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Ben Howkins (7 KP) rated Alita: Battle Angel (2019) in Movies
Feb 17, 2019
Muddled plot (1 more)
Forced ending
Alita's more mortal than angel
The basic plot of the film is: about 300 years after a large war called “The Fall” a cyborg repairer/ doctor called Dr Dyson Ido finds the dismembered but still functioning body of a young girl in the scrapheap of rubbish dumped from Zalem, the last remaining sky city from before “The Fall”. After Ido is able to connect the remains to a cyborg body he had made for his late daughter, the girl awakes with no memories of who or what she is. To help her, Ido decides to look after, treating her as if she had a new start in life, even giving her a new name, Alita, after his late daughter whose body she had. Unfortunately though whilst creating her new life in Iron City, Alita starts to remember things about her past and who she truly is, learns that some of the people who she thinks she knows aren’t quite what they seem and most worryingly starting to attract the attention of some bad people.
If I am going, to be honest, both the movie and performances are on a hit and miss scale. Rosa Salazar who is the face and performance of the leading lady is quite good. She portrays Alita’s emotional and mental journey/ life cycle throughout the film to a high standard, evolving from the naive young girl at the very start when she knows and is nothing, through her lovesick and difficult middle period (teenage years if you will) and finishing with starts to truly knowing who she is and what she must do. Christoph Waltz is like always very good as Dr Dyson Ido. The different sides he showed of his character, sometimes switching and showing multiple in a single scene, is quite impressive. These include lighter ones like the loving father figure towards Alita and the doctor who is willing to help everyone sometimes for nothing in return, to his darker side like his secret “night job” and his hatred and disdain towards Zalem and their murderous entertainment “Motorball”. I will also give an honourable mention to Ed Skrein who plays bounty hunter Zapan. Out of the multiple known names who have middle to lower importance parts he was definitely the best as his (what I would say) known style of emotionless bad guy fits perfectly to his character.
But as I said there were definite misses to these hits, biggest one being Keean Johnson who plays Alita’s first friend turned love interest Hugo. The problem with Hugo isn’t all Johnson’s performance, though that is quite flat and unengaging, but that Hugo was unfortunately terribly written and just doesn’t really have anything about him. Another miss, performance wise, was the fact that there were a few big well-known actors and actresses who they didn’t use to their potential, again due to poor writing. An example is Mahershala Ali who plays Vector, an entrepreneur linked into “Motorball”. Though he is what I would regard as a “B Level Character”, nothing is done with him to use or explore his story, which I believe could have helped a bit with the story.
Like the performances, the film itself is also hit and miss, unfortunately with the later are bigger in weight than the former. Start with the good, Visually this movie is as stunning as it is billed. Though you can tell it’s mostly CGI, Alita still looks absolutely beautiful and some of the other cyborg/ robotic characters look just as good, particularly Zapan. Also, the performances I said were good were very good.
For all the lovely visuals and good performances, the biggest problem for the movie is the script. It is incredibly muddled up, jumping from one thing to the next at such a quick rate that it is hard to follow and even sometimes see the link between scenes. The movie also, in my opinion, finishes without a true ending. It is clear it was set up for a sequel but I feel there could have been at least another 10-20 minutes more to tie it up/ tide us properly over.
Overall I was really disappointed with Alita. With the team involved, I believed it had potential to be this decade “Avatar” but instead just ended up being another mediocre futuristic action drama.
If I am going, to be honest, both the movie and performances are on a hit and miss scale. Rosa Salazar who is the face and performance of the leading lady is quite good. She portrays Alita’s emotional and mental journey/ life cycle throughout the film to a high standard, evolving from the naive young girl at the very start when she knows and is nothing, through her lovesick and difficult middle period (teenage years if you will) and finishing with starts to truly knowing who she is and what she must do. Christoph Waltz is like always very good as Dr Dyson Ido. The different sides he showed of his character, sometimes switching and showing multiple in a single scene, is quite impressive. These include lighter ones like the loving father figure towards Alita and the doctor who is willing to help everyone sometimes for nothing in return, to his darker side like his secret “night job” and his hatred and disdain towards Zalem and their murderous entertainment “Motorball”. I will also give an honourable mention to Ed Skrein who plays bounty hunter Zapan. Out of the multiple known names who have middle to lower importance parts he was definitely the best as his (what I would say) known style of emotionless bad guy fits perfectly to his character.
But as I said there were definite misses to these hits, biggest one being Keean Johnson who plays Alita’s first friend turned love interest Hugo. The problem with Hugo isn’t all Johnson’s performance, though that is quite flat and unengaging, but that Hugo was unfortunately terribly written and just doesn’t really have anything about him. Another miss, performance wise, was the fact that there were a few big well-known actors and actresses who they didn’t use to their potential, again due to poor writing. An example is Mahershala Ali who plays Vector, an entrepreneur linked into “Motorball”. Though he is what I would regard as a “B Level Character”, nothing is done with him to use or explore his story, which I believe could have helped a bit with the story.
Like the performances, the film itself is also hit and miss, unfortunately with the later are bigger in weight than the former. Start with the good, Visually this movie is as stunning as it is billed. Though you can tell it’s mostly CGI, Alita still looks absolutely beautiful and some of the other cyborg/ robotic characters look just as good, particularly Zapan. Also, the performances I said were good were very good.
For all the lovely visuals and good performances, the biggest problem for the movie is the script. It is incredibly muddled up, jumping from one thing to the next at such a quick rate that it is hard to follow and even sometimes see the link between scenes. The movie also, in my opinion, finishes without a true ending. It is clear it was set up for a sequel but I feel there could have been at least another 10-20 minutes more to tie it up/ tide us properly over.
Overall I was really disappointed with Alita. With the team involved, I believed it had potential to be this decade “Avatar” but instead just ended up being another mediocre futuristic action drama.
KittyMiku (138 KP) rated Shadow of Night in Books
May 23, 2019
Shadow of Night is the second book of Deborah Harkness’ All Souls Trilogy. As with the first one, Harkness takes you on adventure with her two protagonists, a witch named Diana and a vampire named Mathew. However, unlike the first one, this book is placed in Elizabethan England. Though the characters remain the same at heart, they change to better suit each other and the time period, as it is needed. With the imminent danger around every corner, the two are still not able to find piece, but Diana is able to learn more about her powers while she learns about her vampire lover in the process.
The details in the book are beautifully done and give a great visual to how it must have looked in 1590, where the main storyline is. The clothing style was accurate and there were a great many nods to our history. However, even though some of it remained factual, or close to, there was no denying that there was whole lot of fiction intertwined to help create the illusion that witches, vampires, and daemons exist. Harkness has a way with her facts and her words to create such a wonderful woven story to have the facts and the fictions mix that you could practically believe that it could all be true and we just would never know about it. I am again truly amazed by the story and how it seems to flow from the first book to the second book so flawlessly. I am hardly able to express such enthusiasm I have for Harkness and her wonderful tale. Once again, she was able to submerge me into a tale that caused emotions to wax and wane in my soul.
With all the tears, joys, and laughs this book was able to get out of me, I thought the ending felt a tad bit rushed, and though I am grateful for the speed of the final chapters and how it sort of answered more questions while leaving the conclusions of the trilogy still to come, I feel I would have liked a bit more out of the characters in their reunions. With new characters being introduces slightly at the end, it left a lot of questions on what was going on. I understand that the last book in this trilogy would be what wrapped everything up, but I can’t help but feeling a little more should have been included about some of the characters that had been introduced. I will hold my breath on this matter though and wait to see how the trilogy ends.
I did find that Harkness was able to pin point things normal couples seem to be troubled with, such as jealousy and secrets, never mind should that couple have secret abilities or be of another entire species. I was overjoyed to see that even fictional characters could do something I see normal people due in reality without all the melodramatics that most romance novels and romantic comedies would have us believe. To watch the main characters have the differences, stand their ground, and even argue about things like secrets, other people, and insecurities makes it feel more at home. Not every romance should be almost perfect with a few flaws; Couples fight and through the power of love, the stay together. Even though they have chance to fall apart, it never ceases to amaze how simple communication, even between a d vampire and a witch, can make troubles and misunderstandings cease to exist. Even with the couple at ends at times, and the world seemingly against them, it was fun to watch them explore the world and themselves, if not to just become themselves more and learn how powerful love and trust could be.
I believe this book is 3 stars out of 4 stars for it rating. It is truly an amazing book and has the potential to stand alone, it is clear that without certain prior knowledges, a reader could get lost at the end of what is happening. Shadow of Night is as beautifully written as was A Discovery of Witches and I definitely would recommend it, if the person was will to start at the beginning with A Discovery of Witches. Luckily both can be bought on Amazon and in other places that sell books.
The details in the book are beautifully done and give a great visual to how it must have looked in 1590, where the main storyline is. The clothing style was accurate and there were a great many nods to our history. However, even though some of it remained factual, or close to, there was no denying that there was whole lot of fiction intertwined to help create the illusion that witches, vampires, and daemons exist. Harkness has a way with her facts and her words to create such a wonderful woven story to have the facts and the fictions mix that you could practically believe that it could all be true and we just would never know about it. I am again truly amazed by the story and how it seems to flow from the first book to the second book so flawlessly. I am hardly able to express such enthusiasm I have for Harkness and her wonderful tale. Once again, she was able to submerge me into a tale that caused emotions to wax and wane in my soul.
With all the tears, joys, and laughs this book was able to get out of me, I thought the ending felt a tad bit rushed, and though I am grateful for the speed of the final chapters and how it sort of answered more questions while leaving the conclusions of the trilogy still to come, I feel I would have liked a bit more out of the characters in their reunions. With new characters being introduces slightly at the end, it left a lot of questions on what was going on. I understand that the last book in this trilogy would be what wrapped everything up, but I can’t help but feeling a little more should have been included about some of the characters that had been introduced. I will hold my breath on this matter though and wait to see how the trilogy ends.
I did find that Harkness was able to pin point things normal couples seem to be troubled with, such as jealousy and secrets, never mind should that couple have secret abilities or be of another entire species. I was overjoyed to see that even fictional characters could do something I see normal people due in reality without all the melodramatics that most romance novels and romantic comedies would have us believe. To watch the main characters have the differences, stand their ground, and even argue about things like secrets, other people, and insecurities makes it feel more at home. Not every romance should be almost perfect with a few flaws; Couples fight and through the power of love, the stay together. Even though they have chance to fall apart, it never ceases to amaze how simple communication, even between a d vampire and a witch, can make troubles and misunderstandings cease to exist. Even with the couple at ends at times, and the world seemingly against them, it was fun to watch them explore the world and themselves, if not to just become themselves more and learn how powerful love and trust could be.
I believe this book is 3 stars out of 4 stars for it rating. It is truly an amazing book and has the potential to stand alone, it is clear that without certain prior knowledges, a reader could get lost at the end of what is happening. Shadow of Night is as beautifully written as was A Discovery of Witches and I definitely would recommend it, if the person was will to start at the beginning with A Discovery of Witches. Luckily both can be bought on Amazon and in other places that sell books.
Amanda (96 KP) rated What To Say Next in Books
May 29, 2019
“It turns out cliches are cliches for a reason – they are true.”
This is the first novel I read by Julie Buxbaum and oddly enough, this isn’t the book that is sitting on my TBR list. I have another book of hers that I haven’t even cracked open yet, and I find this one instead. I think my favorite trope is the abundantly smart, socially awkward person (like Sheldon Cooper) meets someone who essentially completes them. Corny, I know, but you know what? I don’t care.
The story is of David, whom is incredibly smart but lacks some social skills and doesn’t always pick up on his surroundings. He likes his headphones and recites Pi in stressful situations (I loved him from the first chapter). Then there is Kit “Katherine”. She just lost her father in a car accident and she sits with David in the cafeteria one day because she just doesn’t want to be the one who is asked how they are feeling. I can understand that. I can appreciate the sympathy for a loved one pass, but sometimes not talking or just silence is the best for me.
David has an older sister, whom he calls Miney, and she’s sort of his guide to knowing when to react and knowing when not to do or say something. Their sibling bond is so cute. Kit has her two friends and only her mother (still in mourning of course) and along the way, Kit finds out some rather disturbing things that have been kept from her, including the accident that killed her dad.
David thinks and does things differently, which obviously, makes him an outcast at school. I loved that Buxbaum didn’t make David to be this stereotypical socially awkward guy who doesn’t know how to defend himself physically (I loved Big Bang Theory, but they could have learned to fight, just saying). So, not only is David wicked smart, but he’s also trained in techniques like Karate and Krav Maga.
“Homo is a pejorative term for a gay person, and even if my classmates are mistaken about my sexual orientation, they should know better than to use that word.”
Who ever decided that calling someone Homo was a great insult to your sexuality was highly idiotic. Homo simply means same, so how the hell is that even an insult? Who decides to redefine a word to make it negative?
One more rant…
I HATE when I see the song You Are My Sunshine used as a happy song. IT’S NOT A HAPPY SONG. Don’t let the title fool you. Read the lyrics and see that it is not happy at all. As annoyed as I was to see this song referenced in this book, the context of how it was used was a bit better than the norm. It was used to recall a memory, a particularly sad memory. I’ll definitely give props to the author for that. Thank you.
Rant over.
I wanted to read more books centering on characters with mental health/illness and I saw this book on the list. Even though David makes some bad choices, I still loved him. I loved him from the very first page of his POV. Kit was a great character and although I do question some of the things she does, like her fight with her mother going on for a long time, I loved the bond that her David eventually formed.
“All I can think is Kit kissed me, over and over until I stop thinking all together.”
It’s always so nice in that one moment where you’re not thinking at all, you’re just there in the moment.
Some things happened with the two, however, and of course it was bound to happen, but I also really liked and felt satisfied with how the story ended. I could love these two characters for a long time.
“Good-weird is what I’ve been telling myself I am for years, when just being plain weird was too much of a burden to carry.”
This is the first novel I read by Julie Buxbaum and oddly enough, this isn’t the book that is sitting on my TBR list. I have another book of hers that I haven’t even cracked open yet, and I find this one instead. I think my favorite trope is the abundantly smart, socially awkward person (like Sheldon Cooper) meets someone who essentially completes them. Corny, I know, but you know what? I don’t care.
The story is of David, whom is incredibly smart but lacks some social skills and doesn’t always pick up on his surroundings. He likes his headphones and recites Pi in stressful situations (I loved him from the first chapter). Then there is Kit “Katherine”. She just lost her father in a car accident and she sits with David in the cafeteria one day because she just doesn’t want to be the one who is asked how they are feeling. I can understand that. I can appreciate the sympathy for a loved one pass, but sometimes not talking or just silence is the best for me.
David has an older sister, whom he calls Miney, and she’s sort of his guide to knowing when to react and knowing when not to do or say something. Their sibling bond is so cute. Kit has her two friends and only her mother (still in mourning of course) and along the way, Kit finds out some rather disturbing things that have been kept from her, including the accident that killed her dad.
David thinks and does things differently, which obviously, makes him an outcast at school. I loved that Buxbaum didn’t make David to be this stereotypical socially awkward guy who doesn’t know how to defend himself physically (I loved Big Bang Theory, but they could have learned to fight, just saying). So, not only is David wicked smart, but he’s also trained in techniques like Karate and Krav Maga.
“Homo is a pejorative term for a gay person, and even if my classmates are mistaken about my sexual orientation, they should know better than to use that word.”
Who ever decided that calling someone Homo was a great insult to your sexuality was highly idiotic. Homo simply means same, so how the hell is that even an insult? Who decides to redefine a word to make it negative?
One more rant…
I HATE when I see the song You Are My Sunshine used as a happy song. IT’S NOT A HAPPY SONG. Don’t let the title fool you. Read the lyrics and see that it is not happy at all. As annoyed as I was to see this song referenced in this book, the context of how it was used was a bit better than the norm. It was used to recall a memory, a particularly sad memory. I’ll definitely give props to the author for that. Thank you.
Rant over.
I wanted to read more books centering on characters with mental health/illness and I saw this book on the list. Even though David makes some bad choices, I still loved him. I loved him from the very first page of his POV. Kit was a great character and although I do question some of the things she does, like her fight with her mother going on for a long time, I loved the bond that her David eventually formed.
“All I can think is Kit kissed me, over and over until I stop thinking all together.”
It’s always so nice in that one moment where you’re not thinking at all, you’re just there in the moment.
Some things happened with the two, however, and of course it was bound to happen, but I also really liked and felt satisfied with how the story ended. I could love these two characters for a long time.
“Good-weird is what I’ve been telling myself I am for years, when just being plain weird was too much of a burden to carry.”
Movie Metropolis (309 KP) rated The Lady In The Van (2015) in Movies
Jun 11, 2019 (Updated Jun 11, 2019)
Like a particularly lethargic sloth
Cinema has a long lasting love of people having their homes invaded by unwanted intruders, and not just because that’s how most directors view anyone who tries to tell them their opinion on filmmaking. It’s because there’s a lot of different directions one can take with the drama and excitement of home invasion. The horror of Wait Until Dark, the brutality of Straw Dogs, the silliness of Home Alone, the potential is quite large. And now throwing in its own interpretation of this theme is The Lady in the Van, based on the somewhat true story of Alan Bennett’s relationship with a transient woman who parked her van on his driveway. So, how does he and the audience respond?
With a dull, mild curiosity.
Despite being from the viewpoint of two Alan Bennetts, described as one being the writer and the other living the life, the main character is Miss Sheppard, the lady in the van. The film insists that we should be interested in her mysterious life, her past as a pianist and a nun, and why she chooses to live in the van, but throughout most of the film I was only thinking “Oh, let’s just go back and hear Alan Bennett be cynical some more.” The words are witty and sharp, but it’s mostly said about things we don’t care about. Miss Sheppard is a flat, mostly dull character, and the audience is unwillingly handcuffed to her.
The highlight of the film is its acting, with the cast being a veritable who’s who of Britain’s finest talent, and James Corden. What dimension Miss Sheppard has is provided almost entirely by the volatile yet vulnerable performance by Maggie Smith, and Alex Jennings is as real an Alan Bennett as the actual Alan Bennett. Even in the small roles, everyone from Roger Allam to Gwen Taylor manage to force themselves to shine. The only bad performance is from, of all people, Jim Broadbent, who pops up to antagonise Miss Sheppard but appears less like a real human being and more like a cartoon supervillain. For a second, I thought the character’s name was Baron von Drakkhen.
But great players cannot save a bad game, and the story of the film is flat, predictable and boring. If you don’t immediately care about Miss Sheppard, then the film becomes more tedious and lifeless by the second. I guessed long before the end the mystery behind Miss Sheppard, but even if I hadn’t I would still have been bored due to the lack of any interest. The film believes that the existence of a mystery to be motivation enough to solve it, which just isn’t the case; I don’t know what John McCririck had for breakfast, but I’m not going to stare at his stools to find out.
Not helping matters is a very by the numbers direction by Nicholas Hytner. While not incompetent, there’s very little in the way of style or flair without being casual. The only parts that show any sort of imagination are the fourth wall breaks, but the best only happen towards the end. It’s a shame that the potential of having two Alan Bennetts and seeing the film from the perspective of the writer only starts to be explored as the film is drawing to a close. Otherwise, a robot could’ve directed this film.
Alan Bennett is a highly praised writer, and rightfully so, but The Lady in the Van just isn’t his best. The above-average but by no means stellar script is tied to a plot as lifeless and sluggish as a particularly lethargic sloth. If you’re really hurting to see Bennett at his best, it’d be a lot cheaper and a lot more entertaining to rent The Madness of King George or The History Boys or even one of The Secret Policeman’s Ball’s, plus you can order some pizza from your sofa. Otherwise, The Lady in the Van, unlike the real Miss Sheppard, can very safely be ignored.
https://moviemetropolis.net/2015/11/19/like-a-particularly-lethargic-sloth-the-lady-in-the-van-review/
With a dull, mild curiosity.
Despite being from the viewpoint of two Alan Bennetts, described as one being the writer and the other living the life, the main character is Miss Sheppard, the lady in the van. The film insists that we should be interested in her mysterious life, her past as a pianist and a nun, and why she chooses to live in the van, but throughout most of the film I was only thinking “Oh, let’s just go back and hear Alan Bennett be cynical some more.” The words are witty and sharp, but it’s mostly said about things we don’t care about. Miss Sheppard is a flat, mostly dull character, and the audience is unwillingly handcuffed to her.
The highlight of the film is its acting, with the cast being a veritable who’s who of Britain’s finest talent, and James Corden. What dimension Miss Sheppard has is provided almost entirely by the volatile yet vulnerable performance by Maggie Smith, and Alex Jennings is as real an Alan Bennett as the actual Alan Bennett. Even in the small roles, everyone from Roger Allam to Gwen Taylor manage to force themselves to shine. The only bad performance is from, of all people, Jim Broadbent, who pops up to antagonise Miss Sheppard but appears less like a real human being and more like a cartoon supervillain. For a second, I thought the character’s name was Baron von Drakkhen.
But great players cannot save a bad game, and the story of the film is flat, predictable and boring. If you don’t immediately care about Miss Sheppard, then the film becomes more tedious and lifeless by the second. I guessed long before the end the mystery behind Miss Sheppard, but even if I hadn’t I would still have been bored due to the lack of any interest. The film believes that the existence of a mystery to be motivation enough to solve it, which just isn’t the case; I don’t know what John McCririck had for breakfast, but I’m not going to stare at his stools to find out.
Not helping matters is a very by the numbers direction by Nicholas Hytner. While not incompetent, there’s very little in the way of style or flair without being casual. The only parts that show any sort of imagination are the fourth wall breaks, but the best only happen towards the end. It’s a shame that the potential of having two Alan Bennetts and seeing the film from the perspective of the writer only starts to be explored as the film is drawing to a close. Otherwise, a robot could’ve directed this film.
Alan Bennett is a highly praised writer, and rightfully so, but The Lady in the Van just isn’t his best. The above-average but by no means stellar script is tied to a plot as lifeless and sluggish as a particularly lethargic sloth. If you’re really hurting to see Bennett at his best, it’d be a lot cheaper and a lot more entertaining to rent The Madness of King George or The History Boys or even one of The Secret Policeman’s Ball’s, plus you can order some pizza from your sofa. Otherwise, The Lady in the Van, unlike the real Miss Sheppard, can very safely be ignored.
https://moviemetropolis.net/2015/11/19/like-a-particularly-lethargic-sloth-the-lady-in-the-van-review/
Heather Cranmer (2721 KP) rated We Are the Goldens in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
There was something about this book that intrigued me. Maybe it was the forbidden romance between a student and her teacher. I decided to give this book a try. Although it wasn't as great as I thought it would be, it was still an alright read.
I love the title, and I feel that it fits in really well with the book. These two sisters have always had each other's back and have done nearly everything together.
The cover is okay. I think it looks a bit too cavemanish though instead of two beautiful girls as what is described in the book. Maybe if both girls were looking up and the lighting was different, the cover photo wouldn't look like I was looking at two cavemen.
I enjoyed the world building. We learn about the world through Nell's letters to her sister Layla. (At least it sounded like she was writing a letter(s) to her sister. The author made it easy to understand Nell's and Layla's relationship from the beginning through her fantastic prose.
I thought the pacing held up rather well. There were times when I thought I'd be able to put the book down so I could go to bed or do something else, but I'd always end up reading a few more chapters. It thoroughly held my attention. Plus, I enjoyed the back story leading up to everything immensely.
The plot of the whole teacher-student relationship has been done before. However, Reinhardt makes her story interesting and unlike the other stories. I liked the close relationship that Nell and Layla used to have before Layla started dating her teacher. I was saddened to see it start to unravel over a forbidden romance. There's no plot twists that I read about, but that doesn't hurt the book any. The only thing that annoyed me was the ending. I would've liked to know a bit more such as what happened to Mr. Barr and Layla. That's all I'm saying because I don't want to give away anything that could be deemed as a spoiler.
Nell was instantly likable. There was a certain innocence and vulnerability with her. It was easy to empathize with what she was going through, and I felt like her struggle with keeping her sister's secret was my own as well. I also thought Layla was a fantastic character as well. We get to know her through Nell's letters, and we learn that she too is also very vulnerable and just wants to find her one true love. I loved the character of Felix except that I had a hard time believing that he was into girls as it said in the book. I found his speech to be very effeminate. He reminded me of Damian from the film Mean Girls. Every time Felix was in a scene, I always was picturing Damian. We don't really learn too much about Mr. Barr (the teacher in a relationship with Layla) other that his students all think he's the coolest teacher and the best looking. We also learn that there's rumors about him being with other students previously.
The dialogue flows very smoothly and is never awkward. The speech fits my perception of how teenagers speak. It suits a young adult book. There is some swearing and some sexual references although none that are graphic. There is no violence in this book.
Overall, We Are the Goldens by Dana Reinhardt is an enjoyable read save for the ending. The characters are well written as is the whole entire book. This book deals with subject matter that happens at every school.
I'd recommend this book to those aged 15+ who enjoy realistic fiction and characters that are easy to relate to.
<b>I'd give We Are the Goldens by Dana Reinhardt a 3.5 out of 5.</b>
(I was provided with a free ebook of this title from the publisher through NetGalley in exchange for an honest and unbiased review).
There was something about this book that intrigued me. Maybe it was the forbidden romance between a student and her teacher. I decided to give this book a try. Although it wasn't as great as I thought it would be, it was still an alright read.
I love the title, and I feel that it fits in really well with the book. These two sisters have always had each other's back and have done nearly everything together.
The cover is okay. I think it looks a bit too cavemanish though instead of two beautiful girls as what is described in the book. Maybe if both girls were looking up and the lighting was different, the cover photo wouldn't look like I was looking at two cavemen.
I enjoyed the world building. We learn about the world through Nell's letters to her sister Layla. (At least it sounded like she was writing a letter(s) to her sister. The author made it easy to understand Nell's and Layla's relationship from the beginning through her fantastic prose.
I thought the pacing held up rather well. There were times when I thought I'd be able to put the book down so I could go to bed or do something else, but I'd always end up reading a few more chapters. It thoroughly held my attention. Plus, I enjoyed the back story leading up to everything immensely.
The plot of the whole teacher-student relationship has been done before. However, Reinhardt makes her story interesting and unlike the other stories. I liked the close relationship that Nell and Layla used to have before Layla started dating her teacher. I was saddened to see it start to unravel over a forbidden romance. There's no plot twists that I read about, but that doesn't hurt the book any. The only thing that annoyed me was the ending. I would've liked to know a bit more such as what happened to Mr. Barr and Layla. That's all I'm saying because I don't want to give away anything that could be deemed as a spoiler.
Nell was instantly likable. There was a certain innocence and vulnerability with her. It was easy to empathize with what she was going through, and I felt like her struggle with keeping her sister's secret was my own as well. I also thought Layla was a fantastic character as well. We get to know her through Nell's letters, and we learn that she too is also very vulnerable and just wants to find her one true love. I loved the character of Felix except that I had a hard time believing that he was into girls as it said in the book. I found his speech to be very effeminate. He reminded me of Damian from the film Mean Girls. Every time Felix was in a scene, I always was picturing Damian. We don't really learn too much about Mr. Barr (the teacher in a relationship with Layla) other that his students all think he's the coolest teacher and the best looking. We also learn that there's rumors about him being with other students previously.
The dialogue flows very smoothly and is never awkward. The speech fits my perception of how teenagers speak. It suits a young adult book. There is some swearing and some sexual references although none that are graphic. There is no violence in this book.
Overall, We Are the Goldens by Dana Reinhardt is an enjoyable read save for the ending. The characters are well written as is the whole entire book. This book deals with subject matter that happens at every school.
I'd recommend this book to those aged 15+ who enjoy realistic fiction and characters that are easy to relate to.
<b>I'd give We Are the Goldens by Dana Reinhardt a 3.5 out of 5.</b>
(I was provided with a free ebook of this title from the publisher through NetGalley in exchange for an honest and unbiased review).
The story. (3 more)
The writing.
Thomas Fawkes.
The emotions I went through reading this. (Yes it's here twice for a reason.)
A gripping, heartfelt historical read that will take you on an adventure.
When I first picked up Fawkes by Nadine Brandes, it was for a blog tour that I was lucky enough to get (thank you so much!). I started reading it and only got three chapters read before I had to put it down because I just. Could. Not. Get. Into. It. I'm awfully glad that I picked it back up to actually reread the first three chapters and finish the book because this is my favorite book of September.
Legit, this is a five-star read for me. There's so much sarcasm, humor, history packed into this little story that I just didn't want it to end. If Nadine Brandes ever creates a second book regarding this storyline, I will be the first person to buy it and support it. Because dang woman, you have a way to make me tear up and then get all angry at a character in a matter of pages.
Okay, let's talk about some of these humorous quotes that I just can't get over.
"If you do not agree to all my terms, Thomas Fawkes, then I shall tell my guardian that you forced yourself upon me and - after he castrates you - he will string you up on the gallows without a tongue!" Okay Emma, he knows not to mess with you. You strong and independent amazing human being. I think I love you. (Can you actually fall in love with a fictional character?)
" ' There's no we,' Kit muttered in Jack's ear. 'Percy didn't even detect an intruder - the boy did.' " - SHOTS FIRED!
" 'Annika! Gabriel! Do you want to turn to stone?' " I just think this is so funny but it's true. Like you keep messing with that plagued rat, you ain't gonna look much different.
Can we talk about how descriptive Nadine is with things?! Like for real, I haven't heard anybody talking about that! So, without further adieu here are some of my favorite descriptive quotes:
"The darkness twisted invisible chains around my chest." Holy poopers. Like dang. This is a great representation of anxiety if anybody wants to know.
" 'His past is not without its bloodstains.' I joined him at the window. The grime rested too thickly for us to see out into the night. Another thing for me to clean upon the morrow. ' Should we do something?' 'Our fists are no match for a rabid mutt's teeth. We must leave a man's actions to his one conscience.' " Okay, I got chills when reading this. This is one serious moment but at the same time a jab at how gross London used to be.
"A line of freckles ascended from her left upper lip and ended beneath her eye... like a constellation on a night sky." I dig it and what a way to describe somebody's feature. I wish my husband was all gooey like Thomas Fawkes when it came to Emma.
The next few quotes are moments where I had to stop reading and just think, because they hit me with a burning passion for making me emotional.
"He said that he must bring on only those men who were necessary to the plot's fulfillment. The men who were irreplaceable. That spoke volumes about each man he'd chosen. Because he'd chosen me." Thomas is wanted, not just by his father but by a group of men that become his family. I feel you Thomas, you emotional man.
"I wanted my mask because I was ashamed of what people saw when they looked at me. I hated being defined by my plague and I was sick of being helpless. I wanted a future." STAY AWAY FROM MY THOMAS YOU NUGGETS. I KNOW KARATE AND I WILL USE IT. But seriously, why you gotta be so mean?
"If I was as inconspicuous as Catesby said I would be... why not simply kill the king on my own? In fact, why not turn his masquerade into an assassination?" Thomas you smart man. But don't go getting yourself killed. Emma (and I) need you to survive and stay with her (us).
Legit, this is a five-star read for me. There's so much sarcasm, humor, history packed into this little story that I just didn't want it to end. If Nadine Brandes ever creates a second book regarding this storyline, I will be the first person to buy it and support it. Because dang woman, you have a way to make me tear up and then get all angry at a character in a matter of pages.
Okay, let's talk about some of these humorous quotes that I just can't get over.
"If you do not agree to all my terms, Thomas Fawkes, then I shall tell my guardian that you forced yourself upon me and - after he castrates you - he will string you up on the gallows without a tongue!" Okay Emma, he knows not to mess with you. You strong and independent amazing human being. I think I love you. (Can you actually fall in love with a fictional character?)
" ' There's no we,' Kit muttered in Jack's ear. 'Percy didn't even detect an intruder - the boy did.' " - SHOTS FIRED!
" 'Annika! Gabriel! Do you want to turn to stone?' " I just think this is so funny but it's true. Like you keep messing with that plagued rat, you ain't gonna look much different.
Can we talk about how descriptive Nadine is with things?! Like for real, I haven't heard anybody talking about that! So, without further adieu here are some of my favorite descriptive quotes:
"The darkness twisted invisible chains around my chest." Holy poopers. Like dang. This is a great representation of anxiety if anybody wants to know.
" 'His past is not without its bloodstains.' I joined him at the window. The grime rested too thickly for us to see out into the night. Another thing for me to clean upon the morrow. ' Should we do something?' 'Our fists are no match for a rabid mutt's teeth. We must leave a man's actions to his one conscience.' " Okay, I got chills when reading this. This is one serious moment but at the same time a jab at how gross London used to be.
"A line of freckles ascended from her left upper lip and ended beneath her eye... like a constellation on a night sky." I dig it and what a way to describe somebody's feature. I wish my husband was all gooey like Thomas Fawkes when it came to Emma.
The next few quotes are moments where I had to stop reading and just think, because they hit me with a burning passion for making me emotional.
"He said that he must bring on only those men who were necessary to the plot's fulfillment. The men who were irreplaceable. That spoke volumes about each man he'd chosen. Because he'd chosen me." Thomas is wanted, not just by his father but by a group of men that become his family. I feel you Thomas, you emotional man.
"I wanted my mask because I was ashamed of what people saw when they looked at me. I hated being defined by my plague and I was sick of being helpless. I wanted a future." STAY AWAY FROM MY THOMAS YOU NUGGETS. I KNOW KARATE AND I WILL USE IT. But seriously, why you gotta be so mean?
"If I was as inconspicuous as Catesby said I would be... why not simply kill the king on my own? In fact, why not turn his masquerade into an assassination?" Thomas you smart man. But don't go getting yourself killed. Emma (and I) need you to survive and stay with her (us).
Gareth von Kallenbach (980 KP) rated Bewitched (2005) in Movies
Aug 14, 2019
Turning a classic television series into a feature film can be a risky proposition. While the built in audience of Baby Boomers and new fans of a show gained through reruns make remakes a potentially lucrative venture, the task of recasting classic characters and modernizing the story to today’s audiences is rife with hazards.
For example, for every remake that succeeds, such as The Adams Family, Starsky and Hutch, and The Brady Bunch, there are countless others that fail, like The Wild Wild West, Car 54 Where Are You and I-Spy.
Sadly the new film version of Bewitched falls into the latter category. It is so bad it begs the question as to why such talents like Nicole Kidman, Michael Caine, and Will Ferrell signed on.
The story centers on Isabel Bigelow (Nicole Kidman), a young woman who is anxious to set off on her own and leave the family structure behind her. While this is not so uncommon for most people, Isabel is a witch and her decision to live as a mortal without her powers is of great consternation to her father (Michael Caine).
Isabel is convinced she can find a man, and can live in happiness and love with a mortal. She wants no part of the shallow and wandering eye that makes up their lifestyle. Convinced his daughter will never be able to live without her powers, her father chides her for her frequent and casual use of powers to do everything from find and furnish her home to paying for everyday needs.
At roughly the same time, fading actor Jack Wyatt is about to sign up to play the male lead in a new television version of the classic Bewitched television series. With the gigantic failure of his recent film, Jack is in need of a hit. Not wanting to take any attention away from his star turn, Jack insists that the producers cast a complete unknown in the role of Samantha. He does not want anyone infringing upon his spotlight.
A chance encounter with Isabel leads to her being cast by Jack in the new series. Isabel is taken by Jack and when she learns the role is that of a witch, she signs aboard despite some reservations.
Naturally Jack and Isabel will hit it off, and yes there will be issues, particularly when Jack’s shallow nature becomes clear to Isabel, and this is to say nothing of Isabel’s true identity which in and of itself is an issue.
What starts as a good premise with a solid cast quickly dissolves into a disjointed mess thanks to a paper thin plot that is rife with plot holes, non-sequitors, and unresolved moments. One such example is the character of Iris Smythson (Shirley Mac Laine), who plays Endora on the show. It is at first hinted at that she too is a witch and then made obvious. However there is no conclusion to this revelation. We see that she has a power and uses it, but we never really get the why she is there, how she chose to live as she does, and how her relationship with Isabel’s father is going to be altered by this.
Another problem the show has is that Ferell is reduced to running around, over-acting to get laughs. The situations go on way to long, and things that are at first amusing, become tedious after a while. One such scene has Ferell’s character appearing nude on a live television appearance. It is something that is used to generate laughs but there is no setup to the scene and it plays out as a desperate attempt to get laughs.
The only thing that works is the charm of Kidman who, as the quirky Isabel, is delightful, as is the supporting work of Caine and Steve Carell as Uncle Arthur. Sadly they are the only good things in a film that became so bad that many in the audience at my press screener were voicing their disdain when we left the film. Perhaps Samantha can twitch her nose and make this one vanish, as there is precious little to redeem it.
For example, for every remake that succeeds, such as The Adams Family, Starsky and Hutch, and The Brady Bunch, there are countless others that fail, like The Wild Wild West, Car 54 Where Are You and I-Spy.
Sadly the new film version of Bewitched falls into the latter category. It is so bad it begs the question as to why such talents like Nicole Kidman, Michael Caine, and Will Ferrell signed on.
The story centers on Isabel Bigelow (Nicole Kidman), a young woman who is anxious to set off on her own and leave the family structure behind her. While this is not so uncommon for most people, Isabel is a witch and her decision to live as a mortal without her powers is of great consternation to her father (Michael Caine).
Isabel is convinced she can find a man, and can live in happiness and love with a mortal. She wants no part of the shallow and wandering eye that makes up their lifestyle. Convinced his daughter will never be able to live without her powers, her father chides her for her frequent and casual use of powers to do everything from find and furnish her home to paying for everyday needs.
At roughly the same time, fading actor Jack Wyatt is about to sign up to play the male lead in a new television version of the classic Bewitched television series. With the gigantic failure of his recent film, Jack is in need of a hit. Not wanting to take any attention away from his star turn, Jack insists that the producers cast a complete unknown in the role of Samantha. He does not want anyone infringing upon his spotlight.
A chance encounter with Isabel leads to her being cast by Jack in the new series. Isabel is taken by Jack and when she learns the role is that of a witch, she signs aboard despite some reservations.
Naturally Jack and Isabel will hit it off, and yes there will be issues, particularly when Jack’s shallow nature becomes clear to Isabel, and this is to say nothing of Isabel’s true identity which in and of itself is an issue.
What starts as a good premise with a solid cast quickly dissolves into a disjointed mess thanks to a paper thin plot that is rife with plot holes, non-sequitors, and unresolved moments. One such example is the character of Iris Smythson (Shirley Mac Laine), who plays Endora on the show. It is at first hinted at that she too is a witch and then made obvious. However there is no conclusion to this revelation. We see that she has a power and uses it, but we never really get the why she is there, how she chose to live as she does, and how her relationship with Isabel’s father is going to be altered by this.
Another problem the show has is that Ferell is reduced to running around, over-acting to get laughs. The situations go on way to long, and things that are at first amusing, become tedious after a while. One such scene has Ferell’s character appearing nude on a live television appearance. It is something that is used to generate laughs but there is no setup to the scene and it plays out as a desperate attempt to get laughs.
The only thing that works is the charm of Kidman who, as the quirky Isabel, is delightful, as is the supporting work of Caine and Steve Carell as Uncle Arthur. Sadly they are the only good things in a film that became so bad that many in the audience at my press screener were voicing their disdain when we left the film. Perhaps Samantha can twitch her nose and make this one vanish, as there is precious little to redeem it.
Ivana A. | Diary of Difference (1171 KP) rated Blood Shadow (Blood Never Lies 1) in Books
Feb 3, 2020
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#1 <a href="https://www.goodreads.com/review/show/2401292193">Blood Shadow</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-25.png"/>;
<b><i>Blood Shadow (Blood Never Lies #1) is a companion novel for An Eye of The Storm Series.</i></b>
Blood Shadow can be read without reading the previous books. At the beginning, the author has included a recap of everything you need to know about the main character, before you start reading this book.
Blood Shadow was an interesting read, that is for certain. At the beginning I felt a bit lost in time and it took me awhile to understand what is going on, despite the recap that was provided by the author.
<i>A woman wakes up in a hospital and can't remember anything. Some anonymous person saved her life and gives her the name Jennifer, alongside with a whole new life.
She knows her real name is Selena. She also knows she was a werewolf but is not anymore. It seems she is human now, because her wounds are not healing as they usually would. Selena/Jennifer also remembers all the sexual abuse she went through before. Being tortured and raped and even persuaded to kill her brother. It feels like that was a lifetime ago.
And now, five years after her new life begun, she lives quietly and has a normal job and a boyfriend. The only thing that reminds her of her werewolf days are the sweaty nightmares. And now Jennifer has received a new note - on of those that her anonymous friend leaves for her now and then, advising her when she is in danger. But this time, the note says something different: a Supermoon is coming, and with that, a total lunar eclipse.</i>
This is the moment when things start to get confusing for me. There is an anonymous person, he sends her notes that have saved her life, he is always watching her, and now they need to meet, because she is in big danger and he has a secret to tell her. But he also doesn't want to reveal his true identity yet.
<b><i>[SPOILER ALERT]</i></b>
Long story short, he is one of the people that were there during her sexual abuse period. And he didn't do anything to help save her. Also, it turns out that she is also a mermaid, which is why she is able to do some things, but also doesn't have full powers.
And things keep being more and more confusing. From a werewolf story, we jump onto mermaids. The title also made me think that vampires bight be involved, which isn't the case. And we also might see dragons in the next book. I am not against having all these fantasy creatures into one place, but I felt that it needed to be explained better.
I felt for the girl - it must be extremely hard to live with such past and then to also have to constantly be hiding and never be truly happy. She tried to live a normal life as well, but just ended up hurting the people around her.
I am not sure that I connected enough with this book. The ending wasn't a conclusive one - it seemed as if it only was an opening for yet another book of the many. It didn't feel like any of the characters grew or learned from their past actions, which was slightly disappointing.
<b>It is a nice chill book to read in your spare time, if you like these types of books. But it is nothing out of the ordinary. I don't believe I will remember how it ended or what it was about in a few months.</b>
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#1 <a href="https://www.goodreads.com/review/show/2401292193">Blood Shadow</a> - ★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-25.png"/>;
<b><i>Blood Shadow (Blood Never Lies #1) is a companion novel for An Eye of The Storm Series.</i></b>
Blood Shadow can be read without reading the previous books. At the beginning, the author has included a recap of everything you need to know about the main character, before you start reading this book.
Blood Shadow was an interesting read, that is for certain. At the beginning I felt a bit lost in time and it took me awhile to understand what is going on, despite the recap that was provided by the author.
<i>A woman wakes up in a hospital and can't remember anything. Some anonymous person saved her life and gives her the name Jennifer, alongside with a whole new life.
She knows her real name is Selena. She also knows she was a werewolf but is not anymore. It seems she is human now, because her wounds are not healing as they usually would. Selena/Jennifer also remembers all the sexual abuse she went through before. Being tortured and raped and even persuaded to kill her brother. It feels like that was a lifetime ago.
And now, five years after her new life begun, she lives quietly and has a normal job and a boyfriend. The only thing that reminds her of her werewolf days are the sweaty nightmares. And now Jennifer has received a new note - on of those that her anonymous friend leaves for her now and then, advising her when she is in danger. But this time, the note says something different: a Supermoon is coming, and with that, a total lunar eclipse.</i>
This is the moment when things start to get confusing for me. There is an anonymous person, he sends her notes that have saved her life, he is always watching her, and now they need to meet, because she is in big danger and he has a secret to tell her. But he also doesn't want to reveal his true identity yet.
<b><i>[SPOILER ALERT]</i></b>
Long story short, he is one of the people that were there during her sexual abuse period. And he didn't do anything to help save her. Also, it turns out that she is also a mermaid, which is why she is able to do some things, but also doesn't have full powers.
And things keep being more and more confusing. From a werewolf story, we jump onto mermaids. The title also made me think that vampires bight be involved, which isn't the case. And we also might see dragons in the next book. I am not against having all these fantasy creatures into one place, but I felt that it needed to be explained better.
I felt for the girl - it must be extremely hard to live with such past and then to also have to constantly be hiding and never be truly happy. She tried to live a normal life as well, but just ended up hurting the people around her.
I am not sure that I connected enough with this book. The ending wasn't a conclusive one - it seemed as if it only was an opening for yet another book of the many. It didn't feel like any of the characters grew or learned from their past actions, which was slightly disappointing.
<b>It is a nice chill book to read in your spare time, if you like these types of books. But it is nothing out of the ordinary. I don't believe I will remember how it ended or what it was about in a few months.</b>
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BankofMarquis (1832 KP) rated The Trial of the Chicago 7 (2020) in Movies
Mar 28, 2021
Strong Ensemble Work
The good thing about my yearly exercise to check out all of the Oscar Nominated films in the "Major" Categories is that it forces me to watch films that are "one my list" but I just haven't gotten to them. THE TRIAL OF THE CHICAGO 7 is one of those types of films - an Aaron Sorkin Written and Directed project with a stellar cast about an important moment in United States History.
And...I'm glad I "forced myself" to watch this, for TRIAL OF THE CHICAGO 7 just might end up being my favorite film of 2020. It tells the tale of the trial of 8 (not 7 - they explain that difference in the film) leaders of revolutionary groups in the turbulent times that were the late 1960's in the United States and this film grasps the stakes that both sides are faced with in this historic time.
It all starts, of course, with the Writing and Directing of Aaron Sorkin (TV's THE WEST WING, A FEW GOOD MEN, MOLLY'S GAME) and it is some of his best work. Sorkin's writing style lends itself to this type of multi-player, multi-storyline story that all culminates into one story at the end. The words coming out of his character's mouths are insightful and true (if a bit over-blown for these characters) and they make you understand these characters - and their motivations - very well (whether the character is considered a "good" guy or a "bad" guy in this film).
The pedigree of Sorkin draws some wonderful actors to his works and THE TRIAL OF THE CHICAGO 7 is no different. Eddie Redmayne (Oscar Winner for THE THEORY OF EVERYTHING), Mark Rylance (Oscar Winner for BRIDGE OF SPIES), Ben Shenkman (Angels in America) and Joseph Gordon-Levitt (INCEPTION) all are at the top of their (considerably strong) games and Director/Writer Sorkin lets them all shine.
These 4 are good - but the next 6 are even better (yes...there is that many good to great performances in this film). Let's start with Jeremy Strong's (THE BIG SHORT) Jerry Rubin and Sacha Baron Cohen (BORAT) in his Oscar Nominated role of Abbie Hoffman. The embody the hippie culture of the '60's and bring gravitas and humor to the proceedings. Cohen earns his Oscar nomination by his "showey" role, but I would have been happy with just about any of the main Actor's being nominated.
Yahya Adbul-Mateen II (AQUAMAN) is powerful as Bobby Seale - the Black Panther Leader who is railroaded into this trial. He is supported by his friend, Fred Hampton - who I was glad to have learned more about in another Oscar nominated film this year, JUDAS AND THE BLACK MESSIAH.
Special notice needs to be made of a few veteran performers in this film - John Carrol Lynch (FARGO) has become a "mark of excellence" for me in films. Whenever he shows up in a project, I know that it will be worth my while for no other reason than his performance, and this film is no exception and Frank Langella EXCELS in the role of the Judge in the case, Julius Hoffman, and he is - beyond a doubt - the "bad guy" in this film, but he brings a humanity to his character and I "loved to hate" him. This performance stuck with me and I think that Langella deserved an Oscar nomination.
Finally...there is an extended cameo from a well known Hollywood performer (who I will not name, for I do not wish to spoil his appearance) as former Attorney General Ramsey Clark. This character was built up prior to his appearance as a powerhouse, and this actor did not disappoint.
This is a fantastic ensemble film that really transported me back to the '60's and the message at the heart of this film are as relevant today as back then. As I stated above, this is currently my favorite film of 2020, and it will only be replaced at the top by something very, very special
TRIAL OF THE CHICAGO 7 is currently streaming on Netflix and I highly recommend that you check it out.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
And...I'm glad I "forced myself" to watch this, for TRIAL OF THE CHICAGO 7 just might end up being my favorite film of 2020. It tells the tale of the trial of 8 (not 7 - they explain that difference in the film) leaders of revolutionary groups in the turbulent times that were the late 1960's in the United States and this film grasps the stakes that both sides are faced with in this historic time.
It all starts, of course, with the Writing and Directing of Aaron Sorkin (TV's THE WEST WING, A FEW GOOD MEN, MOLLY'S GAME) and it is some of his best work. Sorkin's writing style lends itself to this type of multi-player, multi-storyline story that all culminates into one story at the end. The words coming out of his character's mouths are insightful and true (if a bit over-blown for these characters) and they make you understand these characters - and their motivations - very well (whether the character is considered a "good" guy or a "bad" guy in this film).
The pedigree of Sorkin draws some wonderful actors to his works and THE TRIAL OF THE CHICAGO 7 is no different. Eddie Redmayne (Oscar Winner for THE THEORY OF EVERYTHING), Mark Rylance (Oscar Winner for BRIDGE OF SPIES), Ben Shenkman (Angels in America) and Joseph Gordon-Levitt (INCEPTION) all are at the top of their (considerably strong) games and Director/Writer Sorkin lets them all shine.
These 4 are good - but the next 6 are even better (yes...there is that many good to great performances in this film). Let's start with Jeremy Strong's (THE BIG SHORT) Jerry Rubin and Sacha Baron Cohen (BORAT) in his Oscar Nominated role of Abbie Hoffman. The embody the hippie culture of the '60's and bring gravitas and humor to the proceedings. Cohen earns his Oscar nomination by his "showey" role, but I would have been happy with just about any of the main Actor's being nominated.
Yahya Adbul-Mateen II (AQUAMAN) is powerful as Bobby Seale - the Black Panther Leader who is railroaded into this trial. He is supported by his friend, Fred Hampton - who I was glad to have learned more about in another Oscar nominated film this year, JUDAS AND THE BLACK MESSIAH.
Special notice needs to be made of a few veteran performers in this film - John Carrol Lynch (FARGO) has become a "mark of excellence" for me in films. Whenever he shows up in a project, I know that it will be worth my while for no other reason than his performance, and this film is no exception and Frank Langella EXCELS in the role of the Judge in the case, Julius Hoffman, and he is - beyond a doubt - the "bad guy" in this film, but he brings a humanity to his character and I "loved to hate" him. This performance stuck with me and I think that Langella deserved an Oscar nomination.
Finally...there is an extended cameo from a well known Hollywood performer (who I will not name, for I do not wish to spoil his appearance) as former Attorney General Ramsey Clark. This character was built up prior to his appearance as a powerhouse, and this actor did not disappoint.
This is a fantastic ensemble film that really transported me back to the '60's and the message at the heart of this film are as relevant today as back then. As I stated above, this is currently my favorite film of 2020, and it will only be replaced at the top by something very, very special
TRIAL OF THE CHICAGO 7 is currently streaming on Netflix and I highly recommend that you check it out.
Letter Grade: A
9 stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Doctor Sleep (2019) in Movies
Oct 5, 2020
Better Than I Expected
Over the years, there has been "cash grab" sequels thrown out onto an unsuspecting public years after the beloved original film has settled into the warm memories of time. Films like THE TWO JAKES (sequel to CHINATOWN), THE EVENING STAR (sequel to TERMS OF ENDEARMENT) and, most notably, THE GODFATHER III (sequel to the first two, terrific GODFATHER films) all were filmed more than 10 years after the original classic and quickly died at the box office.
Thus, I steered very clear of the sequel to the great Stanley Kubrick film THE SHINING (based on the novel by Stephen King). This time it was Ewan MacGregor as a grown up Danny Torrance, otherwise known as DOCTOR SLEEP. True, this one was based on Stephen King's sequel novel, but still, I avoided it.
Well...2020 being 2020...I was searching for something "new" to watch and tripped across this, so thought "what the heck, I'll give it a go"...
And...I was pleasantly surprised - Doctor Sleep is actually a pretty good flick, capturing the flavor of the original while becoming an entity of it's own.
Doctor Sleep tells the tale of an adult Danny Torrance (Ewan MacGregor) the grown-up son of the Jack Nicholson character (Jack Torrance) in THE SHINING. Danny struggles to come to grips with what happened at the Overlook Hotel - and with his ability to "Shine".
As written and directed by Mike Flanagan (GERALD'S GAME), Doctor Sleep serves as a creepy "chase flick" and a homage to The Shining at the same time. Flanagan does a decent job of giving us motivations and meanings to Danny's own personal journey while weaving in a plausible, effective use of the characters and locations of The Shining.
Part of this success rests on the castings of actors to recreate the roles - and feelings - of characters from the original Stanley Kubrick film. Alex Essoe (Wendy Torrance), Carl Lumbly (Dick Halloran) and Henry Thomas - yes the kid from ET - (as "the bartender", who is clearly Jack Torrance) all bring the essence of the previous film's characters to the events while carving out their own versions of the characters. The same can be said for Flanagan's use (re-use?) of the Overlook Hotel locations and stylings. From the patterned carpet to the typewriter in the lobby to the elevators spewing blood to the hole in the bathroom door that the axe went through - all added to the creepy eeriness of "I've been here before".
But, I think Flanagan was more interested in that part of the story/film than the other part, for faring less successfully is Danny's journey. Fault cannot be made of Ewan MacGregor's performance, he is very good, considering the clunky dialogue he is given, and he gives Danny a haunted feeling, simultaneously chasing and running from his past. But Flanagan really skims over this part of the film - why/how Danny becomes the titular "Doctor Sleep" is almost in a "blink and you'll miss it" moment. While I like the pacing of this film, I think it could have used a little more care and feeding on the front end, to help us understand/invest in Danny's journey more.
Also not faring as well as it could have is the bad guys in this film - a group of characters called THE KNOT. Flanagan enlists a "decent enough" group of character actors for this group though, I think, this film pulls it's punches with these villains and it suffers from it. The leader of the group is "Rose The Hat", played by Rebecca Ferguson (THE GIRL ON THE TRAIN) and she is charismatic (as always) and draws you into her world, and her group. She is very seductive in this role - and that is really good. HOWEVER, when it is time for this "spider" to pounce on her prey, she just doesn't have the intimidation and fear factor, so I was never really scared or unnerved by her.
But, as far as sequels go, this one holds up very well and does a very good job of being an homage to the original film while driving it's own story - and characters - along.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)
Thus, I steered very clear of the sequel to the great Stanley Kubrick film THE SHINING (based on the novel by Stephen King). This time it was Ewan MacGregor as a grown up Danny Torrance, otherwise known as DOCTOR SLEEP. True, this one was based on Stephen King's sequel novel, but still, I avoided it.
Well...2020 being 2020...I was searching for something "new" to watch and tripped across this, so thought "what the heck, I'll give it a go"...
And...I was pleasantly surprised - Doctor Sleep is actually a pretty good flick, capturing the flavor of the original while becoming an entity of it's own.
Doctor Sleep tells the tale of an adult Danny Torrance (Ewan MacGregor) the grown-up son of the Jack Nicholson character (Jack Torrance) in THE SHINING. Danny struggles to come to grips with what happened at the Overlook Hotel - and with his ability to "Shine".
As written and directed by Mike Flanagan (GERALD'S GAME), Doctor Sleep serves as a creepy "chase flick" and a homage to The Shining at the same time. Flanagan does a decent job of giving us motivations and meanings to Danny's own personal journey while weaving in a plausible, effective use of the characters and locations of The Shining.
Part of this success rests on the castings of actors to recreate the roles - and feelings - of characters from the original Stanley Kubrick film. Alex Essoe (Wendy Torrance), Carl Lumbly (Dick Halloran) and Henry Thomas - yes the kid from ET - (as "the bartender", who is clearly Jack Torrance) all bring the essence of the previous film's characters to the events while carving out their own versions of the characters. The same can be said for Flanagan's use (re-use?) of the Overlook Hotel locations and stylings. From the patterned carpet to the typewriter in the lobby to the elevators spewing blood to the hole in the bathroom door that the axe went through - all added to the creepy eeriness of "I've been here before".
But, I think Flanagan was more interested in that part of the story/film than the other part, for faring less successfully is Danny's journey. Fault cannot be made of Ewan MacGregor's performance, he is very good, considering the clunky dialogue he is given, and he gives Danny a haunted feeling, simultaneously chasing and running from his past. But Flanagan really skims over this part of the film - why/how Danny becomes the titular "Doctor Sleep" is almost in a "blink and you'll miss it" moment. While I like the pacing of this film, I think it could have used a little more care and feeding on the front end, to help us understand/invest in Danny's journey more.
Also not faring as well as it could have is the bad guys in this film - a group of characters called THE KNOT. Flanagan enlists a "decent enough" group of character actors for this group though, I think, this film pulls it's punches with these villains and it suffers from it. The leader of the group is "Rose The Hat", played by Rebecca Ferguson (THE GIRL ON THE TRAIN) and she is charismatic (as always) and draws you into her world, and her group. She is very seductive in this role - and that is really good. HOWEVER, when it is time for this "spider" to pounce on her prey, she just doesn't have the intimidation and fear factor, so I was never really scared or unnerved by her.
But, as far as sequels go, this one holds up very well and does a very good job of being an homage to the original film while driving it's own story - and characters - along.
Letter Grade: B+
7 1/2 stars (out of 10) and you can take that to the Bank(ofMarquis)