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BankofMarquis (1832 KP) rated BEING THE RICARDOS (2021) in Movies
Jan 14, 2022
Superb "A" plot, Boring "B" plot
When I first heard that Nicole Kidman (of all people) was set to play Lucille Ball in a bio-pic (of sorts), I was suspect over the casting.
Darned if she doesn’t pull it off.
Written and Directed by Aaron Sorkin, BEING THE RICARDOS isn’t, exactly, a bio-pic of Lucy, but rather it tells the tale of a pivotal week in the life of Lucy and her husband Desi Arnaz (Javier Bardem) as Lucy deals with infidelity issues with Desi and accusations of being a Communist from the House UnAmerican activities committee all while trying to put on her weekly TV show. Oh…and it also shows, in flashback, Lucy and Desi’s courtship.
This is a lot to pack-in in one film and this movie almost manages to do it well.
Let’s start with the performances. Kidman is excellent as Lucy - especially as she recreates the Lucille Ball we know on-screen. She has the pattern and physicality of the TV star down and recreates Lucy’s TV personae well. Kidman also digs deeply into her considerable acting talent to pull out the “business” Lucy, showing a determined woman driving her way through a “man’s world”.
JK Simmons is brilliant, as always, as William Frawley (who played Fred Mertz in I LOVE LUCY). Sorkin has written Frawley as the “all knowing” mystic of the piece, hanging into the background, but coming to fore when one of the principal characters needs a bit of sage advice. It’s an old trope, but Simmons pulls it off well.
Unfortunately, the Desi Arnaz and Vivian Vance (who played Ethel) character’s are underwritten by Sorkin. Nina Arianda is well cast as Ethel, but she just doesn’t have much to do (besides being a foil for Lucy - which was what Vance was for many, many years). I’d love to see a version of this film where Arianda is giving something more meaty, I think she’d tear into it.
And then there is Javier Bardem’s portrayal of Desi Arnaz. It is an underwritten part and Bardem plays the surface of this character and just doesn’t get “deep enough” into the soul of this man, so Desi really ended up a throw away character in this.
It was good to see, however, some “veteran” performers (Linda Lavin, Ronny Cox and John Rubenstein) playing older versions of characters involved in the activities in this film, reminiscing (and commenting on) the events. It was a nice framing touch and added some depth to the film.
The praise for the good parts of this film (and there are plenty) and the blame for the bad (boring/underwritten) parts of this film (and there are plenty) all lie at the feet of Writer/Director Sorkin. It is as if he had a really good idea (showing Lucy under pressure by the House Un-American Committee while battling the Corporate Suits - and Directors/Writers/Producers who are not as in touch with Lucy’s Comedy as she is - while trying to put on a weekly show), but it wasn’t quite enough to fill a complete movie, so he added a “B” plot of Desi’s philandering (which is true to what really occurred) and flashbacks to how they met.
The first part works very well (clearly, this was the part that Sorkin was interested in) while the 2nd part feels “put on” (Sorkin “banging it out” to fill the film).
This film is worth watching, I just wish there was more “A” plot and less “B” plot.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Darned if she doesn’t pull it off.
Written and Directed by Aaron Sorkin, BEING THE RICARDOS isn’t, exactly, a bio-pic of Lucy, but rather it tells the tale of a pivotal week in the life of Lucy and her husband Desi Arnaz (Javier Bardem) as Lucy deals with infidelity issues with Desi and accusations of being a Communist from the House UnAmerican activities committee all while trying to put on her weekly TV show. Oh…and it also shows, in flashback, Lucy and Desi’s courtship.
This is a lot to pack-in in one film and this movie almost manages to do it well.
Let’s start with the performances. Kidman is excellent as Lucy - especially as she recreates the Lucille Ball we know on-screen. She has the pattern and physicality of the TV star down and recreates Lucy’s TV personae well. Kidman also digs deeply into her considerable acting talent to pull out the “business” Lucy, showing a determined woman driving her way through a “man’s world”.
JK Simmons is brilliant, as always, as William Frawley (who played Fred Mertz in I LOVE LUCY). Sorkin has written Frawley as the “all knowing” mystic of the piece, hanging into the background, but coming to fore when one of the principal characters needs a bit of sage advice. It’s an old trope, but Simmons pulls it off well.
Unfortunately, the Desi Arnaz and Vivian Vance (who played Ethel) character’s are underwritten by Sorkin. Nina Arianda is well cast as Ethel, but she just doesn’t have much to do (besides being a foil for Lucy - which was what Vance was for many, many years). I’d love to see a version of this film where Arianda is giving something more meaty, I think she’d tear into it.
And then there is Javier Bardem’s portrayal of Desi Arnaz. It is an underwritten part and Bardem plays the surface of this character and just doesn’t get “deep enough” into the soul of this man, so Desi really ended up a throw away character in this.
It was good to see, however, some “veteran” performers (Linda Lavin, Ronny Cox and John Rubenstein) playing older versions of characters involved in the activities in this film, reminiscing (and commenting on) the events. It was a nice framing touch and added some depth to the film.
The praise for the good parts of this film (and there are plenty) and the blame for the bad (boring/underwritten) parts of this film (and there are plenty) all lie at the feet of Writer/Director Sorkin. It is as if he had a really good idea (showing Lucy under pressure by the House Un-American Committee while battling the Corporate Suits - and Directors/Writers/Producers who are not as in touch with Lucy’s Comedy as she is - while trying to put on a weekly show), but it wasn’t quite enough to fill a complete movie, so he added a “B” plot of Desi’s philandering (which is true to what really occurred) and flashbacks to how they met.
The first part works very well (clearly, this was the part that Sorkin was interested in) while the 2nd part feels “put on” (Sorkin “banging it out” to fill the film).
This film is worth watching, I just wish there was more “A” plot and less “B” plot.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Daniel Boyd (1066 KP) rated Black Mirror: Bandersnatch (2018) in Movies
Jan 18, 2019 (Updated Jan 18, 2019)
The Illusion of Choice
Contains spoilers, click to show
I should preface this review by saying a few things. First of all, I don't like Black Mirror. I have watched a handful of episodes from the first season and always felt like it wasn't as clever as it tried to be. I do however like Charlie Brooker, I am a fan of his 'Wipe,' shows and I like his no bullshit personality. Lastly, I am not a fan of games or books where the audience is asked to choose the path they want to take. I believe that the writer of the movie/game/book should be the one to dictate where the story goes, not Joe Bloggs sitting on his couch covered in Doritos powder.
With all of that said, I decided to give Bandersnatch a go last night. I was intrigued by the whole choose-your-own-adventure concept and did go in wanting to like this thing. Unfortunately, following all the hype that surrounded its release a few weeks ago, I came away pretty disappointed.
As for my spoiler free thoughts, I thought that Will Poulter was the best thing about this film and that Fionn Whitehead's performance was okay, but felt forced and cheesy at times. However, in order to discuss why Bandersnatch ultimately left me disappointed, I am going to have to spoil the movie, so if you haven't went through it for yourself yet, you should probably look away now.
3,2,1... SPOILERS!
So, it turns out that the choices that you make while watching the film don't really matter for the most part. After spending 2-3 hours with it, I discovered that there are only really 2 endings. Either Stefan kills his dad or he goes to the therapist and she breaks the fourth wall. Every other ending is not really an ending and forces you back into the last situation until you make the choice that the filmmakers clearly want you to make.
As we are pretty much controlling Stefan during the course of the story, I chose to pick the best decisions for him, rather than choosing the more cruel, sick settings just to see what would happen. However Bandersnatch doesn't want you to do that and as soon as you make one of these more pacifist decisions, it punishes you by giving you an anticlimactic non-ending and sends you back to your last decision. Being forced to make these destructive choices forces you down the narrative path set out by the writers to the two endings that I discussed earlier and that's your lot. That's really all that there is to see here other than a few surplus arbitrary scenes.
The only things that you really get to decide on is trivial nonsense that has no impact on the narrative, like what cereal to eat or what record to buy. So, why bother making this a choose-your-own-adventure story in the first place rather than just a regular episode of Black Mirror? Because, if this was just a regular episode of a TV show, it would be extremely fucking boring, monotonous and trite.
The show tries to defend itself in these aspects. It insinuates the idea that just as we are controlling Stefan and forcing him to make certain decisions, Charlie Brooker as the writer is controlling us and forcing us to make certain decisions, hence the absence of any real choice for the viewer. I call bullshit on this idea, it's just down to lazy writing to be honest. When the therapist breaks the fourth wall, she also suggests that if this was a TV show that someone was watching for entertainment, it would have to be more exciting and less bland and dull. Pointing out that your show is bland and dull doesn't save it from being just as fucking bland and dull as it would be if you hadn't highlighted it in your script.
The show puts these elements in so that when it is questioned, it can respond saying that you as an audience member are just not clever enough to get it. Unfortunately the fact is that Bandersnatch, - just like Black Mirror - before it, isn't as clever or as cool as it thinks it is and works far better as an idea than it does in execution.
Overall, that's what this is; it's a cool idea executed poorly. I really wish that they had done more with it. It does seem to be a hit though, so for better or worse we can probably expect to see more and more of these crop up on Netflix. Will Poulter was the one saving grace of this thing and he inexplicably vanishes halfway through the story in most of the threads. It did get a reaction out of me though, which is probably what Brooker and his team wanted, it was just an extremely negative reaction due to the realisation that I had wasted my time going through this thing. If you like Black Mirror, you will probably enjoy this, but I'm afraid that it's just not for me.
With all of that said, I decided to give Bandersnatch a go last night. I was intrigued by the whole choose-your-own-adventure concept and did go in wanting to like this thing. Unfortunately, following all the hype that surrounded its release a few weeks ago, I came away pretty disappointed.
As for my spoiler free thoughts, I thought that Will Poulter was the best thing about this film and that Fionn Whitehead's performance was okay, but felt forced and cheesy at times. However, in order to discuss why Bandersnatch ultimately left me disappointed, I am going to have to spoil the movie, so if you haven't went through it for yourself yet, you should probably look away now.
3,2,1... SPOILERS!
So, it turns out that the choices that you make while watching the film don't really matter for the most part. After spending 2-3 hours with it, I discovered that there are only really 2 endings. Either Stefan kills his dad or he goes to the therapist and she breaks the fourth wall. Every other ending is not really an ending and forces you back into the last situation until you make the choice that the filmmakers clearly want you to make.
As we are pretty much controlling Stefan during the course of the story, I chose to pick the best decisions for him, rather than choosing the more cruel, sick settings just to see what would happen. However Bandersnatch doesn't want you to do that and as soon as you make one of these more pacifist decisions, it punishes you by giving you an anticlimactic non-ending and sends you back to your last decision. Being forced to make these destructive choices forces you down the narrative path set out by the writers to the two endings that I discussed earlier and that's your lot. That's really all that there is to see here other than a few surplus arbitrary scenes.
The only things that you really get to decide on is trivial nonsense that has no impact on the narrative, like what cereal to eat or what record to buy. So, why bother making this a choose-your-own-adventure story in the first place rather than just a regular episode of Black Mirror? Because, if this was just a regular episode of a TV show, it would be extremely fucking boring, monotonous and trite.
The show tries to defend itself in these aspects. It insinuates the idea that just as we are controlling Stefan and forcing him to make certain decisions, Charlie Brooker as the writer is controlling us and forcing us to make certain decisions, hence the absence of any real choice for the viewer. I call bullshit on this idea, it's just down to lazy writing to be honest. When the therapist breaks the fourth wall, she also suggests that if this was a TV show that someone was watching for entertainment, it would have to be more exciting and less bland and dull. Pointing out that your show is bland and dull doesn't save it from being just as fucking bland and dull as it would be if you hadn't highlighted it in your script.
The show puts these elements in so that when it is questioned, it can respond saying that you as an audience member are just not clever enough to get it. Unfortunately the fact is that Bandersnatch, - just like Black Mirror - before it, isn't as clever or as cool as it thinks it is and works far better as an idea than it does in execution.
Overall, that's what this is; it's a cool idea executed poorly. I really wish that they had done more with it. It does seem to be a hit though, so for better or worse we can probably expect to see more and more of these crop up on Netflix. Will Poulter was the one saving grace of this thing and he inexplicably vanishes halfway through the story in most of the threads. It did get a reaction out of me though, which is probably what Brooker and his team wanted, it was just an extremely negative reaction due to the realisation that I had wasted my time going through this thing. If you like Black Mirror, you will probably enjoy this, but I'm afraid that it's just not for me.
Saffy Alexandra (89 KP) rated Conversations With A Killer: The Ted Bundy Tapes in TV
Jun 10, 2019
After the huge hype about a new movie coming out called Ted Bundy featuring Zac Efron of course there was going to be a mass calling for more information on the serial killer. So when on Netflix they said they were doing a series on unseen and unheard clips of Ted Bundy then I, like many, were pulled in ready to be wowed.
I was left a little underwhelmed and a bit dissapointed to be honest. I think I was expecting more drama or something we hadn't ever heard about Ted Bundy, but if you had already done your research (or even Wikipedia'ed him) then this TV series didn't really give you much more.
The first few episodes I felt were very slow and didn't really hold my attention but through perseverance I kept with the show till the end.
It was interesting and hearing and seeing actual witnesses and people from Ted Bundy's life was certainly one plus to watching this series and an interesting input and out look on the serial killer.
What most fascinated me was the fact that police ended up going to Ted Bundy and asking him to help them solve other Serial Killer murders, that was possibly the most eye-opening through out this.
An interesting series if you haven't seen or heard about Ted Bundy and a clever outlook to the Serial Killer, but over all not a winner in my eyes.
I was left a little underwhelmed and a bit dissapointed to be honest. I think I was expecting more drama or something we hadn't ever heard about Ted Bundy, but if you had already done your research (or even Wikipedia'ed him) then this TV series didn't really give you much more.
The first few episodes I felt were very slow and didn't really hold my attention but through perseverance I kept with the show till the end.
It was interesting and hearing and seeing actual witnesses and people from Ted Bundy's life was certainly one plus to watching this series and an interesting input and out look on the serial killer.
What most fascinated me was the fact that police ended up going to Ted Bundy and asking him to help them solve other Serial Killer murders, that was possibly the most eye-opening through out this.
An interesting series if you haven't seen or heard about Ted Bundy and a clever outlook to the Serial Killer, but over all not a winner in my eyes.
Christine A. (965 KP) rated Restricted Fantasies in Books
Dec 9, 2018
A Black Mirror-style sci-fi short story collection
I was provided with a complimentary copy of this book so I could give an honest review.
As I read the description, "A Black Mirror-style sci-fi short story collection about the perils of our virtual reality future - and whether we're already living in it.", I was intrigued. For those that don't know "Black Mirror" is a British TV show that is available on Netflix. "Black Mirror" is a contemporary reworking of "The Twilight Zone" and is described by Netflix as a "sci-fi anthology series explores a twisted, high-tech near-future where humanity's greatest innovations and darkest instincts collide."
Describing "Restricted Fantasies" by Kevin Kneupper as being written in Black Mirror-style is an actuate description. Each stand-alone story in both features its own cast of unique characters. As with "Black Mirror", this is not a collection to sit and read straight through. The stories make you think and mess with your mind. They need to be digested, thought through, and processed.
I do not want to discuss any of the individual stories as I do not want to mention any spoilers. With many of the stories I needed a few hours, if not days, to process. I highly recommend "Restricted Fantasies" to anyone who can read it and process it. I would not recommend reading it in one sitting.
As I read the description, "A Black Mirror-style sci-fi short story collection about the perils of our virtual reality future - and whether we're already living in it.", I was intrigued. For those that don't know "Black Mirror" is a British TV show that is available on Netflix. "Black Mirror" is a contemporary reworking of "The Twilight Zone" and is described by Netflix as a "sci-fi anthology series explores a twisted, high-tech near-future where humanity's greatest innovations and darkest instincts collide."
Describing "Restricted Fantasies" by Kevin Kneupper as being written in Black Mirror-style is an actuate description. Each stand-alone story in both features its own cast of unique characters. As with "Black Mirror", this is not a collection to sit and read straight through. The stories make you think and mess with your mind. They need to be digested, thought through, and processed.
I do not want to discuss any of the individual stories as I do not want to mention any spoilers. With many of the stories I needed a few hours, if not days, to process. I highly recommend "Restricted Fantasies" to anyone who can read it and process it. I would not recommend reading it in one sitting.
Kevin Wilson (179 KP) rated The Walking Dead - A TellTale Games Series: Season 1 in Video Games
Jul 13, 2018
Amazing character development (3 more)
Great story
Emotional and incredible acting
It's fun
Some frame rate issues (3 more)
No difficulty options
Illusion of choice
Can't skip boring scenes after multiple playthroughs
I love you Clem!!
First off I want to say it's an incredible game and that's a thanks to some great story, incredible acting and amazing character development. I think we all thinking about lee and Clem! Lol
This is your typical telltale game. Point and click with QTE which is fun but the framerate issues can make those frustrating and there is an illusion of choice that don't really matter in the end.
I do find the game a bit easy at times which would make it more fun, especially on a repeat playthrough. Take heavy rain as an example. Higher difficulty they give more and quicker symbols to press during QTE.
Like I said the characters and acting are incredible. You will cry, I don't doubt that. They show so much growth through the series and if your going to get stuck in then you better prepare because it's coming into its fourth and final season so you got a long road ahead.
There is way too much zombies out there in video games, movies and TV but I do love this game and I have played multiple playthroughs but after a while it can get annoying when you can't skip the boring scenes.
This is your typical telltale game. Point and click with QTE which is fun but the framerate issues can make those frustrating and there is an illusion of choice that don't really matter in the end.
I do find the game a bit easy at times which would make it more fun, especially on a repeat playthrough. Take heavy rain as an example. Higher difficulty they give more and quicker symbols to press during QTE.
Like I said the characters and acting are incredible. You will cry, I don't doubt that. They show so much growth through the series and if your going to get stuck in then you better prepare because it's coming into its fourth and final season so you got a long road ahead.
There is way too much zombies out there in video games, movies and TV but I do love this game and I have played multiple playthroughs but after a while it can get annoying when you can't skip the boring scenes.
Alice (12 KP) rated Untamed (Uninhibited, #1) in Books
Jul 3, 2018
Actual rating: 3.5 stars.
<i>Many thanks to the publisher for providing me with an advanced reading copy in exchange for an honest review. </i>
I was a little dubious reading this little serial as I've not read anything by the author before and I generally don't read 5 star reviews because of personal choices.
Going into <i>Untamed </i> I was pleasantly surprised by the way it was written. I had expected it to be a quick serial number with little going on and a quick steamy sex scene but there was plenty happening in this serial.
Dr Cari Dunn is a celebrity architect with a stalker. A pretty crazy stalker as stalkers are want to be. The network she does a TV show for hires a bodyguard to protect her - queue Jasper. A sinfully hot male with an alpha streak - just how I like my males!
As it's a pretty short price of writing everything meshes together nicely with a wickedly good sex scene and a great cliffhanger that leaves the series open for the next instalment which is released a week after this one.
I think the one big thing that put me off a bit was the mention of Christian Grey. Those are two words that will put me off any book but thankfully he was only mentioned once in passing.
We'll see where the next part takes us in this ride.
<i>Many thanks to the publisher for providing me with an advanced reading copy in exchange for an honest review. </i>
I was a little dubious reading this little serial as I've not read anything by the author before and I generally don't read 5 star reviews because of personal choices.
Going into <i>Untamed </i> I was pleasantly surprised by the way it was written. I had expected it to be a quick serial number with little going on and a quick steamy sex scene but there was plenty happening in this serial.
Dr Cari Dunn is a celebrity architect with a stalker. A pretty crazy stalker as stalkers are want to be. The network she does a TV show for hires a bodyguard to protect her - queue Jasper. A sinfully hot male with an alpha streak - just how I like my males!
As it's a pretty short price of writing everything meshes together nicely with a wickedly good sex scene and a great cliffhanger that leaves the series open for the next instalment which is released a week after this one.
I think the one big thing that put me off a bit was the mention of Christian Grey. Those are two words that will put me off any book but thankfully he was only mentioned once in passing.
We'll see where the next part takes us in this ride.
Awix (3310 KP) rated The A-Team (2010) in Movies
Feb 16, 2020
Leaden remake of the popular-in-the-80s-but-only-possible-to-enjoy-ironically-now TV action show. Unhinged special-forces unit the A-Team are framed for a crime they didn't commit, bust out of prison, try to clear their names by going to Germany. Where, you may be wondering, is the mom 'n' pop store being threatened by cheap gangsters the team are called in to protect? Where is Hannibal putting on a stupid disguise? Where is the bit where the bad guys lock them in a shed with a load of welding gear, allowing them to build an armoured car out of bits of old washing machine? Where is the scene where they spray 35,000 rounds of .223 ammunition at the bad guys, destroying everything in sight but leaving their targets miraculously unscathed? Friends, none of these things are here.
Instead it's almost as if the A-Team have wandered into a rather downbeat Mission: Impossible movie, or possibly one of the Bournes. You don't expect to have to wrestle with the plot of The A-Team but there's a confusing tangle of double-crosses and betrayals between military intelligence, the CIA and private security firms at the heart of this. Seems to fundamentally misunderstand the essential cheesy disposability of The A-Team by trying to make it feel like a serious drama. I wouldn't have thought it was possible: this manages to be both inauthentic to the original series and also bad.
Instead it's almost as if the A-Team have wandered into a rather downbeat Mission: Impossible movie, or possibly one of the Bournes. You don't expect to have to wrestle with the plot of The A-Team but there's a confusing tangle of double-crosses and betrayals between military intelligence, the CIA and private security firms at the heart of this. Seems to fundamentally misunderstand the essential cheesy disposability of The A-Team by trying to make it feel like a serious drama. I wouldn't have thought it was possible: this manages to be both inauthentic to the original series and also bad.
FA
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