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Kirk Bage (1775 KP) rated His Dark Materials in TV
Mar 3, 2020
Any fan of Phillip Pullman’s epic trilogy will tell you that His Dark Materials is one of the best stories ever told. There is so much scope to adapt and interpret the narrative, so rich are the textures, characterisation and pure weight of its many themes. Which is perhaps why any re-imagining will always come under such intense and divisive scrutiny.
The American studio version, patronisingly renamed The Golden Compass for the hard of thinking, was absolutely woeful, despite some canny casting. Choosing to focus too much on the potential of spectacular effects, rather than concentrating on the key elements of plot that make Northern Lights the perfect exposition for a much larger message.
You could always trust the BBC in conjunction with HBO not to make that same mistake. Which is why this version largely succeeds, regardless of some valid criticism concerning clunky dialogue and some creative re-arranging of events from the book. Yes, there is still a lot of telling rather than showing, in an attempt to engage an audience that have yet to read the source material; but, really, it didn’t bother me at all.
Casting Logan’s Dafne Keen as Lyra was the first stroke of genius. This girl has some serious potential, and, as the episodes unfold, she more than holds her own against more experienced actors in key roles. Her presence is a driving force from the get go that at times left me breathless at just how much she understands this complex young character. Truly exciting for the next chapter…
Of course, Ruth Wilson is more than capable of fulfilling the nuance of the sinister Mrs Coulter. And James McAvoy does an admirable job also, in a pivotal, but thankless role (for now) as Lord Asriel. But, no part is neglected, in this cast of dozens, which depends hugely on the idea of adults trying to control a world (eventually many worlds) in crisis!
The casting throughout is immensely bold – hardly a single actor matched my inner vision of them from the book, but the more I came to trust the production, the more I appreciated the clever choices made in this respect. Again, story-telling is always more important than spectacle, and episode to episode I simply began to believe in this version whole-heartedly – and I include in that all the voice actors who bring to life the demons, bears and all other CGI characters.
It is easy to gripe about what is wrong about it all. I can’t ever imagine a perfect visual re-telling of HDM that doesn’t disappoint at some level… but, more important to see what is very right about it! I felt moved, shocked, excited and elated at all the right moments! Basically, I got onboard and allowed myself to enjoy the story.
And what a story! Northern Lights exists as a phenomenon on its merits, but The Subtle Knife is where the themes of this idea really take off! Almost a year to wait for the next season… All I can say is, what an opportunity to make this one of the best things BBC has ever done.
Too many debating points for a brief summary. Keep watching is all I would say to anyone. Or perhaps I just want it too much…
The American studio version, patronisingly renamed The Golden Compass for the hard of thinking, was absolutely woeful, despite some canny casting. Choosing to focus too much on the potential of spectacular effects, rather than concentrating on the key elements of plot that make Northern Lights the perfect exposition for a much larger message.
You could always trust the BBC in conjunction with HBO not to make that same mistake. Which is why this version largely succeeds, regardless of some valid criticism concerning clunky dialogue and some creative re-arranging of events from the book. Yes, there is still a lot of telling rather than showing, in an attempt to engage an audience that have yet to read the source material; but, really, it didn’t bother me at all.
Casting Logan’s Dafne Keen as Lyra was the first stroke of genius. This girl has some serious potential, and, as the episodes unfold, she more than holds her own against more experienced actors in key roles. Her presence is a driving force from the get go that at times left me breathless at just how much she understands this complex young character. Truly exciting for the next chapter…
Of course, Ruth Wilson is more than capable of fulfilling the nuance of the sinister Mrs Coulter. And James McAvoy does an admirable job also, in a pivotal, but thankless role (for now) as Lord Asriel. But, no part is neglected, in this cast of dozens, which depends hugely on the idea of adults trying to control a world (eventually many worlds) in crisis!
The casting throughout is immensely bold – hardly a single actor matched my inner vision of them from the book, but the more I came to trust the production, the more I appreciated the clever choices made in this respect. Again, story-telling is always more important than spectacle, and episode to episode I simply began to believe in this version whole-heartedly – and I include in that all the voice actors who bring to life the demons, bears and all other CGI characters.
It is easy to gripe about what is wrong about it all. I can’t ever imagine a perfect visual re-telling of HDM that doesn’t disappoint at some level… but, more important to see what is very right about it! I felt moved, shocked, excited and elated at all the right moments! Basically, I got onboard and allowed myself to enjoy the story.
And what a story! Northern Lights exists as a phenomenon on its merits, but The Subtle Knife is where the themes of this idea really take off! Almost a year to wait for the next season… All I can say is, what an opportunity to make this one of the best things BBC has ever done.
Too many debating points for a brief summary. Keep watching is all I would say to anyone. Or perhaps I just want it too much…
JT (287 KP) rated Killing Them Softly (2012) in Movies
Mar 10, 2020
There was quite a significant gap between films for writer/director Andrew Dominik, five years in fact. His last feature length outing The Assassination of Jesse James by the Coward Robert Ford was a Western epic and here he has teamed up with Brad Pitt again for Killing Them Softly, one with a significantly shorter run time.
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
Pitt plays Jackie Cogan a gun for hire who is called in to clean up the mess made after a mob protected card game is robbed and the criminal economy takes an unexpected nose dive. With the criminal underworld unsure of who to trust and with no games being run it’s up to Cogan to eliminate those responsible and get trust restored.
The film is also set against real footage of Bush and Obama referring to the struggling US economy and the need for the country to pull together as a community to get itself back on track, which is ironic given the narrative that Dominik is conveying. The group behind the heist are hardly your career criminals, Frankie (Scoot McNairy) and Russell (Ben Mendelsohn) are a pair of down and outs looking for some fast cash.
These guys are a highlight, prepping for the robbery with yellow rubber gloves, masks and a sawn off shotgun so short it would take everyone out who’s in the room. Mendelsohn is especially solid, his appearance as a disheveled drug taking dog thief is one of the few comedic elements to an otherwise dry film.
Killing Them Softly is a film where you have to rely heavily on the acting, and there is plenty on show. Pitt of course is ever commanding in his role, slicked back hair and leather jacket he’s the archetypal hitman, he calls the shots and others listen.
Then there is James Gandolfini, no stranger to the world of fictional organized crime having been head of the most famous TV family, the Sopranos. Gandolfini is another hitman, called on by Pitt to assist in taking out one of the targets, however the only thing he’s capable of doing is consuming large amounts of booze and women.
Add into the mix Ray Liotta (another with a fictional mafia past) who’s responsible for knocking off his own card game in the beginning, he’s the innocent party this time around and is whacked in a spectacular slow motion capture drive by. Dominik’s script is nowhere near as tight or as in depth as Chopper, it becomes confused at times and it’s hard to know exactly where it is supposed to lead us.
There is no question that the acting is top draw and there are some great scenes of dialogue that leaves you wanting more, of course it does seem to drift on a bit too much and the short sharp cuts between actors can get annoying.
It’s fair to say it has its share of brutal violence, poor Markie Trattman (Liotta) is on the receiving end of one of cinemas heaviest beatings, and when the hits are made there is no getting away from the realism to them, blood will fly.
At the end of the film Cogan has been short changed for his work, and as an audience you might feel short changed that the film promised was not the one returned?
Zachary Wilson (3 KP) rated Super Mario Party in Video Games
Jul 29, 2019
A return to familiar territory (2 more)
Clever use of strategic elements
Variety of modes
Requires a single Joy-Con (2 more)
Boards are small and uninteresting
Only 4 boards in the main party mode
Super Mario Party returns to its classic roots, you know, before Mario Party 9. Though at the same time however it's not a 100% reunion. Sure you can move around freely again which is nice; but this party still wants to spice things up. See, they loved what they created on the 3DS, specifically Star Rush because elements of Star Rush make it's way to this classic party. For instance, every character has a unique die, and you can have up to 3 partners as you play. All taken from Star Rush. Heck, there's a team mode that plays very similarly to the main mode of Star Rush. The main mode in Super then is a disappointment. For starters, 4 boards is terrible and actually, this game now officially has the LEAST amount of boards out of any Mario Party game and that's terrible (I do not count Mario Party Advance or The Top 100 because both are completely different). It doesn't help that the boards aren't as fun as the old games. For one, they're all big squares and that's because they use the same 4 boards in the team mode, which turns the 4 boards into a grid design. These 4 boards are uninteresting to play on in my opinion compared to the very creative boards of the GameCube era Mario Parties. Yes, all the elements of a classic Mario Party are here. Collect coins, buy the star, don't get screwed. Even this has changes for the worse. Everything is cheaper so stars now only cost 10 coins. It's so easy to get coins, you might as well make stars free because I'd be very impressed if you couldn't afford a star. Coins basically become meaningless as you can constantly buy whatever item you want and the star at all times unless you have the absolute worst luck. This means you can go to the same corner of the board that sells the golden warp pipe, and use the pipe to get free stars. Items are not randomized in shops so if you know which item shop sells the pipe, then you can always just visit that shop over and over and not even bother actually trying to chase after the star. There is one board that's an exception to all've my complaints, and it's the best board because of it. Overall the main mode is just meh to me. Because this review is getting stupidly long, I'll rush the rest. The other modes are fine. Team mode's great if you liked Star Rush. Rythm Heaven moddme was fun. Water survival would've been better without the minigames. Basically everything else is perfectly fine and save this game from getting any lower. Look, I don't hate this game. I just think it's an ok game and isn't necessarily the return I was hoping for. If you're a fan of Mario Party then sure, get this game. I wouldn't trust my review. I think Mario Party 9 is amazing and I have no idea why anyone loves Mario Party 4 because I think it's one of the worst. Do you really trust my criticism of this one?
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Heather Cranmer (2721 KP) rated Paper Dolls (Dark Carousel #2) in Books
Nov 7, 2020
I really loved Dollhouse, the first book in the Dark Carousel series by Anya Allyn. I couldn't wait to dive into the next book in the series, Paper Dolls. I wanted to love Paper Dolls as much as Dollhouse, but it just wasn't as great.
Paper Dolls takes place right after Dollhouse although Paper Dolls also goes back to 1920 to focus more on Jessamine's back story and to thicken the modern day plot. While I loved Jessamine's story, Cassie's narrative is a bit lackluster. The pacing for Cassie's plot feels very slow moving. While there were a few plot twists regarding Cassie's story, the main one was the most predictable from early on. Don't get me wrong, Allyn's writing is fantastic, but Cassie's plotline just didn't wow me as before. Jessamine's, on the other hand, was fantastic! I loved learning more about Jessamine and how she become like she was in Dollhouse. Jessamine's narrative moved at a great pace, and I would get so excited when her chapters would come up. I also loved how Jessamine's chapters involved more backstory for Henry and Audette and explains how they became ghosts. It also talks more about the mysterious Donovan Fiveash. Many of the other characters, even characters with small parts, from Dollhouse are mentioned again in Paper Dolls. We get a bit more of their back story as well which was nice. There is a big cliffhanger at the end of this book which will lead into the next book in the series, Marionette. Although this book is intended for young adults, I would say it's more aimed towards a mature young adult audience as it's a lot more dark compared to Dollhouse.
As with the first book in the series, Anya Allyn did a fantastic job keeping her characters realistic relatable. Even though I found Cassie's story a little boring, I still enjoyed Cassie's character. I did find her a bit naïve in this book, but she is a teenager, so I could understand why she'd trust the first boy that showed her attention. I felt like I was Cassie's babysitter and was mentally urging her not to trust anyone! Jessamine was my obviously my favorite character. I just wanted to hug her as she had such a sad life for the most part. After reading her story, I understood why she was the way she was in Dollhouse. I really wanted to protect Jessamine throughout the whole book especially when she was still alive although I already knew she'd end up as a ghost. Henry was a character I didn't think I'd end up liking since he seemed like a bad guy in the first book. However, the audience is shown a whole different side of Henry in Paper Dolls. I just wanted Audette to disappear though. Not because she was written poorly but just because how vile and horrible she was to Jessamine. Although they were nice, I had a hard time trusting the Batiste family. They just seemed a little too nice for my liking.
Trigger warnings for Paper Dolls include death, murder, attempted rape, violence, occult activity, and mentions of sex (though not graphic).
Despite being a bit of a slow read, I still enjoyed Paper Dolls. Learning more about many of the ghosts' backstory was extremely interesting, and I loved all the characters. I would recommend Paper Dolls by Anya Allyn to those aged 16+ who love supernatural horror. I have already started reading Marionette, the next book in the Dark Carousel series, since I'm loving this series!
Paper Dolls takes place right after Dollhouse although Paper Dolls also goes back to 1920 to focus more on Jessamine's back story and to thicken the modern day plot. While I loved Jessamine's story, Cassie's narrative is a bit lackluster. The pacing for Cassie's plot feels very slow moving. While there were a few plot twists regarding Cassie's story, the main one was the most predictable from early on. Don't get me wrong, Allyn's writing is fantastic, but Cassie's plotline just didn't wow me as before. Jessamine's, on the other hand, was fantastic! I loved learning more about Jessamine and how she become like she was in Dollhouse. Jessamine's narrative moved at a great pace, and I would get so excited when her chapters would come up. I also loved how Jessamine's chapters involved more backstory for Henry and Audette and explains how they became ghosts. It also talks more about the mysterious Donovan Fiveash. Many of the other characters, even characters with small parts, from Dollhouse are mentioned again in Paper Dolls. We get a bit more of their back story as well which was nice. There is a big cliffhanger at the end of this book which will lead into the next book in the series, Marionette. Although this book is intended for young adults, I would say it's more aimed towards a mature young adult audience as it's a lot more dark compared to Dollhouse.
As with the first book in the series, Anya Allyn did a fantastic job keeping her characters realistic relatable. Even though I found Cassie's story a little boring, I still enjoyed Cassie's character. I did find her a bit naïve in this book, but she is a teenager, so I could understand why she'd trust the first boy that showed her attention. I felt like I was Cassie's babysitter and was mentally urging her not to trust anyone! Jessamine was my obviously my favorite character. I just wanted to hug her as she had such a sad life for the most part. After reading her story, I understood why she was the way she was in Dollhouse. I really wanted to protect Jessamine throughout the whole book especially when she was still alive although I already knew she'd end up as a ghost. Henry was a character I didn't think I'd end up liking since he seemed like a bad guy in the first book. However, the audience is shown a whole different side of Henry in Paper Dolls. I just wanted Audette to disappear though. Not because she was written poorly but just because how vile and horrible she was to Jessamine. Although they were nice, I had a hard time trusting the Batiste family. They just seemed a little too nice for my liking.
Trigger warnings for Paper Dolls include death, murder, attempted rape, violence, occult activity, and mentions of sex (though not graphic).
Despite being a bit of a slow read, I still enjoyed Paper Dolls. Learning more about many of the ghosts' backstory was extremely interesting, and I loved all the characters. I would recommend Paper Dolls by Anya Allyn to those aged 16+ who love supernatural horror. I have already started reading Marionette, the next book in the Dark Carousel series, since I'm loving this series!
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Lottie disney bookworm (1056 KP) rated The Fractured Empire in Books
Oct 25, 2021
The Fractured Empire is the first in the Worlds Apart series and takes place on the fifth anniversary of The Silent Explosion when Adelaide lost her mother and sister and Clark lost his father.
“Clark and Adelaide think their lives can’t get any worse. Until they meet each other.”
The style of this book is distinctly steampunk rather than the medieval style that I am used to with ElBin books. I was nervous about this as I generally don’t read books in a steampunk setting but I did find I really enjoyed it. To me the world building wasn’t quite as clear in my mind but I’m not sure if this was because I wasn’t reading a physical book.
Despite this, The Fractured Empire met all my expectations and more! How can it not when it includes all my favourite tropes such as enemies to lovers and, of course, the old forced shared-bed situation.
“who kidnapped someone and then introduced themselves? Yet here we were”
The characters are amazing, of course they are! There isn’t an underdeveloped or “2D” character in sight as we follow Addie, Clark and his 2 brothers around the Ceithren Empire, desperately seeking answers … and finding some that they didn’t expect!
Clark and Addie’s relationship is a rollercoaster! The term enemies-to-lovers does not do this pair justice, it’s more like enemies-to-almost lovers-to- definite enemies- to- begrudging colleagues. There is a definite attraction though and it is very physical to begin with: there are a lot of references to Clark’s muscles, Addie’s dress slipping down etc. I have read other reviews where they use this to say that the romance relationship is shallow but I don’t believe this is the case, they are both quite young as characters and it merely demonstrates, in my opinion, how they are constantly drawn to each other.
The best thing about Clark and Addie’s dynamic is 100% the amount of bickering and sarcasm. Oh the amount of sarcasm in this book speaks to my soul and it is here where I think the audiobook may have been better than a physical book (I know, I know! Don’t shoot!) The narrators for Clark and Addie really captured the personalities of the characters, even down to the pacing of their reading and, in Addie’s case, the haughty tones.
From the mysterious best friend Nell (who I’m still not sure if I trust or not) to Addie’s oppressive Director father to the playboy prince: the cast of supporting characters deserves an honourable mention, particularly Gunther. If you aren’t in love with Gunther we can’t be friends – it’s as simple as that!
“I gave them a mocking salute before I turned and jumped, right out the hundredth story window”
The Fractured Empire presents twists upon twists and constantly changes who you can trust but still manages to flow really well and keep the reader engaged. This is a testament to the writing of Robin but also to the narrators of the audiobook, Cris Dukehart and Graham Halstead. Some small snippets felt like they were recorded in sections and sounded out of place but on the whole the pair really embodied the characters and kept me hooked.
Thank you to Robin Mahle for providing a free copy of the audiobook of The Fractured Empire. My TBR list however, does not thank you as it now has 3 more additions to it! (*Edit* 4! I found out about the prequel!)
“Clark and Adelaide think their lives can’t get any worse. Until they meet each other.”
The style of this book is distinctly steampunk rather than the medieval style that I am used to with ElBin books. I was nervous about this as I generally don’t read books in a steampunk setting but I did find I really enjoyed it. To me the world building wasn’t quite as clear in my mind but I’m not sure if this was because I wasn’t reading a physical book.
Despite this, The Fractured Empire met all my expectations and more! How can it not when it includes all my favourite tropes such as enemies to lovers and, of course, the old forced shared-bed situation.
“who kidnapped someone and then introduced themselves? Yet here we were”
The characters are amazing, of course they are! There isn’t an underdeveloped or “2D” character in sight as we follow Addie, Clark and his 2 brothers around the Ceithren Empire, desperately seeking answers … and finding some that they didn’t expect!
Clark and Addie’s relationship is a rollercoaster! The term enemies-to-lovers does not do this pair justice, it’s more like enemies-to-almost lovers-to- definite enemies- to- begrudging colleagues. There is a definite attraction though and it is very physical to begin with: there are a lot of references to Clark’s muscles, Addie’s dress slipping down etc. I have read other reviews where they use this to say that the romance relationship is shallow but I don’t believe this is the case, they are both quite young as characters and it merely demonstrates, in my opinion, how they are constantly drawn to each other.
The best thing about Clark and Addie’s dynamic is 100% the amount of bickering and sarcasm. Oh the amount of sarcasm in this book speaks to my soul and it is here where I think the audiobook may have been better than a physical book (I know, I know! Don’t shoot!) The narrators for Clark and Addie really captured the personalities of the characters, even down to the pacing of their reading and, in Addie’s case, the haughty tones.
From the mysterious best friend Nell (who I’m still not sure if I trust or not) to Addie’s oppressive Director father to the playboy prince: the cast of supporting characters deserves an honourable mention, particularly Gunther. If you aren’t in love with Gunther we can’t be friends – it’s as simple as that!
“I gave them a mocking salute before I turned and jumped, right out the hundredth story window”
The Fractured Empire presents twists upon twists and constantly changes who you can trust but still manages to flow really well and keep the reader engaged. This is a testament to the writing of Robin but also to the narrators of the audiobook, Cris Dukehart and Graham Halstead. Some small snippets felt like they were recorded in sections and sounded out of place but on the whole the pair really embodied the characters and kept me hooked.
Thank you to Robin Mahle for providing a free copy of the audiobook of The Fractured Empire. My TBR list however, does not thank you as it now has 3 more additions to it! (*Edit* 4! I found out about the prequel!)
Merissa (11958 KP) rated Caressed by the Edge of Darkness (Rulers of Darkness #5) in Books
Dec 20, 2017
Caressed by the Edge of Darkness (Rulers of Darkness #5) by Amanda J. Greene
Caressed by the Edge of Darkness is the fifth book in the Rulers of Darkness series, and it is time for Gabriel's story. He became obsessed by Jordan when he first saw her, and tried to preempt her abduction by Boras. When he failed at that, he was desperate to find her. Now Jordan is not your typical wilting wallflower. She was raised as a hunter and is capable of protecting herself. However, her abductors decide to drug her to keep her pliant, and even she can't fight that.
I love a tortured hero, and you don't get more tortured than Gabriel. Once you read about his past, you understand why he is the way he is. Jordan is his perfect match, if he would just trust himself. These two constantly spark off each other, making this a fun read. It is also sexy, with plenty of steamy times. We also get cameo appearances from Dimitri and Kerstyn, and hints towards Gannon and Silvie.
This book is an amazing read, but the one thing that detracts from it is the editing and grammatical errors. Spelling errors are sprinkled throughout, which is a shame because the story itself is wonderful. I would recommend this book, and series, but only if you can skim over errors without them affecting your enjoyment of the story.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
I love a tortured hero, and you don't get more tortured than Gabriel. Once you read about his past, you understand why he is the way he is. Jordan is his perfect match, if he would just trust himself. These two constantly spark off each other, making this a fun read. It is also sexy, with plenty of steamy times. We also get cameo appearances from Dimitri and Kerstyn, and hints towards Gannon and Silvie.
This book is an amazing read, but the one thing that detracts from it is the editing and grammatical errors. Spelling errors are sprinkled throughout, which is a shame because the story itself is wonderful. I would recommend this book, and series, but only if you can skim over errors without them affecting your enjoyment of the story.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!