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Gareth von Kallenbach (980 KP) rated The Happytime Murders (2017) in Movies

Jul 2, 2019

As a huge fan of Melissa McCarthy, I wasn’t about to miss out on one of her films involving puppets. Especially when said puppets and film were made by Jim Henson’s son Brian Henson. That being said, just remember that these puppets are absolutely 100% “No Sesame, All Street”. “From the studio formerly sued by Sesame Street” STX presents The Happytime Murders.

Private detective Phil Philipps (Bill Barretta) is a puppet and lives in a world where puppets coexist with but are otherwise hated by humans. After a series of murders including that of his brother it forces his ex-partner Connie Edwards (Melissa McCarthy) to help solve the crime. The murderer seems to be targeting all former cast members of the beloved eighties TV show The Happytime Gang. Two worlds clash as the race is on to find the culprit.

Honestly I feel as though I could do without seeing this film ever again. Yes there are funny moments but it seems overshadowed by the lack of a good storyline. Granted audiences might go just to see puppets act raunchy and use profanity however, is that enough to hold a film together for 90 mins? No it certainly isn’t. As much as I love the comedic stylings of Elizabeth Banks, Mya Rudolph, Joel McHale and especially Melissa McCarthy, the film audiences anticipate being the funniest of the year is surely not. Even with a big cast of comedians couldn’t save this film. Perhaps films involving puppets and ridiculous plots should be left to that of children audiences. If you were to stitch together all of the comical scenes in every trailer for the film, you would basically see it all. In my opinion you might want to skip this one and wait for it to come to a Redbox near you.

Kudos

Sarah (7800 KP) rated Chernobyl in TV

Jul 6, 2019

Chernobyl

2019 | Action, Drama, History

9.0

(75 Ratings)

TV Show Rating Watch

Incredibly haunting

I won’t be the only one to admit that I know little about the real detail behind the incident at Chernobyl, so for me this series was a true eye opener and not a particularly pleasant one. Whilst I don’t doubt that some of this may have been embellished a little like most tv productions, I really think that most of this is the real truth behind Chernobyl.

This definitely isn’t a nice watch. Right from the first episode it’s harrowing and frankly frustrating and maddening to see how people initially reacted to the incident, and it doesn’t get any easier as the episodes go on. I just cannot believe the denial and actions (or lack of) of those I’m charge. By the end of the final episode with the clips and video of the real events and people, I was virtually in tears it was just so haunting. For me I’ve learnt so much watching this about the true events, and it was good to get the updates on the real life situation and people, with even some good news thrown in amongst the somber. My only criticism is that whilst the cast is fantastic and there’s a lot of recognisable faces that pop up in this even briefly, is that I don’t understand what’s with all of the English accents? It got a tad irritating after a while and surely some attempt at a Ukrainian accent would have been better?

That said, this is a truly harrowing yet informative show and I think everyone should watch this and learn a think or two. I definitely have, and I’ll now have a whole new understanding and appreciation of the true magnitude of the situation when I visit Chernobyl in October.

Kudos

Awix (3310 KP) rated Sapphire and Steel in TV

Apr 2, 2020

Sapphire and Steel

1979 | Fantasy, Horror, Sci-Fi

7.6

(10 Ratings)

TV Show Rating

It would be easy to mark Sapphire and Steel down just for being so obviously a low-budget, studio-bound TV show, but this would be to overlook just what a startlingly distinctive and uncompromising piece of... well, entertainment doesn't quite cover it, for the programme seemingly sets out to baffle the viewer as well as divert them. It is notionally a fantasy, but elements of SF and horror also appear. Stories mostly take place in out-of-the-way places like remote cottages, junk shops, the tops of tower blocks, disused railway stations and so on. The structure of time seems to be weaker in these places and when it breaks down or is interfered with, operatives such as Sapphire and Steel and their occasional colleagues appear to resolve the situation.

This is pretty much all we are told about the format of the series - who and what Sapphire and Steel are, what the limits of their powers are, and who they answer to, is never made clear (even the nature of their mission seems to change from story to story). The cryptic, often surreal nature of the series is one of its main attractions, along with the chemistry between the stars (occasional ally Silver, played by David Collings, is also a joy to watch).

The bleak and eerie atmosphere of the stories is consistently impressive, as is the clear understanding of visual style possessed by the makers: stories are filled with startling images and symbols, occasionally drawn from the visual arts (one adversary is basically a Magritte painting brought to life). Always memorable, and never more so than in its final episodes: the sheer unexpected bizarreness of Sapphire and Steel's fate makes it all the more shocking and downbeat. A unique and very distinctive series.