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Movie Metropolis (309 KP) rated Insurgent (2015) in Movies
Jun 10, 2019
A little soulless
There hasn’t been a better time to be part of the Young Adult revolution. From Stephanie Meyer’s underwhelming Twilight saga to Suzanne Collins’ superb Huger Games trilogy and everything in between, there is something about this genre that audiences love to read and to watch.
Coming a little late to the party is Veronica Roth’s Divergent franchise. After last year’s bland debut, a new director in the shape of Robert Schwentke (Flightplan, Tattoo) takes on the second film in the series, Insurgent, but can it finally bring something to the table?
Insurgent continues the story of a post-apocalyptic America that has been divided into ‘factions’ based on the personality traits of survivors. Being placed in a faction helps you live your life in accordance with the rules of the governing body of the time. However, having traits belonging to all five categories makes you a Divergent – a risk to peace in other words.
This action sequel follows Tris Prior (Shailene Woodley) and Four Eaton (Theo James), two Divergents on the run from Kate Winslet’s domineering Jeanie Matthews as they try to find out the truth about who they are and what is really going on behind the scenes.
For the uninitiated, Insurgent is a tiresome process and requires some prior knowledge of the first film to truly understand what is going on. However, in comparison to its dull and overly long predecessor, there is much to enjoy here.
The obliterated city of Chicago is given much more room to breathe and the beautifully choreographed shots of well-known landmarks draped in moss and ferns are a stunning addition and look much more realistic than the computer-generated imagery used for the Capitol in the Hunger Games series.
Moreover, there are some great acting performances scattered throughout, Woodley really gets her teeth stuck into the lead role after her disappointing turn in Divergent and Theo James provides the eye candy in a Liam Hemsworth-esque characterisation.
However, it is in Kate Winslet and newcomer Naomi Watts’ performances that we really see something special.
Despite their lack of screen time, they command each sequence they are a part of and it’s a shame they’re not used more throughout the near 2 hour runtime.
Unfortunately comparisons to other YA adaptations are unavoidable. Put Insurgent up against its main rival The Hunger Games: Catching Fire and the odds simply aren’t in its favour. The sheer star power the latter film commands is enviable and despite Winslet and Watts’ excellent performances, it just isn’t quite enough.
It all feels a little hollow, a bit flat and non-descript as the audience is thrown from one mildly entertaining set piece to another, right up until the obligatory gasps as you realise it’s another year to pick up where that cliff-hanger left things.
In the end, Insurgent improves on its overly convoluted predecessor and is much better than anything the Twilight saga threw at us, but it pales in comparison to the treat of watching ‘The Girl on Fire’ strut her stuff.
Alas, sitting in the middle isn’t quite enough in this highly competitive genre and despite some stunning cinematography and great acting, Insurgent feels a little soulless.
https://moviemetropolis.net/2015/03/22/a-little-soulless-insurgent-review/
Coming a little late to the party is Veronica Roth’s Divergent franchise. After last year’s bland debut, a new director in the shape of Robert Schwentke (Flightplan, Tattoo) takes on the second film in the series, Insurgent, but can it finally bring something to the table?
Insurgent continues the story of a post-apocalyptic America that has been divided into ‘factions’ based on the personality traits of survivors. Being placed in a faction helps you live your life in accordance with the rules of the governing body of the time. However, having traits belonging to all five categories makes you a Divergent – a risk to peace in other words.
This action sequel follows Tris Prior (Shailene Woodley) and Four Eaton (Theo James), two Divergents on the run from Kate Winslet’s domineering Jeanie Matthews as they try to find out the truth about who they are and what is really going on behind the scenes.
For the uninitiated, Insurgent is a tiresome process and requires some prior knowledge of the first film to truly understand what is going on. However, in comparison to its dull and overly long predecessor, there is much to enjoy here.
The obliterated city of Chicago is given much more room to breathe and the beautifully choreographed shots of well-known landmarks draped in moss and ferns are a stunning addition and look much more realistic than the computer-generated imagery used for the Capitol in the Hunger Games series.
Moreover, there are some great acting performances scattered throughout, Woodley really gets her teeth stuck into the lead role after her disappointing turn in Divergent and Theo James provides the eye candy in a Liam Hemsworth-esque characterisation.
However, it is in Kate Winslet and newcomer Naomi Watts’ performances that we really see something special.
Despite their lack of screen time, they command each sequence they are a part of and it’s a shame they’re not used more throughout the near 2 hour runtime.
Unfortunately comparisons to other YA adaptations are unavoidable. Put Insurgent up against its main rival The Hunger Games: Catching Fire and the odds simply aren’t in its favour. The sheer star power the latter film commands is enviable and despite Winslet and Watts’ excellent performances, it just isn’t quite enough.
It all feels a little hollow, a bit flat and non-descript as the audience is thrown from one mildly entertaining set piece to another, right up until the obligatory gasps as you realise it’s another year to pick up where that cliff-hanger left things.
In the end, Insurgent improves on its overly convoluted predecessor and is much better than anything the Twilight saga threw at us, but it pales in comparison to the treat of watching ‘The Girl on Fire’ strut her stuff.
Alas, sitting in the middle isn’t quite enough in this highly competitive genre and despite some stunning cinematography and great acting, Insurgent feels a little soulless.
https://moviemetropolis.net/2015/03/22/a-little-soulless-insurgent-review/
Movie Metropolis (309 KP) rated War for the Planet of the Apes (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
The Great Ape-scape
Six years ago, I didn’t think I’d be telling you that a remake of the classic Planet of the Apes and its sequel would go on to be one of the finest double acts since The Two Ronnies, but that’s exactly what has happened.
Now, the final part of this incredible trilogy, War for the Planet of the Apes is out and ready to conclude an incredible half decade of cinema. But is it as good as its predecessors?
Caesar (Andy Serkis) and his band of loyal apes are forced into a deadly war with an army of humans led by a ruthless colonel (Woody Harrelson). After Caesar’s band of apes suffers unimaginable losses, he wrestles with his darker instincts and begins his own quest of revenge. As the journey finally brings the two rivals face-to-face, Caesar and the colonel are pitted against each other in an epic battle that will determine the fate of both of their species.
I have to say, I was a little concerned the finished product would be as tongue twisting as its frankly ridiculous title (a problem that has blighted the entire series), but it ends up being a stunning and heart-warming finale to a franchise filled to the brim with memorable moments.
The motion capture used on Andy Serkis to create Caesar has to be seen to be believed. If you thought predecessor Dawn was good, you haven’t seen anything yet. His hair moves with subtle believability and his movements are so fluid, it’s easy to forget you’re watching a film and not a documentary.
But this incredible technology isn’t used solely on our main protagonist. Fan favourite orangutan Maurice returns and newcomer “Bad Ape” captured by Steve Zahn provides the flick with a much-needed eccentric, shining a little light in one of the bleakest feature films of the last half decade.
The human characters, naturally don’t fare so well. Woody Harrelson is his usual charismatic self but feels a little caricature like. His colonel just doesn’t feel particularly believable. Likewise, Amiah Miller’s turn as Nova, whom Maurice adopts as his daughter, seems to be merely used as a plot device, though she does partake in some of the sweeter moments.
As with its predecessors, War is a slow burner with the action interweaved into the plot rather than the other way around. In principle it works well, though the pacing towards the middle of this 140-minute behemoth is a little off.
Nevertheless, the action is filmed beautifully. In fact, the whole film is stunning. Beautiful wooded landscapes and open deserts are juxtaposed with the dark concentration camps used in the latter half. One sequence in particular, behind a gorgeously realised waterfall, is one of the best action scenes of the entire year.
Masquerading as a blockbuster, this is a film with a much deeper message about messing with nature. Brutal and emotionally testing, War for the Planet of the Apes is brave in its choices and all the better for it.
Three films in, it would be easy for director Matt Reeves to rest on his laurels and rely on the positive reaction to its predecessors, but thankfully he has climaxed on a high. It’s not perfect, and not an easy watch by any means, but for a threequel, you can’t really get much better.
https://moviemetropolis.net/2017/07/12/war-for-the-planet-of-the-apes-review/
Now, the final part of this incredible trilogy, War for the Planet of the Apes is out and ready to conclude an incredible half decade of cinema. But is it as good as its predecessors?
Caesar (Andy Serkis) and his band of loyal apes are forced into a deadly war with an army of humans led by a ruthless colonel (Woody Harrelson). After Caesar’s band of apes suffers unimaginable losses, he wrestles with his darker instincts and begins his own quest of revenge. As the journey finally brings the two rivals face-to-face, Caesar and the colonel are pitted against each other in an epic battle that will determine the fate of both of their species.
I have to say, I was a little concerned the finished product would be as tongue twisting as its frankly ridiculous title (a problem that has blighted the entire series), but it ends up being a stunning and heart-warming finale to a franchise filled to the brim with memorable moments.
The motion capture used on Andy Serkis to create Caesar has to be seen to be believed. If you thought predecessor Dawn was good, you haven’t seen anything yet. His hair moves with subtle believability and his movements are so fluid, it’s easy to forget you’re watching a film and not a documentary.
But this incredible technology isn’t used solely on our main protagonist. Fan favourite orangutan Maurice returns and newcomer “Bad Ape” captured by Steve Zahn provides the flick with a much-needed eccentric, shining a little light in one of the bleakest feature films of the last half decade.
The human characters, naturally don’t fare so well. Woody Harrelson is his usual charismatic self but feels a little caricature like. His colonel just doesn’t feel particularly believable. Likewise, Amiah Miller’s turn as Nova, whom Maurice adopts as his daughter, seems to be merely used as a plot device, though she does partake in some of the sweeter moments.
As with its predecessors, War is a slow burner with the action interweaved into the plot rather than the other way around. In principle it works well, though the pacing towards the middle of this 140-minute behemoth is a little off.
Nevertheless, the action is filmed beautifully. In fact, the whole film is stunning. Beautiful wooded landscapes and open deserts are juxtaposed with the dark concentration camps used in the latter half. One sequence in particular, behind a gorgeously realised waterfall, is one of the best action scenes of the entire year.
Masquerading as a blockbuster, this is a film with a much deeper message about messing with nature. Brutal and emotionally testing, War for the Planet of the Apes is brave in its choices and all the better for it.
Three films in, it would be easy for director Matt Reeves to rest on his laurels and rely on the positive reaction to its predecessors, but thankfully he has climaxed on a high. It’s not perfect, and not an easy watch by any means, but for a threequel, you can’t really get much better.
https://moviemetropolis.net/2017/07/12/war-for-the-planet-of-the-apes-review/
Movie Metropolis (309 KP) rated Scream 4 (2011) in Movies
Jun 11, 2019
Horror films have been in a steady decline for the past few years with countless remakes and sequels to some of the most loved horror franchises. After an 8 year hiatus, Wes Craven resurrects the seemingly dead Scream series with some fantastic results. Scream 4 does for horror what the original did way back in 1996; it carves out a new direction for what has been a lifeless genre.
Scre4m sees Neve Campbell return as Sidney Prescott alongside the much loved Courtney Cox and David Arquette as Gale Riley (previously Weathers) and Dewey Riley respectively. This time, the story focuses on Sidney Prescott returning to her hometown of Woodsboro promoting a book about her life. Of course, this is Scream; so it’s not all plain sailing and her arrival beckons the return of ‘Ghostface’ and his (or her) grisly murders.
The first Scream was well-known for poking fun at the genre and the latest instalment is no exception. It wraps a sublime mix of comedy and self-awareness with the sharp horror which made the first trilogy such a hit. The success in this film is that it never takes itself too seriously, and neither do the cast who look like they’re having a bloody good time. 8 years on and they don’t look like they’re too long in the tooth for this kind of madness, which is an unusual thing. By far the standout performance is from Courtney Cox who slips seamlessly back into the role of Gale and shows the audience why she was the perfect choice for her part.
However, it isn’t all about the veteran stars, some new talent joins the ranks and what better place to start than in a film which has the opportunity of revitalising a tarnished and battered genre. Nico Torterella joins the franchise as Trevor Sheldon, playing a similar part to that of Skeet Ulrich as Billy Loomis in the original. Torterella, with his limited characterisation does very well and steps into the shoes of the creepy ex-boyfriend role exceptionally. But who is he the ex-boyfriend of I hear you cry? Well, Emma Roberts comes to the series for the first time as Jill Roberts, Sidney Prescott’s cousin. Emma plays the part well and in fact provides some of the standout lines throughout the entire film.
Anna Paquin also gets a short cameo in the introduction of the film; much like Drew Barrymore did in the first.
Scream 4 is much like the first with its comedic timing and as such is one of the better instalments in the series, stopping short of being the best. It has been directed very well but is slightly too long and the constant guessing game of who is to blame for the murders can wear thin if you’re not in the mood for Cluedo. The fantastic characters, portrayed brilliantly by their real-life counterparts and the excellent story really are the highlights of a film which has succeeded in what it set out to achieve. Here, 8 years on from Scream 3 and 15 years; yes 15 years on from the original, Scream 4 revitalises the horror genre and is in every respect, brilliant.
https://moviemetropolis.net/2011/04/30/scream-4-2011/
Scre4m sees Neve Campbell return as Sidney Prescott alongside the much loved Courtney Cox and David Arquette as Gale Riley (previously Weathers) and Dewey Riley respectively. This time, the story focuses on Sidney Prescott returning to her hometown of Woodsboro promoting a book about her life. Of course, this is Scream; so it’s not all plain sailing and her arrival beckons the return of ‘Ghostface’ and his (or her) grisly murders.
The first Scream was well-known for poking fun at the genre and the latest instalment is no exception. It wraps a sublime mix of comedy and self-awareness with the sharp horror which made the first trilogy such a hit. The success in this film is that it never takes itself too seriously, and neither do the cast who look like they’re having a bloody good time. 8 years on and they don’t look like they’re too long in the tooth for this kind of madness, which is an unusual thing. By far the standout performance is from Courtney Cox who slips seamlessly back into the role of Gale and shows the audience why she was the perfect choice for her part.
However, it isn’t all about the veteran stars, some new talent joins the ranks and what better place to start than in a film which has the opportunity of revitalising a tarnished and battered genre. Nico Torterella joins the franchise as Trevor Sheldon, playing a similar part to that of Skeet Ulrich as Billy Loomis in the original. Torterella, with his limited characterisation does very well and steps into the shoes of the creepy ex-boyfriend role exceptionally. But who is he the ex-boyfriend of I hear you cry? Well, Emma Roberts comes to the series for the first time as Jill Roberts, Sidney Prescott’s cousin. Emma plays the part well and in fact provides some of the standout lines throughout the entire film.
Anna Paquin also gets a short cameo in the introduction of the film; much like Drew Barrymore did in the first.
Scream 4 is much like the first with its comedic timing and as such is one of the better instalments in the series, stopping short of being the best. It has been directed very well but is slightly too long and the constant guessing game of who is to blame for the murders can wear thin if you’re not in the mood for Cluedo. The fantastic characters, portrayed brilliantly by their real-life counterparts and the excellent story really are the highlights of a film which has succeeded in what it set out to achieve. Here, 8 years on from Scream 3 and 15 years; yes 15 years on from the original, Scream 4 revitalises the horror genre and is in every respect, brilliant.
https://moviemetropolis.net/2011/04/30/scream-4-2011/
Lee (2222 KP) rated Solo: A Star Wars Story (2018) in Movies
May 26, 2018
Great cast (2 more)
Great action
Great story
Star Wars is good again!
I'm one of those people who hated The Last Jedi. I came out of it feeling frustrated and disappointed. After the film of two distinct halves that was Rogue One (first half awful, second half not so awful), The Last Jedi to me was just further proof that they'd managed to break Star Wars. And then, in among all of that, they go and announce another prequel to the original trilogy we all love. A story featuring the early life of our favourite rogue/smuggler, Han Solo. Played by some guy who didn't even look, or seemingly act, like the Han that Harrison Ford had introduced us to. A pretty mediocre teaser trailer, followed by drastic changes to the directing team so late in the day, seemed to seal it's fate. It looked like Star Wars was going to stay broken...
But surprisingly, and thankfully, in the past few weeks the tide appears to have turned. A fun, exciting new trailer, the seemingly perfect casting of Donald Glover as Lando Calrissian, followed by a lot of positive early reactions... could we finally be in for a real Star Wars treat? Could Star Wars ever be fixed?
We join young Solo (Alden Ehrenreich) on his home planet of Correllia, getting by as a thief in the dark streets and tunnels and already making enemies. He has dreams of something better than this though - making enough money to buy him and his true love Qi'ra (Emilia Clarke) a big spaceship so that they can escape Correllia and find a better life together.
It's a simple enough plot, and we know that along the way he needs to meet Chewie, cross paths with Lando Calrissian, and bag himself the coolest ship in the shape of the Millennium Falcon. We just need to have some of the finer details filled in for us...
Luckily for us, filling in the blanks is one hell of a blast! From evading a crime boss on Correllia, hooking up with the empire before joining forces with a gang of bandits led by Beckett (Woody Harrelson), we find ourselves being treated to a pretty steady stream of thrills and action. Solo and the bandits end up on a mission to steal a big consignment of fuel called coaxium, hired by another crime boss called Dryden Vos (Paul Bettany). Along the way they hook up with Lando, captain of the Millennium Falcon, who offers to take them on their mission. In exchange for 25% of the money they're going to make on the coaxium deal of course...
I initially had my doubts over Ehrenreich and his ability to step into the shoes of one of cinemas most iconic characters but he actually does a very good job of it. In fact, it's a pretty impressive cast all round, with everyone managing to get their own memorable moments. There's a likeable chemistry between them all which carries the movie extremely well, even throughout its less frantic moments.
I thoroughly enjoyed this, so much more than I thought I would. And all those tickbox moments are handled perfectly - meeting and befriending Chewie, meeting Lando, finding out just how Solo managed to pull off that 12 parsec Kessel run, finally getting his hands on the Falcon! loved it all. Yes, they managed to fix Star Wars!
But surprisingly, and thankfully, in the past few weeks the tide appears to have turned. A fun, exciting new trailer, the seemingly perfect casting of Donald Glover as Lando Calrissian, followed by a lot of positive early reactions... could we finally be in for a real Star Wars treat? Could Star Wars ever be fixed?
We join young Solo (Alden Ehrenreich) on his home planet of Correllia, getting by as a thief in the dark streets and tunnels and already making enemies. He has dreams of something better than this though - making enough money to buy him and his true love Qi'ra (Emilia Clarke) a big spaceship so that they can escape Correllia and find a better life together.
It's a simple enough plot, and we know that along the way he needs to meet Chewie, cross paths with Lando Calrissian, and bag himself the coolest ship in the shape of the Millennium Falcon. We just need to have some of the finer details filled in for us...
Luckily for us, filling in the blanks is one hell of a blast! From evading a crime boss on Correllia, hooking up with the empire before joining forces with a gang of bandits led by Beckett (Woody Harrelson), we find ourselves being treated to a pretty steady stream of thrills and action. Solo and the bandits end up on a mission to steal a big consignment of fuel called coaxium, hired by another crime boss called Dryden Vos (Paul Bettany). Along the way they hook up with Lando, captain of the Millennium Falcon, who offers to take them on their mission. In exchange for 25% of the money they're going to make on the coaxium deal of course...
I initially had my doubts over Ehrenreich and his ability to step into the shoes of one of cinemas most iconic characters but he actually does a very good job of it. In fact, it's a pretty impressive cast all round, with everyone managing to get their own memorable moments. There's a likeable chemistry between them all which carries the movie extremely well, even throughout its less frantic moments.
I thoroughly enjoyed this, so much more than I thought I would. And all those tickbox moments are handled perfectly - meeting and befriending Chewie, meeting Lando, finding out just how Solo managed to pull off that 12 parsec Kessel run, finally getting his hands on the Falcon! loved it all. Yes, they managed to fix Star Wars!
Louise (64 KP) rated Stealing Snow in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the Publisher in exchange for an honest review*
*This may contain spoilers*
This is another author where I have not read any of their work until now. Danielle Page is the author of ‘Dorothy must Die’ trilogy. I was anticipating this for all the wrong reasons, I thought this was a Snow White retelling which it is sadly not.
The main protagonist of this book is called Snow….obviously this is giving me the Snow White retelling vibes and that she names her medication after the seven dwarves. I forgot to mention Snow is currently detained in an asylum for young adults with mental health issues. The reason for her being there is pretty vague,sure she has anger issues and she bites but does that really mean she has to be incarcerated from the age of six! I was getting another vibe at this point – Alice in wonderland/through the looking-glass as she supposedly tried to walk through a mirror. At this point I was confused as to what the retelling actually was, was it Snow White? Alice in Wonderland?
<img src="https://media.giphy.com/media/LpX8q87YmnD20/giphy.gif"; width="400" height="200" alt="description"/>
Snow is not a very relatable character, she is young, she is naive and she falls in love with every boy that makes conversation with her…no word of a lie! She is in love with Bale who is also in the mental institution (His reason for being there is more believable) When she finds herself in the alternative world known as Algid she meets two other boys that are there to help her but obviously her hormones run away with her and starts swooning over the both of them whilst still loving Bane (That being the reason she is in Algid)
Obviously, when Snow gets to the alternative world she find out she is the chosen one and part of a prophecy. Snow being Snow who is really sarcastic and narrow-minded doesn’t care about the prophecy and only wants to find Bale. Her powers are to control Snow and she has to learn how to use these said powers….which just happen.
I am not a massive reader of fantasy novels but the world building in this was non-existent and when there was it was like it was an afterthought.I had no real idea of what Algid looked like other than it was covered in snow.
<img src="https://media.giphy.com/media/U6P3UehEHUoPm/giphy.gif"; width="400" height="200" alt="description"/>
I wasn’t particularly fond of the writing style and the amount of times that ‘I need to find Bale’ or some 20 other ways this could be written really got on my nerves,it was like we forgot why she was there every few pages.
So to wrap this up in a nutshell,this is a mash-up of retellings but mostly snow queen/frozen, the way that mental health was interpreted was very poor and would have loved it to have been more realistic. The characters were very unrelatable and the world building was lacking.
I will be not continuing on with this series, however don’t let this review stop you from reading it, this after all is just my opinion.
I rated this 1.5 out of 5 stars
*This may contain spoilers*
This is another author where I have not read any of their work until now. Danielle Page is the author of ‘Dorothy must Die’ trilogy. I was anticipating this for all the wrong reasons, I thought this was a Snow White retelling which it is sadly not.
The main protagonist of this book is called Snow….obviously this is giving me the Snow White retelling vibes and that she names her medication after the seven dwarves. I forgot to mention Snow is currently detained in an asylum for young adults with mental health issues. The reason for her being there is pretty vague,sure she has anger issues and she bites but does that really mean she has to be incarcerated from the age of six! I was getting another vibe at this point – Alice in wonderland/through the looking-glass as she supposedly tried to walk through a mirror. At this point I was confused as to what the retelling actually was, was it Snow White? Alice in Wonderland?
<img src="https://media.giphy.com/media/LpX8q87YmnD20/giphy.gif"; width="400" height="200" alt="description"/>
Snow is not a very relatable character, she is young, she is naive and she falls in love with every boy that makes conversation with her…no word of a lie! She is in love with Bale who is also in the mental institution (His reason for being there is more believable) When she finds herself in the alternative world known as Algid she meets two other boys that are there to help her but obviously her hormones run away with her and starts swooning over the both of them whilst still loving Bane (That being the reason she is in Algid)
Obviously, when Snow gets to the alternative world she find out she is the chosen one and part of a prophecy. Snow being Snow who is really sarcastic and narrow-minded doesn’t care about the prophecy and only wants to find Bale. Her powers are to control Snow and she has to learn how to use these said powers….which just happen.
I am not a massive reader of fantasy novels but the world building in this was non-existent and when there was it was like it was an afterthought.I had no real idea of what Algid looked like other than it was covered in snow.
<img src="https://media.giphy.com/media/U6P3UehEHUoPm/giphy.gif"; width="400" height="200" alt="description"/>
I wasn’t particularly fond of the writing style and the amount of times that ‘I need to find Bale’ or some 20 other ways this could be written really got on my nerves,it was like we forgot why she was there every few pages.
So to wrap this up in a nutshell,this is a mash-up of retellings but mostly snow queen/frozen, the way that mental health was interpreted was very poor and would have loved it to have been more realistic. The characters were very unrelatable and the world building was lacking.
I will be not continuing on with this series, however don’t let this review stop you from reading it, this after all is just my opinion.
I rated this 1.5 out of 5 stars
Louise (64 KP) rated Anna and the French Kiss in Books
Jul 2, 2018
I was pretty late on this band wagon, so late that I almost missed it. I found the delights of booktube this year!( I have been hiding under a rock!) and whenever some one mentioned a book to re read or one that gets you out of slumps etcetera etcetera, This was the one that popped up most of the time or Fangirl by Rainbow Rowell.
I really loved this book, I probably could have read it in one sitting but the fact I had to go to work the next morning made me put it down (I was late for work). I was reading this well into the night as I was unable to put it down, I needed to read more and find out what happened without having a break, to say I was fully invested was an understatement.
Anna is enrolled to go to a College/school in Paris for Americans, she totally doesn't want to be there, but because her dad is a high regarded author in the book world, he wants his daughter to reap the benefits or in Anna's terms... to show off. Being in a foreign country is daunting when there are no familiar people around you and the fact that you have no understanding of the language - Luckily Anna befriends a group of people very quickly, they take her under their wing and help Anna with her French and her way around the city. Among the group is Etienne St Clair, one of the hottest guys at the school - there is an instant mutual attraction, however there is a problem.....HIS GIRLFRIEND!
Anna is a great female protagonist, she starts off naive, shy and comes across as a bit whiney but the great thing as the story goes on you see her develop and act more grown up. I felt sorry for her being forced to school in Paris where she is all alone, when all she wants to do is be at home in Atlanta with her Mum, Seany (brother), Bridgette(best friend) and Toph (Potential love interest).
Etienne St Clair! Well what can I say? He was a complicated character he had so much emotional baggage. He is the heart-throb of the school, everyone wants to be hanging off his arm and there is a lot of bitchiness towards Anna as people notice their closeness. He has this certain aura about him, he has amazing hair, teeth, skin, dresses like a Parisian and not too tall (for some reason this was mentioned a lot) He has a British accent but lives in America and his father is french! He is swoon worthy in short, he blushes, he gets anxious and he isn't a complete douche-bag. He is mature for his age. However his family life is complicated, he's got a girlfriend but he wants Anna.
This book is cute, sweet , fluffy and all the adjectives. The fact that it is set in the City of Love also makes it more romantic. I totally recommend this book if you are a fan of Romance and YA. It is definitely a book you can reread, the writing is so easy to follow and a fast read.
I will be continuing with the trilogy.
I rated this book 5 out of 5 stars
I really loved this book, I probably could have read it in one sitting but the fact I had to go to work the next morning made me put it down (I was late for work). I was reading this well into the night as I was unable to put it down, I needed to read more and find out what happened without having a break, to say I was fully invested was an understatement.
Anna is enrolled to go to a College/school in Paris for Americans, she totally doesn't want to be there, but because her dad is a high regarded author in the book world, he wants his daughter to reap the benefits or in Anna's terms... to show off. Being in a foreign country is daunting when there are no familiar people around you and the fact that you have no understanding of the language - Luckily Anna befriends a group of people very quickly, they take her under their wing and help Anna with her French and her way around the city. Among the group is Etienne St Clair, one of the hottest guys at the school - there is an instant mutual attraction, however there is a problem.....HIS GIRLFRIEND!
Anna is a great female protagonist, she starts off naive, shy and comes across as a bit whiney but the great thing as the story goes on you see her develop and act more grown up. I felt sorry for her being forced to school in Paris where she is all alone, when all she wants to do is be at home in Atlanta with her Mum, Seany (brother), Bridgette(best friend) and Toph (Potential love interest).
Etienne St Clair! Well what can I say? He was a complicated character he had so much emotional baggage. He is the heart-throb of the school, everyone wants to be hanging off his arm and there is a lot of bitchiness towards Anna as people notice their closeness. He has this certain aura about him, he has amazing hair, teeth, skin, dresses like a Parisian and not too tall (for some reason this was mentioned a lot) He has a British accent but lives in America and his father is french! He is swoon worthy in short, he blushes, he gets anxious and he isn't a complete douche-bag. He is mature for his age. However his family life is complicated, he's got a girlfriend but he wants Anna.
This book is cute, sweet , fluffy and all the adjectives. The fact that it is set in the City of Love also makes it more romantic. I totally recommend this book if you are a fan of Romance and YA. It is definitely a book you can reread, the writing is so easy to follow and a fast read.
I will be continuing with the trilogy.
I rated this book 5 out of 5 stars
Louise (64 KP) rated A Discovery of Witches in Books
Jul 2, 2018
Reading the reviews for this book, I knew it was going to be one of those reads, it’s a bit of a marmite book, you either love it or hate it. In my case I liked it enough to finish and want to continue to read the next one in the series.When I finished the book that was it. I didnt have loads of questions consuming me, it was just ok? what am I going to read next?
Diana Bishop is the female protagonist, she has descended from a very distinguished line of witches, however Diana does not use her powers that she has inherited, not since her parent’s died. Diana, a scholar is studying at a the Oxfords Bodleain Library as a historian. Unknown to her, she calls a bewitched alchemical manuscript, Ashmole 782. Finding nothing of interest to her apart from a funny feeling and an off putting text, she returns it to the stacks without a futher thought. Soon there are daemons, vampires and witches swarming around the library in search for this particular manuscript as it has been lost for 150 years and has all the answers from their past and to their future.
Deborah Harkness did a great job with the development of the two main characters Diana Bishop and Matthew Clairmont, and even the sub characters, you got to see all their traits and mannerisms.
Diana is the female protagonist she is very bold, outgoing, hardworking and sometimes just damn annoying. She is a witch that doesn’t want to use her powers but is forced to as she needs to protect herself, in the book she is feisty and then other times whiney and saying she can’t do certain things.
Matthew Clairmont is a Vampire that has existed for over a Thousand years, who is currently a geneticist and falls in love instantly with Diana, however, he is very possessive (a vampire trait….supposedly) has moodswings and just generally annoying at times.
The first half of this book is very slow paced and is more of the character building and the relationship developing between the two. The second half is much faster paced as you get more action and magical elements added to it.
There is insta-love but not in the normal way, they don’t show each other that they have feelings for one another for several days but it is a gradual build up, however the book only spans 40 days according to Harkness and I cant believe they are that involved with each other so quickly, I had to take a step back, realising that all this had happened in such a short space of time.
There is also references to a lot of historical figures and wars, so if you like a bit of history in your fiction then this could be for you. There is also no sex scenes in this book, only referencing to kissing, cuddling and a bit of fondling.
One thing that I didn’t like in this book was all the french that was used (I am not french or learnt any either) However, I think Harkness added this to feel more authentic as that was where Matthews mother Ysabeau lived.
I will definitely be reading the second book in the trilogy as I am intrigued to find out what happens next.
I rated this book a 3 out of 5 stars.
Diana Bishop is the female protagonist, she has descended from a very distinguished line of witches, however Diana does not use her powers that she has inherited, not since her parent’s died. Diana, a scholar is studying at a the Oxfords Bodleain Library as a historian. Unknown to her, she calls a bewitched alchemical manuscript, Ashmole 782. Finding nothing of interest to her apart from a funny feeling and an off putting text, she returns it to the stacks without a futher thought. Soon there are daemons, vampires and witches swarming around the library in search for this particular manuscript as it has been lost for 150 years and has all the answers from their past and to their future.
Deborah Harkness did a great job with the development of the two main characters Diana Bishop and Matthew Clairmont, and even the sub characters, you got to see all their traits and mannerisms.
Diana is the female protagonist she is very bold, outgoing, hardworking and sometimes just damn annoying. She is a witch that doesn’t want to use her powers but is forced to as she needs to protect herself, in the book she is feisty and then other times whiney and saying she can’t do certain things.
Matthew Clairmont is a Vampire that has existed for over a Thousand years, who is currently a geneticist and falls in love instantly with Diana, however, he is very possessive (a vampire trait….supposedly) has moodswings and just generally annoying at times.
The first half of this book is very slow paced and is more of the character building and the relationship developing between the two. The second half is much faster paced as you get more action and magical elements added to it.
There is insta-love but not in the normal way, they don’t show each other that they have feelings for one another for several days but it is a gradual build up, however the book only spans 40 days according to Harkness and I cant believe they are that involved with each other so quickly, I had to take a step back, realising that all this had happened in such a short space of time.
There is also references to a lot of historical figures and wars, so if you like a bit of history in your fiction then this could be for you. There is also no sex scenes in this book, only referencing to kissing, cuddling and a bit of fondling.
One thing that I didn’t like in this book was all the french that was used (I am not french or learnt any either) However, I think Harkness added this to feel more authentic as that was where Matthews mother Ysabeau lived.
I will definitely be reading the second book in the trilogy as I am intrigued to find out what happens next.
I rated this book a 3 out of 5 stars.
Alice (12 KP) rated Skullsworn (Chronicle of the Unhewn Throne #0.5) in Books
Jul 3, 2018
<i>Many thanks to the publisher and Netgalley for providing me with a copy of this book in exchange for an honest review</i>
<i>Skullsworn</i> was the first book by Brian Staveley that I’ve read and it has made me want to read his others for definite - I’ve got the <i>Chronicles of the Unhewn Throne</i> already lined up but this review is about Skullsworn. From what I’ve gathered over the internet this is a standalone prequel to the Chronicles as the main character Pyrre is featured in the original trilogy.
Skullsworn follows Pyrre, a priestess-in-training to the god Ananshael, a god of death. The whole concept of the story is Pyrre’s Trial to become a fully-fledged priestess of Ananshael – she has to kill 7 people in 14 days, all of whom are tied to a song including “the one you love/who will not come again.” Failure to complete all seven deaths will result in her own death at the hands of her two witnesses Ela and Kossal.
I’m going to on about Ela and Kossal for a little bit here – Ela is an incredibly motivated, true-believer in life, love and death, skilled fighter and devout priestess of her faith to her God; she’s comfortbale with all levels of intimacy and she has got a laidback view of everything which is in stark contrast to her counterpart Kossal – an aging priest with stooped shoulders and a gruff demeanour who says what he means and means what he says; he plays his flute to stop himself from killing patrons but gets irritated at their applause – it’s a catch 22 like no other. The two of these together shouldn’t work in any way, shape or form but Brian Staveley has made it work to greatness.
Pyrre’s story is one of conflict all throughout and her biggest road block is going to be that she’s never been in love. She travels back to Dombang in order to try to fall in love with Ruc Lan Lac who becomes her target – a pit fighter from her past who has been given command of the Greenshirts by the Annurian leaders. He’s a staunch disbeliever in all things myth and legend and has no patience for spiritual leanings and prefers to focus on the reality of any situation.
Pyrre doesn’t feel that she is worthy of being a priestess of Ananshael but her journey to Dombang from Rassumbur and through the Trial shows that really, she is. We get a big blast from the past in that Pyrre recounts her first meeting with Ruc Lan Lac to Ela who finds great joy in teasing Pyrre mercilessly about the situation and about her supposed inability to love.
The writing style is perfectly bleak but brilliantly enjoyable with great humour in the banter between Ela and Kossal but they’ve also got a great dryness to their humour which gives a stark contrast. The descriptions of the delta and the Csestriim and Nevariim were full of otherworldly fear and ancient horrors, a dark fantasy of epic proportions!
The ending had twists and turns that I didn’t expect in the slightest, gave Skullsworn a perfect ending and it has made me want to get into the world of The Annurian Empire even more; the epilogue was fantastic!
Expertly written and highly recommended.
<i>Skullsworn</i> was the first book by Brian Staveley that I’ve read and it has made me want to read his others for definite - I’ve got the <i>Chronicles of the Unhewn Throne</i> already lined up but this review is about Skullsworn. From what I’ve gathered over the internet this is a standalone prequel to the Chronicles as the main character Pyrre is featured in the original trilogy.
Skullsworn follows Pyrre, a priestess-in-training to the god Ananshael, a god of death. The whole concept of the story is Pyrre’s Trial to become a fully-fledged priestess of Ananshael – she has to kill 7 people in 14 days, all of whom are tied to a song including “the one you love/who will not come again.” Failure to complete all seven deaths will result in her own death at the hands of her two witnesses Ela and Kossal.
I’m going to on about Ela and Kossal for a little bit here – Ela is an incredibly motivated, true-believer in life, love and death, skilled fighter and devout priestess of her faith to her God; she’s comfortbale with all levels of intimacy and she has got a laidback view of everything which is in stark contrast to her counterpart Kossal – an aging priest with stooped shoulders and a gruff demeanour who says what he means and means what he says; he plays his flute to stop himself from killing patrons but gets irritated at their applause – it’s a catch 22 like no other. The two of these together shouldn’t work in any way, shape or form but Brian Staveley has made it work to greatness.
Pyrre’s story is one of conflict all throughout and her biggest road block is going to be that she’s never been in love. She travels back to Dombang in order to try to fall in love with Ruc Lan Lac who becomes her target – a pit fighter from her past who has been given command of the Greenshirts by the Annurian leaders. He’s a staunch disbeliever in all things myth and legend and has no patience for spiritual leanings and prefers to focus on the reality of any situation.
Pyrre doesn’t feel that she is worthy of being a priestess of Ananshael but her journey to Dombang from Rassumbur and through the Trial shows that really, she is. We get a big blast from the past in that Pyrre recounts her first meeting with Ruc Lan Lac to Ela who finds great joy in teasing Pyrre mercilessly about the situation and about her supposed inability to love.
The writing style is perfectly bleak but brilliantly enjoyable with great humour in the banter between Ela and Kossal but they’ve also got a great dryness to their humour which gives a stark contrast. The descriptions of the delta and the Csestriim and Nevariim were full of otherworldly fear and ancient horrors, a dark fantasy of epic proportions!
The ending had twists and turns that I didn’t expect in the slightest, gave Skullsworn a perfect ending and it has made me want to get into the world of The Annurian Empire even more; the epilogue was fantastic!
Expertly written and highly recommended.
Gareth von Kallenbach (980 KP) rated The Predator (2018) in Movies
Jun 19, 2019
Writer/Director Shane Black returns to the Predator franchise and looks to jumpstart the franchise in “The Predator”. Black played Hawkins in the classic original film and has since gone on to find success on the other side of the camera with hits like “Iron Man 3”, “The Nice Guys” and Kiss Kiss Bang Bang”. Black has also written many genre action films so his take on the iconic Predator has been eagerly awaited by fans who are eager to see the series get back on track.
The film centers on a crashed Predator ship which is witnessed by an American Sniper on assignment named “McKenna” (Boyd Holbrook). While able to recover artifacts from the crashed ships escape pod, McKenna also sees his team brutally taken out by the pilot and soon finds himself targeted by a secret organization due to his knowledge of the otherworldly guest.
At the same time, a Biologist named Casey (Olivia Munn), is brought to a secret locale where she gets an up close encounter with the ship’s pilot in captivity and learns that a government organization has been tracking the visitors and that their visits have increased in recent years.
At the same time McKenna is ushered off to a bus full of unhinged soldiers who are to be locked away due to their numerous issues. Unbeknownst to his superiors; McKenna has mailed the recovered technology to his son who thanks to being on the Autism Spectrum, is able to figure out aspects of the tech which he believes to be a game.
This all leads to a series of brutal encounters as an enhanced Predator arrives and with two of the deadly creatures on the loose, the unhinged soldiers are largely the best hope humanity has of surviving what is to come.
While aspects of the plot seem a bit muddled and at times a bit to linear; the film for the most part works for what fans want and in many places gives them the sequel they have waited for. There is a lot of humor in the film which reportedly divided early test audiences but the action is as brutal and graphic as one would want and expect from the series.
The film does have some big gaps in logic such as how a Biologist can be so comfy and skilled with Assault Weapons and seems to have no issues throwing herself into combat situations and the larger plot points of the Predator objective is intriguing and will open up much debate amongst fans.
The last third of the film was reshot and you can tell at times how parts seem a bit out of synch from early parts of the film especially in the appearance of some characters whose look changes during the film which clearly indicates when segments of the film were shot.
I know the film will likely divide some fans who do not like the humor and wanted a more evade and survive style plot but Black has crafted an interesting opening chapter which is said to be the first of a planned trilogy.
While far from perfect, “The Predator” does give fans some interesting characters and plenty of laughs to go with the action and is a worthy entry into the series as long as you are willing to overlook the issues and enjoy the ride.
http://sknr.net/2018/09/11/the-predator/
The film centers on a crashed Predator ship which is witnessed by an American Sniper on assignment named “McKenna” (Boyd Holbrook). While able to recover artifacts from the crashed ships escape pod, McKenna also sees his team brutally taken out by the pilot and soon finds himself targeted by a secret organization due to his knowledge of the otherworldly guest.
At the same time, a Biologist named Casey (Olivia Munn), is brought to a secret locale where she gets an up close encounter with the ship’s pilot in captivity and learns that a government organization has been tracking the visitors and that their visits have increased in recent years.
At the same time McKenna is ushered off to a bus full of unhinged soldiers who are to be locked away due to their numerous issues. Unbeknownst to his superiors; McKenna has mailed the recovered technology to his son who thanks to being on the Autism Spectrum, is able to figure out aspects of the tech which he believes to be a game.
This all leads to a series of brutal encounters as an enhanced Predator arrives and with two of the deadly creatures on the loose, the unhinged soldiers are largely the best hope humanity has of surviving what is to come.
While aspects of the plot seem a bit muddled and at times a bit to linear; the film for the most part works for what fans want and in many places gives them the sequel they have waited for. There is a lot of humor in the film which reportedly divided early test audiences but the action is as brutal and graphic as one would want and expect from the series.
The film does have some big gaps in logic such as how a Biologist can be so comfy and skilled with Assault Weapons and seems to have no issues throwing herself into combat situations and the larger plot points of the Predator objective is intriguing and will open up much debate amongst fans.
The last third of the film was reshot and you can tell at times how parts seem a bit out of synch from early parts of the film especially in the appearance of some characters whose look changes during the film which clearly indicates when segments of the film were shot.
I know the film will likely divide some fans who do not like the humor and wanted a more evade and survive style plot but Black has crafted an interesting opening chapter which is said to be the first of a planned trilogy.
While far from perfect, “The Predator” does give fans some interesting characters and plenty of laughs to go with the action and is a worthy entry into the series as long as you are willing to overlook the issues and enjoy the ride.
http://sknr.net/2018/09/11/the-predator/
Gareth von Kallenbach (980 KP) rated Star Wars: The Clone Wars (2008) in Movies
Aug 14, 2019
For fans of the “Star Wars” saga, the notion of the Clone Wars has intrigued fans ever since it was first mentioned in 1977. Unfortunately fans had to wait until the Prequel Trilogy almost two decades later to lift the lid on the events of the war that changed the mythical galaxy far, far away.
There have been video games, books, and comics that dealt with some of the events, but since the film series focused on the start and end of the war, many believed that much of what transpired would remain a mystery.
Thankfully, creator George Lucas and a talented team of digital artists has set to the task of filling in the missing pieces in the form of a animated series which is scheduled to debut in the Fall.
The new series gets a cinematic boost with the theatrical release of “Star Wars: The Clone Wars”, which is a welcome treat to fans of the series. The film opens with the news that the son of gangster Jabba the Hutt has been kidnapped, and Obi Wan Kenobi, and Anakin Skywalker are tasked with rescuing the captured infant.
The Separatist forces under the leadership of Count Dooku, have restricted many of the main Hyperspace routes in the galaxy, and the Hutts control key routes that the Republic will need for troop deployments. The Jedi hope by rescuing Jabba’s son, they can secure a treaty with the Jabba which will allow them greater access to Hutt space and will keep the Hutts from supporting Dooku and his minions.
Unfortunately, Anakin and Obi Wan have their hands full leading a squad of Clone Troopers against a massive droid army as they attempt to hold out until reinforcements can arrive. After an impressive battle sequence, help finally arrives as does an unexpected surprise in the form of a young Jedi Padawan named Ahsoka.
Ahsoka informs Anakin that she has been assigned by Yoda to be his Padawan learner, and despite his misgivings, Anakin takes the talented yet young and naïve learner under his care.
Unknown to the Jedi, a larger and more sinister plot is underway and Dooku and his assassin Asaj Ventress are orchestrating a very deadly plan that will leave the fate of the galaxy hanging in the balance.
The film is a grand adventure and contains much of the ingredients that made the live action series a true juggernaut in cinema history. The film deftly mixes action, adventure, and humor with a story that is entertaining with solid pacing.
Matt Lanter does a satisfactory job of voicing Anakin and the cast does a great job of voicing the CGI recreations of the beloved characters.
The CGI effects are top rate and unlike the last films in the series never overshadow the characters and the story. The sound effects were equally impressive from the distinctive sound of the lightsabers and blasters, to the sound of the war machines, I soon found myself forgetting it was a cartoon, and instead saw only the Star Wars that I have loved since I first saw the original as a small boy.
While some may say that the film is little more than a glorified television Pilot, I prefer to look at it as a very welcome return to the big screen of the greatest Sci Fi series ever made.
There have been video games, books, and comics that dealt with some of the events, but since the film series focused on the start and end of the war, many believed that much of what transpired would remain a mystery.
Thankfully, creator George Lucas and a talented team of digital artists has set to the task of filling in the missing pieces in the form of a animated series which is scheduled to debut in the Fall.
The new series gets a cinematic boost with the theatrical release of “Star Wars: The Clone Wars”, which is a welcome treat to fans of the series. The film opens with the news that the son of gangster Jabba the Hutt has been kidnapped, and Obi Wan Kenobi, and Anakin Skywalker are tasked with rescuing the captured infant.
The Separatist forces under the leadership of Count Dooku, have restricted many of the main Hyperspace routes in the galaxy, and the Hutts control key routes that the Republic will need for troop deployments. The Jedi hope by rescuing Jabba’s son, they can secure a treaty with the Jabba which will allow them greater access to Hutt space and will keep the Hutts from supporting Dooku and his minions.
Unfortunately, Anakin and Obi Wan have their hands full leading a squad of Clone Troopers against a massive droid army as they attempt to hold out until reinforcements can arrive. After an impressive battle sequence, help finally arrives as does an unexpected surprise in the form of a young Jedi Padawan named Ahsoka.
Ahsoka informs Anakin that she has been assigned by Yoda to be his Padawan learner, and despite his misgivings, Anakin takes the talented yet young and naïve learner under his care.
Unknown to the Jedi, a larger and more sinister plot is underway and Dooku and his assassin Asaj Ventress are orchestrating a very deadly plan that will leave the fate of the galaxy hanging in the balance.
The film is a grand adventure and contains much of the ingredients that made the live action series a true juggernaut in cinema history. The film deftly mixes action, adventure, and humor with a story that is entertaining with solid pacing.
Matt Lanter does a satisfactory job of voicing Anakin and the cast does a great job of voicing the CGI recreations of the beloved characters.
The CGI effects are top rate and unlike the last films in the series never overshadow the characters and the story. The sound effects were equally impressive from the distinctive sound of the lightsabers and blasters, to the sound of the war machines, I soon found myself forgetting it was a cartoon, and instead saw only the Star Wars that I have loved since I first saw the original as a small boy.
While some may say that the film is little more than a glorified television Pilot, I prefer to look at it as a very welcome return to the big screen of the greatest Sci Fi series ever made.