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Ross (3284 KP) rated Justice League (2017) in Movies
Aug 7, 2018
A rushed DC version of Infinity Wars
This film just missed the mark on so many different aspects. It had high ambitions but just let itself down pretty much everywhere. It felt like a panicked, rushed answer to Infinity Wars, but without taking the time to embed the characters and storyline first. I thought with hits like The Flash and Arrow TV series the DC world may have been fighting back against Marvel's dominance, but I guess for every "Arrow" there is a "Legends of Tomorrow" cheese-fest.
The CGI is truly awful. Massive, expensive battle scenes looked clunky and dated. Steppenwolf is so badly animated as to be ludicrous, especially noticeable as he looks like one of Thanos' minions (I genuinely think you'd see better animated facial movements in mid-noughties PS games). And lets not overlook the dodgy attempt at using CGI to remove Henry Cavill's moustache (some scenes had to be re-shot after he had already started filming Mission Impossible and his moustache had to be removed by CGI!).
I had no feelings towards any of the characters. Whereas the new Spiderman was an immediate hit in Civil War, here The Flash is just annoying and his chirpy geekiness does not contrast well with Batfleck's grumpiness. Cyborg was totally redundant except to solve a plot point. And Aquaman did nothing of note and was not likeable at all.
This should have been a big-hitting blockbuster with edge-of-the-seat tension, laugh-out-loud banter and head-scratching plot twists (and any more hyphenated adjectives I can think of), instead it was a mediocre action film with none of the character of the DC universe on show.
The CGI is truly awful. Massive, expensive battle scenes looked clunky and dated. Steppenwolf is so badly animated as to be ludicrous, especially noticeable as he looks like one of Thanos' minions (I genuinely think you'd see better animated facial movements in mid-noughties PS games). And lets not overlook the dodgy attempt at using CGI to remove Henry Cavill's moustache (some scenes had to be re-shot after he had already started filming Mission Impossible and his moustache had to be removed by CGI!).
I had no feelings towards any of the characters. Whereas the new Spiderman was an immediate hit in Civil War, here The Flash is just annoying and his chirpy geekiness does not contrast well with Batfleck's grumpiness. Cyborg was totally redundant except to solve a plot point. And Aquaman did nothing of note and was not likeable at all.
This should have been a big-hitting blockbuster with edge-of-the-seat tension, laugh-out-loud banter and head-scratching plot twists (and any more hyphenated adjectives I can think of), instead it was a mediocre action film with none of the character of the DC universe on show.
Larry Eisner (2082 KP) rated Maniac in TV
Oct 3, 2018
Realistic views of mental illness (4 more)
So much vision in the palette and visual storytelling
The acting is top-notch!
Retro-Futurism!!!
Such creativity!
A beautiful, creative series about mental illness
Absurdism at its finest. Full stop.
Maniac is a beautifully written, beautifully shot and masterfully acted work of art. Taking a 70s-80s retro idea of future technology, and making it real, making it believable and all the while throwing crazy funny oddity at the same time is an insane balancing act and it works! My god, it works!
It is episodic and works as such, but it could also very well have been an excellent 5-6 hour film. Every scene is necessary. Every frame is intentional. The jokes hit, the visual universe is consistent, and the whole thing tugs on you like very little film does these days. In fact I hesitate to call it TV. Because while it is indeed episodic, it’s not serialized. It’s one long and perfectly crafted story. It winds and twists and it jumps at the sky but it always has a reason to do so.
And all I can say is that every damn time I forget how great Sally Field is, she kills it. She absolutely kills it. I wouldn’t have cast her or Jonah Hill, but they are PERFECT. I can not recommend this show enough. Honestly it’s the best original content I’ve seen this year. Hands down.
It’s funny, it’s bizarre, and it’s emotional. It gets, via sideways and transverse angles, what it means to be a broken and fragile human, when everyone around you seems to have it together but you.
Please watch it. You won’t regret it.
Maniac is a beautifully written, beautifully shot and masterfully acted work of art. Taking a 70s-80s retro idea of future technology, and making it real, making it believable and all the while throwing crazy funny oddity at the same time is an insane balancing act and it works! My god, it works!
It is episodic and works as such, but it could also very well have been an excellent 5-6 hour film. Every scene is necessary. Every frame is intentional. The jokes hit, the visual universe is consistent, and the whole thing tugs on you like very little film does these days. In fact I hesitate to call it TV. Because while it is indeed episodic, it’s not serialized. It’s one long and perfectly crafted story. It winds and twists and it jumps at the sky but it always has a reason to do so.
And all I can say is that every damn time I forget how great Sally Field is, she kills it. She absolutely kills it. I wouldn’t have cast her or Jonah Hill, but they are PERFECT. I can not recommend this show enough. Honestly it’s the best original content I’ve seen this year. Hands down.
It’s funny, it’s bizarre, and it’s emotional. It gets, via sideways and transverse angles, what it means to be a broken and fragile human, when everyone around you seems to have it together but you.
Please watch it. You won’t regret it.
Gareth von Kallenbach (977 KP) rated Ninja Assassin (2009) in Movies
Aug 8, 2019
The Ozunu Clan has long been secretly kidnapping and training children to become ninjas. But when a set of Europol agents get a little too close to discovering the secret, it is up to a former student of the Clan, Raizo (Rain), to defend the agents against the brutal ninjas’ attacks.
The film is loosely plotted at best, but it does manage to keep the viewer interested. Maybe it is the consistent comedy mixed with undeniable bloodshed. And there is bloodshed. “Ninja Assassin” is absolutely splattered with gore, weapons, and the unexpected attack that only ninjas can bring.
Joel Silver, of “Lethal Weapon”, “Die Hard”, and “Predator” fame, and the renowned Wachowski brothers, creators of “the Matrix”, are the producers behind “Ninja Assassin”. Therefore it should come as no surprise that the fight scenes are also engrossing in this ninja-tacular flick.
The international cast includes Korean superstar Rain as Raizo and martial arts regular Sho Kosugi, as the ninja master. The appearance of Ben Miles (from the hit British TV show “Coupling”) as Ryan Maslow, superior to the Europol officer and lead Mika Coretti (Naomie Harris), also enhances the casting of this one of kind film.
And it is one of a kind. What is most appealing about “Ninja Assassin” is that it truly displays ninjas in the way every child thinks about them; cunning, violent, and awesome. Somehow in a world full of films that feel like a new version of the same old thing, “Ninja Assassin” has… dare I write… a freshness.
Keeping you on the edge of your seat, focused on the nonstop 360 degree fight sequences and funny one-liners, “Ninja Assassin” brings more than expected to the big screen.
The film is loosely plotted at best, but it does manage to keep the viewer interested. Maybe it is the consistent comedy mixed with undeniable bloodshed. And there is bloodshed. “Ninja Assassin” is absolutely splattered with gore, weapons, and the unexpected attack that only ninjas can bring.
Joel Silver, of “Lethal Weapon”, “Die Hard”, and “Predator” fame, and the renowned Wachowski brothers, creators of “the Matrix”, are the producers behind “Ninja Assassin”. Therefore it should come as no surprise that the fight scenes are also engrossing in this ninja-tacular flick.
The international cast includes Korean superstar Rain as Raizo and martial arts regular Sho Kosugi, as the ninja master. The appearance of Ben Miles (from the hit British TV show “Coupling”) as Ryan Maslow, superior to the Europol officer and lead Mika Coretti (Naomie Harris), also enhances the casting of this one of kind film.
And it is one of a kind. What is most appealing about “Ninja Assassin” is that it truly displays ninjas in the way every child thinks about them; cunning, violent, and awesome. Somehow in a world full of films that feel like a new version of the same old thing, “Ninja Assassin” has… dare I write… a freshness.
Keeping you on the edge of your seat, focused on the nonstop 360 degree fight sequences and funny one-liners, “Ninja Assassin” brings more than expected to the big screen.
Gareth von Kallenbach (977 KP) rated The Happytime Murders (2017) in Movies
Jul 2, 2019
As a huge fan of Melissa McCarthy, I wasn’t about to miss out on one of her films involving puppets. Especially when said puppets and film were made by Jim Henson’s son Brian Henson. That being said, just remember that these puppets are absolutely 100% “No Sesame, All Street”. “From the studio formerly sued by Sesame Street” STX presents The Happytime Murders.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.
Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.
Incredibly haunting
I won’t be the only one to admit that I know little about the real detail behind the incident at Chernobyl, so for me this series was a true eye opener and not a particularly pleasant one. Whilst I don’t doubt that some of this may have been embellished a little like most tv productions, I really think that most of this is the real truth behind Chernobyl.
This definitely isn’t a nice watch. Right from the first episode it’s harrowing and frankly frustrating and maddening to see how people initially reacted to the incident, and it doesn’t get any easier as the episodes go on. I just cannot believe the denial and actions (or lack of) of those I’m charge. By the end of the final episode with the clips and video of the real events and people, I was virtually in tears it was just so haunting. For me I’ve learnt so much watching this about the true events, and it was good to get the updates on the real life situation and people, with even some good news thrown in amongst the somber. My only criticism is that whilst the cast is fantastic and there’s a lot of recognisable faces that pop up in this even briefly, is that I don’t understand what’s with all of the English accents? It got a tad irritating after a while and surely some attempt at a Ukrainian accent would have been better?
That said, this is a truly harrowing yet informative show and I think everyone should watch this and learn a think or two. I definitely have, and I’ll now have a whole new understanding and appreciation of the true magnitude of the situation when I visit Chernobyl in October.
This definitely isn’t a nice watch. Right from the first episode it’s harrowing and frankly frustrating and maddening to see how people initially reacted to the incident, and it doesn’t get any easier as the episodes go on. I just cannot believe the denial and actions (or lack of) of those I’m charge. By the end of the final episode with the clips and video of the real events and people, I was virtually in tears it was just so haunting. For me I’ve learnt so much watching this about the true events, and it was good to get the updates on the real life situation and people, with even some good news thrown in amongst the somber. My only criticism is that whilst the cast is fantastic and there’s a lot of recognisable faces that pop up in this even briefly, is that I don’t understand what’s with all of the English accents? It got a tad irritating after a while and surely some attempt at a Ukrainian accent would have been better?
That said, this is a truly harrowing yet informative show and I think everyone should watch this and learn a think or two. I definitely have, and I’ll now have a whole new understanding and appreciation of the true magnitude of the situation when I visit Chernobyl in October.
Awix (3310 KP) rated Sapphire and Steel in TV
Apr 2, 2020
It would be easy to mark Sapphire and Steel down just for being so obviously a low-budget, studio-bound TV show, but this would be to overlook just what a startlingly distinctive and uncompromising piece of... well, entertainment doesn't quite cover it, for the programme seemingly sets out to baffle the viewer as well as divert them. It is notionally a fantasy, but elements of SF and horror also appear. Stories mostly take place in out-of-the-way places like remote cottages, junk shops, the tops of tower blocks, disused railway stations and so on. The structure of time seems to be weaker in these places and when it breaks down or is interfered with, operatives such as Sapphire and Steel and their occasional colleagues appear to resolve the situation.
This is pretty much all we are told about the format of the series - who and what Sapphire and Steel are, what the limits of their powers are, and who they answer to, is never made clear (even the nature of their mission seems to change from story to story). The cryptic, often surreal nature of the series is one of its main attractions, along with the chemistry between the stars (occasional ally Silver, played by David Collings, is also a joy to watch).
The bleak and eerie atmosphere of the stories is consistently impressive, as is the clear understanding of visual style possessed by the makers: stories are filled with startling images and symbols, occasionally drawn from the visual arts (one adversary is basically a Magritte painting brought to life). Always memorable, and never more so than in its final episodes: the sheer unexpected bizarreness of Sapphire and Steel's fate makes it all the more shocking and downbeat. A unique and very distinctive series.
This is pretty much all we are told about the format of the series - who and what Sapphire and Steel are, what the limits of their powers are, and who they answer to, is never made clear (even the nature of their mission seems to change from story to story). The cryptic, often surreal nature of the series is one of its main attractions, along with the chemistry between the stars (occasional ally Silver, played by David Collings, is also a joy to watch).
The bleak and eerie atmosphere of the stories is consistently impressive, as is the clear understanding of visual style possessed by the makers: stories are filled with startling images and symbols, occasionally drawn from the visual arts (one adversary is basically a Magritte painting brought to life). Always memorable, and never more so than in its final episodes: the sheer unexpected bizarreness of Sapphire and Steel's fate makes it all the more shocking and downbeat. A unique and very distinctive series.
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