unrecognizable in voice or character as the CGI bad guy Grewishka) and Keean Johnson are all very forgettable as others in this world. Only Jeff Fahey (as a robot-Cowboy bounty hunter) is able to jump off the screen with what is the beginnings of an interesting character.
The battles, races, action and plot twists and turns are all "standard issue", pretty predictable and unsurprising. It is clear that Cameron and Rodriguez were so focused on the CGI and world building that they did not spend enough time on the plot, dialogue or pacing. And that's too bad, for besides the impressive visuals and graphics (and they are impressive), there is not much else to recommend from this film.
Letter Grade: B- (for the visuals)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
RəX Regent (349 KP) rated The Goonies (1985) in Movies
Feb 25, 2019
Classic
Contains spoilers, click to show
I first watched this seminal 80's classic in 1988, when it first appeared on TV and I was blown away by it. I was 10, roughly the same age as the lads and here was a film with a raucous sense of humour, strong child characters and large-scale plot which has made this film a multi-generational classic, with our parents, us as parents and our children all investing in the spirit of adventure of The Goonies.
Named after the Goon Docks of which they inhabit, a group of kids, after finding a treasure map, decide that this is their last chance to save the town, which is to knocked down in favour of a Country Club. This leads them on an adventure through the booby-trapped underground catacombs of the town, as they follow the map to One Eyed Willie's treasure.
They get mixed up with the Fratelli's, a matriarchal crime family who get wind of the treasure and follows them into the caves.
The first ting that struck me about this, is after all these years what that it was still fun, enjoyable and even though I might not bother watching by myself, I would defiantly enjoy seeing again with the right audience. The raucous nature of a group of children together in a room is captured so expertly here, with a young Sean Austin, now famous for his portrayal of Samwise Gamgee in the Lord Of The Rings trilogy, holding the pack together; but the chaos is portrayed perfectly.
The language is good here too, with casual swearing amongst the kids, meaning that this must be one of the rare family films to truly capture the interplay between tweenage and teenage kids. Overall, this is a classic for all the right reasons, with the story by Steven Spielberg with only goes to further reinforce his status as one of Hollywood's greatest visionaries and a sharp, tight screenplay by Chris Columbus, who penned Gremlins the previous year and went on to direct the first two, but the weakest two Harry Potter movies.
There is also the questionable issue of the way that the Fratelli's treat Chunk. When you think about it he is threatened with torture after being kidnapped and spending time with the murdered corpse of two 'Feds' who have been shot in the head, murdered in cold blood.
I love this, treating the horror in a mature way, allowing it to used as humour but in a way to playfully scare kids, which it does. It is fun, but I do wonder where the PC brigade would let some of these plot points go in to a child friendly romp in 2011? I hope so, as it is the combination of elements that made this film what it is today.
Named after the Goon Docks of which they inhabit, a group of kids, after finding a treasure map, decide that this is their last chance to save the town, which is to knocked down in favour of a Country Club. This leads them on an adventure through the booby-trapped underground catacombs of the town, as they follow the map to One Eyed Willie's treasure.
They get mixed up with the Fratelli's, a matriarchal crime family who get wind of the treasure and follows them into the caves.
The first ting that struck me about this, is after all these years what that it was still fun, enjoyable and even though I might not bother watching by myself, I would defiantly enjoy seeing again with the right audience. The raucous nature of a group of children together in a room is captured so expertly here, with a young Sean Austin, now famous for his portrayal of Samwise Gamgee in the Lord Of The Rings trilogy, holding the pack together; but the chaos is portrayed perfectly.
The language is good here too, with casual swearing amongst the kids, meaning that this must be one of the rare family films to truly capture the interplay between tweenage and teenage kids. Overall, this is a classic for all the right reasons, with the story by Steven Spielberg with only goes to further reinforce his status as one of Hollywood's greatest visionaries and a sharp, tight screenplay by Chris Columbus, who penned Gremlins the previous year and went on to direct the first two, but the weakest two Harry Potter movies.
There is also the questionable issue of the way that the Fratelli's treat Chunk. When you think about it he is threatened with torture after being kidnapped and spending time with the murdered corpse of two 'Feds' who have been shot in the head, murdered in cold blood.
I love this, treating the horror in a mature way, allowing it to used as humour but in a way to playfully scare kids, which it does. It is fun, but I do wonder where the PC brigade would let some of these plot points go in to a child friendly romp in 2011? I hope so, as it is the combination of elements that made this film what it is today.
Debbiereadsbook (1487 KP) rated Lost in Indigo (Colors of Love #1) in Books
Mar 7, 2019
loved this!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Faced with the end of his hockey career, Mathieu goes home to heal. His long time friend brings his 20 year old son to help Matt around. But Matt is not prepared fro how he feels about Indigo, especially as he has managed to keep his sexuality a secret. But Indigo is a unique young man, genderflux, out and proud. Can Matt recover enough to play again, can he and Indigo be happy in secret?
Ordinarily, I would say here that I wanted to hear from both main characters. Indigo does not have a voice here, and ORDINARILY that would be a major gripe of mine.
BUT!!
I actually rather enjoyed this, with only Matt having a say! I made a new shelf for it and everything!
Matt is deep in the closet, he knows it, and up to now, has just made do. Breaking his leg, and going back to Canada and meeting the now grown up Indigo again makes Matt question a lot of things. And as time goes on, he realises that maybe being in the closet is not a good thing, especially when he wants Indigo in his life, and Indigo wants to be in that life, but Indigo will NOT be a dirty secret.
I loved that Matt has a dawning revelation about Indigo. His feelings grow, over time, but Indigo was all in, right from the start! Loved that his NEIGHBOUR, of all people, had Matt sussed, right from way back when they first met, but his AGENT, who knew him so much longer, had not a clue! I loved that Indigo's dad, Matt long time friend, was, while not totally against Matt and Indigo being together, he was "don't hurt my boy, or I'll break the other leg" on Matt. Papa Bear at his very best!
I loved that, when called on it, Indigo gives Matt a deadline, and Matt delivers! Loved the way he does that!
I read another series by this author, The Point Shot trilogy, and I said in that review, that I loved it because it was single person point of view, so Ms Vocey has a way of negating my dislike of single person points of view, with strong minded, loud voiced characters! I need MORE of this author, I really do!
There are a few pages of hockey commentary, I skipped those, I'm not any kinds of sports fan, at all, but I didn't feel I missed anything by doing so. Just don't hate me!
5 full and shiny stars
**same worded review will appear elsewhere**
Faced with the end of his hockey career, Mathieu goes home to heal. His long time friend brings his 20 year old son to help Matt around. But Matt is not prepared fro how he feels about Indigo, especially as he has managed to keep his sexuality a secret. But Indigo is a unique young man, genderflux, out and proud. Can Matt recover enough to play again, can he and Indigo be happy in secret?
Ordinarily, I would say here that I wanted to hear from both main characters. Indigo does not have a voice here, and ORDINARILY that would be a major gripe of mine.
BUT!!
I actually rather enjoyed this, with only Matt having a say! I made a new shelf for it and everything!
Matt is deep in the closet, he knows it, and up to now, has just made do. Breaking his leg, and going back to Canada and meeting the now grown up Indigo again makes Matt question a lot of things. And as time goes on, he realises that maybe being in the closet is not a good thing, especially when he wants Indigo in his life, and Indigo wants to be in that life, but Indigo will NOT be a dirty secret.
I loved that Matt has a dawning revelation about Indigo. His feelings grow, over time, but Indigo was all in, right from the start! Loved that his NEIGHBOUR, of all people, had Matt sussed, right from way back when they first met, but his AGENT, who knew him so much longer, had not a clue! I loved that Indigo's dad, Matt long time friend, was, while not totally against Matt and Indigo being together, he was "don't hurt my boy, or I'll break the other leg" on Matt. Papa Bear at his very best!
I loved that, when called on it, Indigo gives Matt a deadline, and Matt delivers! Loved the way he does that!
I read another series by this author, The Point Shot trilogy, and I said in that review, that I loved it because it was single person point of view, so Ms Vocey has a way of negating my dislike of single person points of view, with strong minded, loud voiced characters! I need MORE of this author, I really do!
There are a few pages of hockey commentary, I skipped those, I'm not any kinds of sports fan, at all, but I didn't feel I missed anything by doing so. Just don't hate me!
5 full and shiny stars
**same worded review will appear elsewhere**
Maddi Zoe (6 KP) rated Pitch Perfect 3 (2017) in Movies
Feb 8, 2018
Comedy classic with mediocre music
Pitch Perfect is back! Expect nothing but jaw-dropping harmonies, startling costumes and classic comedy. The third and final instalment of the Barden Bellas story finishes in aca-style!
The comedy follows the reunification of the Bellas as they embark on a USO tour, entertaining the troops in Europe. In classic Bella-style, the tour is also a competition between the acts to open the show for DJ Khaled during the final show in France.
From the get-go, we are bombarded with endless classic comedy moments. Take for instance, the awe-inspiring yacht opening and the explosive escape.
Despite a confusing start to the film, questions are later answered. Why are they on a boat? Why did it explode? It eventually makes sense. The story then makes a swift flashback to a few weeks before the story began.
Beca (Anna Kendrick) follows her dreams as a music producer. The rest of the Bellas, bar Emily (Hailee Steinfield) continue to pursue their careers
The cast is flawless. Its predecessors clearly proved this. Each and every film is underpinned by the cast's chemistry. Thankfully, Fat Amy (Rebel Wilson) is still as funny as ever. Amy also meets her match as Lily (Hana Mae Lee) proves to be quite the comedic character.
We also see new appearances. The likes of Ruby Rose (Calamity) stars as the front lady of the band 'Evermoist' (arguably the best and worst band name ever).
We couldn't miss the soundtrack (it is a musical). It is fantastic. However, it has to be the weakest of the three.
The Bellas are almost the only artists on the tour who are acapella. The majority of the other groups play instruments, except in another classic riff-off. The music couldn't have ended a more 'perfect' way. A beautiful rendition of George Michael's Freedom bought a tear to the eye.
The cinematography was equally as good as other films. We even get to see numerous surprises from Fat Amy (explosive scenes).
We even see a montage of sorts during a performance on tour. The camera shots also seemed to fit together, making the film flow and avoiding a yawn.
There are also some great side plots. From comical to the dramatic likes of explosions, the action does at points seem unnecessary.
We were also treated moments of pure comedy gold! A classic but predictable scene occurred in DJ Khaled's hotel suite.
Pitch Perfect 3 is a great finale to the end of the series. It roads the trilogy off in the 'perfect' way. Have you seen the first two? If so, we urge you to watch the third instalment. Have you not seen either? We advise you to binge watch them all!
The comedy follows the reunification of the Bellas as they embark on a USO tour, entertaining the troops in Europe. In classic Bella-style, the tour is also a competition between the acts to open the show for DJ Khaled during the final show in France.
From the get-go, we are bombarded with endless classic comedy moments. Take for instance, the awe-inspiring yacht opening and the explosive escape.
Despite a confusing start to the film, questions are later answered. Why are they on a boat? Why did it explode? It eventually makes sense. The story then makes a swift flashback to a few weeks before the story began.
Beca (Anna Kendrick) follows her dreams as a music producer. The rest of the Bellas, bar Emily (Hailee Steinfield) continue to pursue their careers
The cast is flawless. Its predecessors clearly proved this. Each and every film is underpinned by the cast's chemistry. Thankfully, Fat Amy (Rebel Wilson) is still as funny as ever. Amy also meets her match as Lily (Hana Mae Lee) proves to be quite the comedic character.
We also see new appearances. The likes of Ruby Rose (Calamity) stars as the front lady of the band 'Evermoist' (arguably the best and worst band name ever).
We couldn't miss the soundtrack (it is a musical). It is fantastic. However, it has to be the weakest of the three.
The Bellas are almost the only artists on the tour who are acapella. The majority of the other groups play instruments, except in another classic riff-off. The music couldn't have ended a more 'perfect' way. A beautiful rendition of George Michael's Freedom bought a tear to the eye.
The cinematography was equally as good as other films. We even get to see numerous surprises from Fat Amy (explosive scenes).
We even see a montage of sorts during a performance on tour. The camera shots also seemed to fit together, making the film flow and avoiding a yawn.
There are also some great side plots. From comical to the dramatic likes of explosions, the action does at points seem unnecessary.
We were also treated moments of pure comedy gold! A classic but predictable scene occurred in DJ Khaled's hotel suite.
Pitch Perfect 3 is a great finale to the end of the series. It roads the trilogy off in the 'perfect' way. Have you seen the first two? If so, we urge you to watch the third instalment. Have you not seen either? We advise you to binge watch them all!
Ross (3284 KP) rated The Seventh Decimate : The Great Gods War Book One in Books
Jan 22, 2018
The main character (2 more)
The storyline
Everything else
1 dimensional short story that goes on too long
*** Disclosure: I received a free copy of this from NetGalley in exchange for an honest review ***
I haven't previously read any of Donaldson's work, though my Dad's unwieldy omnibus edition of the First Chronicles of Thomas Covenant the Unbeliever has been in my pile for some time now.
The storyline follows Prince Bifalt journeying to find the sorcery that can undo his country's current plight (they appear to have lost all magical abilities, key to staying in their generations old battle with neighbours). It starts off in the moments before battle, with the prince teaching his comrades about the history of the battle in a very hard to believe section of "here's the backstory but isn't it good that I wove it into the dialogue". We are introduced to his brothers at arms and each of their quirks and peccadillos, which turns out to be a waste as they pretty much all die within the next 100 pages, whether they like horses or are womanisers or not.
The opening action is very gripping and filled me with hope for the book to follow, as Bifalt and his companions lead a special mission to assassinate the enemy's sorcerers with their previously unreleased rifles.
Thereafter the action pretty much dries up. What follows on Bifalt's quest is a nonsense 200 pages of journey through the back country with a thoroughly detestable character who suspects everyone except those who actually have a reason to be his enemy.
After days in the desert, he meets a nonsensical caravan of misfits that he manages to ostracise himself from by being himself.
What follows is a tedious nonsense of journey, discussion, treachery, intrigue and just general nonsense.
Donaldson has an annoying habit of occasionally following a line of dialogue with "What he meant was" to show what the prince is actually trying to ask but didn't. This gets very annoying very quickly.
The conclusion of the story can only be described as relief that it is over, no great revelations, no climactic sequence or discovery, just "that's that sorted then now send to publishers".
Having recently read a number of fantasy books told from numerous viewpoints and covering really epic storylines, to come to such a linear, one dimensional tossed away story as this from someone who is supposed to be one of the greats of the genre, it really was an incredible disappointment.
I shan't be reading the second or third books of the trilogy, and Thomas Covenant has just slipped down my pile a bit.
I haven't previously read any of Donaldson's work, though my Dad's unwieldy omnibus edition of the First Chronicles of Thomas Covenant the Unbeliever has been in my pile for some time now.
The storyline follows Prince Bifalt journeying to find the sorcery that can undo his country's current plight (they appear to have lost all magical abilities, key to staying in their generations old battle with neighbours). It starts off in the moments before battle, with the prince teaching his comrades about the history of the battle in a very hard to believe section of "here's the backstory but isn't it good that I wove it into the dialogue". We are introduced to his brothers at arms and each of their quirks and peccadillos, which turns out to be a waste as they pretty much all die within the next 100 pages, whether they like horses or are womanisers or not.
The opening action is very gripping and filled me with hope for the book to follow, as Bifalt and his companions lead a special mission to assassinate the enemy's sorcerers with their previously unreleased rifles.
Thereafter the action pretty much dries up. What follows on Bifalt's quest is a nonsense 200 pages of journey through the back country with a thoroughly detestable character who suspects everyone except those who actually have a reason to be his enemy.
After days in the desert, he meets a nonsensical caravan of misfits that he manages to ostracise himself from by being himself.
What follows is a tedious nonsense of journey, discussion, treachery, intrigue and just general nonsense.
Donaldson has an annoying habit of occasionally following a line of dialogue with "What he meant was" to show what the prince is actually trying to ask but didn't. This gets very annoying very quickly.
The conclusion of the story can only be described as relief that it is over, no great revelations, no climactic sequence or discovery, just "that's that sorted then now send to publishers".
Having recently read a number of fantasy books told from numerous viewpoints and covering really epic storylines, to come to such a linear, one dimensional tossed away story as this from someone who is supposed to be one of the greats of the genre, it really was an incredible disappointment.
I shan't be reading the second or third books of the trilogy, and Thomas Covenant has just slipped down my pile a bit.
Kristy H (1252 KP) rated Truly Devious (Truly Devious #1) in Books
Feb 6, 2018
Feisty heroine (2 more)
Great mystery plots
Keeps you guessing
Fun, suspenseful page-turner
Stephanie "Stevie" Bell is very excited when she is accepted to Ellingham Academy, an elite private school in Vermont for free-thinking junior and senior high school students. Ellingham was founded by wealthy Albert Ellingham as a place where students can learn in their own ways, and where puzzle and riddles take center stage. The school became especially infamous when Albert's wife, Iris, and young daughter, Alice, were kidnapped not long after it opened. Shortly before the kidnapping, Albert received a mocking riddle threatening of murder in all sorts of forms via the mail. Now that Stevie is at Ellingham, her goal is to solve Iris and Alice's cold case. A true crime junkie, she knows everything about it and believes that being on the scene is the missing piece she needs to put everything together. But first she needs to get used to being away from home, befriend her eclectic group of housemates, and then deal with a shocking new crime that rocks Ellingham to its core.
I really love Maureen Johnson's Shades of London series, so I was really excited to see she had a new mystery series coming out. It didn't disappoint. This was a really fun, fascinating book featuring a great, feisty heroine in Stevie Bell. I fell for Stevie immediately, with her awkward demeanor and allegiance to old-school detective novels. Johnson has done a great job in creating a well-rounded character in Stevie, who really shines in this novel.
The intersecting mysteries will suck you in immediately. I basically wanted to ignore work and responsibilities and keep reading this one. The novel tells the book mainly from Steve's point of view, but we also get bits and pieces from the past--various narrators, case notes, etc. It's quite effective, and you'll find yourself intrigued by the Alice/Iris kidnapping, as well as the current tragedy that befalls Ellingham.
Steve's housemates at Ellingham are diverse and a bit crazy--they are a lot to sort through, but interesting nonetheless. This book will definitely keep you guessing, that's for sure. The cliffhanger ending is crazy--be prepared that this is a trilogy and that everything isn't wrapped up tidily!
Nonetheless, I really enjoyed this one, and I cannot wait to read the next book! I love Stevie--I felt such a pull to this plucky detective, who owns no jewelry, wears a lot of black, and can't dance. The book also treats mental illness in a great, matter-of-fact way, with its honest portrayal of Stevie's anxiety and panic attacks. Everything combines into a fun, interesting, suspenseful, page-turner that will leave you wanting more.
I really love Maureen Johnson's Shades of London series, so I was really excited to see she had a new mystery series coming out. It didn't disappoint. This was a really fun, fascinating book featuring a great, feisty heroine in Stevie Bell. I fell for Stevie immediately, with her awkward demeanor and allegiance to old-school detective novels. Johnson has done a great job in creating a well-rounded character in Stevie, who really shines in this novel.
The intersecting mysteries will suck you in immediately. I basically wanted to ignore work and responsibilities and keep reading this one. The novel tells the book mainly from Steve's point of view, but we also get bits and pieces from the past--various narrators, case notes, etc. It's quite effective, and you'll find yourself intrigued by the Alice/Iris kidnapping, as well as the current tragedy that befalls Ellingham.
Steve's housemates at Ellingham are diverse and a bit crazy--they are a lot to sort through, but interesting nonetheless. This book will definitely keep you guessing, that's for sure. The cliffhanger ending is crazy--be prepared that this is a trilogy and that everything isn't wrapped up tidily!
Nonetheless, I really enjoyed this one, and I cannot wait to read the next book! I love Stevie--I felt such a pull to this plucky detective, who owns no jewelry, wears a lot of black, and can't dance. The book also treats mental illness in a great, matter-of-fact way, with its honest portrayal of Stevie's anxiety and panic attacks. Everything combines into a fun, interesting, suspenseful, page-turner that will leave you wanting more.
Rhys (240 KP) rated The Outsider in Books
Jun 30, 2018 (Updated Jul 7, 2018)
Contains spoilers, click to show
‘The Outsider’ is a crime/horror novel of four distinct parts. The first is the murder and investigation described in the blurb. This part is more traditionally crime novel than horror and introduces the main characters, giving them all distinct personalities and building up to the twist. Part two takes place after said twist (obviously, giving this away would destroy the enjoyment of the first part) and involves a new focus on the ‘antagonist’ of the third part: Ralph Anderson.
Part three introduces Holly, a character from the Finders Keepers books (that I have not read at this time) and continues for most of the book. This part is heavily inspired by several vampire novels and series including ‘Dracula’ and ‘The Strain’ but keeps a distinct Stephen King feeling.
(Part four is epilogue, which ties up loose ends and ensures that the characters who survive, as well as some who do not, have a happy ending.)
Previous King novels can feel forced, or full of ‘fluff’ that exists only to pad out the time between gruesome murders and intense horror. In this novel, every piece of dialogue has a purpose, whether to build on a character’s.... character... or to make the world seem more real, ground the supernatural in reality.
Despite what is said on the ‘bad’ section, this novel works well as a stand alone. Holly, the character that connects this to previous works, is written as though it will be a reader’s first encounter with her. She is built up from scratch and goes through development at the same rate as the other characters (her previous appearances are described enough that a reader will know the gist, but do not give away anything from the ‘Mr. Mercedes’ trilogy other than that Bill Hodges at some point dies.)
(For context, I am not a regular reader of King’s novels, having tried ‘It’ and ‘Insomnia’ but quickly loosing interest in both.)
Why not full marks? Around half way through the novel there is a scene that simply does not fit in with the rest of the story. The character that will eventually become King’s equivalent of Renfield from ‘Dracula’ meets the Outsider in the bathroom, with said character appropriately terrified. Why is this such an odd scene? Throughout the tense conversation (in which the Outsider’s powers are shown in full) Jack is suffering from an upset stomach (and King seems strangely obsessed with describing.) Horrible, yes, but horror it is not.
Overall, I would recommend this novel to a fan of Stephen King or to someone who wants to get into his writing.
Part three introduces Holly, a character from the Finders Keepers books (that I have not read at this time) and continues for most of the book. This part is heavily inspired by several vampire novels and series including ‘Dracula’ and ‘The Strain’ but keeps a distinct Stephen King feeling.
(Part four is epilogue, which ties up loose ends and ensures that the characters who survive, as well as some who do not, have a happy ending.)
Previous King novels can feel forced, or full of ‘fluff’ that exists only to pad out the time between gruesome murders and intense horror. In this novel, every piece of dialogue has a purpose, whether to build on a character’s.... character... or to make the world seem more real, ground the supernatural in reality.
Despite what is said on the ‘bad’ section, this novel works well as a stand alone. Holly, the character that connects this to previous works, is written as though it will be a reader’s first encounter with her. She is built up from scratch and goes through development at the same rate as the other characters (her previous appearances are described enough that a reader will know the gist, but do not give away anything from the ‘Mr. Mercedes’ trilogy other than that Bill Hodges at some point dies.)
(For context, I am not a regular reader of King’s novels, having tried ‘It’ and ‘Insomnia’ but quickly loosing interest in both.)
Why not full marks? Around half way through the novel there is a scene that simply does not fit in with the rest of the story. The character that will eventually become King’s equivalent of Renfield from ‘Dracula’ meets the Outsider in the bathroom, with said character appropriately terrified. Why is this such an odd scene? Throughout the tense conversation (in which the Outsider’s powers are shown in full) Jack is suffering from an upset stomach (and King seems strangely obsessed with describing.) Horrible, yes, but horror it is not.
Overall, I would recommend this novel to a fan of Stephen King or to someone who wants to get into his writing.
Lee (2222 KP) rated A Discovery of Witches - Season 1 in TV
Nov 8, 2018 (Updated Nov 8, 2018)
Bit of a slow burn, some good potential though.
A Discovery of Witches is based on the first book of the 'All Souls Trilogy', by Deborah Harkness. We're in a world where witches, vampires and demons all live among us, carrying out normal human jobs and duties. Obviously these creatures are all aware of each other, and it becomes clear that there is a long, complex and very tense history between them all. While us humans remain blissfully unaware.
The show begins in Oxford, England with Diana Bishop (Teresa Palmer), a witch working as a historian. While carrying out research in the local library she discovers a book which had long been considered missing, and mysteriously only shows itself to Diana. It's return triggers a lot of interest within the supernatural community and she finds herself attracting a lot of unwanted attention, beginning with Matthew Clairmont (Matthew Goode), a local geneticist and vampire. They eventually forge a romantic relationship and begin working together to try and solve the mysteries within the book.
My wife absolutely loves this show and looking at some of the reviews for it on IMDB I know I'm in the minority here, but I mostly found A Discovery Of Witches to be a bit dull. The whole thing is very stylishly done, highlighting Oxford as the beautiful city it is, and we also spend a lot of time in Venice, and various other exotic international locations. But it's the slow burn and the characters themselves that didn't really do it for me. The vampires are mostly moody, throwing their weight around and showing off their lightning speed and reactions along with their heightened senses. The witches are generally wise and supposedly more powerful, but rarely exhibit any more power than setting something on fire, rattling something, or making it a bit windy to the point where people get knocked off their feet. And the demons... well, the demons don't really seem to do anything at all, acting and appearing just like normal humans throughout the entire show. There's a lot of dodgy acting, and as much as I've loved Teresa Palmer in other roles prior to this, I don't really feel she's well suited here. It's all just slow burn and forbidden love. Twilight, but with grown-ups and less special effects.
It's just been granted another two seasons, so I'm definitely in the minority with my opinions. To be fair though, there have been some enjoyable moments, and I'm certainly interested in the direction the show appeared to be heading in. The finale cliffhanger definitely opened up some fun and interesting potential for next season too.
The show begins in Oxford, England with Diana Bishop (Teresa Palmer), a witch working as a historian. While carrying out research in the local library she discovers a book which had long been considered missing, and mysteriously only shows itself to Diana. It's return triggers a lot of interest within the supernatural community and she finds herself attracting a lot of unwanted attention, beginning with Matthew Clairmont (Matthew Goode), a local geneticist and vampire. They eventually forge a romantic relationship and begin working together to try and solve the mysteries within the book.
My wife absolutely loves this show and looking at some of the reviews for it on IMDB I know I'm in the minority here, but I mostly found A Discovery Of Witches to be a bit dull. The whole thing is very stylishly done, highlighting Oxford as the beautiful city it is, and we also spend a lot of time in Venice, and various other exotic international locations. But it's the slow burn and the characters themselves that didn't really do it for me. The vampires are mostly moody, throwing their weight around and showing off their lightning speed and reactions along with their heightened senses. The witches are generally wise and supposedly more powerful, but rarely exhibit any more power than setting something on fire, rattling something, or making it a bit windy to the point where people get knocked off their feet. And the demons... well, the demons don't really seem to do anything at all, acting and appearing just like normal humans throughout the entire show. There's a lot of dodgy acting, and as much as I've loved Teresa Palmer in other roles prior to this, I don't really feel she's well suited here. It's all just slow burn and forbidden love. Twilight, but with grown-ups and less special effects.
It's just been granted another two seasons, so I'm definitely in the minority with my opinions. To be fair though, there have been some enjoyable moments, and I'm certainly interested in the direction the show appeared to be heading in. The finale cliffhanger definitely opened up some fun and interesting potential for next season too.
Ross (3284 KP) rated House of Sacrifice in Books
Aug 14, 2019
Style over substance in a long grind of a conclusion
* I received an advance copy of this book from the publishers and NetGalley in exchange for an honest review *
Anna Smith Spark broke onto the scene with The Court of Broken Knives (which always annoyed me because the place in the book is named the Court of the Broken Knife), a truly dark and gritty fantasy tale mixing magic, ambition, political intrigue and good old fashion hacking limbs off with blunted swords. Her narrative tone made her debut stand out, being much more lyrical and poetic than the rest of the genre. While this took time to get used to, it added to the immersion of the story and made the reader feel like they were experiencing the conflict themselves. The lyrical prose added to the underlying story. This continued into the second book, where Marith's journey to taking over/destroying the world continued, as did the turmoil in the heart of the empire.
Here, however, the story seems to have been put on the back-burner in favour of more literary prose. A whole lot of not a lot happens. While a large chunk of this is in favour of some character development, it is laboured and a real slog. I hated the first quarter of the book, and while I could see that what little was happening would be important in telling Marith's story, it really did take forever and was so utterly rammed home that I found it frustrating. So much so that I had to put the book aside so that my mood didn't ruin my family holiday.
The book serves as something of a conclusion to the trilogy with a lot of wrongs righted and paths ended. However, so much of it is simply gratuitous war for the sake of war (which I get as part of Marith's character but I grasped that after the first couple of unnecessary towns were razed).
However, with less of import happening, the reader starts to focus on the world-building, and I certainly started to realise how little of the "magic" in the world was explained or even described. So many instances of "shadowbeasts" just appearing and I cannot remember them being introduced in any detail at all. I really couldn't remember what was so special about Marith after all.
And the ending was so much of a damp squib I just had to laugh. After everything Marith had been through, for that to be the ending was ludicrous. While I appreciated the circularity of it, I didn't like it.
A disappointing case of style over substance in this dragged out ending to a series that could easily have squeezed into two book.
Anna Smith Spark broke onto the scene with The Court of Broken Knives (which always annoyed me because the place in the book is named the Court of the Broken Knife), a truly dark and gritty fantasy tale mixing magic, ambition, political intrigue and good old fashion hacking limbs off with blunted swords. Her narrative tone made her debut stand out, being much more lyrical and poetic than the rest of the genre. While this took time to get used to, it added to the immersion of the story and made the reader feel like they were experiencing the conflict themselves. The lyrical prose added to the underlying story. This continued into the second book, where Marith's journey to taking over/destroying the world continued, as did the turmoil in the heart of the empire.
Here, however, the story seems to have been put on the back-burner in favour of more literary prose. A whole lot of not a lot happens. While a large chunk of this is in favour of some character development, it is laboured and a real slog. I hated the first quarter of the book, and while I could see that what little was happening would be important in telling Marith's story, it really did take forever and was so utterly rammed home that I found it frustrating. So much so that I had to put the book aside so that my mood didn't ruin my family holiday.
The book serves as something of a conclusion to the trilogy with a lot of wrongs righted and paths ended. However, so much of it is simply gratuitous war for the sake of war (which I get as part of Marith's character but I grasped that after the first couple of unnecessary towns were razed).
However, with less of import happening, the reader starts to focus on the world-building, and I certainly started to realise how little of the "magic" in the world was explained or even described. So many instances of "shadowbeasts" just appearing and I cannot remember them being introduced in any detail at all. I really couldn't remember what was so special about Marith after all.
And the ending was so much of a damp squib I just had to laugh. After everything Marith had been through, for that to be the ending was ludicrous. While I appreciated the circularity of it, I didn't like it.
A disappointing case of style over substance in this dragged out ending to a series that could easily have squeezed into two book.