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The Sea Gate
The Sea Gate
Jane Johnson | 2020 | Fiction & Poetry, History & Politics, Mystery, Romance, Thriller
8
8.0 (1 Ratings)
Book Rating
This book is told from a dual perspective by Becky and Olivia. Becky is tasked to make the old crumbling house livable for Olivia. Becky is lovely, but quite a troubled character. Grief, unsatisfying love life, fear of illness and other things occupy Becky’s mind very often… I really liked Olivia in this novel, at present she is this tough old cookie but when we start delving into her childhood, we can see how wonderful she truly is. I enjoyed Olivia’s parts because she was very mysterious throughout this book, and I really enjoyed all the little discoveries that author had to offer with every single chapter.

I liked the narrative and how all the events were flowing throughout the pages. Present mixed with the past, never left me bored, and I was hooked to find out what will happen next. This novel has a lot to teach us, not only about self-discovery but also about how it was to live during WWII, especially when you are young, want to be carefree, but are left to fend for yourself with a very annoying child bestowed on you. I see a lot of the author’s experience in this book, such as life in Cornwall, true love for the sea and great knowledge about Morocco and it’s people.

I loved the writing style, it feels serious, but at the same breezy and enjoyable. The topics discussed in this book were abusive relationships, self-discovery, romance, survival, small community and it’s ways of life etc. The chapters are very well designed and didn’t leave me feeling bored. I liked the ending of this book, and I think it rounded up this story very nicely. So, to conclude, it was a very pleasantly surprising novel, filled with intriguing, different timelines as well as absorbing characters and their life stories.
  
Trick 'r Treat (2007)
Trick 'r Treat (2007)
2007 | Horror
Quite possibly the epitome of fun Halloween based horrors, Trick 'r Treat has a lot to offer.

There isn't one solid narrative, but rather several different stories with different characters, all taking place in the same town, on Halloween night. This format means we get treated to a multitude of genre staples - werewolves, zombies, serial killers, vampires - they're all tidyly woven together to give us a decent semi-anthology adventure. Well eventually anyway... It does feel a little messy to start with, erratically jumping from story to story, but a little perseverance is rewarded around the half way point where everything is put together in a satisfying manner.

The aesthetic of Trick 'r Treat is great. It has a distinct Halloween-y look, whilst managing to feel otherworldly in places. The swamp zombies look pretty creepy, and the werewolf transformations are visceral and inspired. The true star is the glue that holds this all together though - Sam. This little sack headed creepy fucker somehow manages to be adorable, and horrifying. I mean, he uses a bitten on candy-lolly to slash people up! Only people who don't respect the more traditional aspects of Halloween however. He's become something of an beloved character in the horror world - it would be great to see Sam return in a follow up some day.

Trick 'r Treat is a little cheesy at times, and takes a while to reveal it's clever side, but it's a perfectly enjoyable slice of Halloween horror, with a good cast (featuring Anna Paquin, Dylan Baker, and Brian Cox), a memorable anti-hero (the adorable little shit), some great effects and make up work, and a great music score by Douglas Pipes.
Certianly worth a watch, even if it's a seasonal thing.
  
Jesus' Son (1999)
Jesus' Son (1999)
1999 | Drama
6
6.5 (2 Ratings)
Movie Rating
Terrible Ending to a Bad Movie
Jesus’ Son is a collection of stories revolving around main character FH. A great concept with poor execution, this movie reminds me more of a wannabe Tarantino movie.

Acting: 10

Beginning: 10

Characters: 6

Cinematography/Visuals: 10

Conflict: 2
I could never latch on to what the movie was about or where things were ultimately heading. As a result, there never felt like there was any true conflict that I needed to care about. Most of the scenes felt like they weren’t of much consequence if they had been taken out or left in. This made it really hard to give two craps about the movie as a whole.

Entertainment Value: 6

Memorability: 7
I love the way director Alison Maclean approached the film. The way things are shot in story fashion with flashbacks and rewinds is very creative. While the execution didn’t deliver on the story I was hoping for, I applaud the attempt to be different.

Pace: 6
The movie isn’t overly long, there is just a little more fluff than what is needed. Again, not understanding the concept of what’s happening definitely makes it feel like time is moving slower. A better story would have alleviated this issue.

Plot: 2

Resolution: 4
About the best thing about the ending was that the movie was ending. Didn’t really tie anything up. Didn’t make me any more fulfilled for seeing the movie. No bueno.

Overall: 63
The reason why I enjoy my rating system so much is because you can come up short in some areas and still pass as a quality movie. Too much of a dip in multiple categories and you strike out. Jesus’ Son suffers from weak characters, minor conflict, and little “wow” quality. Not recommended.
  
White Boy Rick (2018)
White Boy Rick (2018)
2018 | Crime, Drama
I'm in that bizarre situation again where I've just seen a film that I couldn't actually find a flaw in but it's getting a low rating because it really wasn't my sort of thing.

The cast did a great job, I couldn't fault any of them, even Eddie Marsan who I've become increasingly wary about since he's started popping up all over the place. Richie Merritt as Ricky gave such a great performance. Just the right amount of teenage attitude. His interactions with the police and agents really hit the right spot.

The film has such amazing accuracy on all the "period" items, and the general feel over the whole film really nails that era. Nothing felt out of place at all, every camera angle worked, every bit of scenery. It isn't often I think that about a film.

It baffles my mind a little to think that this isn't a made up story. It really is a shame that this isn't my sort of film. While it definitely had some interesting moments and a fairly strong, if rocky, family theme running through it, if you aren't engaging with it then it does feel a little drawn out. As I said, it's a well made film and brought to the screen incredibly well but it's definitely not made for me.

What you should do

If you're into true stories then this one might appeal to you. My score says don't watch it, but my brain is saying do. It is a good film, and if the subject matter appeals then I think you'll appreciate it a lot more than I was able to.

Movie thing you wish you could take home

I've got a shoe box under my bed, if it could be full of money the next time I check that would be great.
  
    City of Love: Paris

    City of Love: Paris

    Games

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    YOUR CHOICES, YOUR STORY Dive into an interactive drama where romance, mystery and the Parisian...

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Heather Cranmer (2721 KP) created a post

Sep 2, 2021  
Check out my book review for CREATRIX RISING: UNLOCKING THE POWER OF MIDLIFE WOMEN, a self-help memoir, by Stephanie Raffelock. (I loved this book so much!) Enter the giveaway to win your own signed copy of the book and a $25 Starbucks gift card - four winners!

https://alltheupsandowns.blogspot.com/2021/09/book-blog-tour-and-giveaway-creatrix.html

**BOOK SYNOPSIS**
From the author of the award-winning book A Delightful Little Book on Aging comes a new self-help memoir Creatrix Rising: Unlocking the Power of Midlife Women (She Writes Press). In her new book, Stephanie Raffelock liberates mold-defying midlife women, tired of the oft-inaccurate characterization of the “old crone,” to amplify the resounding strength within.

Ever since Eve was banned from the garden, women have endured the oftentimes painful and inaccurate definitions foisted upon them by the patriarchy. Maiden, mother, and crone, representing the three stages assigned to a woman’s life cycle, have been the limiting categories of both ancient and modern (neo-pagan) mythology. And one label in particular rankles: crone. The word conjures a wizened hag—useless for the most part, marginalized by appearance and ability.

None of us has ever truly fit the old-crone image, and for today’s midlife women, a new archetype is being birthed: the Creatrix.

In Creatrix Rising, Raffelock lays out—through personal stories and essays—the highlights of the past fifty years, in which women have gone from a quiet strength to a resounding voice. She invites us along on her own transformational journey by providing probing questions for reflection so that we can flesh out and bring to life this new archetype within ourselves. If what the Dalai Lama has predicted—that women will save the world—proves true, then the Creatrix will for certain be out front, leading the pack.