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Jesus' Son (1999)
Jesus' Son (1999)
1999 | Drama
6
6.5 (2 Ratings)
Movie Rating
Terrible Ending to a Bad Movie
Jesus’ Son is a collection of stories revolving around main character FH. A great concept with poor execution, this movie reminds me more of a wannabe Tarantino movie.

Acting: 10

Beginning: 10

Characters: 6

Cinematography/Visuals: 10

Conflict: 2
I could never latch on to what the movie was about or where things were ultimately heading. As a result, there never felt like there was any true conflict that I needed to care about. Most of the scenes felt like they weren’t of much consequence if they had been taken out or left in. This made it really hard to give two craps about the movie as a whole.

Entertainment Value: 6

Memorability: 7
I love the way director Alison Maclean approached the film. The way things are shot in story fashion with flashbacks and rewinds is very creative. While the execution didn’t deliver on the story I was hoping for, I applaud the attempt to be different.

Pace: 6
The movie isn’t overly long, there is just a little more fluff than what is needed. Again, not understanding the concept of what’s happening definitely makes it feel like time is moving slower. A better story would have alleviated this issue.

Plot: 2

Resolution: 4
About the best thing about the ending was that the movie was ending. Didn’t really tie anything up. Didn’t make me any more fulfilled for seeing the movie. No bueno.

Overall: 63
The reason why I enjoy my rating system so much is because you can come up short in some areas and still pass as a quality movie. Too much of a dip in multiple categories and you strike out. Jesus’ Son suffers from weak characters, minor conflict, and little “wow” quality. Not recommended.
  
White Boy Rick (2018)
White Boy Rick (2018)
2018 | Crime, Drama
I'm in that bizarre situation again where I've just seen a film that I couldn't actually find a flaw in but it's getting a low rating because it really wasn't my sort of thing.

The cast did a great job, I couldn't fault any of them, even Eddie Marsan who I've become increasingly wary about since he's started popping up all over the place. Richie Merritt as Ricky gave such a great performance. Just the right amount of teenage attitude. His interactions with the police and agents really hit the right spot.

The film has such amazing accuracy on all the "period" items, and the general feel over the whole film really nails that era. Nothing felt out of place at all, every camera angle worked, every bit of scenery. It isn't often I think that about a film.

It baffles my mind a little to think that this isn't a made up story. It really is a shame that this isn't my sort of film. While it definitely had some interesting moments and a fairly strong, if rocky, family theme running through it, if you aren't engaging with it then it does feel a little drawn out. As I said, it's a well made film and brought to the screen incredibly well but it's definitely not made for me.

What you should do

If you're into true stories then this one might appeal to you. My score says don't watch it, but my brain is saying do. It is a good film, and if the subject matter appeals then I think you'll appreciate it a lot more than I was able to.

Movie thing you wish you could take home

I've got a shoe box under my bed, if it could be full of money the next time I check that would be great.
  
    City of Love: Paris

    City of Love: Paris

    Games

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    YOUR CHOICES, YOUR STORY Dive into an interactive drama where romance, mystery and the Parisian...

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Heather Cranmer (2721 KP) created a post

Sep 2, 2021  
Check out my book review for CREATRIX RISING: UNLOCKING THE POWER OF MIDLIFE WOMEN, a self-help memoir, by Stephanie Raffelock. (I loved this book so much!) Enter the giveaway to win your own signed copy of the book and a $25 Starbucks gift card - four winners!

https://alltheupsandowns.blogspot.com/2021/09/book-blog-tour-and-giveaway-creatrix.html

**BOOK SYNOPSIS**
From the author of the award-winning book A Delightful Little Book on Aging comes a new self-help memoir Creatrix Rising: Unlocking the Power of Midlife Women (She Writes Press). In her new book, Stephanie Raffelock liberates mold-defying midlife women, tired of the oft-inaccurate characterization of the “old crone,” to amplify the resounding strength within.

Ever since Eve was banned from the garden, women have endured the oftentimes painful and inaccurate definitions foisted upon them by the patriarchy. Maiden, mother, and crone, representing the three stages assigned to a woman’s life cycle, have been the limiting categories of both ancient and modern (neo-pagan) mythology. And one label in particular rankles: crone. The word conjures a wizened hag—useless for the most part, marginalized by appearance and ability.

None of us has ever truly fit the old-crone image, and for today’s midlife women, a new archetype is being birthed: the Creatrix.

In Creatrix Rising, Raffelock lays out—through personal stories and essays—the highlights of the past fifty years, in which women have gone from a quiet strength to a resounding voice. She invites us along on her own transformational journey by providing probing questions for reflection so that we can flesh out and bring to life this new archetype within ourselves. If what the Dalai Lama has predicted—that women will save the world—proves true, then the Creatrix will for certain be out front, leading the pack.
     
Jaws (1975)
Jaws (1975)
1975 | Thriller
When you think of classic blockbusters, or classic horror, or classic creature features, Jaws is surely a title that will spring to mind. A true masterpiece of cinema that manages to fit and excel in all of the above categories.
Spielberg completely changed how films were planned and released with what is widely considered to be the first summer blockbuster, and all these years later, it's still an effective rollercoaster ride.
The opening scene is utterly harrowing without a drop of blood to be seen, and sets the tone in a dramatic and iconic manner. After some efficient character introductions, we're straight into one of the most anxiety inducing scenes in cinema history, as Chief Brody sits on a packed beach, scanning the shore for danger. The constant barrage of characters interrupting his line of view and talking at him, over him, over eachother, it's almost unbearable, and is paid off with a truly horrifying moment. It's one of many scenes in Jaws that flaunts some masterful editing.
The second half of the film is essentially the three leads - Roy Scheider, Robert Shaw, Richard Dreyfuss - all jostling to chew up the scenery. The chemistry between all of them is wonderful, from the thrilling chase of hunting the shark, to them kicking back, trading scar stories and singing shanties, to Quints incredible monologue, to the infamous Ahab-esque climax. It's a joy to watch unfold.
The shark itself has a tendency to look a little goofy by todays standards, but an incredible feat for the time.

Jaws is held in such high regard for a reason. It's a film that truly thrills, scares, and delights its audience in equal measure, and still stands tall almost 50 years later. One of the best of all time.