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Joe Goodhart (27 KP) rated The Zodiac Paradox (Fringe, #1) in Books
Nov 30, 2020
My wife and I were late bloomers, getting into the show as it entered its 5th, and final season. We "binge watched" on Netflix, getting caught up, and then left with a craving for more after series ended. Enter 'Fringe: The Zodiac Paradox', the 1st in Christa Faust's trilogy that serves as prequels for the the three main characters: Walter and Peter Bishop, as well as Olivia Dunham.
Reviewing a number of reviews on here, as well as via Amazon.com, I found complaints that Walter's characterization was more in-line with his character in the show, not the 1968 "scientist" version. And, yes, that is true enough, the story and dialogue were good enough that I could overlook that issue, in head, reworking his persona, as I read it.
I am probably biased, as I am fan of 'Fringe', as well as having an interest of sorts in stories involving the Zodiac Killer, but I liked the book. Is it perfect? No, but, as I am finding these days - in books, newspapers/magazines, and even scrolling text on TV, spelling, grammar, and/or syntax have gone the way of the dinosaur! The errors were minimal, at worse, and the only character that appeared "off" was Walter. None of that, though, affected my appreciation of the story.
If you are looking for a good fix to fill your 'Fringe' void, you could do a heckuva lot worse. Try it, I think you may surprise yourself..
Reviewing a number of reviews on here, as well as via Amazon.com, I found complaints that Walter's characterization was more in-line with his character in the show, not the 1968 "scientist" version. And, yes, that is true enough, the story and dialogue were good enough that I could overlook that issue, in head, reworking his persona, as I read it.
I am probably biased, as I am fan of 'Fringe', as well as having an interest of sorts in stories involving the Zodiac Killer, but I liked the book. Is it perfect? No, but, as I am finding these days - in books, newspapers/magazines, and even scrolling text on TV, spelling, grammar, and/or syntax have gone the way of the dinosaur! The errors were minimal, at worse, and the only character that appeared "off" was Walter. None of that, though, affected my appreciation of the story.
If you are looking for a good fix to fill your 'Fringe' void, you could do a heckuva lot worse. Try it, I think you may surprise yourself..
Zoe Nock (13 KP) rated Codename Villanelle (Killing Eve #1) in Books
Jun 26, 2019
Whilst binge-watching the BBC’s excellent Killing Eve I kept promising myself that I would hunt down a copy of the source material to learn more about the fascinating female protagonists.
It was certainly intriguing to hear the inner workings of Eve’s & Villanelle’s minds and to discover more about their backstory. I particularly enjoyed learning how Villanelle was moulded into the cold-bloodedly efficient assassin that fans of the show have come to love and fear.
“Black, white and red. Darkness, snow and blood. Perhaps it takes as Russian to understand the world in those terms.”
The novel is well written and clips along nicely. There are some well-executed (pun intended) set pieces in exotic or glamourous locations, it easy to see why it was targeted for adaptation. I’m glad that they resisted the temptation to give it the big screen treatment, turning it into what would probably been a beautifully shot but ultimately forgettable ‘sexy spy’ film.
It was an inspired decision to inject humour into the TV show; Phoebe Waller-Bridge brought this book to life in a darkly, deliciously, delightful way. Because of that I was a little disappointed with the book itself. Eve’s kookiness and Villanelle’s bat-s**t craziness are absent and sorely missed by anyone who has seen the series. It is still a good read but Waller-Bridge has shown us what the characters are truly capable of.
It was certainly intriguing to hear the inner workings of Eve’s & Villanelle’s minds and to discover more about their backstory. I particularly enjoyed learning how Villanelle was moulded into the cold-bloodedly efficient assassin that fans of the show have come to love and fear.
“Black, white and red. Darkness, snow and blood. Perhaps it takes as Russian to understand the world in those terms.”
The novel is well written and clips along nicely. There are some well-executed (pun intended) set pieces in exotic or glamourous locations, it easy to see why it was targeted for adaptation. I’m glad that they resisted the temptation to give it the big screen treatment, turning it into what would probably been a beautifully shot but ultimately forgettable ‘sexy spy’ film.
It was an inspired decision to inject humour into the TV show; Phoebe Waller-Bridge brought this book to life in a darkly, deliciously, delightful way. Because of that I was a little disappointed with the book itself. Eve’s kookiness and Villanelle’s bat-s**t craziness are absent and sorely missed by anyone who has seen the series. It is still a good read but Waller-Bridge has shown us what the characters are truly capable of.
Mark @ Carstairs Considers (2430 KP) rated Dream Town in Books
Jul 25, 2024 (Updated Jul 25, 2024)
Eve Uncovers Nightmares in an Exclusive Community
Eve Ronin is called out in the middle of the night because someone has killed Kitty Winslow, the oldest of the Winslow kids. The Winslows are the stars of the extremely popular reality show Life with the Winslows, and they live in the exclusive town of Hidden Hills, an enclave of the rich and famous. The video of the killing makes it look like it was a robbery gone wrong. If that’s the case, will Eve ever be able to figure out what happened?
Of course, that’s just one aspect of this book. While this isn’t as much of a ticking clock thriller as some books in the series, there is still plenty here to keep the reader engaged and the pages turning. The twists and dead ends lead up to a logical climax. Meanwhile, I enjoyed the subplot involving the filming of the TV show based on Eve’s life. I also like how Eve continues to grow; it’s been fun to watch that as the series progresses. We get lots of new characters here who fit right in with the regulars. The foul content pushes the edges for me personally, but I suspect others won’t be as bothered by it. Still, know that is there. Overall, this is another winner. When you pick it up, you’ll find the pages fly by all too quickly.
Of course, that’s just one aspect of this book. While this isn’t as much of a ticking clock thriller as some books in the series, there is still plenty here to keep the reader engaged and the pages turning. The twists and dead ends lead up to a logical climax. Meanwhile, I enjoyed the subplot involving the filming of the TV show based on Eve’s life. I also like how Eve continues to grow; it’s been fun to watch that as the series progresses. We get lots of new characters here who fit right in with the regulars. The foul content pushes the edges for me personally, but I suspect others won’t be as bothered by it. Still, know that is there. Overall, this is another winner. When you pick it up, you’ll find the pages fly by all too quickly.
BankofMarquis (1832 KP) rated The Many Saints of Newark (2021) in Movies
Oct 12, 2021
The "non-Sopranos" part of this film worked much better
The new Sopranos prequel film THE MANY SAINTS OF NEWARK is a review-proof film. Most people fall into 1 of 2 camps.
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
The first, fans of the 1999-2007 landmark HBO series that some (including myself) call one of the best TV series of all time. The folks that fall into this camp will be checking this film out no matter what.
The second are folks that either never saw the series or have only a passing knowledge of it - these folks are (more than likely) gonna take a pass at this film.
And both camps would be right and wrong for THE MANY SAINTS OF NEWARK is a middle-of-the-road film that will be satisfying for SOPRANOS fans, but the part of this film that really, really works well has nothing to do with the series.
Written by Sopranos creator David Chase, TMSON is set in the late 1960’s-early 1970’s and tells the tale of a young Tony Soprano and his introduction to the North Jersey mafia and the charismatic mob boss who he is drawn to.
The first 15 minutes of this film were written specifically for SOPRANOS fans for it is here that you are introduced to younger versions of many of your favorite characters. From Tony to Uncle Junior to Livia (Tony’s Mom) to Pauly Walnuts, Silvio and “Big Pussy” they are all there - along with a few others you don’t know (and it is not a spoiler to say, there is a reason that they never made it to the TV series). You are also introduced to Tony’s Father Johnny Soprano, Mob Boss “Hollywood” Dick Moltisanti and the center of this film, the son of the Boss “Uncle” Dickie Moltisanti (father of future TV Series character Christopher).
It’s an enjoyable enough introduction, but it is nothing new. The characters sit around, talk, act tough and eat. Something that we’ve seen in countless mob movies before. Chase and Director Alan Taylor (THOR: THE DARK WORLD) appear somewhat bored with this part of the film - almost as if they are saying “here they all are, enjoy this for we have a more interesting story to tell”. This first 15 minutes of the film seem to go on forever.
And then the movie - and Chase’s ideas and Taylor’s Direction - kick in.
And this is where TMSON begins to escalate as the story splits into 2 parts - the first following Dickie (Alessandro Nivola) and the 2nd following one of his “runners” (Leslie Odom, Jr.) who is destined to become a powerful boss of the “Black Mafia”.
It’s a smart juxtaposition of story, but unfortunately for SOPRANO’s fans, the first story (following Dickie) and including most of the Soprano’s characters is the less interesting of the 2 stories. It is the journey of Leslie Odom, Jr.’s character that makes for a more compelling story. It is as if Chase had an interesting idea for a mob film but knew he would not be able to get it made unless he tied it somewhat to a Sopranos story.
Leslie Odom Jr. is magnetic as Harold McBrayer, the former numbers runner for Dickie that has an awaking through the Black Power movement of the late ‘60’s and becomes a formidable mob boss in his own right. This half of the movie/story is intriguing and interesting for you never know in what direction it is going to land. This “B” story is free to be whatever it wants/needs to be and this freedom elevates it.
The same cannot be said for the “A” story - the journey of Dickie Moltisanti. Alessandro Nivola is charming enough as this sadistic, sociopathic mobster, but he is saddled with too much TV show baggage to become a character on his own. Specifically his mentorship and (ultimate) disassociation with the young Tony Soprano (played by Michael Gandolfini, the son of the late James Gandolfini who played Tony in the TV series). I felt like these characters were burdened with the weight of the TV show and the need to pay homage to what will be coming in their lives via the TV show and to shoehorn in each character along the way.
Consequently some great actors like Vera Farmiga (Tony’s mother Livia), Jon Bernthal (Tony’s father), and Corey Stoll (as Uncle Junior) are all filming extended cameos. They do a good (enough) job bringing the essence of the characters from the TV Series to this film, but they just don’t have enough to do. I would love for these 3 to spin-off on their own.
The same can be said for Billy Magnussen (Pauly), John Magaro (Silvio) and Samson Moeakiola (Big Pussy). They all do a nice job bringing the younger versions of these characters to life (especailly Magaro) but they just don’t have enough to do.
And then there is Ray Liotta’s over-the-top performance as Mob Boss “Hollywood” Dick Moltisanti. Ove-the-top doesn’t even begin to describe the performance he is giving. I will give him credit, though, he does tone it down about 1/2 way through the film, but…geez…the first part…wow.
Ultimately, the failure of the “A” story to captivate dooms this movie to mediocre status. I would have loved for Chase to really sink his teeth into the “B” story - and to let Leslie Odom Jr. really fly as a character and and actor.
But that would have defeated the purpose of making a Sopranos prequel - a prequel that, perhaps, shouldn’t have been made in the first place.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Darren (1599 KP) rated A Long Way Down (2014) in Movies
Jun 20, 2019
Story: A Long Way Down starts on New Year’s Eve as disgraced TV celebrity Martin (Brosnan) is planning to kill himself only to get interrupted by the lonely Maureen (Collette), heartbroken Jess (Poots) and cancer stricken JJ (Paul) who are also using the same rooftop to plan their suicide.
All going against the suicide the four make a pact to not kill themselves until at least Valentine’s day and support each other through the six weeks once the tabloids want to make a story of why they were together. The four become good friends exposing their own secrets to why they want to escape their lives.
Thoughts on A Long Way Down
Characters/Performance – Martin is the disgraced TV talk show host, his small mistake has ruined his career, his family and even finding himself in jail. Now out of jail he wants to kill himself to get away from the headlines. Maureen is a single mother spending everyday looking after her disabled son, not getting any real free time. Jess is the daughter of politician whose sister vanished a few years before, she is a lost soul in the world turning to the drinks and drugs. JJ is an American musician who can’t find his place in the world.
Performance wise, I feel all four of the main actors give brilliant performances, Paul and Poots both show that this could be one of their best of their careers in film, while Brosnan and Collette must have theirs put on their underrated performances of their careers.
Story – The story shows the struggles everyday people can have with depression, it shows that you can get support from people you didn’t even know. I think this film tackles the issues of depression on a brilliant level, and shows just how you can find light in the strangest places.
Settings – The settings are used to show just how different the location these four have come from, it shows just how important finding help outside your comfort zone can be.
Final Thoughts – This is a film I didn’t expect too much from and I can say I truly enjoyed the film, the characters all feel real, their problems feel real and most importantly the answers to the problems didn’t cure everything they helped them realizes how important they are.
Overall: This is a very underrated film I feel people should be seeing.
https://moviesreview101.com/2017/09/15/a-long-way-down-2014/
All going against the suicide the four make a pact to not kill themselves until at least Valentine’s day and support each other through the six weeks once the tabloids want to make a story of why they were together. The four become good friends exposing their own secrets to why they want to escape their lives.
Thoughts on A Long Way Down
Characters/Performance – Martin is the disgraced TV talk show host, his small mistake has ruined his career, his family and even finding himself in jail. Now out of jail he wants to kill himself to get away from the headlines. Maureen is a single mother spending everyday looking after her disabled son, not getting any real free time. Jess is the daughter of politician whose sister vanished a few years before, she is a lost soul in the world turning to the drinks and drugs. JJ is an American musician who can’t find his place in the world.
Performance wise, I feel all four of the main actors give brilliant performances, Paul and Poots both show that this could be one of their best of their careers in film, while Brosnan and Collette must have theirs put on their underrated performances of their careers.
Story – The story shows the struggles everyday people can have with depression, it shows that you can get support from people you didn’t even know. I think this film tackles the issues of depression on a brilliant level, and shows just how you can find light in the strangest places.
Settings – The settings are used to show just how different the location these four have come from, it shows just how important finding help outside your comfort zone can be.
Final Thoughts – This is a film I didn’t expect too much from and I can say I truly enjoyed the film, the characters all feel real, their problems feel real and most importantly the answers to the problems didn’t cure everything they helped them realizes how important they are.
Overall: This is a very underrated film I feel people should be seeing.
https://moviesreview101.com/2017/09/15/a-long-way-down-2014/
Firefly - Season 1
9.3
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Firefly is an American space western drama television series created by writer and director Joss...
Firefly Serenity Joss Whedon Browncoats TV Series Fox
Kristy H (1252 KP) rated The Favorite Sister in Books
Mar 10, 2019
Fell flat for me
The reality TV show Goal Diggers is supposed to buck the trend of most reality TV, with a focus on the radical notion that it is about women putting other women first. It even features unmarried, childless (for the most part), successful women. But, is that really the case? It sure seems like everyone on Diggers is fake and lying. There's Brett, 27, the youngest of the group, who is running her business, SPOKE, which focuses on helping women in Morocco. Her sister, Kelly is the newest addition, and she runs the business with Brett and is a mom to her teenage daughter, Layla. There's also Jen, who oversees her vegan empire; Lauren, creator of a dating website; and Stephanie, a successful author. None of these women really like each other after several seasons of the show. Even so, the producers never expected it all to end in murder.
I have some conflicted and confused emotions about this book. It took me over a week to read, which is forever in my world (I finished three other books in the meantime, to put it in perspective). You know how your Kindle tells you the percentage left to read? I swear that number never changed, it felt like such slow going, and I considered giving up several times. I really only kept reading because of a big reveal that happened on page one (literally) and then the rest of the book spends its time going back in time explaining what happened. I was mildly curious enough to find out what went down. The novel keeps you wondering just enough even if you don't like the characters.
Because, wow, these characters are really despicable. I can get past it in most books, and I thought maybe I'd like Brett for a while, but this self-centered group really took the cake. I am not a reality TV person, especially Real Housewives, so maybe that's part of why this one wasn't for me? I found the in-fighting, petty catfights, and personal drama to just be over-the-top. It's sad, because at times, I found a real wit and depth to the book, but for the most part it just dragged on. And on.
And again, some of this just may be because I'm not a reality TV gal. I really like Knoll's writing, I just couldn't get a handle on the tone. Funny? Serious? Both? What was it aiming for? Did it all just go over my head? I caught that it was trying for some really meaningful social commentary about feminism, weight, race, and so much more, but then it would get lost in two women fighting over platform heels.
There were some good twists at the end, but overall, this one fell flat for me, including the final ending. I felt like I slogged through it, and I just didn't enjoy the characters. Perhaps I missed the overall point or meaning. Many others have enjoyed it, so you may find it's more suited for you than it was for me.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
I have some conflicted and confused emotions about this book. It took me over a week to read, which is forever in my world (I finished three other books in the meantime, to put it in perspective). You know how your Kindle tells you the percentage left to read? I swear that number never changed, it felt like such slow going, and I considered giving up several times. I really only kept reading because of a big reveal that happened on page one (literally) and then the rest of the book spends its time going back in time explaining what happened. I was mildly curious enough to find out what went down. The novel keeps you wondering just enough even if you don't like the characters.
Because, wow, these characters are really despicable. I can get past it in most books, and I thought maybe I'd like Brett for a while, but this self-centered group really took the cake. I am not a reality TV person, especially Real Housewives, so maybe that's part of why this one wasn't for me? I found the in-fighting, petty catfights, and personal drama to just be over-the-top. It's sad, because at times, I found a real wit and depth to the book, but for the most part it just dragged on. And on.
And again, some of this just may be because I'm not a reality TV gal. I really like Knoll's writing, I just couldn't get a handle on the tone. Funny? Serious? Both? What was it aiming for? Did it all just go over my head? I caught that it was trying for some really meaningful social commentary about feminism, weight, race, and so much more, but then it would get lost in two women fighting over platform heels.
There were some good twists at the end, but overall, this one fell flat for me, including the final ending. I felt like I slogged through it, and I just didn't enjoy the characters. Perhaps I missed the overall point or meaning. Many others have enjoyed it, so you may find it's more suited for you than it was for me.
I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review (thank you!).
Qello Concerts
Music and Entertainment
App
Qello Concerts lets you to turn any screen into a live concert video experience. Music lovers can...
ClareR (5991 KP) rated Always Greener in Books
Feb 27, 2020 (Updated Feb 27, 2020)
Always Greener is about a reality TV show in the near future, where everyone is permanently glued to their screens through visual implants or AR glasses (if they haven't got the money). How bad is your life? Because if it's REALLY bad, you're more likely to become a contestant on The Grass is Greener, where you'll be watched 24/7 through your visual implants. There's no off switch, there's no privacy - the public want to see everything.
The first couple of chapters were a little hard-going, but I'm glad I persevered. It's a satire of the reality TV that we have today, and J. R. H. Lawless has taken it to it's furthest point, it's most outrageous end. To be fair, I'm sure it could probably be even more heartless, invasive and damaging, but the contestants are saved, to a certain extent, by a host with a conscience.
I did really enjoy this - but I can't say as it made me feel particularly positive about the future: people used as guinea pigs for drugs and procedures untested on anyone else, with fatal consequences; suicide so commonplace, that it has become a steady job for a group of people who clean up after them - what a way to make a living; the total lack of empathy for people who are less fortunate, reduced merely to a prime-time, all-the-time, streaming slot.
Not a future I would want, but a great book, nonetheless. Its a good read!
Many thanks to NetGalley for my copy of this book to read and review.
The first couple of chapters were a little hard-going, but I'm glad I persevered. It's a satire of the reality TV that we have today, and J. R. H. Lawless has taken it to it's furthest point, it's most outrageous end. To be fair, I'm sure it could probably be even more heartless, invasive and damaging, but the contestants are saved, to a certain extent, by a host with a conscience.
I did really enjoy this - but I can't say as it made me feel particularly positive about the future: people used as guinea pigs for drugs and procedures untested on anyone else, with fatal consequences; suicide so commonplace, that it has become a steady job for a group of people who clean up after them - what a way to make a living; the total lack of empathy for people who are less fortunate, reduced merely to a prime-time, all-the-time, streaming slot.
Not a future I would want, but a great book, nonetheless. Its a good read!
Many thanks to NetGalley for my copy of this book to read and review.