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RəX Regent (349 KP) rated The Butterfly Effect (2004) in Movies
Mar 7, 2019
Deeper than it first appears...
Contains spoilers, click to show
Having always being a fan of Time Travel and Science Fiction, I was always keen on seeing this film upon its initial release, seven years ago, now. But for one reason or another, this just didn't happen, leaving me to watch this on TV a couple of years later.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
Sophie Wink (11 KP) rated Fangirl in Books
Jun 20, 2019
"Fangirl is a deliciously warm-hearted nerd power ballad destined for greatness" - New York Journal of Books
I really couldn't agree more! I just loved the book inside and out, it is beautifully written.
The storyline as a whole is great and conveyed wonderfully. I really like how it is relatable for many teenagers, like myself, who may be going to University, leaving home and having to make new friends. It is very well done indeed. I love the overarching theme of family and loyalty, I think it really molds the story and the characters too, for me personally family and friends are incredibly important and it is nice to see a true projection of that within a novel as it allows me to connect with the characters and really feel for them.
I love all of the characters! Cath has such a beautiful soul, I can't help but admire her loyalty and innocence. I really love how she stays true to herself throughout the book, she doesn't try to be something she is not adding to her likability. Sometimes within novels the slow development of a character, for me, can be quite boring and uninteresting but with Cath I think it fits perfectly as it would be out of her nature to develop so quickly, she takes things slowly and at her own pace which I really love. I think the fact that Wren tries to be cooler and popular works really well especially when she realises that she is just as much of a nerd as her sister. The twins' ongoing battle with their mother is really beautifully done, and in ways quite unexpected as you would think that Cath would be the accepting one and Wren the more stubborn but it is the opposite, I think it works perfectly and doesn't detract from either character. I really connected with the characters and truly felt for them whether it be sympathy, anger or joy. I enjoyed the slow, blossoming love between Cath and Levi, it made me smile and feel warm inside. It is really sweet and written in such a subtle way with a slower development fitting to both Cath and Levi's character.
I like the quirkiness of this novel, I don't think I've ever read a book that has its own little book inside it. It is incredibly unique and worked fantastically well, I loved it. I think being able to see and read what the twins, mainly Cath, poured their heart and soul into really helped with the connection I felt as a reader towards these characters as I could see the passion and the effort. It's a fascinatingly imaginative concept of which I completely adore.
Overall, this novel is amazing, imaginative and incredibly charming.
I really couldn't agree more! I just loved the book inside and out, it is beautifully written.
The storyline as a whole is great and conveyed wonderfully. I really like how it is relatable for many teenagers, like myself, who may be going to University, leaving home and having to make new friends. It is very well done indeed. I love the overarching theme of family and loyalty, I think it really molds the story and the characters too, for me personally family and friends are incredibly important and it is nice to see a true projection of that within a novel as it allows me to connect with the characters and really feel for them.
I love all of the characters! Cath has such a beautiful soul, I can't help but admire her loyalty and innocence. I really love how she stays true to herself throughout the book, she doesn't try to be something she is not adding to her likability. Sometimes within novels the slow development of a character, for me, can be quite boring and uninteresting but with Cath I think it fits perfectly as it would be out of her nature to develop so quickly, she takes things slowly and at her own pace which I really love. I think the fact that Wren tries to be cooler and popular works really well especially when she realises that she is just as much of a nerd as her sister. The twins' ongoing battle with their mother is really beautifully done, and in ways quite unexpected as you would think that Cath would be the accepting one and Wren the more stubborn but it is the opposite, I think it works perfectly and doesn't detract from either character. I really connected with the characters and truly felt for them whether it be sympathy, anger or joy. I enjoyed the slow, blossoming love between Cath and Levi, it made me smile and feel warm inside. It is really sweet and written in such a subtle way with a slower development fitting to both Cath and Levi's character.
I like the quirkiness of this novel, I don't think I've ever read a book that has its own little book inside it. It is incredibly unique and worked fantastically well, I loved it. I think being able to see and read what the twins, mainly Cath, poured their heart and soul into really helped with the connection I felt as a reader towards these characters as I could see the passion and the effort. It's a fascinatingly imaginative concept of which I completely adore.
Overall, this novel is amazing, imaginative and incredibly charming.
Gareth von Kallenbach (980 KP) rated The Lost City of Z (2017) in Movies
Jul 11, 2019
Charlie Hunnam (Sons of Anarchy) stars as the British Explorer Colonel Percival Fawcett, who disappeared on an expedition in search of an ancient city and civilization in the Amazon. The film centers on the true-life adventure of Col Fawcett and his journey to find evidence of a lost people while engaging audiences in the ego and superiority complex that much of western civilization finds itself.
We are introduced to Fawcett as he is an Army Major who seeks to have some sense of distinction and recognition. Seeking notoriety and a sense of honor, Fawcett accepts the task of mapping out disputed territory between Peru and Brazil at the opening of the 20th century in order to prevent war between the two nations.
In his exploits, he is confronted with the exploitation of the indigenous population, extraction of resources, and an untamed land. Upon subsequent journeys and serving in World War I, he is consumed with the need to find a sense of honor in his duty to his nation. Over the course of the film, we begin to see how invested he is in this struggle to learn more about the people and places that he is exploring, however, there isn’t a true connection made between Hunnam’s portrayal and the audience. At times, I found myself not caring about Fawcett’s contributions or career. I could not get invested in his story or his struggle to find a lost city that he believed existed in the wild. By the end of the film, I wasn’t invested in who Fawcett was, what he set out to accomplish, or even his legacy.
One thing that I did find remarkable was that the film helps to expose much of the anxiety and danger that existed during this period and previous expeditions into the region. Additionally, it gave me an appreciation for the endless heights of the human ego, ambition, and drive. The film allows for a critique to emerge about western interference and exploration of the region and the ethnocentrism held by western nations. Lost City of Z is an expansive visual spectacle. The jungle becomes a living, breathing, creature that audiences will connect with, become fearful of, and appreciate. It is the character that carries the film.
The actors and actresses are the background. This aspect allows for the audience to become absorbed by the surroundings and the environment that the characters find themselves in.
The film is beautifully shot and captivating. The sequences are engaging and give the sense of being transported to a foreign, mysterious land that holds secrets that many of us could never comprehend or witness with our own eyes.
We are introduced to Fawcett as he is an Army Major who seeks to have some sense of distinction and recognition. Seeking notoriety and a sense of honor, Fawcett accepts the task of mapping out disputed territory between Peru and Brazil at the opening of the 20th century in order to prevent war between the two nations.
In his exploits, he is confronted with the exploitation of the indigenous population, extraction of resources, and an untamed land. Upon subsequent journeys and serving in World War I, he is consumed with the need to find a sense of honor in his duty to his nation. Over the course of the film, we begin to see how invested he is in this struggle to learn more about the people and places that he is exploring, however, there isn’t a true connection made between Hunnam’s portrayal and the audience. At times, I found myself not caring about Fawcett’s contributions or career. I could not get invested in his story or his struggle to find a lost city that he believed existed in the wild. By the end of the film, I wasn’t invested in who Fawcett was, what he set out to accomplish, or even his legacy.
One thing that I did find remarkable was that the film helps to expose much of the anxiety and danger that existed during this period and previous expeditions into the region. Additionally, it gave me an appreciation for the endless heights of the human ego, ambition, and drive. The film allows for a critique to emerge about western interference and exploration of the region and the ethnocentrism held by western nations. Lost City of Z is an expansive visual spectacle. The jungle becomes a living, breathing, creature that audiences will connect with, become fearful of, and appreciate. It is the character that carries the film.
The actors and actresses are the background. This aspect allows for the audience to become absorbed by the surroundings and the environment that the characters find themselves in.
The film is beautifully shot and captivating. The sequences are engaging and give the sense of being transported to a foreign, mysterious land that holds secrets that many of us could never comprehend or witness with our own eyes.
Defiance (Rise of the Iliri #3)
9.0
Rate It
Book
HER ONLY CHOICE IS TO CHANGE HER WORLD… Salryc Luxx came to the Black Blades as ignorant of her...
Lowen Ashleigh's life is basically falling apart. She's a broke writer who hasn't left her home in days, maybe weeks. Her mom had been living with her while sick with colon cancer, including hospice for the last three months. Now Lowen's mom has passed away, and Lowen is emerging back into the real world--financially broke and somewhat emotionally broken. Her agent calls her to a meeting, where she's asked to ghost write the final books in a series for the popular author Verity Crawford. Verity--who has been seriously injured in a car wreck--is unable to complete her books, and her husband, Jeremy, wants to hire Lowen. Lowen needs the money, so she agrees. She also finds Jeremy attractive and interesting, and she arrives at the Crawford home to go through Verity's office and manuscripts. There she finds an unfinished autobiography of Verity's--one that sheds light on how her twin daughters passed away, her relationship with Jeremy, and more. Lowen finds its chapters horrifying and hides it, but as her feelings for Jeremy grow, she wonders if he should see its contents. And she wonders if Verity is as truly injured as she seems.
"I'm not looking for my fifteen minutes of fame. I'm looking for a paycheck."
So I've never read anything by Colleen Hoover, but so many of my Goodreads friends were raving about this romantic thriller. When I saw that I could read it via Kindle Unlimited, I jumped at the chance. It was definitely an interesting read and one that really picked up in the second half. It's a different sort of tale, too, which made it a refreshing read. Be prepared for a dark story--Verity and Jeremy have lost both of their young twin daughters, and now Verity is injured as well. Verity's autobiography is not light reading, and overall, the story is a creepy, bleak tale.
"I think Verity might have made up the term. After our daughters died, she said we were Chronics. Prone to chronic tragedy. One terrible thing after another."
When Lowen comes to the Crawford home, she picks up on some of this eerie energy that permeates the book. However, Hoover makes sure that we know that Lowen is an unreliable narrator as well. She's a sleepwalker, often so tired that she herself isn't sure if she's sure of what she's seeing or hallucinating from exhaustion. As a reader, we aren't sure who to trust. It makes for an engaging story, where you are never sure what (or who) to believe.
"My mother used to say that houses have a soul, and if that is true, the soul of Verity Crawford's house is as dark as they come."
Overall, I'm not sure I can rave about this one quite as much as some reviews I've read, but I did enjoy it. It's a quick read, it's ominous and spooky, and there are some great dramatic twists and turns. The ending makes up for a lot, so I would certainly say it's worth a read. I know that a lot of Hoover's books are not quite like this one, but I still look forward to reading some of her other books.
"I'm not looking for my fifteen minutes of fame. I'm looking for a paycheck."
So I've never read anything by Colleen Hoover, but so many of my Goodreads friends were raving about this romantic thriller. When I saw that I could read it via Kindle Unlimited, I jumped at the chance. It was definitely an interesting read and one that really picked up in the second half. It's a different sort of tale, too, which made it a refreshing read. Be prepared for a dark story--Verity and Jeremy have lost both of their young twin daughters, and now Verity is injured as well. Verity's autobiography is not light reading, and overall, the story is a creepy, bleak tale.
"I think Verity might have made up the term. After our daughters died, she said we were Chronics. Prone to chronic tragedy. One terrible thing after another."
When Lowen comes to the Crawford home, she picks up on some of this eerie energy that permeates the book. However, Hoover makes sure that we know that Lowen is an unreliable narrator as well. She's a sleepwalker, often so tired that she herself isn't sure if she's sure of what she's seeing or hallucinating from exhaustion. As a reader, we aren't sure who to trust. It makes for an engaging story, where you are never sure what (or who) to believe.
"My mother used to say that houses have a soul, and if that is true, the soul of Verity Crawford's house is as dark as they come."
Overall, I'm not sure I can rave about this one quite as much as some reviews I've read, but I did enjoy it. It's a quick read, it's ominous and spooky, and there are some great dramatic twists and turns. The ending makes up for a lot, so I would certainly say it's worth a read. I know that a lot of Hoover's books are not quite like this one, but I still look forward to reading some of her other books.
Saerie_Faerie (18 KP) rated Ready Player One in Books
Feb 17, 2018
Cute but total nerd fantasy insert
Contains spoilers, click to show
I was super excited for this book when it first came out and even more excited when I saw it was becoming a story. As a nerd, an over arching nerd into books, games, music, and everything else I thought I finally would get to witness a glorious book/movie about it.
However, almost immediately upon starting it I realized I was probably not going to enjoy it as much as I had hoped. Thankfully Wil Wheaton was the performer for the Audio book so I could continue listening.
The main character, Wade, goes on several solilogues about all of the nerd things that he knows everything about. Several times, Wade is miraculously the only one who knows everything and is amazing at it.
At one point he actually just lists out all of the 80s authors he has read in entirety which is amazing for a 17 year old who spends all of his time on the Oasis and also playing video games and watching movies. On top of all that, his list is entirely male authors, directors, and programmers. Why not mention Tamora Pierce, a huge author of the 80s or Marion Zimmer Bradley author of a King Arthur novel which Wade would have been very into considering his character name and the fact that he says he is very into King Arthur.
There are two female characters and they get barely any screen time. Here is where I got super excited because I am a female nerd who plays tons of video games and met several partners online it was going to be good to address the things that happen. But it doesn't. She says she is "deformed" and disappears until the end of the story, then we find out she looks just as amazing as her fake person avatar except *GASP* she has a birthmark on her face. Face birth marks can feel debilitating and terrifying but in the scope of things, its a not problem.
My main problem with Wade is that he asks the love interest "Are you a woman? Are you a woman that has never been a man?" And like... What? Worrying the person you are talking to is who they say they are is a big thing but to go straight to being transphobic is not okay. Sure, he is a teenager but he is a teenager in the distant future where people literally go to school in a video game and can make an alien avatar, surely it wouldn't still be "weird".
More than anything this felt like a nerd dream fantasy life that "came true". Was THE BEST at all the things, became rich from video games, got the hot girl, became famous. What more could you want?
But I still really like this book and story, it just could have gone so much better. So many important things could have been addressed and explained and they just weren't.
However, almost immediately upon starting it I realized I was probably not going to enjoy it as much as I had hoped. Thankfully Wil Wheaton was the performer for the Audio book so I could continue listening.
The main character, Wade, goes on several solilogues about all of the nerd things that he knows everything about. Several times, Wade is miraculously the only one who knows everything and is amazing at it.
At one point he actually just lists out all of the 80s authors he has read in entirety which is amazing for a 17 year old who spends all of his time on the Oasis and also playing video games and watching movies. On top of all that, his list is entirely male authors, directors, and programmers. Why not mention Tamora Pierce, a huge author of the 80s or Marion Zimmer Bradley author of a King Arthur novel which Wade would have been very into considering his character name and the fact that he says he is very into King Arthur.
There are two female characters and they get barely any screen time. Here is where I got super excited because I am a female nerd who plays tons of video games and met several partners online it was going to be good to address the things that happen. But it doesn't. She says she is "deformed" and disappears until the end of the story, then we find out she looks just as amazing as her fake person avatar except *GASP* she has a birthmark on her face. Face birth marks can feel debilitating and terrifying but in the scope of things, its a not problem.
My main problem with Wade is that he asks the love interest "Are you a woman? Are you a woman that has never been a man?" And like... What? Worrying the person you are talking to is who they say they are is a big thing but to go straight to being transphobic is not okay. Sure, he is a teenager but he is a teenager in the distant future where people literally go to school in a video game and can make an alien avatar, surely it wouldn't still be "weird".
More than anything this felt like a nerd dream fantasy life that "came true". Was THE BEST at all the things, became rich from video games, got the hot girl, became famous. What more could you want?
But I still really like this book and story, it just could have gone so much better. So many important things could have been addressed and explained and they just weren't.
postapocalypticplayground (27 KP) rated The Hazel Wood in Books
Feb 28, 2018
Review of The Hazel Wood
"Seventeen-year-old Alice and her mother have spent most of Alice's life on the road, always a step ahead of the strange bad luck biting at their heels. But when Alice's grandmother, the reclusive author of a book of pitch-dark fairy tales, dies alone on her estate - the Hazel Wood - Alice learns how bad her luck can really get. Her mother is stolen away - by a figure who claims to come from the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: STAY AWAY FROM THE HAZEL WOOD.
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*
Kristy H (1252 KP) rated Our Little Secret in Books
Apr 12, 2018
Excellent, well-written suspense novel from debut author
"All love stories are crime stories and all crime stories, love. If you say that's not true, you're not looking properly. Perhaps when two people join, it's inevitable, the things they'll damage in each other." ~Angela to Novak*
Angela is being held for interrogation at the police station. Detective Novak wants only thing from her--to know where Saskia is. But Angela cannot comply; instead, she tells Detective Novak a story, one starting with her senior year, when she fell in love with a boy named HP. As she tells her tale, it becomes clear it is one of love, sadness, betrayal, and anger. Does Angela know where Saskia is? And can we trust her?
This was a really fascinating and different book, and it was so refreshing to read something that felt original and unlike so many of the suspense novels I've read lately. I will say upfront: Nay is an excellent storyteller, and I found this novel to be wonderfully written. Parts of this story actually hurt me to read, because it was so vividly told. I could so clearly picture the events unfolding and visualize this tale of teen love gone wrong.
I loved the idea that our entire book is Angela, trapped at the police station, telling the story of the last several years of her life to Detective Novak. It seems unconventional, and it is, but it worked well for me. It took the unreliable narrator trope to a different level, and it was so much better than the drunken, rambling, angry unreliable narrator that we see so often. Angela tells her tale of woe and bitterness to the Detective, with only minor interruptions as he provides some pieces of new evidence that occasionally cast doubt upon her viewpoints. As such, we are left to guess how truthful she is being with all of us. Every statement she makes is charged with double meaning. I found the entire thing to be incredibly compelling and oddly fascinating. I was completely hooked, madly flipping the pages to find out what happened next. Even more, I was amazed at how Nay created sympathy toward a character who wasn't all that likeable at times. I was rooting for her, even when I knew I probably shouldn't.
I felt this faltered only a little near the end, where I wasn't quite sure I was on board with everything, but it certainly wasn't enough to diminish my love of the novel. And the actual ending is excellent and basically redeemed it all. Overall, this was an excellent, well-written, suspenseful novel. Angela is a dynamic and complicated character who immediately draws you in with her narration. I was constantly second-guessing her as I read and found the entire novel to be incredibly powerful and satisfying. Apparently this is Nay's first book, which is even more impressive. Can't wait for the next one. Definitely worth a read! 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
*all quotes from an advanced reader copy and subject to change
Angela is being held for interrogation at the police station. Detective Novak wants only thing from her--to know where Saskia is. But Angela cannot comply; instead, she tells Detective Novak a story, one starting with her senior year, when she fell in love with a boy named HP. As she tells her tale, it becomes clear it is one of love, sadness, betrayal, and anger. Does Angela know where Saskia is? And can we trust her?
This was a really fascinating and different book, and it was so refreshing to read something that felt original and unlike so many of the suspense novels I've read lately. I will say upfront: Nay is an excellent storyteller, and I found this novel to be wonderfully written. Parts of this story actually hurt me to read, because it was so vividly told. I could so clearly picture the events unfolding and visualize this tale of teen love gone wrong.
I loved the idea that our entire book is Angela, trapped at the police station, telling the story of the last several years of her life to Detective Novak. It seems unconventional, and it is, but it worked well for me. It took the unreliable narrator trope to a different level, and it was so much better than the drunken, rambling, angry unreliable narrator that we see so often. Angela tells her tale of woe and bitterness to the Detective, with only minor interruptions as he provides some pieces of new evidence that occasionally cast doubt upon her viewpoints. As such, we are left to guess how truthful she is being with all of us. Every statement she makes is charged with double meaning. I found the entire thing to be incredibly compelling and oddly fascinating. I was completely hooked, madly flipping the pages to find out what happened next. Even more, I was amazed at how Nay created sympathy toward a character who wasn't all that likeable at times. I was rooting for her, even when I knew I probably shouldn't.
I felt this faltered only a little near the end, where I wasn't quite sure I was on board with everything, but it certainly wasn't enough to diminish my love of the novel. And the actual ending is excellent and basically redeemed it all. Overall, this was an excellent, well-written, suspenseful novel. Angela is a dynamic and complicated character who immediately draws you in with her narration. I was constantly second-guessing her as I read and found the entire novel to be incredibly powerful and satisfying. Apparently this is Nay's first book, which is even more impressive. Can't wait for the next one. Definitely worth a read! 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
*all quotes from an advanced reader copy and subject to change
Carma (21 KP) rated Sisters of Summer's End (Summer Resort #2) in Books
Jun 17, 2019
I was wondering where the sisters would come in to play at Coopers Charm RV park since after reading the first book, Coopers Charm, and knowing there was only one set of sisters residing at the park and they had their story line in the first book. After finishing this book I realized sisters dont have to be defined by blood only. The best kind of family is the ones we pick for ourselves.
Joy has had a single focus in life since she became a mother to Jack. Once her family disowned her, she set out to make a life for her and her baby and almost 6 years later she has found her stride. Living and working at Coopers Charm has been a dream come true, having taken pity on her pregnant self and hiring her on the spot while providing an apartment, Cooper saved her life and soul. These people are her family now and she hasnt looked back.
Royce has looked to make a change in his life since his mother passed away. Buying the old drive in seemed like the perfect way to escape all of lifes hardships and taking care of himself unencumbered. He never counted on Joy or Jack working their way into not only his life but also his heart.
Secondary in this novel is the story of Maris and Daron. We met both these characters, and got a hint of their flirtation/denial in Coopers Charm. Maris is a fiercely independent woman who wants nothing to do with playboy Daron. Or at least that is what she keeps telling herself and anyone that asks. Her body may argue that point with her mind. Daron has pursued Maris for years, knowing deep in his soul that she is the one for him above anyone else. Having her refuse his advances all these years has just made him want her more. When she finally decides it is ok to act on her feelings and still be the independent woman she desires to be, she jumps all in with Daron.
Joy, Royce, Daron and Maris have a romantic fall season at Coopers Charm RV park. They navigate the newness of relationships while trying to maintain so type of normalcy with the lives theyve come to appreciate. When Joys mother makes an unexpected appearance in her life again, Joy needs to reevaluated and make choices that will affect her future as well as Jacks.
Once again I am taken to a fictional place with wonderful characters that make me want to search them out in real life. The people of Coopers Charm RV resort come together to form stronger bonds than most families will ever experience in their lifetime. 5 out of 5 stars for this wonderful story of friendship, sisterhood and family that I read and reviewed in advance without any expectations. Im hoping to return to Coopers Charm sooner rather than later, to catch up with these friends who have formed lifelong bonds.
Joy has had a single focus in life since she became a mother to Jack. Once her family disowned her, she set out to make a life for her and her baby and almost 6 years later she has found her stride. Living and working at Coopers Charm has been a dream come true, having taken pity on her pregnant self and hiring her on the spot while providing an apartment, Cooper saved her life and soul. These people are her family now and she hasnt looked back.
Royce has looked to make a change in his life since his mother passed away. Buying the old drive in seemed like the perfect way to escape all of lifes hardships and taking care of himself unencumbered. He never counted on Joy or Jack working their way into not only his life but also his heart.
Secondary in this novel is the story of Maris and Daron. We met both these characters, and got a hint of their flirtation/denial in Coopers Charm. Maris is a fiercely independent woman who wants nothing to do with playboy Daron. Or at least that is what she keeps telling herself and anyone that asks. Her body may argue that point with her mind. Daron has pursued Maris for years, knowing deep in his soul that she is the one for him above anyone else. Having her refuse his advances all these years has just made him want her more. When she finally decides it is ok to act on her feelings and still be the independent woman she desires to be, she jumps all in with Daron.
Joy, Royce, Daron and Maris have a romantic fall season at Coopers Charm RV park. They navigate the newness of relationships while trying to maintain so type of normalcy with the lives theyve come to appreciate. When Joys mother makes an unexpected appearance in her life again, Joy needs to reevaluated and make choices that will affect her future as well as Jacks.
Once again I am taken to a fictional place with wonderful characters that make me want to search them out in real life. The people of Coopers Charm RV resort come together to form stronger bonds than most families will ever experience in their lifetime. 5 out of 5 stars for this wonderful story of friendship, sisterhood and family that I read and reviewed in advance without any expectations. Im hoping to return to Coopers Charm sooner rather than later, to catch up with these friends who have formed lifelong bonds.
Gareth von Kallenbach (980 KP) rated Dark Shadows (2012) in Movies
Aug 7, 2019
Tim Burton has always been one of my all time favorite directors because of his strange-yet-humorous nature and the frequent use of my favorite actor, Johnny Depp. For the last decade or so we have been plagued with remakes of stories that we are all familiar with and the only thing that makes them different is the addition of the iconic Tim Burton style. Once again Tim Burton brings us yet another remake, only this time of the 70’s cult classic soap opera Dark Shadows.
Frequent collaborator, Johnny Depp, stars as Barnabas Collins in a role previously made famous by Jonathan Frid. Barnabas Collins and his parents leave Liverpool in 1760 for New Hampshire, in an attempt to expand their family business. They succeed and become the wealthiest family in the area, resulting in the town getting named after the family. Barnabas was a ladies’ man and scorned the heart of Angelique Bouchard (Eva Green) by falling in love with Josette DuPres (Bella Heathcote). Unbeknownst to him, Angelique is a witch and out of pure jealousy, she kills his one true love and has cursed Barnabas to be a vampire so that his suffering would be endless. Angelique rallies the townspeople to bury Barnabas alive.
After nearly 200 years, Barnabas is accidently unearthed in the year 1972. He heads to the one place that he can call home and encounters the remaining four dysfunctional members of his family and discovers that his family estate is in jeopardy. Barnabas soon learns that the evil person behind all his families turmoil is none other than Angelique herself.
Though this film does have the quirky Burton-esque feel that we are all familiar with, it lacks his signature energy. The plot itself is long and drawn out and makes the first half of the movie extremely slow and boring. Now don’t get me wrong, Depp did manage to slip in more than a few funny lines but even his best work was a strained attempt at humor. I do, on the other hand, appreciate that Burton brought back the original vampire myths, with all the burning in the sunlight and not being able to see a reflection. Though the script and story itself leaves much to be desired, Johnny Depp is as funny as the story and/or script allows him to be and as Barnabas, he carries the movie. Even Michelle Pfeiffer and Helena Bonham Carter couldn’t help save this movie from the pedantic pace of a very uneven but predictable story. Equally disappointing was the waste of the perfect casting of Chloe Moretz as Michelle’s daughter. Even though she looked and sounded a lot like her movie mom, she wasn’t given much to do but sulk and glare.
Even though you will experience an entertaining blast from the past with the characters, soundtrack and fashions, it is best to say that this film should be left as a rental. Being such a huge fan of Burton’s kooky and imaginative world, it sure pains me to say that this movie is a bit of a train wreck and lacks the enchanting storytelling that we’ve come to expect from him.
Frequent collaborator, Johnny Depp, stars as Barnabas Collins in a role previously made famous by Jonathan Frid. Barnabas Collins and his parents leave Liverpool in 1760 for New Hampshire, in an attempt to expand their family business. They succeed and become the wealthiest family in the area, resulting in the town getting named after the family. Barnabas was a ladies’ man and scorned the heart of Angelique Bouchard (Eva Green) by falling in love with Josette DuPres (Bella Heathcote). Unbeknownst to him, Angelique is a witch and out of pure jealousy, she kills his one true love and has cursed Barnabas to be a vampire so that his suffering would be endless. Angelique rallies the townspeople to bury Barnabas alive.
After nearly 200 years, Barnabas is accidently unearthed in the year 1972. He heads to the one place that he can call home and encounters the remaining four dysfunctional members of his family and discovers that his family estate is in jeopardy. Barnabas soon learns that the evil person behind all his families turmoil is none other than Angelique herself.
Though this film does have the quirky Burton-esque feel that we are all familiar with, it lacks his signature energy. The plot itself is long and drawn out and makes the first half of the movie extremely slow and boring. Now don’t get me wrong, Depp did manage to slip in more than a few funny lines but even his best work was a strained attempt at humor. I do, on the other hand, appreciate that Burton brought back the original vampire myths, with all the burning in the sunlight and not being able to see a reflection. Though the script and story itself leaves much to be desired, Johnny Depp is as funny as the story and/or script allows him to be and as Barnabas, he carries the movie. Even Michelle Pfeiffer and Helena Bonham Carter couldn’t help save this movie from the pedantic pace of a very uneven but predictable story. Equally disappointing was the waste of the perfect casting of Chloe Moretz as Michelle’s daughter. Even though she looked and sounded a lot like her movie mom, she wasn’t given much to do but sulk and glare.
Even though you will experience an entertaining blast from the past with the characters, soundtrack and fashions, it is best to say that this film should be left as a rental. Being such a huge fan of Burton’s kooky and imaginative world, it sure pains me to say that this movie is a bit of a train wreck and lacks the enchanting storytelling that we’ve come to expect from him.
Kate (355 KP) Mar 8, 2019