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Sophia (Bookwyrming Thoughts) (530 KP) rated Unhinged (Splintered #2) in Books
Jan 23, 2020
<i>Unhinged</i>, the second book in the <i>Splintered</i> trilogy, is <b>set an entire year after the events in <i><a title="Splintered by A.G. Howard" href="https://bookwyrmingthoughts.com/review-splintered-by-ag-howard/"; target="_blank" rel="noopener">Splintered</a></i></b>. With the curse broken, Alyssa finally hopes to have as much of a normal life as possible, despite the fact nothing is actually the same.
I personally thought that <b><i>Splintered</i> was better off a stand-alone</b> when A.G. Howard first takes us to her dark version of Wonderland. <b>The ending definitely could have taken two turns</b> – the book could have expanded into multiple books, or it could have been left alone.
With <i>Unhinged</i>, <b>I just didn't feel as passionate as I was with the first book.</b> Though Alyssa believes she has left Wonderland behind, Morpheus and Wonderland eventually come back to haunt her through dreams and violent paintings – something bad is going on and Wonderland needs Alyssa back now that she's taken her place as the Red Queen. <b>The sequel isn't as adventurous or dark – it just felt like something I would normally see in a novel.</b>
I don't even know how to phrase it – <b><i>Unhinged</i> focuses a lot in the human world; Alyssa's conflicted feelings between Morpheus and Jeb, and where she actually belongs.</b> I hoped the book would bring us back to Wonderland, but <b>I don't even think we even entered Wonderland – it came to Alyssa and it just wasn't as exotic or enchanting or amazing as it was back in book one.</b> Am I sounding whiny now?
That's not including Morpheus and Jeb. <b>Much as I like Morpheus and his sassiness, I just don't like him for the life of me. I <em>still</em> don't like Jeb</b> [for the life of me]. If I really had to choose between the two, I would probably pick Morpheus simply because he just seems to have more personality than Jeb. (Have I mentioned Morpheus has sass?) <b>All Morpheus seems to really care about is Red and how to finally get her out of his wings.</b> Alyssa is just... convenient enough to be used and he ends up falling in love with her in the process of "using" her.
Now I don't know if that's true. I'm sure he actually cares about her greatly considering their history, and I'm sure Jeb cares about her as well, even though he is overprotective and it probably seems endearing. They don't fight as much as they did back in <i>Splintered</i>, but I just don't feel anything for the corners of the love triangle. I just don't. <b>I feel completely indifferent about <i>Unhinged</i> altogether and I'll read the last book simply for the feeling of closure.</b>
<a href="https://bookwyrmingthoughts.com/review-unhinged-by-ag-howard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I personally thought that <b><i>Splintered</i> was better off a stand-alone</b> when A.G. Howard first takes us to her dark version of Wonderland. <b>The ending definitely could have taken two turns</b> – the book could have expanded into multiple books, or it could have been left alone.
With <i>Unhinged</i>, <b>I just didn't feel as passionate as I was with the first book.</b> Though Alyssa believes she has left Wonderland behind, Morpheus and Wonderland eventually come back to haunt her through dreams and violent paintings – something bad is going on and Wonderland needs Alyssa back now that she's taken her place as the Red Queen. <b>The sequel isn't as adventurous or dark – it just felt like something I would normally see in a novel.</b>
I don't even know how to phrase it – <b><i>Unhinged</i> focuses a lot in the human world; Alyssa's conflicted feelings between Morpheus and Jeb, and where she actually belongs.</b> I hoped the book would bring us back to Wonderland, but <b>I don't even think we even entered Wonderland – it came to Alyssa and it just wasn't as exotic or enchanting or amazing as it was back in book one.</b> Am I sounding whiny now?
That's not including Morpheus and Jeb. <b>Much as I like Morpheus and his sassiness, I just don't like him for the life of me. I <em>still</em> don't like Jeb</b> [for the life of me]. If I really had to choose between the two, I would probably pick Morpheus simply because he just seems to have more personality than Jeb. (Have I mentioned Morpheus has sass?) <b>All Morpheus seems to really care about is Red and how to finally get her out of his wings.</b> Alyssa is just... convenient enough to be used and he ends up falling in love with her in the process of "using" her.
Now I don't know if that's true. I'm sure he actually cares about her greatly considering their history, and I'm sure Jeb cares about her as well, even though he is overprotective and it probably seems endearing. They don't fight as much as they did back in <i>Splintered</i>, but I just don't feel anything for the corners of the love triangle. I just don't. <b>I feel completely indifferent about <i>Unhinged</i> altogether and I'll read the last book simply for the feeling of closure.</b>
<a href="https://bookwyrmingthoughts.com/review-unhinged-by-ag-howard/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sophia (Bookwyrming Thoughts) (530 KP) rated Daughter of Smoke and Bone in Books
Jan 23, 2020
How I really feel these days: read/listen to a book, pull out the overall point of the book, give brief information on why I liked/disliked the book, the end. Or, go through that and the words come as I start typing the review, and it may or may not be in an organized manner. That's for your judgment, I suppose.
It's precisely how I feel with <i>Daughter of Smoke and Bone</i>. It's interesting with all the seraphs and chimaera (I keep wanting to call that chimera) being at war with each other, but I pretty much picked out one very important theme in this entire book.
Reincarnation (or resurrection in this case) and self-discovery.
Karou is a very mysterious person (at least, she likes to keep it that way). From early on, she doesn't have a family (aside from a surrogate one), doesn't talk about herself, and avoids questions from anyone who actually want to know who she is aside from the fact she is fantastic at drawing mystical creatures. She also deals with wishes, her hair is blue (really cool, by the way), and speaks over twenty languages. But she still doesn't understand who she really is, and that remains the constant until Karou goes on an errand where she comes across Akiva, a seraph with fire in his eyes.
I'm not really sure how I feel about Akiva. Although Laini gives information about his past, especially with Madrigal's memories, I'm pretty indifferent towards him. He's a seraph, fell in love with Madrigal, and wants peace among the seraph and chimaera, but otherwise, I feel like he's just appropriately placed in the story.
<i>Daughter of Smoke and Bone</i> is also one of those books in which I believe Laini does a fantastic job with flashbacks. I'm generally not a huge fan of flashbacks, because while I know they play an important role most of the time (authors don't do things in their novel without reason), they sometimes add more bulk or it doesn't really fit well in the story.
In <i>Daughter of Smoke and Bone's</i> case, it would have been a really bad idea not to have so many flashbacks later on in the story. From what I've read up to Madrigal's memories, Karou is a enigmatic person. Madrigal's memories add on to Karou as a whole, and I feel it makes Karou more developed than she would have been had Laini not written in the most important aspects of Madrigal's life.
<i>Daughter of Smoke and Bone</i> has it's very gruesome parts (don't tell me listening to a description of someone being beheaded is <em>not</em> gruesome), but I enjoyed it and I'm looking forward to listening to the second book (bonus points because it's the same narrator for the entire trilogy).
Have I mentioned I absolutely <em>adore</em> Zuzanna? *kiss/punch*
<a href="https://bookwyrmingthoughts.com/audiobook-review-daughter-of-smoke-and-bone-by-laini-taylor/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
It's precisely how I feel with <i>Daughter of Smoke and Bone</i>. It's interesting with all the seraphs and chimaera (I keep wanting to call that chimera) being at war with each other, but I pretty much picked out one very important theme in this entire book.
Reincarnation (or resurrection in this case) and self-discovery.
Karou is a very mysterious person (at least, she likes to keep it that way). From early on, she doesn't have a family (aside from a surrogate one), doesn't talk about herself, and avoids questions from anyone who actually want to know who she is aside from the fact she is fantastic at drawing mystical creatures. She also deals with wishes, her hair is blue (really cool, by the way), and speaks over twenty languages. But she still doesn't understand who she really is, and that remains the constant until Karou goes on an errand where she comes across Akiva, a seraph with fire in his eyes.
I'm not really sure how I feel about Akiva. Although Laini gives information about his past, especially with Madrigal's memories, I'm pretty indifferent towards him. He's a seraph, fell in love with Madrigal, and wants peace among the seraph and chimaera, but otherwise, I feel like he's just appropriately placed in the story.
<i>Daughter of Smoke and Bone</i> is also one of those books in which I believe Laini does a fantastic job with flashbacks. I'm generally not a huge fan of flashbacks, because while I know they play an important role most of the time (authors don't do things in their novel without reason), they sometimes add more bulk or it doesn't really fit well in the story.
In <i>Daughter of Smoke and Bone's</i> case, it would have been a really bad idea not to have so many flashbacks later on in the story. From what I've read up to Madrigal's memories, Karou is a enigmatic person. Madrigal's memories add on to Karou as a whole, and I feel it makes Karou more developed than she would have been had Laini not written in the most important aspects of Madrigal's life.
<i>Daughter of Smoke and Bone</i> has it's very gruesome parts (don't tell me listening to a description of someone being beheaded is <em>not</em> gruesome), but I enjoyed it and I'm looking forward to listening to the second book (bonus points because it's the same narrator for the entire trilogy).
Have I mentioned I absolutely <em>adore</em> Zuzanna? *kiss/punch*
<a href="https://bookwyrmingthoughts.com/audiobook-review-daughter-of-smoke-and-bone-by-laini-taylor/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Hazel (1853 KP) rated Book of Fire in Books
Mar 7, 2020
I was provided a copy of this book via Netgalley in exchange for an honest review
Combining dystopia and ancient history, Michelle Kenney's debut series Book of Fire slots nicely into the list of best young adult science-fiction. Set in the not so distant future, the world has been destroyed and human life can only be sustained within a specially designed lifedome - at least that is what everyone living inside has been told. The protagonist, Talia, begs to differ, having lived in secret on the outside all her life.
A rogue test missile exploded with cataclysmic effect on 3rd November 2025, leaving cities in ruins. Whilst most people ran to the lifedome, Talia's grandfather and a few others ran in the opposite direction. For years, they have lived in the relative safety of Arafel, whose existence has been kept hidden from the majority of the people living in the dome.
Unfortunately, the leader of the lifedome is one of the few who knows of their existence and wishes to eradicate them and Talia's peaceful life is suddenly destroyed when her grandfather and her twin brother Eli are captured by soldiers. Determined to rescue them, Talia and her friend Max break into the dome but what they discover makes them even more concerned about the life of not just their families but all the remaining humans.
Obsessed with Ancient Rome, the lifedome's leader Octavia has created a replica of the historical city, going as far as to genetically produce strong and powerful gladiators. Yet, the more Talia sees of the lifedome - Pantheon - the more she realises it is not just extra-strong humans that Octavia has been experimenting with. Hidden in the depth of the dome are mythological creatures made from a mix of human and animal parts; creatures that should not exist, however, they all have various defects.
Talia soon learns that her grandfather was kidnapped for a reason: he knows the secret to create the perfect DNA for these creatures and, in turn, Talia unwittingly knows it too.
Initially, all Talia wanted was her grandfather and brother back but now she is part of something much bigger and must choose between her family, self-preservation and the rest of the human race. On top of that, she begins to fall for a pseudo-Roman Gladiator. Could it get any more complicated?
Michelle Kenney has created a world where the monsters turn out to be the heroes and the humans in charge, the monsters. Reading this at the time of the coronavirus makes the apocalyptic situation a little too close for comfort but it provides a strong message not to mess with things that no longer exist. Imperfection is a common by-product of life's recover - if only Octavia could have accepted that.
Book of Fire is the first in a promising trilogy that will transport you into a world of fantasy, danger, wonderful creatures and a hint of reality. For those who love ancient history and dystopian fiction will thoroughly enjoy this series.
Combining dystopia and ancient history, Michelle Kenney's debut series Book of Fire slots nicely into the list of best young adult science-fiction. Set in the not so distant future, the world has been destroyed and human life can only be sustained within a specially designed lifedome - at least that is what everyone living inside has been told. The protagonist, Talia, begs to differ, having lived in secret on the outside all her life.
A rogue test missile exploded with cataclysmic effect on 3rd November 2025, leaving cities in ruins. Whilst most people ran to the lifedome, Talia's grandfather and a few others ran in the opposite direction. For years, they have lived in the relative safety of Arafel, whose existence has been kept hidden from the majority of the people living in the dome.
Unfortunately, the leader of the lifedome is one of the few who knows of their existence and wishes to eradicate them and Talia's peaceful life is suddenly destroyed when her grandfather and her twin brother Eli are captured by soldiers. Determined to rescue them, Talia and her friend Max break into the dome but what they discover makes them even more concerned about the life of not just their families but all the remaining humans.
Obsessed with Ancient Rome, the lifedome's leader Octavia has created a replica of the historical city, going as far as to genetically produce strong and powerful gladiators. Yet, the more Talia sees of the lifedome - Pantheon - the more she realises it is not just extra-strong humans that Octavia has been experimenting with. Hidden in the depth of the dome are mythological creatures made from a mix of human and animal parts; creatures that should not exist, however, they all have various defects.
Talia soon learns that her grandfather was kidnapped for a reason: he knows the secret to create the perfect DNA for these creatures and, in turn, Talia unwittingly knows it too.
Initially, all Talia wanted was her grandfather and brother back but now she is part of something much bigger and must choose between her family, self-preservation and the rest of the human race. On top of that, she begins to fall for a pseudo-Roman Gladiator. Could it get any more complicated?
Michelle Kenney has created a world where the monsters turn out to be the heroes and the humans in charge, the monsters. Reading this at the time of the coronavirus makes the apocalyptic situation a little too close for comfort but it provides a strong message not to mess with things that no longer exist. Imperfection is a common by-product of life's recover - if only Octavia could have accepted that.
Book of Fire is the first in a promising trilogy that will transport you into a world of fantasy, danger, wonderful creatures and a hint of reality. For those who love ancient history and dystopian fiction will thoroughly enjoy this series.
The Book of Dust
6.5
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“What can I tell you about it? The first thing to say is that Lyra is at the centre of the...
The Thief (The Queen's Thief #1)
6.5
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Discover the world of the Queen's Thief New York Times-bestselling author Megan Whalen Turner's...
Matthew Krueger (10051 KP) rated Drag Me to Hell (2009) in Movies
Oct 28, 2020
Sam Raimi (1 more)
Alison Lohman
PG-13 (1 more)
Justin Long
Old Lady Curse
Drag me to Hell- is a anethor movie that ive wanted to see for couple years now and it was not disappointed. Its gory, horrorfying, terrorfying, scary, gory and overall a excellent movie.
The plot: Christine Brown (Alison Lohman) has a loving boyfriend (Justin Long) and a great job at a Los Angeles bank. But her heavenly life becomes hellish when, in an effort to impress her boss, she denies an old woman's request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic's help to break the curse, but the price to save her soul may be more than she can pay.
Raimi wrote Drag Me to Hell with his brother, Ivan, before working on the Spider-Man trilogy.
The original story for Drag Me to Hell was written ten years before the film went into production and was written by Sam Raimi and his brother Ivan Raimi. The film went into production under the name The Curse. The Raimis wrote the script as a morality tale, desiring to write a story about a character who wants to be a good person, but makes a sinful choice out of greed for her own betterment and pays the price for it. The Raimis tried to make the character of Christine the main focal point in the film, and tried to have Christine in almost all the scenes in the film.
The most significant parallel is that both stories involve the passing of a cursed object, which has to be passed to someone else, or its possessor will be devoured by one or more demons. Unlike his past horror films, Raimi wanted the film to be rated PG-13 and not strictly driven by gore, stating, "I didn't want to do exactly the same thing I had done before."
After finishing the script, Raimi desired to make the picture after the first draft of the script was completed, but other projects such as the Spider-Man film series became a nearly decade-long endeavor, pushing opportunities to continue work on Drag Me to Hell to late 2007. Raimi offered director Edgar Wright to direct Drag Me to Hell which Wright turned down as he was filming Hot Fuzz and felt that "If I did it, it would just feel like karaoke." After the previous three Spider-Man films, Raimi came back to the script of Drag Me to Hell, wanting to make a simpler and lower-budget film.
Raimi said he set out to create “a horror film with lots of wild moments and lots of suspense and big shocks that’ll hopefully make audiences jump. But I also wanted to have a lot of dark humor sprinkled throughout. I spent the last decade doing Spider-Man and you come to rely on a lot of people doing things for you and a lot of help, but it’s refreshing and wonderful to be reminded that, as with most filmmakers, the best way to do it is yourself, with a tight team doing the main jobs."
Its a excellent movie.
The plot: Christine Brown (Alison Lohman) has a loving boyfriend (Justin Long) and a great job at a Los Angeles bank. But her heavenly life becomes hellish when, in an effort to impress her boss, she denies an old woman's request for an extension on her home loan. In retaliation, the crone places a curse on Christine, threatening her soul with eternal damnation. Christine seeks a psychic's help to break the curse, but the price to save her soul may be more than she can pay.
Raimi wrote Drag Me to Hell with his brother, Ivan, before working on the Spider-Man trilogy.
The original story for Drag Me to Hell was written ten years before the film went into production and was written by Sam Raimi and his brother Ivan Raimi. The film went into production under the name The Curse. The Raimis wrote the script as a morality tale, desiring to write a story about a character who wants to be a good person, but makes a sinful choice out of greed for her own betterment and pays the price for it. The Raimis tried to make the character of Christine the main focal point in the film, and tried to have Christine in almost all the scenes in the film.
The most significant parallel is that both stories involve the passing of a cursed object, which has to be passed to someone else, or its possessor will be devoured by one or more demons. Unlike his past horror films, Raimi wanted the film to be rated PG-13 and not strictly driven by gore, stating, "I didn't want to do exactly the same thing I had done before."
After finishing the script, Raimi desired to make the picture after the first draft of the script was completed, but other projects such as the Spider-Man film series became a nearly decade-long endeavor, pushing opportunities to continue work on Drag Me to Hell to late 2007. Raimi offered director Edgar Wright to direct Drag Me to Hell which Wright turned down as he was filming Hot Fuzz and felt that "If I did it, it would just feel like karaoke." After the previous three Spider-Man films, Raimi came back to the script of Drag Me to Hell, wanting to make a simpler and lower-budget film.
Raimi said he set out to create “a horror film with lots of wild moments and lots of suspense and big shocks that’ll hopefully make audiences jump. But I also wanted to have a lot of dark humor sprinkled throughout. I spent the last decade doing Spider-Man and you come to rely on a lot of people doing things for you and a lot of help, but it’s refreshing and wonderful to be reminded that, as with most filmmakers, the best way to do it is yourself, with a tight team doing the main jobs."
Its a excellent movie.
Emma @ The Movies (1786 KP) rated Crazy Rich Asians (2018) in Movies
Sep 25, 2019
I was treated to this as an Unlimited Screening at Cineworld, mixing it up with a Saturday night viewing. Just a pre-warning, there is a very minor spoiler below, it's really more of a notice to watch out for something in the film, but if you want to avoid it then you can go over to Letterboxd (link can be found in the left hand menu) and read the review with that omitted.
We have been needing this film for quite some time. It is everything a classic rom-com should be and it feels like we haven't had one of this caliber in quite a while. It has all the ups and downs you want, the emotion and the humour, the serious and the down right ridiculous.
I did wonder if I would feel slightly more disconnected from the film because of the cultural differences... which at the time was mainly because I hadn't really heard much about the film... but the story is that eternal struggle of love that you can just connect with straight away.
The only reason this didn't get the fill five is because of the wacky Goh family. I'm not particularly a fan of Awkwafina or Ken Jeong's characters in it. While funny, I feel that their jokes/situations went on a bit too long taking it from funny to a little irritating.
Despite my issues with the way some of the characters went there's no denying that all of the cast did an amazing job. I particularly loved Gemma Chan as Astrid. The pinnacle of understated grace and kindness but with the side that no one sees apart from Rachel. Her performance was excellent a always and one of the most heartbreaking parts of the movie.
There are so many things to enjoy in this movie. I particularly liked the flashback at the beginning, so well done and really amusing. My second pick of highlights goes to a scene that I'm only partially sure happened. All the way through the film the audience and I seemed to be on the same wave length, laughing and reacting at the same time... but then... I laughed and no one else did. Was I the only one that saw it?! On the boat during the bachelor party when Bernard fires the rocket launcher... did no one else see that model go flying backwards?! Like seriously... why was no one else laughing??
What should you do?
You should definitely go and see this one. Great for a girls night out, and good for a date night too.
You should also probably read the book, it's the first in the Crazy Rich Asians trilogy by Kevin Kwan. Kwan was on board with the film so if the author approves you know you won't be finding massive differences between the two.
Movie thing you wish you could take home
Difficult to say what I'd want from this one. There were some lovely cars, but I think I'd still be happier with an Eleanor over any of these ones. It's probably got to be one of the lavish apartments with the stunning views instead.
We have been needing this film for quite some time. It is everything a classic rom-com should be and it feels like we haven't had one of this caliber in quite a while. It has all the ups and downs you want, the emotion and the humour, the serious and the down right ridiculous.
I did wonder if I would feel slightly more disconnected from the film because of the cultural differences... which at the time was mainly because I hadn't really heard much about the film... but the story is that eternal struggle of love that you can just connect with straight away.
The only reason this didn't get the fill five is because of the wacky Goh family. I'm not particularly a fan of Awkwafina or Ken Jeong's characters in it. While funny, I feel that their jokes/situations went on a bit too long taking it from funny to a little irritating.
Despite my issues with the way some of the characters went there's no denying that all of the cast did an amazing job. I particularly loved Gemma Chan as Astrid. The pinnacle of understated grace and kindness but with the side that no one sees apart from Rachel. Her performance was excellent a always and one of the most heartbreaking parts of the movie.
There are so many things to enjoy in this movie. I particularly liked the flashback at the beginning, so well done and really amusing. My second pick of highlights goes to a scene that I'm only partially sure happened. All the way through the film the audience and I seemed to be on the same wave length, laughing and reacting at the same time... but then... I laughed and no one else did. Was I the only one that saw it?! On the boat during the bachelor party when Bernard fires the rocket launcher... did no one else see that model go flying backwards?! Like seriously... why was no one else laughing??
What should you do?
You should definitely go and see this one. Great for a girls night out, and good for a date night too.
You should also probably read the book, it's the first in the Crazy Rich Asians trilogy by Kevin Kwan. Kwan was on board with the film so if the author approves you know you won't be finding massive differences between the two.
Movie thing you wish you could take home
Difficult to say what I'd want from this one. There were some lovely cars, but I think I'd still be happier with an Eleanor over any of these ones. It's probably got to be one of the lavish apartments with the stunning views instead.
DRAGON QUEST III
Games
9.0
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DRAGON QUEST III: The Seeds of Salvation—one of the most highly acclaimed and best-selling games...
LeftSideCut (3778 KP) rated The Mandalorian - Season 1 in TV
May 5, 2020
A live action series set in the Star Wars universe has been a long time coming and thankfully, it hit almost all the right notes.
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
The Mandalorian is set after the events of Return of the Jedi, where the empire is all but gone, and the titular hero is going about his business, taking bounty jobs for good pay. It's not too long before it's revealed that remnants of the empire remain intact and one unexpected bounty job sets Mando on a different path entirely.
The plot isn't too heavy on dramatics for the most part, and the 8 episode arc concentrates on small stories - mini adventures that are resolved relatively quickly. It's a lot of fun. The final two episodes set up a larger narrative, that has me excited for season 2.
The Mandalorian himself (Pedro Pascal) is a great lead, and considering his face is covered the entire time, that's high praise. He has a cold, precise exterior, and shows off frequently his capabilities as a warrior (every episode has a pretty awesome action set piece at one point). Underneath it all, his humanity is shown when The Child (commonly know as Baby Yoda) is thrown into his care, drawing paraells with his own childhood.
The Child arguably steals the show at intervals, being offensively cute throughout, and showing hints at force powers here and there.
Other cast members include Cara Dune (Gina Carano), a completely badass ex Imperial Shock Trooper. Her character is another highlight, and I sincerely hope to see her return for season 2.
Greef Karga (Carl freaking Weathers), bounty salesman and sometimes ally of Mando. The three of them (plus The Child) make for a damn fine crew.
Some further Star power is provided by IG-11 (Taika Waititi) and Kuiil (Nick Nolte) and these two characters further flesh out a great cast.
The villains of the piece aren't in your face, but are present enough to lay the seeds for bigger things to come. Earlier on we have The Client (Werner Herzog oozing text book evil empire vibes), and a bit later, Moff Gideon (Giancarlo Esposito), who is menacing enough to make an impact with his little screentime.
I also enjoyed the fleshing out of the Mandalorian religion.
There is some great directing talent in display as well, with episode from the likes of the aforementioned Taika Waititi, Deborah Chow, Dave Filoni, Bryce Dallas Howard, and Rick Famuyiwa. They've all down a great job of bringing this particular Star Wars narrative to life, and I genuinely enjoyed every episode.
Except for episode 6. And thats mainly due to the throwaway characters we get given. (It reminded me of that infamous shitty episode in season 2 of Stranger Things.)
The devotion to using practical effects pays off tremendously, as The Mandalorian frequently looks superb. The CGI used is actually pretty subtle, and the mix of the two works.
All in all, it's a strong first season that personally tops any of the recent trilogy in terms of Star Wars material. Can't wait to see where it goes!
The Bard's Tale
Games and Entertainment
3.0
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