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Kirk Bage (1775 KP) rated Making A Murderer - Season 1 in TV
Mar 3, 2020
The phenomenon of “true crime” as entertainment is disturbing. What we are saying when we subscribe to watch these compellingly morbid shows is that, of course, we don’t “enjoy” or condone the crimes themselves. But, we do increasingly expect that without the grotesque detail of primary crime scene evidence, documented visually, we can switch over to another show that will give us our macabre kick. So, it is a dangerous precedent to say that without that factor we won’t engage.
What does make us want to know, and solve, and understand the worst criminal minds of the last century? Do we place ourselves as amateur sleuths and psychologists, so we can have our own opinions on a difficult subject, or do we just want to see the very worst of humanity to satisfy a need to be shocked? One thing for sure is that there is no end to this kind of docu-drama available, especially on Netflix, if we choose to stomach it.
I watched three recently in quick succession, and do feel like I have something to say about it…
First, was the extension of the Making A Murderer case of Steven Avery, which can be credited for re-imagining the scope of this kind of “reality” show on Netflix in late 2015. Without a doubt, the draw of the first series was in showing how corrupt, ambiguous and vague the American criminal system can be. We know this from circus shows such as the OJ Simpson case, that capture a curiosity in the public that must be explored and documented. There is no point in saying, no don’t do it, because eventually we have to know, and current forensic science and film techniques allow us to approach it. Carefully. Oh, so carefully!
In this case, the much criticised production extracts further detail from an undeniably fascinating case of criminal negligence and injustice, without ever providing a new revelation enough to definitively say we now know enough to put it to bed. It focuses largely on the power of Kathleen Zellner as a lawyer of impeccable motives and results to prove the innocence of convicted men.
What we then get is 10 episodes of contrivance that increasingly try to convince us further that this is a miscarriage of justice that must be addressed. The continual message is that there is a conspiracy here, which makes for good TV. Someone doesn’t want this show to have an influence. Who is covering up what? And why is the justice system adamant in disallowing the revelations this show throws up so regularly? In the end it becomes less about the victim and the crime, as an indictment of a process that does not want to be examined. The power of this show has always been that something is rotten in Denmark. But what exactly?
There is no doubt at all that once involved you have to keep watching. It is exceptionally presented, and therefore successful as an entertainment because of that. The complexity of the argument comes not in the real recordings of conversations and evidence, but in the form of presentation as a TV show. A question, I am certain, the film-makers themselves constantly ask. It is about finding “truth” for the families of the victims; a crusade that may or may not include individuals wrongly accused of a crime.
What does make us want to know, and solve, and understand the worst criminal minds of the last century? Do we place ourselves as amateur sleuths and psychologists, so we can have our own opinions on a difficult subject, or do we just want to see the very worst of humanity to satisfy a need to be shocked? One thing for sure is that there is no end to this kind of docu-drama available, especially on Netflix, if we choose to stomach it.
I watched three recently in quick succession, and do feel like I have something to say about it…
First, was the extension of the Making A Murderer case of Steven Avery, which can be credited for re-imagining the scope of this kind of “reality” show on Netflix in late 2015. Without a doubt, the draw of the first series was in showing how corrupt, ambiguous and vague the American criminal system can be. We know this from circus shows such as the OJ Simpson case, that capture a curiosity in the public that must be explored and documented. There is no point in saying, no don’t do it, because eventually we have to know, and current forensic science and film techniques allow us to approach it. Carefully. Oh, so carefully!
In this case, the much criticised production extracts further detail from an undeniably fascinating case of criminal negligence and injustice, without ever providing a new revelation enough to definitively say we now know enough to put it to bed. It focuses largely on the power of Kathleen Zellner as a lawyer of impeccable motives and results to prove the innocence of convicted men.
What we then get is 10 episodes of contrivance that increasingly try to convince us further that this is a miscarriage of justice that must be addressed. The continual message is that there is a conspiracy here, which makes for good TV. Someone doesn’t want this show to have an influence. Who is covering up what? And why is the justice system adamant in disallowing the revelations this show throws up so regularly? In the end it becomes less about the victim and the crime, as an indictment of a process that does not want to be examined. The power of this show has always been that something is rotten in Denmark. But what exactly?
There is no doubt at all that once involved you have to keep watching. It is exceptionally presented, and therefore successful as an entertainment because of that. The complexity of the argument comes not in the real recordings of conversations and evidence, but in the form of presentation as a TV show. A question, I am certain, the film-makers themselves constantly ask. It is about finding “truth” for the families of the victims; a crusade that may or may not include individuals wrongly accused of a crime.
Kelly (279 KP) rated Orphan Black - Season 1 in TV
Dec 6, 2018
Unique plot line (1 more)
Fantastic actors
Hooked!
I was originally drawn to the series after reading the synopsis, and was hooked in the first 10 minutes. The story centres around Sarah, who assumes the identity of a woman who looks identical to her, trying to escape her own troublesome past, but instead finding she has just stepped into more trouble. As the story develops, we find out that they are actually clones of each other, and are not alone in the world.
The plot thickens quickly as the series develops, becoming more sinister as Sarah tries to protect her foster family and young daughter. In all, I could the plot line unique and refreshing in comparison to what is currently out their.
The clones are played by Tatiana Maslany, who acts each one individually, the fact that she is able to demonstrate a clear identity of several characters at the same time, is a credit to her acting career.
The show itself does have a lot of drama, suspense and a little violence throughout the series, however it never takes itself too seriously, with regular breaks to add a little light heartedness into the show. The clone Alison/ soccer mom, in particular adds an air of humour to the show, particularly with her turbulent relationship with her husband and the stark contrast between herself and Sarah.
The series itself is worthy of a complete box set binge, and is definitely not one that you want to stop until the very end. This has made it to my list of favourite TV shows of all time.
The plot thickens quickly as the series develops, becoming more sinister as Sarah tries to protect her foster family and young daughter. In all, I could the plot line unique and refreshing in comparison to what is currently out their.
The clones are played by Tatiana Maslany, who acts each one individually, the fact that she is able to demonstrate a clear identity of several characters at the same time, is a credit to her acting career.
The show itself does have a lot of drama, suspense and a little violence throughout the series, however it never takes itself too seriously, with regular breaks to add a little light heartedness into the show. The clone Alison/ soccer mom, in particular adds an air of humour to the show, particularly with her turbulent relationship with her husband and the stark contrast between herself and Sarah.
The series itself is worthy of a complete box set binge, and is definitely not one that you want to stop until the very end. This has made it to my list of favourite TV shows of all time.
Butch Vig recommended track Wichita Lineman by Glen Campbell / Jimmy Webb in In Session by Glen Campbell / Jimmy Webb in Music (curated)
Andy K (10821 KP) rated Diagnosis in TV
Sep 2, 2019
Fascinating and emotional TV
I never scroll through Netflix since I hate it so very much (I digress), but I did today so they got me.
I found this new very interesting and emotional docuseries about Dr. Lisa Sanders who writes a column called "Diagnosis" in the New York Times that she decided to take online to try and find a global "diagnosis" or answer for people with very rare and unusual medical conditions who are desperate and at the end of their rope to try and find answers.
Once published hundreds of responses pour in from both average people who maybe have been effected by a similar condition or their family has as well as various medical professionals spanning the globe with various replies. The results are then tabulated and discussed with the patient as far as possible treatment options.
The description sounds exploitative, but I don't believe it is. There is a disclaimer on the front of each episode saying everyone should consult their own medical professional before starting any treatment. The show is certainly made for entertainment, but also to inform and enlighten.
The result is gripping and emotional seeing those who have long suffered rare conditions and have been through the medical system only to be frustrated with a lack of treatments or even knowing what their condition is.
I cry during emotional commercials on television, so it doesn't take much for me to start balling. I was swept up in this show almost immediately even though I am only a few episodes in.
OK fine Netflix has one good show! 😜
I found this new very interesting and emotional docuseries about Dr. Lisa Sanders who writes a column called "Diagnosis" in the New York Times that she decided to take online to try and find a global "diagnosis" or answer for people with very rare and unusual medical conditions who are desperate and at the end of their rope to try and find answers.
Once published hundreds of responses pour in from both average people who maybe have been effected by a similar condition or their family has as well as various medical professionals spanning the globe with various replies. The results are then tabulated and discussed with the patient as far as possible treatment options.
The description sounds exploitative, but I don't believe it is. There is a disclaimer on the front of each episode saying everyone should consult their own medical professional before starting any treatment. The show is certainly made for entertainment, but also to inform and enlighten.
The result is gripping and emotional seeing those who have long suffered rare conditions and have been through the medical system only to be frustrated with a lack of treatments or even knowing what their condition is.
I cry during emotional commercials on television, so it doesn't take much for me to start balling. I was swept up in this show almost immediately even though I am only a few episodes in.
OK fine Netflix has one good show! 😜
