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The Hobbit
The Hobbit
2010 | Adventure, Card Game, Fantasy, Book, Travel
Visually aesthetically pleasing. The miniatures and gems are a great addition. The locations in the game are more closely linked to the book than the film, which is a big plus (0 more)
The rules are quite lengthy and it can take a couple of read-throughs before you get the gist of the campaign. (0 more)
Delving into Middle-Earth
As Middle Earth fever prepares to take hold once again with talk of a Lord of the Rings inspired TV show, I thought it might be time to take the adventures of Bilbo into the living room in the form of The Hobbit Board Game.

Gathering four of my best companions to join me on the adventure, we settled down for an evening of troll slaying and dragon fighting.

Based on the J.R.R Tolkien book as opposed to the film releases, The Hobbit is a game for 2-5 players which utilises a scorecard system rather than individual player pieces. The aim of the game, kill Smaug and find the treasure – simple enough surely?

When opening the box we were pleasantly surprised by the level of detail of the board as well as some rather beautifully illustrated dwarf cards. A lot of work had gone into these which is why we were a bit surprised by the Bilbo and Smaug figures which were plastic and painted red

Having laid out all of the pieces we then tackled the game instructions, which actually took as long as Bilbo’s journey to the Lonely Mountain. Having passed the instructions around we decided to just play the game and when we came to a segment we weren’t sure about, we would refer back. Despite the initial hiatus, The Hobbit is a rather enjoyable game, however not for unseasoned gamers.

The game is split into four adventures. Players must level up their initiative, cunning, and strength in order to battle goblins, fight wolves and escape elves before confronting Smaug himself. On the way, players will also collect gems which is ultimately the aim of the game as the player with the most is declared the winner at the end.

Each adventure comes with a series of adventure cards which break down into Gifts, Abilities and Travelcards. Gift cards present players with attribute benefits; Abilities assist players with battles; and Travelcards move Bilbo along his adventure. When encountering a battle, players must roll five dice in order to match certain conditions before moving on. Should the conditions not be met, players must draw a Dragon card, which incurs penalties and may result in Smaug moving across the board. Should Smaug reach Laketown, the game is over and the player with the most gems is declared the winner.

Having played the game with four other players we did actually have fun once we got into it and overcame the rather confusing rules. My best advice would be to have someone read the instructions before you and your friends sit down together as it can eat into the evening.
  
A Simple Favor (2018)
A Simple Favor (2018)
2018 | Crime, Mystery, Thriller
Well Worth Watching
I'll start this review by stating for the record - I LIKE BLAKE LIVELY. I think the former Gossip Girl star is extremely watchable and interesting - and in the right role, can take over a film.

And...in A SIMPLE FAVOR...she is in the right role.

Also starring Anne Kendrick (INTO THE WOODS), A SIMPLE FAVOR tells the tale of a suburban mother (Kendrick) who forms a friendship with a lively (no pun intended) working mom (Lively) - from "The City" no less - who asks her friend for "A Simple Favor" - watch her child while she tends to some urgent business. When the working Mom goes missing, the suburban Mom starts snooping into what happened.

Directed by Paul Feig (BRIDESMAIDS), A SIMPLE FAVOR finds itself in a bit of a "no man's land" of style and genre. Is it a made for TV Movie like BIG LITTLE LIES (no...it's ambition and production style is more ambitious than that). Is it a "Major Motion Picture" a la GONE GIRL (no...it's not that ambitious). Is it a satire on the suburban Mom (partially), a whodunnit (partially), a mystery (partially) a black comedy (partially).

And that's what is in this film's favor - and it's biggest issue. It's hard to define and pin down and the feel of the film floats all over the place, as do the performances of the leading ladies.

Anna Kendrick is perfectly well suited to play the frumpy suburban Mom, Stephanie, who's underlying unhappiness is masked by the perma-grin and energy of that Mom who volunteers for EVERYTHING at school. She is more than balanced by Lively's scene-stealing performance as Emily the working Mom from NYC that doesn't take crap - or orders - from anybody. Their scenes together are uneven and unbalanced - and that is perfect for what Stephanie is going through. She encounters a force of nature in Emily and is just trying to hang on for dear life.

And there, again, is where the issues of this film (and it's strengths) show up. Sometimes - it seems - that Stephanie is getting a foothold, only to slip and fall. But then she gets her foothold stronger and a whole new character emerges, only to have it slip again...and then she is SNARKY...and slips back to mousey...and then she is CLEVER...and slips back to mousey...and the she...

You get the idea. It keeps the audience guessing and off-guard, but the change in tone hurts the overall flow of the film.

It, ultimately, becomes a fairly clever whoddunit that had me guessing (for the most part) until the end, so I have to admit - I ended up enjoying it - mostly because of Lively's energy.

Letter Grade: B+ (well worth your time to check out)

7 (out of 10) stars and you can take that to the Bank (OfMarquis)
  
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Tim Booth recommended Doolittle by Pixies in Music (curated)

 
Doolittle by Pixies
Doolittle by Pixies
1989 | Alternative

"I could have chosen any of the first three releases by Pixies – the Come On Pilgrim EP, Surfer Rosa or Doolittle. We bumped into Pixies when 'Sit Down' was number two in the charts. We were staying in the same hotel as them. I had seen them on TV and thought they were okay. I didn't get them totally but I thought they were pretty interesting. I went up to Black Francis at breakfast and introduced myself. We got talking for about half an hour and hit it off instantly. He invited me to a gig they were playing that night in London. I dragged two members of James, who had never heard of Pixies, to the show. We were up in the balcony chatting and not totally paying attention. I remember after about four songs, Saul [Davies] turning and saying, ""Have you been listening to this?"" He pushed us to the front of the balcony and we watched genius in front of our eyes. It was incredible – the arrangements, the vocals – Black Francis screams like no other singer – and beautiful subtlety within their post-punk songs. Pixies should have been as big as Nirvana, but never had a cute Kurt Cobain frontman. They were always one of the most ungainly-looking bands on the planet, but they made the most heavenly music as far as I was concerned. I love the surreal nature of the lyrics, that didn't quite make sense. I was a singer and I was all about making sense and communicating, and here was a band that seemed to do the opposite and the results were fantastic. That was quite revolutionary to me. Later, when we worked with Brian Eno on five albums, he would say to me ""stop making sense"" and I would think of the Talking Heads album of the same name, but I would also think of Pixies. With Pixies, not a large amount of people got them back then, as they were too ahead of their time. When Kurt Cobain said that in his perfect life he would have been born as the lead singer of Pixies, many people began to discover them. It meant that when they returned from their hiatus, they were bigger than they were previously as everyone had caught up to realise that Pixies were one of the most influential and important bands of all time. I got to know them a bit more and once went to see them play a tiny warm-up gig in London. I went backstage and was talking to Black Francis about screaming. I was asking how he did it, because when I tried, it wrecked my voice and I couldn't sing. He told me that a Puerto Rican man, who was a chef in a crappy restaurant in California, taught him how to scream. He then tried to teach me. At the time, he failed. I can scream a bit more now, but I think I was born more of a crooner."

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