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Gareth von Kallenbach (980 KP) rated Sully (2016) in Movies
Jul 15, 2019
“The Miracle on the Hudson” is a story that many are acquainted with and many have forgotten in the seven years since the incredibly miraculous landing of US Airways flight 1549 on January 15, 2009. In Sully, Clint Eastwood brings the attention and focus back to this historic event in order to tell audiences about more than just a forced landing into the Hudson River.
Tom Hanks stars as Chester “Sully” Sullenberger reminding viewers how he can so easily represent a character on screen whether they are fictional or based off of real people. His portrayal of “Sully” demonstrates the varying issues surrounding the events the day of the landing and those that followed. When the events played themselves out in the public, it appeared very “cut and dry.” The film reveals the depth at which the pilots dealt with the stress of the publicity, the investigation, scrutiny, and the reality of facing one’s own mortality.
The story, although generally familiar, is engrossing in its presentation by Eastwood. The story is built in layers to where you get to feel the pain and fear that Sully experiences with this near death experience. We witness how he tries to cope with this situation and struggles with the realization that he accomplished the near impossible. The scenes are not over sensationalized. They are not trite. They allow for a true representation of what took place and all of the people affected by it. The film is an imaginative and thought provoking account of real events. Sully demonstrates to audiences the depth inherent with events, circumstances, and individuals.
“The Miracle on the Hudson” had reporters, investigators, and the general public consumed with numbers; 155 people on board, 208 seconds of total flight, altitude of 2818 ft, 2 engines lost to bird strike, a water temperature of 36 degrees, air temperature of 20 with a wind chill of -5, and 1 pilot who made the right decision that day. It is not the numbers that the film is concerned with, it is the people. Eastwood allows for their stories to be on display and demonstrate the reality that they all faced during the incident and the days that followed. The film is outstanding in displaying the humanity and chaos of the event.
Tom Hanks stars as Chester “Sully” Sullenberger reminding viewers how he can so easily represent a character on screen whether they are fictional or based off of real people. His portrayal of “Sully” demonstrates the varying issues surrounding the events the day of the landing and those that followed. When the events played themselves out in the public, it appeared very “cut and dry.” The film reveals the depth at which the pilots dealt with the stress of the publicity, the investigation, scrutiny, and the reality of facing one’s own mortality.
The story, although generally familiar, is engrossing in its presentation by Eastwood. The story is built in layers to where you get to feel the pain and fear that Sully experiences with this near death experience. We witness how he tries to cope with this situation and struggles with the realization that he accomplished the near impossible. The scenes are not over sensationalized. They are not trite. They allow for a true representation of what took place and all of the people affected by it. The film is an imaginative and thought provoking account of real events. Sully demonstrates to audiences the depth inherent with events, circumstances, and individuals.
“The Miracle on the Hudson” had reporters, investigators, and the general public consumed with numbers; 155 people on board, 208 seconds of total flight, altitude of 2818 ft, 2 engines lost to bird strike, a water temperature of 36 degrees, air temperature of 20 with a wind chill of -5, and 1 pilot who made the right decision that day. It is not the numbers that the film is concerned with, it is the people. Eastwood allows for their stories to be on display and demonstrate the reality that they all faced during the incident and the days that followed. The film is outstanding in displaying the humanity and chaos of the event.
Phillip McSween (751 KP) rated Dolemite Is My Name (2019) in Movies
Feb 11, 2020
Perfect Score With No Shame
Dolemite is My Name follows the story of Rudy Ray Moore (Eddie Murphy) and his rise to fame with the creation of his legendary character Dolemite.
Acting: 10
Beginning: 10
The first five minutes involves a hilarious scene of Rudy trying to get his record played by a DJ (played by Snoop Dogg) who only puts on the hits. It’s a great introduction to the character and his plight. Beautiful way to get things kicked off.
Characters: 10
Rudy would be enough to score this category a ten on his own. His charisma oozes onto the screen, only matched by his never-quit attitude. It’s no wonder he quickly became one of my favorite protagonists in film. Dolemite is My Name doesn’t stop there as each character brings a fun, unique flare to the film. You’ll get to see Wesley Snipes playing the role of actor/director D’Urville Martin. With all the craziness going on throughout the movie, D’Urville remains unamused and his lack of enthusiasm adds a hilarious punch to the film. I also thoroughly enjoyed characters Jerry Jones (Keegan Michael-Key) and Lady Reed (Da’Vine Joy Randolph).
Cinematography/Visuals: 10
Conflict: 10
Rudy is trying to get a movie off the ground with little money and resources. It feels like everywhere he turns, a new problem arises. The ensuing shakeups keeps things interesting and keeps Rudy advancing the story. Everything crazy that can possibly happen throughout the filming of his movie absolutely does and it’s fun to watch how things unfold.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
From albums to movies, you get to see every nuance of Rudy’s journey as the story progresses. Varying other side stories keep things interesting while not deviating too much as to slow the overall pace down. Every little piece works perfectly.
Resolution: 10
Great wrap to the movie that makes you appreciate Rudy even more. It’s both a culmination for all Rudy’s hard work and the true definition of who he is as a person. I appreciate its simplicity and finality, not overstaying its welcome.
Overall: 100
Call me crazy, but at the time of this review, Dolemite is my Name holds the ninth spot in my All-Time Top Ten List. It has everything you want in a movie from funny to heart. Hands-down, it is the best biopic I’ve seen.
Acting: 10
Beginning: 10
The first five minutes involves a hilarious scene of Rudy trying to get his record played by a DJ (played by Snoop Dogg) who only puts on the hits. It’s a great introduction to the character and his plight. Beautiful way to get things kicked off.
Characters: 10
Rudy would be enough to score this category a ten on his own. His charisma oozes onto the screen, only matched by his never-quit attitude. It’s no wonder he quickly became one of my favorite protagonists in film. Dolemite is My Name doesn’t stop there as each character brings a fun, unique flare to the film. You’ll get to see Wesley Snipes playing the role of actor/director D’Urville Martin. With all the craziness going on throughout the movie, D’Urville remains unamused and his lack of enthusiasm adds a hilarious punch to the film. I also thoroughly enjoyed characters Jerry Jones (Keegan Michael-Key) and Lady Reed (Da’Vine Joy Randolph).
Cinematography/Visuals: 10
Conflict: 10
Rudy is trying to get a movie off the ground with little money and resources. It feels like everywhere he turns, a new problem arises. The ensuing shakeups keeps things interesting and keeps Rudy advancing the story. Everything crazy that can possibly happen throughout the filming of his movie absolutely does and it’s fun to watch how things unfold.
Entertainment Value: 10
Memorability: 10
Pace: 10
Plot: 10
From albums to movies, you get to see every nuance of Rudy’s journey as the story progresses. Varying other side stories keep things interesting while not deviating too much as to slow the overall pace down. Every little piece works perfectly.
Resolution: 10
Great wrap to the movie that makes you appreciate Rudy even more. It’s both a culmination for all Rudy’s hard work and the true definition of who he is as a person. I appreciate its simplicity and finality, not overstaying its welcome.
Overall: 100
Call me crazy, but at the time of this review, Dolemite is my Name holds the ninth spot in my All-Time Top Ten List. It has everything you want in a movie from funny to heart. Hands-down, it is the best biopic I’ve seen.
Heart's Medicine: Time to Heal
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9.0
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BookInspector (124 KP) rated The Year After You in Books
Sep 24, 2020
The protagonist in this story is Cara, a seventeen-year-old girl from California, who was sent to a boarding school in the Swiss mountains. She has lost her friend in a car accident, and she was the one who was driving. Cara is a very interesting character, her life is full of guilt and grief. This book taught me a very valuable lesson, that different people deal with grief very differently. Some people find it easier and some harder to deal with someone’s death. Cara is very emotionally intriguing, she feels so much self-loath, and it is very interesting to see how she communicates with people around her. I loved this great variety of characters chosen for this book, I loved all Cara’s friends in Switzerland, they are truly amazing. My favourite character in this book was Hector, he is absolutely charming! He reminds me of Edward from The Twilight Saga, whom I truly adored. 😀
The narrative is not very exciting at the beginning, but slowly the author brings in little adventures, quite a bit of romance and plenty of Cara’s thoughts. I really loved the boarding school itself, it sounded a little like Hogwarts, surrounded by mountains, and it feels like a happy place, where people actually want to return to. I really liked that the plot was set in different locations, it felt livelier and more indulging.
I really enjoyed the writing style of this book, I can not understand how the author portrayed the grief, its effects through a confused teenager, so masterfully. The language used in this novel is easy to understand and it was a very enjoyable read. The chapters have a very decent length and it didn’t get boring, because every chapter brought in something new. I loved the ending of this book, it rounded up the story very nicely.
To conclude, I really enjoyed this novel, even though it is filled with grief and emotions, the other characters make it quite an entertaining and pleasant read. I loved the diversity and wide variety of true personalities. I do strongly recommend this book if you know someone who has difficulty of dealing with loss, it will help you to understand them in some way. (I know it helped me) 🙂 And of course, don’t forget to enjoy this amazing Cara’s story.
The narrative is not very exciting at the beginning, but slowly the author brings in little adventures, quite a bit of romance and plenty of Cara’s thoughts. I really loved the boarding school itself, it sounded a little like Hogwarts, surrounded by mountains, and it feels like a happy place, where people actually want to return to. I really liked that the plot was set in different locations, it felt livelier and more indulging.
I really enjoyed the writing style of this book, I can not understand how the author portrayed the grief, its effects through a confused teenager, so masterfully. The language used in this novel is easy to understand and it was a very enjoyable read. The chapters have a very decent length and it didn’t get boring, because every chapter brought in something new. I loved the ending of this book, it rounded up the story very nicely.
To conclude, I really enjoyed this novel, even though it is filled with grief and emotions, the other characters make it quite an entertaining and pleasant read. I loved the diversity and wide variety of true personalities. I do strongly recommend this book if you know someone who has difficulty of dealing with loss, it will help you to understand them in some way. (I know it helped me) 🙂 And of course, don’t forget to enjoy this amazing Cara’s story.
Kristy H (1252 KP) rated Imperfect Women in Books
Sep 17, 2020
An engaging and suspenseful look into the power of secrets
Eleanor, Nancy, and Mary have been best friends since they met at Oxford. But then Nancy is murdered, leaving behind an adoring husband and a daughter. Her life, from the outside, was seemingly perfect. But Eleanor knows that the night Nancy died, she was going to meet her lover, hoping to break it off. And as the investigation into Nancy's death continues, both Eleanor and Mary struggle with their grief, the memories they have of their friend, and what her death means for those left behind.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
"Eleanor felt a jolt of terror pass through her as she realized that everything about Nancy's death was worse than any other death anywhere. They would all suffer, and nothing would ever be the same again."
This was a truly fascinating book: it's part character-driven mystery and part insightful look at the role of women in society. It's told from the point of view of the three friends, but not the usual quick back and forth: we get large chunks of the story told from one woman at a time. Truths unfold slowly, as we learn bits and pieces about Eleanor, Nancy, and Mary--from themselves and each other.
The focal point of the story is Nancy's rather gruesome murder, but Hall fills her tale with thoughts and ruminations on women and how they are seen in society--and how they feel they are perceived. In some ways, it felt like a bunch broad generalizations applied to women, yet as I read, I found that most of them really rang true. I was furiously highlighting passages, nodding my head yes!
At times, it was hard to see where this book was going. Murder? Deep thoughts? It certainly straddled the line on both. In terms of Nancy's murder, I had a good chunk figured out early on, but the story certainly kept me engaged, reading and wondering if I was right. All three flawed (imperfect, indeed) women were interesting in their own way, and I liked each woman's section. I found this to be a very well-written book, but it's not a snappy thriller.
If you want a fast whodunit, this isn't for you. But if you want a well-done and thoughtful read, I recommend Hall's latest. It's a suspenseful and insightful look at love, marriage, and friendship. 4 stars.
LoganCrews (2861 KP) rated Final Fantasy: The Spirits Within (2001) in Movies
Sep 20, 2020
I have almost nothing new to add, everything you've heard is true: the animation is almost religiously astounding for the time and even now (in spite of some expected hiccups for the rudimentary motion capture of the time: i.e. speed being an issue - anything that moves above 0.1 MPH has an unsightly motion blur all over it and all the running looks like mall-jogging), CGI wouldn't look this good for years and years afterward but the thing moves at a snail's pace with an oddly apparent avoidance of any sort of fun. Certainly still weird and visually prepossessing enough to get a pass (if this didn't have its unforgettable photorealistic animation it would suck just as hard as any other generic sci-fi fodder, this is home to some truly bracing imagery) - but what the actual hell were they thinking with this writing? All the characters are nonentities in their own story (delivered with similarly boring voice acting by an all-star cast, which most animated films would later replicate directly) and whatever remnants of a story are left behind in the rubble *do* have the potential to be poignant and thought-provoking but are rather just passively mentioned a time or two by way of banal exposition into a mess of things that don't add up to anything more than a stupid story. Can't believe they thought this would work with... anyone (especially fans of the character-driven games given that they turned this into some odd but rather bland alien film for some confounding reason lol) considering all the massive amounts of money they shoveled into it - and minus a few more points for being another tech-heavy future fantasy set in a world that's entirely grey and decrepit. However, the last half hour is some squarely invigorating, enigmatic spectacle that finds an intense beauty in how mind-boggling and glamorous it all is - you'd think the whole thing is always one second away from collapsing into the best of non-western genre surreality. In fact It seems almost unreal in and of itself to be watching something so conventional yet so unrestrained and auteurish. Really needed like eight movies to fully explore these themes but I'm also kind of glad they didn't - half epic and half yawnsville but the epic is more epic than the yawnsville is yawnsville.
Matthew Krueger (10051 KP) rated The Body Snatcher (1945) in Movies
Oct 17, 2020
Boris Karloff (1 more)
Bela Lugosi
Invasion
The Body Snatcher- is not related to "The Body Snatchers". Yes it is confused. Cause i thought this was the oringal version of "Invasion of the Body Snatchers", just called "The Body Snatcher". Nope it turns out its two different things. Both based off of books. This film is based off of "The Body Snatcher" by Robert Louis Stevenson. While "Invasion of the Body Snatchers" is based off of Jack Finney's 1954 science fiction novel "The Body Snatchers". So yea not confusing at all.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
The plot: Dr. Toddy MacFarlane (Henry Daniell) needs cadavers for his medical experiments, ultimately intended to treat a young disabled girl. However, they are not easy to come by, so he enlists the help of taxi driver John Gray (Boris Karloff) and his assistant, Joseph (Bela Lugosi), to unearth bodies from the cemetery. When Donald (Russell Wade), Dr. MacFarlane's assistant, recognizes one of the corpses Gray delivers, the true source of the bodies is called into question.
It is based on the short story "The Body Snatcher" by Robert Louis Stevenson. The film's producer Val Lewton helped adapt the story for the screen, writing under the pen name of "Carlos Keith". The film was marketed with the tagline "The screen's last word in shock sensation!" The frequent mentions of Burke, Hare, and Dr. Knox, all refer to the West Port murders in 1828.
The Body Snatcher was one of three films that Boris Karloff did with RKO Radio Pictures from 1945 to 1946, which were produced by Val Lewton. The other two films were Isle of the Dead (1945) and Bedlam (1946).
Bela Lugosi, who became famous with another Universal classic, Dracula (1931), also signed a deal with RKO. Lewton and MacDonald eventually wrote a small role for him; it became the last film Lugosi and Karloff made together.
Robert Wise – later best-known for his work in The Day the Earth Stood Still (1951), West Side Story (1961), The Sound of Music (1965), and The Sand Pebbles (1966) – was assigned to direct the film. Longtime film editor at RKO, he had replaced the original director on The Curse of the Cat People (1944) when it fell behind schedule and Lewton, who produced it, decided to promote him to his superiors.
Its a excellent film.
Darren (1599 KP) rated Voice from the Stone (2017) in Movies
Sep 26, 2019
Characters – Verena is a nurse, she is an expert in helping children with problems, her latest job takes her to Tuscany to help a young boy who hasn’t spoken since the passing of his mother. She doesn’t believe in any of the afterlife but must now learn to accept it in this latest case. Klaus is the father of the boy, he an artist and grieving in his own way, hoping to get his son to talk once more. Malvina is the mother that has passed away, she hasn’t remained away though communicating with Jakob through the wall, holding him back, she must get pushed into the afterlife for the family to move on.
Performances – Emilia Clarke is the biggest selling point of this movie, having one of the most beautiful women in the world, one of the most famous television characters, here she does get to show her serious side, but never reaches the levels we know she could. Marton Csokas is one of the good performers in the European mysterious men roles, here he is no different showing us why he is always picked.
Story – The story here does get caught up in two minds, the first is just a young nurse trying to help a sick child get over the grieving process, this should be a good enough story, but we get thrown into a mystery about why his deceased mother is talking to him through a stone, while this does have a kicker of a twist and never reaches the true levels of mystery to make us satisfied with how it ended or how we got there either.
Mystery – The mystery does fall flat by the end of the film, because we get part of an answer but not the complete answer.
Settings – The film does have beautiful settings outside of the house, we get to see moments of stunning scenery from the Tuscany location.
Scene of the Movie – Pose for me?
That Moment That Annoyed Me – The ending doesn’t seem to make sense.
Final Thoughts – This is a slow moving mystery thriller that does make you want to see where things go, but in the end things don’t click to make sense to where it should all be.
Overall: Mystery that lacks the punch.
Performances – Emilia Clarke is the biggest selling point of this movie, having one of the most beautiful women in the world, one of the most famous television characters, here she does get to show her serious side, but never reaches the levels we know she could. Marton Csokas is one of the good performers in the European mysterious men roles, here he is no different showing us why he is always picked.
Story – The story here does get caught up in two minds, the first is just a young nurse trying to help a sick child get over the grieving process, this should be a good enough story, but we get thrown into a mystery about why his deceased mother is talking to him through a stone, while this does have a kicker of a twist and never reaches the true levels of mystery to make us satisfied with how it ended or how we got there either.
Mystery – The mystery does fall flat by the end of the film, because we get part of an answer but not the complete answer.
Settings – The film does have beautiful settings outside of the house, we get to see moments of stunning scenery from the Tuscany location.
Scene of the Movie – Pose for me?
That Moment That Annoyed Me – The ending doesn’t seem to make sense.
Final Thoughts – This is a slow moving mystery thriller that does make you want to see where things go, but in the end things don’t click to make sense to where it should all be.
Overall: Mystery that lacks the punch.