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Sarah (7800 KP) rated Silk Road (2021) in Movies
Mar 12, 2021
Squandered a promising story
Silk Road is a 2021 thriller from writer/director Tiller Russell focusing on the true story of Ross Ulbricht who created and operated the darknet marketplace of the same name, selling drugs and other illegal items across the globe. On paper, Silk Road sounds like it should be a fascinating, interesting story and even the trailer makes it appear exciting, but unfortunately it never quite manages to pull off what it promises.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Ross Ulbricht (Nick Robinson) is a mid 20s libertarian from Texas who has a number of failed business ideas behind him, when he becomes convinced that he can strike a blow against the system by creating an illegal underground marketplace to seek drugs. The man on his tail is DEA Agent Rick Bowden (Jason Clarke), a former narc who botched his last undercover mission due to drug and alcohol addiction and transferred to Cyber Crime, where he’s introduced to the Silk Road marketplace. The story focuses on both men as they become increasingly involved in the darknet - Ross’s desperation to keep his site running and his identity hidden at all costs, even to the detriment of his relationship with girlfriend Julia (Alexandra Shipp), and Rick’s obsession to be back pursuing a case, resulting in corruption, extortion and even torture.
Silk Road promised so much, but unfortunately unlike Ross Ulbricht, just didn’t deliver. The story is fascinating and watching this has at least made me want to go out and read more about the truth behind this, as somehow this completely passed me by back in 2013. However Tiller Russell has taken this fascinating tale and turned it into something dull and clichéd. From the opening flash forward scenes to the cat and mouse chase between Ross and Bowden, there’s little originality on offer here. The story is long, dull and drawn out over 2 hours, and what makes it worse is that it seems to be lacking in any real detail on the true story. How Ross actually setup Silk Road has been glossed over in a brief montage, and the entire operation including Bowden’s entrapment and extortion haven’t faired much better and trying to figure out the timeline here too is impossible. I don’t know if Russell’s intentions were to avoid confusing and over facing the watcher with too much technical jargon, but whatever his motives, he only left us wanting more. There are ways to explain complicated technical matters without alienating the watcher (think The Big Short), but Silk Road just doesn’t bother.
On the surface Silk Road looks stylish and sleek, but on watching the entire film even the cinematography is questionable. Parts of the film look cheap and poorly made, and there are a lot of shots (especially those with any form of light involved) that seem hazy and have a lot of glare that detracts from the action in the scene. There was even some camerawork that made this look like a shaky cam documentary rather than the glossy thriller the trailer made it out to be.
The cast don’t fare much better either. Nick Robinson is a talented actor which was shown with Love, Simon, but here he’s given virtually nothing to work with as his character spends almost all the entire film staring at his phone or laptop. Alexandra Shipp too is sidelined as the generic girlfriend, and Jimmi Simpson, who I think is a rather engaging yet entirely underrated actor, is given the generic FBI agent role who barely gets a word in. Only Jason Clarke comes out of this unscathed, playing the most developed and interesting character (who incidentally isn’t actually real and an amalgamation of 2 agents on the real life Ulbricht’s tail), but even he suffers thanks to the faults with the story.
With a fascinating story and decent cast, Silk Road could’ve been good. In fact it could’ve been better than good. Instead it’s execution is it’s downfall, turning an intriguing story into a rather dull affair.
Gareth von Kallenbach (980 KP) rated The Words (2012) in Movies
Aug 7, 2019
On paper, The Words is a film that is better suited as a literary novella. In print, we, as readers, are often granted insight to our characters thoughts and motivation that is frequently lost on film or delivered in a lackluster voiceover that most critics deem as lazy film making. Furthermore, the story within a story, within a story approach in film often leaves the audience with uninteresting shells of characters and can make a story forgettable at best.
Given these reasons, it is easy to see why many would choose to undertake a less ambitious story for their directorial debut. That group does not include co-writer-directors Brian Klugman and Lee Sternthal. This duo is actually successful at tackling this dangerous story-within-a-story film device by keeping it simple. Focusing on the main characters of each story and their motivation, while tying each together with some common themes like love, what it means to write something great, and how far the need for success will drive the characters.
The movie begins with highly successful author Clay Hammond (Dennis Quaid) conducting a reading of his latest novel The Words. Among his audience is literary grad student and adoring fan, Daniella (Olivia Wilde), who has aspirations of picking the brain of the man that authored her favorite stories and perhaps getting involved romantically. As Hammond begins to read his story we are introduced to the tale of starving writer Rory Jensen (Bradley Cooper) and his wife Dora (Zoe Saldana). The two are a young couple in love, trying to get on their feet while Rory struggles with multiple rejections of his novels, until he is finally forced to come to grips with his own limitations as an artist and a writer.
As he settles into life and a job as a mail clerk at a publishing firm, he finds a lost manuscript in a vintage leather briefcase that Dora had purchased for him during their honeymoon in Paris. That story turns out to be something that moves him to tears. It is the final thing in his realization that he will never be the great writer that he thought he was, the great writer that wrote this anonymous story. In an effort to feel and try to understand what it is like to create something great, Rory decides to retype the novel word for word on his laptop if only to admire the beautiful story that he had instantly fallen in love with. When Dora mistakenly reads the novel, she encourages him to submit it to a publisher. Before he can tell her the truth, his world is transformed into the life he had always imagined he would have for himself and Dora as the novel gains him both great literary and commercial success. And finally, now that his star has risen he can get his own novel published.
Enter Jeremy Irons as the old man who reveals himself to Rory as the true author of his story. The old man feels compelled to explain to Rory the tragic origin of the story that has become the young author’s success. Irons steals every second he is on screen as his delivery of the old man oozes with the intellectual style that has been his trademark over the years. Like Rory, we are helpless to do nothing but listen and get lost in the words of his story as if he was sitting next to us and telling the story in real life.
The old man reveals that the novel is the result of great love and pain that his younger self (Ben Barnes) and the love of his life Celia (Nora Arnezeder) endured. While I am not familiar with Barnes’ and Arnezeder’s work, their performance as the younger couple in Irons’ story had a genuine connection. And while this love story does not seem to be anything new when it comes to film, it served its purpose by strengthening the other stories, showing how a great story can be mused from someplace unexpected, even if only once.
With Rory now confronted with his deceitful success, he struggles to decide how to make things right and live with himself as a fraud. It’s at this point the film subtly suggest that Hammond’s story of Rory may actually be a disguised autobiography.
As Rory, Bradley Cooper gives perhaps his best performance to date. I feel that despite his poor and deceitful decision, at no point does he lose the audience. With the help of a strong and emotionally charged performance by Zoe Saldana, we experience Cooper’s honest plight and can understand the events that unfold around him. He is effective as a man who genuinely believes he does not deserve the success that he stole. Without a doubt, this will be a surprising role for those fans who only know Cooper from the humorous characters he plays in The Hangover and most recently Hit and Run. I hope this is the beginning of growth in his craft beyond the charming, confident character we have seen in Limitless and perhaps into a deeper emotional actor.
The weakest part of this film is the story of Clay Hammond and Daniella. Dennis Quaid is quite unlikable as Hammond. He is monotone in his readings and the prose of his story is mediocre at best. While the film drops hints that Hammond’s story of Rory is autobiographical it makes sense that Quaid’s character is played this way. He succeeds in helping create the notion that Hammond is unworthy of the success his character has enjoyed. But something about his performance is so unlikable that even when his character has a redeeming moment, it is lost on an audience that may not care enough about him for it to work.
To add to this dislike of Quaid, Olivia Wilde seems out of place as the character Daniella. It is not that her performance is bad, it is just that every time they showed her as the starry-eyed fan who is love struck for Hammond, she just seemed out of place. Additionally there did not seem to be any connection between Daniella and Hammond in the way the other characters’ connections helped strengthen their performances.
In the end, I enjoyed this movie more than I expected. Visually the Montreal backdrop does an excellent job as both New York and Paris. And the continual piano score helps blend the stories. The simple focus on the main characters helped maintain the three different stories and keep the overall pacing of the movie in order. In addition, the solid to exceptional performances also helped to keep the film focused and avoided the empty shell of characters that most movies of this nature create. That being said, this movie is not for everyone, but those looking for a change of pace from the summer blockbusters season should consider this film.
Given these reasons, it is easy to see why many would choose to undertake a less ambitious story for their directorial debut. That group does not include co-writer-directors Brian Klugman and Lee Sternthal. This duo is actually successful at tackling this dangerous story-within-a-story film device by keeping it simple. Focusing on the main characters of each story and their motivation, while tying each together with some common themes like love, what it means to write something great, and how far the need for success will drive the characters.
The movie begins with highly successful author Clay Hammond (Dennis Quaid) conducting a reading of his latest novel The Words. Among his audience is literary grad student and adoring fan, Daniella (Olivia Wilde), who has aspirations of picking the brain of the man that authored her favorite stories and perhaps getting involved romantically. As Hammond begins to read his story we are introduced to the tale of starving writer Rory Jensen (Bradley Cooper) and his wife Dora (Zoe Saldana). The two are a young couple in love, trying to get on their feet while Rory struggles with multiple rejections of his novels, until he is finally forced to come to grips with his own limitations as an artist and a writer.
As he settles into life and a job as a mail clerk at a publishing firm, he finds a lost manuscript in a vintage leather briefcase that Dora had purchased for him during their honeymoon in Paris. That story turns out to be something that moves him to tears. It is the final thing in his realization that he will never be the great writer that he thought he was, the great writer that wrote this anonymous story. In an effort to feel and try to understand what it is like to create something great, Rory decides to retype the novel word for word on his laptop if only to admire the beautiful story that he had instantly fallen in love with. When Dora mistakenly reads the novel, she encourages him to submit it to a publisher. Before he can tell her the truth, his world is transformed into the life he had always imagined he would have for himself and Dora as the novel gains him both great literary and commercial success. And finally, now that his star has risen he can get his own novel published.
Enter Jeremy Irons as the old man who reveals himself to Rory as the true author of his story. The old man feels compelled to explain to Rory the tragic origin of the story that has become the young author’s success. Irons steals every second he is on screen as his delivery of the old man oozes with the intellectual style that has been his trademark over the years. Like Rory, we are helpless to do nothing but listen and get lost in the words of his story as if he was sitting next to us and telling the story in real life.
The old man reveals that the novel is the result of great love and pain that his younger self (Ben Barnes) and the love of his life Celia (Nora Arnezeder) endured. While I am not familiar with Barnes’ and Arnezeder’s work, their performance as the younger couple in Irons’ story had a genuine connection. And while this love story does not seem to be anything new when it comes to film, it served its purpose by strengthening the other stories, showing how a great story can be mused from someplace unexpected, even if only once.
With Rory now confronted with his deceitful success, he struggles to decide how to make things right and live with himself as a fraud. It’s at this point the film subtly suggest that Hammond’s story of Rory may actually be a disguised autobiography.
As Rory, Bradley Cooper gives perhaps his best performance to date. I feel that despite his poor and deceitful decision, at no point does he lose the audience. With the help of a strong and emotionally charged performance by Zoe Saldana, we experience Cooper’s honest plight and can understand the events that unfold around him. He is effective as a man who genuinely believes he does not deserve the success that he stole. Without a doubt, this will be a surprising role for those fans who only know Cooper from the humorous characters he plays in The Hangover and most recently Hit and Run. I hope this is the beginning of growth in his craft beyond the charming, confident character we have seen in Limitless and perhaps into a deeper emotional actor.
The weakest part of this film is the story of Clay Hammond and Daniella. Dennis Quaid is quite unlikable as Hammond. He is monotone in his readings and the prose of his story is mediocre at best. While the film drops hints that Hammond’s story of Rory is autobiographical it makes sense that Quaid’s character is played this way. He succeeds in helping create the notion that Hammond is unworthy of the success his character has enjoyed. But something about his performance is so unlikable that even when his character has a redeeming moment, it is lost on an audience that may not care enough about him for it to work.
To add to this dislike of Quaid, Olivia Wilde seems out of place as the character Daniella. It is not that her performance is bad, it is just that every time they showed her as the starry-eyed fan who is love struck for Hammond, she just seemed out of place. Additionally there did not seem to be any connection between Daniella and Hammond in the way the other characters’ connections helped strengthen their performances.
In the end, I enjoyed this movie more than I expected. Visually the Montreal backdrop does an excellent job as both New York and Paris. And the continual piano score helps blend the stories. The simple focus on the main characters helped maintain the three different stories and keep the overall pacing of the movie in order. In addition, the solid to exceptional performances also helped to keep the film focused and avoided the empty shell of characters that most movies of this nature create. That being said, this movie is not for everyone, but those looking for a change of pace from the summer blockbusters season should consider this film.
Darren (1599 KP) rated The Grinch (2018) in Movies
Feb 16, 2020
Verdict: True Christmas Message
Story: The Grinch starts as we head to Whoville as they are preparing for Christmas the happiest time of the year for the town, only The Grinch sits above the town hating the holiday and everything about it with his dog Max.
AS Whoville is trying to have the biggest Christmas of all time, he plans to destroy Christmas once and for all, while a county Who Cindy-Lou is looking to ask for the simplest gift, help for her mother Donna that has been raising the children alone.
Thoughts on The Grinch
Characters – The Grinch is the grumpy who that lives above the town with Max the dog, he hates Christmas the most, he decides that this year is the year that he steals Christmas from the rest of the town, because of his own hate, this is a more cunning plan than the live action film gave us. Cindy-Lou is the one of the youngest members of the town, she wants to wish for help for her mother who is raising her siblings alone while working. She has a plan to try and capture Santa to make this wish in person. Donna is the single parent that has been raising her children alone, while working nights, she does well keeping things together without letting it show too much to her kids. We do have the other young whos that are helping Cindy, and we get Max who gets plenty of laughs with Grinch.
Story – The story here follows the Grinch who decides he wants to steal Christmas from the town who are always rubbing it in his face, while a plucky young girl wants to ask for something more than just a present. This is the second film version of the book I have seen, it is clearly a lot better than the Ron Howard version, holding together the clever dialogue Dr Seuss was famous for, it does ditch the personal back story of the Grinch which does help show him to be a wacky villain always planning, while giving the story a big heart with how the little girl wants what is best for her mother, this is a joy to watch because it is true to what Christmas is really about.
Fantasy/Family – The family message in this film is clear, this is the highlight of the film which is a joy to see, being together is important, whether it true family or people you can call family, while the fantasy side of the film is the world we are thrown into, which does work for the film.
Settings – The small town is always going to work for the film, it shows the unity within one town over the isolation of the Grinch that he is feeling.
Animation – The animation looks wonderful through the film which helps make the film more enjoyable, being able to give us the wacky moments and slapstick working in a way only animation can pull off.
Scene of the Movie – The present.
That Moment That Annoyed Me – Not knowing the book, so not sure if it is closer or not.
Final Thoughts – This is a joyful Christmas film that could be enjoyed by all, it hits the right marks through the film with ease and gets laughs whenever you need it.
Overall: Christmas Joy.
Story: The Grinch starts as we head to Whoville as they are preparing for Christmas the happiest time of the year for the town, only The Grinch sits above the town hating the holiday and everything about it with his dog Max.
AS Whoville is trying to have the biggest Christmas of all time, he plans to destroy Christmas once and for all, while a county Who Cindy-Lou is looking to ask for the simplest gift, help for her mother Donna that has been raising the children alone.
Thoughts on The Grinch
Characters – The Grinch is the grumpy who that lives above the town with Max the dog, he hates Christmas the most, he decides that this year is the year that he steals Christmas from the rest of the town, because of his own hate, this is a more cunning plan than the live action film gave us. Cindy-Lou is the one of the youngest members of the town, she wants to wish for help for her mother who is raising her siblings alone while working. She has a plan to try and capture Santa to make this wish in person. Donna is the single parent that has been raising her children alone, while working nights, she does well keeping things together without letting it show too much to her kids. We do have the other young whos that are helping Cindy, and we get Max who gets plenty of laughs with Grinch.
Story – The story here follows the Grinch who decides he wants to steal Christmas from the town who are always rubbing it in his face, while a plucky young girl wants to ask for something more than just a present. This is the second film version of the book I have seen, it is clearly a lot better than the Ron Howard version, holding together the clever dialogue Dr Seuss was famous for, it does ditch the personal back story of the Grinch which does help show him to be a wacky villain always planning, while giving the story a big heart with how the little girl wants what is best for her mother, this is a joy to watch because it is true to what Christmas is really about.
Fantasy/Family – The family message in this film is clear, this is the highlight of the film which is a joy to see, being together is important, whether it true family or people you can call family, while the fantasy side of the film is the world we are thrown into, which does work for the film.
Settings – The small town is always going to work for the film, it shows the unity within one town over the isolation of the Grinch that he is feeling.
Animation – The animation looks wonderful through the film which helps make the film more enjoyable, being able to give us the wacky moments and slapstick working in a way only animation can pull off.
Scene of the Movie – The present.
That Moment That Annoyed Me – Not knowing the book, so not sure if it is closer or not.
Final Thoughts – This is a joyful Christmas film that could be enjoyed by all, it hits the right marks through the film with ease and gets laughs whenever you need it.
Overall: Christmas Joy.
Steven Sklansky (231 KP) rated Battle of the Sexes (2016) in Movies
Sep 26, 2017
Good storytelling (2 more)
Amazing Cast
Tennis shots were done very well
Sports with a hint of romance
This is another sports movie I had no knowledge of going in to and I watch a lot of sports. Tennis is one that I play more then I follow. Sometimes it is fun to watch a tennis match or 2 on tv but not all the time. This match though would have be amazing to see and live through. The story of Billy Jean King is like any other women making history by doing something great in the 70's. It has been told several times using different backgrounds. The big difference with this movie though is they did not overly portray her as the victim being driven down by the man. She always had her head held high and new she could win. You never really felt sad for her during the course of the movie. She had a goal set forth and took it head on.
This movie had a story to tell and like most Based on True Story movies they add way to much drama. This movie was the opposite. It told the story from her perspective and Bobby's perspective and really kept unnecessary drama out of it. The biggest drama points was Billy's female lover. Some of it felt way over the top and you just knew what was coming. I don't mind gay couples in movies, but what I don't like is if it feels forced on to screen just for the sake of adding it. This was part of her story, just put it in there, you don't have to tease the audience that it is going to happen.
The sports part of this movie was my favorite. The back at forth on the court felt real. Which is a good thing because you never want to see look fake. There were very few cuts during the action sequences which means they were really playing tennis, unless they were professionals dressed like them. I would not be disappointed if that was the case, but it would be great if it was the real actors doing it.
All in all this was a fantastic and think everyone, men (from the 70's and earlier) and women should go and see this movie. If you know the story already you may not like it as much but see it anyway.
This movie had a story to tell and like most Based on True Story movies they add way to much drama. This movie was the opposite. It told the story from her perspective and Bobby's perspective and really kept unnecessary drama out of it. The biggest drama points was Billy's female lover. Some of it felt way over the top and you just knew what was coming. I don't mind gay couples in movies, but what I don't like is if it feels forced on to screen just for the sake of adding it. This was part of her story, just put it in there, you don't have to tease the audience that it is going to happen.
The sports part of this movie was my favorite. The back at forth on the court felt real. Which is a good thing because you never want to see look fake. There were very few cuts during the action sequences which means they were really playing tennis, unless they were professionals dressed like them. I would not be disappointed if that was the case, but it would be great if it was the real actors doing it.
All in all this was a fantastic and think everyone, men (from the 70's and earlier) and women should go and see this movie. If you know the story already you may not like it as much but see it anyway.
graveyardgremlin (7194 KP) rated Team Human in Books
Feb 15, 2019
As I started reading Team Human, I couldn't help but feel this was written as a good-natured poke at Twilight and all the vampire ridiculata left in its wake. However, the story leaves its parodying fairly early on and becomes a book in its own right, with characters who have flaws and an interesting world with its own set of rules. All the while written with wit, feeling, and reality.
Mel Duan is the protagonist of the book, who is full of character flaws. She is prejudiced against vampires, rude, thinks she always knows the right thing to do, and is a big buttinsky (I call her Meddling Mel). She's also caring, loyal, helpful, well-meaning, funny, and charming in her own way. Basically, Mel is a real human being. There are two main storylines in the book, the first one about her BFF, Cathy, and her relationship with an uptight vampire. The other dealing with a mystery involving another close friend and her parents. Both are incorporated into the story well, as are the smaller B-plots. Mel doesn't always come across in a very good light, which helps me fall into the world and believe it could be true. Nothing takes me out of a story more than an unrealistically perfect character. Not one of the characters in this book is like that, even Cathy, who does come close. I also love the fact that Mel would typically be the sidekick in any other story and Cathy the main character who falls in love with a vampire. Instead it's the other way around, so we see the over-the-top relationship from the outside, and also from Mel's rather small-minded point-of-view. It's a great idea that luckily works thanks to the talented authors.
The book moves along nicely without seeming hasty, it has lessons that aren't heavy-handed, it features love aspects but it isn't a love story, and most importantly, it has character evolution and believable characters, mainly Mel herself. In the end I was surprised that I had gotten so caught up in outcome of the story and actually cared what happened to these people. Kudos, I'll definitely be reading more from both Sarah Rees Brennan and Justine Larbalestier, and can only hope they conspire to write another book in the future.
Originally Reviewed: February 20, 2013
Received: Amazon Vine
Mel Duan is the protagonist of the book, who is full of character flaws. She is prejudiced against vampires, rude, thinks she always knows the right thing to do, and is a big buttinsky (I call her Meddling Mel). She's also caring, loyal, helpful, well-meaning, funny, and charming in her own way. Basically, Mel is a real human being. There are two main storylines in the book, the first one about her BFF, Cathy, and her relationship with an uptight vampire. The other dealing with a mystery involving another close friend and her parents. Both are incorporated into the story well, as are the smaller B-plots. Mel doesn't always come across in a very good light, which helps me fall into the world and believe it could be true. Nothing takes me out of a story more than an unrealistically perfect character. Not one of the characters in this book is like that, even Cathy, who does come close. I also love the fact that Mel would typically be the sidekick in any other story and Cathy the main character who falls in love with a vampire. Instead it's the other way around, so we see the over-the-top relationship from the outside, and also from Mel's rather small-minded point-of-view. It's a great idea that luckily works thanks to the talented authors.
The book moves along nicely without seeming hasty, it has lessons that aren't heavy-handed, it features love aspects but it isn't a love story, and most importantly, it has character evolution and believable characters, mainly Mel herself. In the end I was surprised that I had gotten so caught up in outcome of the story and actually cared what happened to these people. Kudos, I'll definitely be reading more from both Sarah Rees Brennan and Justine Larbalestier, and can only hope they conspire to write another book in the future.
Originally Reviewed: February 20, 2013
Received: Amazon Vine
Darren (1599 KP) rated Frank & Lola (2016) in Movies
Sep 13, 2019
Characters – Frank is a brilliant chef that has started dating the younger Lola, he gets jealous easily which makes him want to know who every man in Lola’s life is as he starts to look to solve her problems. Lola is a college graduate in fashion that is in Vegas, she is dating Frank and starts working for the charismatic Keith, she knows what will make Frank jealous as she starts to use him to get what she wants. Keith knows people in Vegas, he offers jobs to talent, which will see him follow a strict code of not trying to date them, he will always offer people job if he believes they deserve the change. Patricia is Lola’s mother that hasn’t always been as close with her daughter.
Performances – We have such a great cast here, Michael Shannon gives one of his most average performances of his career, Imogen Poots struggles to make an impact, Justin Long gets his moments, but not enough. Most of this comes from such dull characters they must try to bring to life.
Story – The story is the hardest part to describe because it seems to follow a chef that is trying to do anything to clean up his girlfriends past, only to get caught up in the middle of just what might be true or not. The problem with the story comes from the poor dialogue which makes it hard to connect the story together, it seems to create scenes which put Frank’s mind in one direction only for the next one to change it, this happens too often and becomes annoying because we can’t get invested in his story. we did get some heavy themes which do just get glanced over which only confuses in the end.
Crime/Romance – The crime side of the film comes from what Frank will do for Lola, he is driven by his love for her which shows him where to go with his actions.
Settings – The film has two main settings, Las Vegas and Paris, both are used to show the busy side of the lives of the people we are follow.
Scene of the Movie – Job offer.
That Moment That Annoyed Me – The story is too heavy on changing direction too often.
Final Thoughts – This is a dull romantic thriller that just drags along at a snails pace, never using the talent to its strengths.
Overall: Bitterly disappointing.
Performances – We have such a great cast here, Michael Shannon gives one of his most average performances of his career, Imogen Poots struggles to make an impact, Justin Long gets his moments, but not enough. Most of this comes from such dull characters they must try to bring to life.
Story – The story is the hardest part to describe because it seems to follow a chef that is trying to do anything to clean up his girlfriends past, only to get caught up in the middle of just what might be true or not. The problem with the story comes from the poor dialogue which makes it hard to connect the story together, it seems to create scenes which put Frank’s mind in one direction only for the next one to change it, this happens too often and becomes annoying because we can’t get invested in his story. we did get some heavy themes which do just get glanced over which only confuses in the end.
Crime/Romance – The crime side of the film comes from what Frank will do for Lola, he is driven by his love for her which shows him where to go with his actions.
Settings – The film has two main settings, Las Vegas and Paris, both are used to show the busy side of the lives of the people we are follow.
Scene of the Movie – Job offer.
That Moment That Annoyed Me – The story is too heavy on changing direction too often.
Final Thoughts – This is a dull romantic thriller that just drags along at a snails pace, never using the talent to its strengths.
Overall: Bitterly disappointing.
Billie Wichkan (118 KP) rated Conviction in Books
May 22, 2019
From 'the woman who may be Britains finest living crime novelist' (Daily Telegraph), Conviction stars a strong female protagonist who is obsessed by true-crime podcasts and decides, one day, to investigate one of the unsolved crimes herself.
Its just a normal morning for Anna McDonald. Gym kits, packed lunches, getting everyone up and ready. Until she opens the front door to her best friend, Estelle. Anna turns to see her own husband at the top of the stairs, suitcase in hand. Theyre leaving together and theyre taking Annas two daughters with them.
Left alone in the big, dark house, Anna cant think, she cant take it in. With her safe, predictable world shattered, she distracts herself with a story: a true-crime podcast. Theres a sunken yacht in the Mediterranean, multiple murders and a hint of power and corruption. Then Anna realises she knew one of the victims in another life. She is convinced she knows what happened. Her past, so carefully hidden until now, will no longer stay silent.
This is a murder she cant ignore, and she throws herself into investigating the case. But little does she know, her past and present lives are about to collide, sending everything she has worked so hard to achieve into freefall.
This is my first read by Denise Mina and it won't be my last.
What a brilliant read this was. Wow what an opening this had with it.
This definitely psychological thriller and very chilling.
Loved the writing style and the plot of this story.
Really enjoyed the characters and couldn't stop reading til finished as I just had to know.
Recommend reading!
My thanks to Random House U.K. Vintage Publishing for an eARC via NetGalley and this is my honest voluntary review.
Its just a normal morning for Anna McDonald. Gym kits, packed lunches, getting everyone up and ready. Until she opens the front door to her best friend, Estelle. Anna turns to see her own husband at the top of the stairs, suitcase in hand. Theyre leaving together and theyre taking Annas two daughters with them.
Left alone in the big, dark house, Anna cant think, she cant take it in. With her safe, predictable world shattered, she distracts herself with a story: a true-crime podcast. Theres a sunken yacht in the Mediterranean, multiple murders and a hint of power and corruption. Then Anna realises she knew one of the victims in another life. She is convinced she knows what happened. Her past, so carefully hidden until now, will no longer stay silent.
This is a murder she cant ignore, and she throws herself into investigating the case. But little does she know, her past and present lives are about to collide, sending everything she has worked so hard to achieve into freefall.
This is my first read by Denise Mina and it won't be my last.
What a brilliant read this was. Wow what an opening this had with it.
This definitely psychological thriller and very chilling.
Loved the writing style and the plot of this story.
Really enjoyed the characters and couldn't stop reading til finished as I just had to know.
Recommend reading!
My thanks to Random House U.K. Vintage Publishing for an eARC via NetGalley and this is my honest voluntary review.
Merissa (12914 KP) rated The Time of My Life in Books
Mar 7, 2018
The Time of My Life by Nora Phoenix
Nora Phoenix is a relatively new author to me. I've only read her No Shame series up until this one. For No Shame, I was hooked. I loved how Ms. Phoenix was able to introduce her characters and ways of living. So when I saw The Time of My Life I immediately signed up to review.
And I am glad that I did!!!
This is an amazing story, that will keep you engrossed from start to finish. The characters, whether they are there to be liked or loathed, all ring true, and sometimes in a whole that's-too-realistic-and-it's-scary kind of way! Judah and Denver are very different, in more ways that one, but they complement each other perfectly. The path to true love is never smooth though, and these two know that more than most.
I honestly don't want to talk too much about particular points in the story as I don't want to ruin it for anyone else. For myself, I loved going in blind, not knowing anything about it. What I can and will say is that there are no editing or grammatical errors that disrupted my reading flow. Spread out over time, this is no insta-love, but it builds up over time, making it all the sweeter. The pacing is smooth and the transitions from one scene to the next are flawless.
Just one more thing that made me laugh to myself - and yes, this is a big hint, I guess - I never considered the title of the book until the ending. Perfect.
Absolutely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
And I am glad that I did!!!
This is an amazing story, that will keep you engrossed from start to finish. The characters, whether they are there to be liked or loathed, all ring true, and sometimes in a whole that's-too-realistic-and-it's-scary kind of way! Judah and Denver are very different, in more ways that one, but they complement each other perfectly. The path to true love is never smooth though, and these two know that more than most.
I honestly don't want to talk too much about particular points in the story as I don't want to ruin it for anyone else. For myself, I loved going in blind, not knowing anything about it. What I can and will say is that there are no editing or grammatical errors that disrupted my reading flow. Spread out over time, this is no insta-love, but it builds up over time, making it all the sweeter. The pacing is smooth and the transitions from one scene to the next are flawless.
Just one more thing that made me laugh to myself - and yes, this is a big hint, I guess - I never considered the title of the book until the ending. Perfect.
Absolutely recommended by me!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Gareth von Kallenbach (980 KP) rated The Fourth Kind (2009) in Movies
Aug 9, 2019
Based on true events, “The Fourth Kind” is a thriller/semi-documentary covering the seemingly unexplained true events that occurred to psychologist Abigail Turner, portrayed in the film by Milla Jovovich. “The Fourth Kind” presents Abby’s story merging dramatic renditions with actual video and audio footage of the strange occurrences.
It is a creepy film filled with close up shots of spooky owls and the hauntingly foggy skies of Nome, Alaska. All this imagery creates a mystical scene but it left me wondering whether is it the films content or an extremely good knowledge of camera angles that created the lingering possibility of truth?
Furthering my dislike of the film are the unnecessary plot deviations, such as the start and conclusion by Jovovich, and the slow and disjointed family sequences which make the characters hard to relate to. Moreover, it seems as if much of the film’s content could be removed and possibly presented as a stronger case for an encounter of the fourth kind as short film or even television episode.
But the most glaring objection to the film’s premise is that it is built on a very small amount of evidence. Sure, the evidence that is presented is disturbing but the limited actual video and audio clips utilized make the film feel gimmicky. Dr. Turner’s story is intriguing but it does not support a satisfying a full-length film, especially for audiences hoping to see something that will force them to reexamine their stance on alien life forms.
In the end what you probably want to know is if this movie significantly change my views on the possibility of alien life forms or if it scared me to my core. The simple answer is no, but it did make me less enthusiastic about visiting to Nome, Alaska.
It is a creepy film filled with close up shots of spooky owls and the hauntingly foggy skies of Nome, Alaska. All this imagery creates a mystical scene but it left me wondering whether is it the films content or an extremely good knowledge of camera angles that created the lingering possibility of truth?
Furthering my dislike of the film are the unnecessary plot deviations, such as the start and conclusion by Jovovich, and the slow and disjointed family sequences which make the characters hard to relate to. Moreover, it seems as if much of the film’s content could be removed and possibly presented as a stronger case for an encounter of the fourth kind as short film or even television episode.
But the most glaring objection to the film’s premise is that it is built on a very small amount of evidence. Sure, the evidence that is presented is disturbing but the limited actual video and audio clips utilized make the film feel gimmicky. Dr. Turner’s story is intriguing but it does not support a satisfying a full-length film, especially for audiences hoping to see something that will force them to reexamine their stance on alien life forms.
In the end what you probably want to know is if this movie significantly change my views on the possibility of alien life forms or if it scared me to my core. The simple answer is no, but it did make me less enthusiastic about visiting to Nome, Alaska.
No Ordinary Wedding Planner: Fighting Against the Odds to Help Others Make Their Dreams Come True
Book
This is the inspiring story of Naomi Thomas, a secondary breast cancer sufferer who has decided to...