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JT (287 KP) rated American Hustle (2013) in Movies
Mar 10, 2020
There’s a lot of love for American Hustle and with a cast such as this it is easy to see why. It’s a film that oozes glitz and glamour and has a slick sense of stability with shades Scorsese as an attempt at a crime caper.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
Bale is top draw, an opening shot that requires no dialogue sees Bale’s stomach bloating Irving Rosenfeld carefully craft a balding comb over. Then in walks his partner throughout this initial sting, Richie DiMaso (Bradley Cooper) with a beautiful perm – and this is just the male cast.
The film is loosely based on a true story. Bale’s con man falls for Sydney Prosser (Amy Adams) and the pair look to collude together before being nabbed by the FBI and forced to help bring down a circle of corrupt politicians as a way to avoid prosecution. This is no heist from the Soderbergh play book, but a slow churning plan that involves fake sheikhs and mafia bosses and is the brainchild of agent DiMaso who targets Mayor Carmine Polito (Jeremy Renner) as one of the many poor unfortunates looking to make change in a growing 70s society.
Supporting cast are exceptional, none more so than Jennifer Lawrence, as Rosenfeld’s long suffering wife who during proceedings threatens to blow the whole plan wide open. That’s not to say that Amy Adams isn’t well worth her role, but the wardrobe department must have been short on ideas for her if all that was around were dresses with plunging necklines.
Overall it plays out well but does suffer confusion as you wonder who is playing who during the whole affair. All the way through I felt that something wasn’t quite right with it. For me it didn’t have the lasting impact that The Fighter had or even Silver Linings Playbook, but as a film that wants to capture everything the 70s were about it does a stupendous job.
Gareth von Kallenbach (980 KP) rated Zoolander 2 (2016) in Movies
Aug 6, 2019
Zoolander 2” picks up just a couple days after the first film left off. Staying true to the story line, Zoolander and Hansel are as vapid as ever and have retreated to lives in exile after the school for children who couldn’t read good (or whatever) collapsed due to shoddy construction. With their dreams dashed, both models are licking their wounds when they are summoned back into the world of fashion by a disgustingly beautiful fashionista with the Botox of the gods, Alexanya Ato (Kristen Wiig). With a face that can hardly move Ato is unsettlingly inviting.
For Zoolander and Hansel, the world they once knew has been taken over by today’s most annoying pop stars and what is now known as – “mainstream hipster society.”
Reminiscent of the “Austin Powers” series, Penelope Cruz leads a high speed action-spy adventure (cheesy as it may sound, it’s pretty great) as Melanie Valentina, working for Interpol “fashion division.” Cruz sets out to discover who has been killing Hollywood’s famous faces following Bieber’s tragic, and very graphic, death.
Inadvertently, due to Zoolander’s irresistible good looks, Cruz embarks on a mission to help him reunite with his estranged son and defeat Mugatu (Will Ferrell). The film is exactly what you would expect following the first “Zoolander.” It’s short, funny, ridiculous, and yet the sequel is surprisingly relevant.
The incorporation of an androgynous character named All played by Benedict Cumberbatch steps dangerously close to the edge of what is acceptable amongst the film’s own likely audience of hipster pc’rs.
Surprise appearances are actually part of what makes this sequel pretty great, yet they don’t take over and the ridiculous storyline somehow remains a coherent.
The best appearance of all, and most out of place, is that of Neil deGrasse Tyson himself. Of course, as a beautiful person, Zoolander’s journey is one of epic spiritual proportions in his own mind, so somehow a physicist fits in quite nicely.
Delivering exactly what it advertises, I give “Zoolander 2” 3.5 out of 5 stars.
For Zoolander and Hansel, the world they once knew has been taken over by today’s most annoying pop stars and what is now known as – “mainstream hipster society.”
Reminiscent of the “Austin Powers” series, Penelope Cruz leads a high speed action-spy adventure (cheesy as it may sound, it’s pretty great) as Melanie Valentina, working for Interpol “fashion division.” Cruz sets out to discover who has been killing Hollywood’s famous faces following Bieber’s tragic, and very graphic, death.
Inadvertently, due to Zoolander’s irresistible good looks, Cruz embarks on a mission to help him reunite with his estranged son and defeat Mugatu (Will Ferrell). The film is exactly what you would expect following the first “Zoolander.” It’s short, funny, ridiculous, and yet the sequel is surprisingly relevant.
The incorporation of an androgynous character named All played by Benedict Cumberbatch steps dangerously close to the edge of what is acceptable amongst the film’s own likely audience of hipster pc’rs.
Surprise appearances are actually part of what makes this sequel pretty great, yet they don’t take over and the ridiculous storyline somehow remains a coherent.
The best appearance of all, and most out of place, is that of Neil deGrasse Tyson himself. Of course, as a beautiful person, Zoolander’s journey is one of epic spiritual proportions in his own mind, so somehow a physicist fits in quite nicely.
Delivering exactly what it advertises, I give “Zoolander 2” 3.5 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Frozen (2013) in Movies
Aug 6, 2019
One thing that easily wins my heart over in animated movies is the adorable little kid. Think Boo in Monsters, Inc. or Agnes from Despicable Me. Wide-eyed, funny and cute is the winning formula. In Frozen it’s Anna who wins me over with a simple flop and a sigh as she tries to entice her sister, Elsa in a late night snow adventure. As the older of the two princesses of Arendelle, young Elsa tries to be the responsible one, but even she can’t resist little Anna’s whispered, “Do you want to build a snowman?”
Because the only trailers I saw for this movie were the funny scenes with Olaf the snowman and Sven the reindeer, I honestly had no idea the movie was going to be a musical treat about two princesses. Disney knows the formula of a simple but engaging story, an attractive heroine, catchy songs and comical supporting characters has worked for them time and time again, so they doubled their efforts with two princesses, voiced beautifully by Kristin Bell (Anna) and Glee’s Idina Menzel (Elsa), two funny supporting characters and a plethora of memorable songs. While strongly geared toward little Disney princesses, boys will enjoy the antics of Olaf, voiced perfectly by Jon Gad and the bravery of Kristoff and his reindeer Sven, both voiced by another Glee alum, Jonathan Groff.
Disney must love the fact that every movie they release about princesses sparks nostalgic feelings of other Disney favorites. Because of the constant reference to “A true love’s kiss” in this movie, I’m digging around for my copy of “Enchanted”. While the songs are more broadway than the Disney pop little kids love, weeks after screening this movie both my husband and I still sing, “Do you want to build a snowman?” to each other and try to look as adorable as Anna. A definitely must-watch again.
Because the only trailers I saw for this movie were the funny scenes with Olaf the snowman and Sven the reindeer, I honestly had no idea the movie was going to be a musical treat about two princesses. Disney knows the formula of a simple but engaging story, an attractive heroine, catchy songs and comical supporting characters has worked for them time and time again, so they doubled their efforts with two princesses, voiced beautifully by Kristin Bell (Anna) and Glee’s Idina Menzel (Elsa), two funny supporting characters and a plethora of memorable songs. While strongly geared toward little Disney princesses, boys will enjoy the antics of Olaf, voiced perfectly by Jon Gad and the bravery of Kristoff and his reindeer Sven, both voiced by another Glee alum, Jonathan Groff.
Disney must love the fact that every movie they release about princesses sparks nostalgic feelings of other Disney favorites. Because of the constant reference to “A true love’s kiss” in this movie, I’m digging around for my copy of “Enchanted”. While the songs are more broadway than the Disney pop little kids love, weeks after screening this movie both my husband and I still sing, “Do you want to build a snowman?” to each other and try to look as adorable as Anna. A definitely must-watch again.
Gareth von Kallenbach (980 KP) rated Project X (2012) in Movies
Aug 7, 2019
Project X is a wild ride fueled by drugs, booze, nudity, strong language, and a mob mentality. It starts off very slow, like every other day at high school (for most of us), and then quickly escalates into a series of events that seem inevitable, like watching dominoes fall.
The story follows three teens: Thomas, Costa, and JB. Costa and JB are on a mission to execute the biggest birthday bash known to man for their best friend Thomas. Their mission? To hopefully change their reputations as high school losers. Of these three, Costa is the only one whose real life name is not the same as his character. Many of the characters in this film used their real names, much to my surprise.
When I first read the film’s synopsis, the following phrase was included: “Project X is a warning to teens, parents and law enforcement.” Naturally, I assumed the film was going to be a documentary laced with lessons for the viewers. While I can’t say more without giving away what happens, I was surprised — and that’s saying something.
Nima Nourizadeh showcases his skills on the silver screen for the first time in a non-documentary capacity, though the film is very documentary-esque. I have to give him two thumbs up for creating a very funny, visually appealing, and emotionally charged film.
The best part for me was the comedy, which I’m sure resonated with younger viewers more, but was hilarious none-the-less. It’s a triumph for true laugh-out-loud film-making.
My only criticism comes from a scene near the end, which seems completely implausible given the realistic nature of the film. This particular scene felt very out of place. At the risk of ruining the moment for you, I will simply say that the drug dealer really lights up the scene, albeit
in a very unlikely manner.
I would call this underdog film an unexpected win.
The story follows three teens: Thomas, Costa, and JB. Costa and JB are on a mission to execute the biggest birthday bash known to man for their best friend Thomas. Their mission? To hopefully change their reputations as high school losers. Of these three, Costa is the only one whose real life name is not the same as his character. Many of the characters in this film used their real names, much to my surprise.
When I first read the film’s synopsis, the following phrase was included: “Project X is a warning to teens, parents and law enforcement.” Naturally, I assumed the film was going to be a documentary laced with lessons for the viewers. While I can’t say more without giving away what happens, I was surprised — and that’s saying something.
Nima Nourizadeh showcases his skills on the silver screen for the first time in a non-documentary capacity, though the film is very documentary-esque. I have to give him two thumbs up for creating a very funny, visually appealing, and emotionally charged film.
The best part for me was the comedy, which I’m sure resonated with younger viewers more, but was hilarious none-the-less. It’s a triumph for true laugh-out-loud film-making.
My only criticism comes from a scene near the end, which seems completely implausible given the realistic nature of the film. This particular scene felt very out of place. At the risk of ruining the moment for you, I will simply say that the drug dealer really lights up the scene, albeit
in a very unlikely manner.
I would call this underdog film an unexpected win.
Gareth von Kallenbach (980 KP) rated Red Riding Hood (2011) in Movies
Aug 7, 2019
In a small village a wolf has been killing villagers who wander out alone. Yet for rule-breaking Valerie the desire to venture out and spend time with her true love overpowers all logic. However, drama sets in when Valerie finds she has been betrothed to a wealthy villager around the same time that that the big bad wolf returns.
Amanda Seyfried stars as Valerie in Red Riding Hood a reworking of the classic fairytale of the same name. The film also stars Shiloh Fernandez as Peter, Valerie’s childhood best friend turned love interest, and Max Irons as Henry, the wealthy suitor who has been selected to wed Valerie. The supporting cast includes some additional familiar faces such as Michael Hogan (The Reeve) best known for his work as Colonel Tigh in the Sci-Fi series Battlestar Galactica and Michael Shanks, known for his work on the hit television series Stargate SG-1 , who plays Adrien Lazer.
The concept of building more depth into the Red Riding Hood story is a good idea however the execution in this bland who-done-it comes a crossed as scattered. The film lacks cohesion and fails to build interest in the storyline focusing instead on sweeping landscapes and overly intense one-on-one character interactions.
The wardrobe is impressive with clothing that aptly represents both village life and fairytale ideals. However, much like the rest of the film, the wardrobe seems to be taking cues directly from other movies. Among the numerous familiar scenes is an ending that could have been plucked from The Lord of the Rings.
The film is not missing any major components but the lack of originality is a fatal flaw that impacts the entire tale. The scary moments are not scary. The intrigue lacks potency. And the romantic triangle fails to generate the intended drama.
Moviegoers will see far worse films this spring but Red Riding Hood does not deliver on what could have been a brilliant adaptation.
Amanda Seyfried stars as Valerie in Red Riding Hood a reworking of the classic fairytale of the same name. The film also stars Shiloh Fernandez as Peter, Valerie’s childhood best friend turned love interest, and Max Irons as Henry, the wealthy suitor who has been selected to wed Valerie. The supporting cast includes some additional familiar faces such as Michael Hogan (The Reeve) best known for his work as Colonel Tigh in the Sci-Fi series Battlestar Galactica and Michael Shanks, known for his work on the hit television series Stargate SG-1 , who plays Adrien Lazer.
The concept of building more depth into the Red Riding Hood story is a good idea however the execution in this bland who-done-it comes a crossed as scattered. The film lacks cohesion and fails to build interest in the storyline focusing instead on sweeping landscapes and overly intense one-on-one character interactions.
The wardrobe is impressive with clothing that aptly represents both village life and fairytale ideals. However, much like the rest of the film, the wardrobe seems to be taking cues directly from other movies. Among the numerous familiar scenes is an ending that could have been plucked from The Lord of the Rings.
The film is not missing any major components but the lack of originality is a fatal flaw that impacts the entire tale. The scary moments are not scary. The intrigue lacks potency. And the romantic triangle fails to generate the intended drama.
Moviegoers will see far worse films this spring but Red Riding Hood does not deliver on what could have been a brilliant adaptation.
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