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postapocalypticplayground (27 KP) rated Crooked Kingdom in Books
Jan 9, 2018
Brekker is back and with more fiendish frivolity from the barrel. Still trying to recover from the disastrous end to the Ice Court job, little does Kaz know how deep the deception went and how much he is going to have to unravel to even begin to salvage what he started. Kaz maybe clever but he is far from the only clever man in Ketterdam. He is going to have to work even harder than ever before to try and recapture what he is owed, but with Inej captured, Nina battling an addiction with parem, Wylan tailored to the wrong face and Jesper now forced to confront his past, how easy will that be?
Crooked Kingdom is a longer book than Six of Crows yet the action takes place mainly over a matter of days, the multiple POV's stretching the tortuously epic and heart thumping twists across the pages. It still has that immense page turning captivation that was within Six of Crows, but it just lacked that extra sense of excitement along with it. They are both books of equal joy but I think book 1 just pips it, but only just. In typical Kaz Brekker style there are twists and swindles and multiple cons that would given Danny Ocean on his best day a run for his money. I love a story that keeps me questioning myself and hanging on a thread as to the outcome, and Crooked Kingdom gave this to me in spades.
I don't know what is wrong with me of late in the emotions stake, but this book again reduced me to tears, the short but intense bursts of connectivity with the characters overwhelmed me. Multiple POV's in books is a risk and I have been drowned by them in books in the past but Leigh Bardugo manages to completely avoid this. Despite every player being forced to battle for chapter time, I felt utterly part of them and their story, sharing their joys and sadness as they peaked and troughed through the words.
The only thing that I didn't enjoy about this concluding part of the duology was entirely down to the publisher. I read the paperback of this book and found that the text was just so hard to read. The margins were so tight, the text was disappearing into the gutter and hiding under my thumbs as I was reading. I hate having to bend back spines on paperbacks which made this even more of an arduous task, I get that more text on a page means fewer pages and lower print costs but this made it such a hard read at times, sort it out Indigo!! This is the first Duology that I have read and I have to say this is now my favourite book series style, all of the action and none of the filler - I hope that more writers/publishers take this forward in the future.
Would I love more from Kaz and the Dregs? Of course! However, unlike a TV show that jumps the shark I am glad that the world of Ketterdam has been left the way it has and I look forward immensely to the next original world created by Bardugo.
Crooked Kingdom is a longer book than Six of Crows yet the action takes place mainly over a matter of days, the multiple POV's stretching the tortuously epic and heart thumping twists across the pages. It still has that immense page turning captivation that was within Six of Crows, but it just lacked that extra sense of excitement along with it. They are both books of equal joy but I think book 1 just pips it, but only just. In typical Kaz Brekker style there are twists and swindles and multiple cons that would given Danny Ocean on his best day a run for his money. I love a story that keeps me questioning myself and hanging on a thread as to the outcome, and Crooked Kingdom gave this to me in spades.
I don't know what is wrong with me of late in the emotions stake, but this book again reduced me to tears, the short but intense bursts of connectivity with the characters overwhelmed me. Multiple POV's in books is a risk and I have been drowned by them in books in the past but Leigh Bardugo manages to completely avoid this. Despite every player being forced to battle for chapter time, I felt utterly part of them and their story, sharing their joys and sadness as they peaked and troughed through the words.
The only thing that I didn't enjoy about this concluding part of the duology was entirely down to the publisher. I read the paperback of this book and found that the text was just so hard to read. The margins were so tight, the text was disappearing into the gutter and hiding under my thumbs as I was reading. I hate having to bend back spines on paperbacks which made this even more of an arduous task, I get that more text on a page means fewer pages and lower print costs but this made it such a hard read at times, sort it out Indigo!! This is the first Duology that I have read and I have to say this is now my favourite book series style, all of the action and none of the filler - I hope that more writers/publishers take this forward in the future.
Would I love more from Kaz and the Dregs? Of course! However, unlike a TV show that jumps the shark I am glad that the world of Ketterdam has been left the way it has and I look forward immensely to the next original world created by Bardugo.
Hazel (1853 KP) rated Sidney Chambers and the Shadow of Death in Books
Jul 27, 2017
A unique series of crime
I received this book for free through Goodreads First Reads
In 2014, ITV broadcasted the first episode of Grantchester, a drama series based on books by British novelist, James Runcie. Although written during the twenty-first century, the story is set in the 1950s in a village on the outskirts of Cambridge. Sidney Chambers, a young Canon in charge of the Church of St Andrew and Mary, is a polite and friendly character who, despite his reluctance, ends up acting as a detective in a variety of crimes.
Sidney Chambers and the Shadow of Death is the first book of six in The Grantchester Mysteries. Split into six individual baffling cases, the background story of Sidney’s private life continues to develop throughout. Each crime is committed and swiftly solved by the Canon and his friend, Inspector Geordie Keating, although it is Sidney who ultimately resolves the case.
Murder, jewellery theft and art forgery and just some of the felonies Sidney grudgingly gets involved with. In fact, unresolved crimes tend to land in his lap rather than offering his assistance willingly. Up at dawn to work on sermons before rushing off to capture criminals, Sidney is never off duty.
A vicar may seem like an unlikely candidate for a detective, however, people tend to open up to him and unintentionally reveal delitescent information. Listening to suspects and witnesses without pre-judgement allows Sidney to think things through carefully rather than jumping to conclusions. From the moment the crime is committed right up until the story’s denouement, Sidney passionately does everything he can to make sure the correct culprit is discovered.
What makes this series different from other crime novels is the focus on Sidney Chambers’ own life. James Runcie emphasises the loneliness of a bachelor living in a vicarage with only a curate and crotchety housekeeper for company. Readers are drawn into Sidney’s stories and hold onto the hope that his dalliances with the beautiful Amanda turn out to be something more concrete.
Those who have watched the ITV series will be familiar with the stories in this book because the producer has stuck to the exact storyline, not missing a single thing out or adding anything extra. The fact that there were only two years between publishing and screen production goes to show how well written and thought out these stories are. Unlike famous detective novels such as Sherlock Holmes or those by Agatha Christie, The Grantchester Mysteries are not set at the time of writing, so, although they are historically accurate, the prose is suitable for present day readers.
Each story is quick to read and is easy going, making it a relaxing and enjoyable book. It is not a thriller or horror, although some of the crimes are quite terrible. Instead, it is entertaining and often humorous. It is suitable for crime fiction fans as well as those new to the genre.
Regardless of whether you have watched the television series or not, Sidney Chambers and the Shadow of Death is a delight to read. Of course, ITV has given away all the endings, but it is a different experience to read it in print rather than seeing it acted out on screen. Featuring the face of James Norton on the cover so as to work as a TV tie-in, the series will be easy to spot in prime position on bookshelves both in shops and personal collections.
In 2014, ITV broadcasted the first episode of Grantchester, a drama series based on books by British novelist, James Runcie. Although written during the twenty-first century, the story is set in the 1950s in a village on the outskirts of Cambridge. Sidney Chambers, a young Canon in charge of the Church of St Andrew and Mary, is a polite and friendly character who, despite his reluctance, ends up acting as a detective in a variety of crimes.
Sidney Chambers and the Shadow of Death is the first book of six in The Grantchester Mysteries. Split into six individual baffling cases, the background story of Sidney’s private life continues to develop throughout. Each crime is committed and swiftly solved by the Canon and his friend, Inspector Geordie Keating, although it is Sidney who ultimately resolves the case.
Murder, jewellery theft and art forgery and just some of the felonies Sidney grudgingly gets involved with. In fact, unresolved crimes tend to land in his lap rather than offering his assistance willingly. Up at dawn to work on sermons before rushing off to capture criminals, Sidney is never off duty.
A vicar may seem like an unlikely candidate for a detective, however, people tend to open up to him and unintentionally reveal delitescent information. Listening to suspects and witnesses without pre-judgement allows Sidney to think things through carefully rather than jumping to conclusions. From the moment the crime is committed right up until the story’s denouement, Sidney passionately does everything he can to make sure the correct culprit is discovered.
What makes this series different from other crime novels is the focus on Sidney Chambers’ own life. James Runcie emphasises the loneliness of a bachelor living in a vicarage with only a curate and crotchety housekeeper for company. Readers are drawn into Sidney’s stories and hold onto the hope that his dalliances with the beautiful Amanda turn out to be something more concrete.
Those who have watched the ITV series will be familiar with the stories in this book because the producer has stuck to the exact storyline, not missing a single thing out or adding anything extra. The fact that there were only two years between publishing and screen production goes to show how well written and thought out these stories are. Unlike famous detective novels such as Sherlock Holmes or those by Agatha Christie, The Grantchester Mysteries are not set at the time of writing, so, although they are historically accurate, the prose is suitable for present day readers.
Each story is quick to read and is easy going, making it a relaxing and enjoyable book. It is not a thriller or horror, although some of the crimes are quite terrible. Instead, it is entertaining and often humorous. It is suitable for crime fiction fans as well as those new to the genre.
Regardless of whether you have watched the television series or not, Sidney Chambers and the Shadow of Death is a delight to read. Of course, ITV has given away all the endings, but it is a different experience to read it in print rather than seeing it acted out on screen. Featuring the face of James Norton on the cover so as to work as a TV tie-in, the series will be easy to spot in prime position on bookshelves both in shops and personal collections.
Ross (3282 KP) rated Split (2016) in Movies
Apr 19, 2019
A half-decent film in its own right. A dreadful desperate attempt to link to Unbreakable at the end
Contains spoilers, click to show
I had watched over half of this film before someone mentioned to me it was part of the Unbreakable "trilogy". I had heard of Glass, and had noticed that McAvoy looked similar in the two films but hadn't realised they were linked (I guess I assumed he got bored of growing his hair back to then have to become Professor X again). I had wondered what the second film in the trilogy was. Unbeknownst to me, I was watching it.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
McAvoy plays Kevin, a man whose upbringing lead him to develop a number of (mostly) distinct personalities. These personalities allow his brain to compartmentalise and protect itself from certain aspects of life.
Kevin has decided to kidnap two girls (but for reasons he ends up getting three for the price of two). There is much less threat and horror in their imprisonment than in this type of scenario normally, which is to the film's credit. The girls are confused by the different personalities and how they interact with them and with each other. There are moments of charm, comedy, pantomime and some chilling moments in these scenes.
McAvoy does a good job of portraying these different personalities and they are mostly distinct. He is said to have 23 such personalities but I can only say I recognised 5 distinct ones, two of which were only a camp leg-crossing away from being the same.
Kevin is afraid of, but also excited about (depending on which personality has the spotlight) the possible coming of The Beast, a 24th personality that will be strong and powerful and hard for him to control.
Most of the film centres around either Kevin and his kidnappees or his therapist, which helps to describe his issues and show them at the same time.
The final section, The Beast's emergence and the eventual escape of the victims (I actually can't remember if either of the other 2 girls escaped) was so implausible and hammy. The supposed physical changes that each personality brings to Kevin's body are stretched to breaking point, and I think this just becomes stupid.
We then see where the girls had been kept all this time (a zoo) and again this just shouts out stupid. Suggesting a mentally ill janitor could drive a car with three unconscious schoolgirls into a closed zoo is just stupid.
The final scene made me so angry. Up to this point, there was no link whatsoever to Unbreakable. Fine, I thought. Keep them as separate films in their own right and then Glass can bring them together. But no. We see a news report of the kidnapping and Kevin's escape and disappearance playing out in a diner. One woman remarks that it sounded like that guy a few years ago who went to prison. She turns to Bruce Willis who responds "Mr Glass" (Samuel L Jackson's character from Unbreakable). It sounded absolutely nothing like "that guy". There was no similarity whatsoever in what had been described on TV and the story about a rich disabled man organising terrorist attacks. None whatsoever. This was such a clumsy, unnecessary attempt to sow the seeds of excitement for Glass. This has actually tainted the film for me, it would probably have gotten a 7 or an 8 if not for this lunacy.
Brown_Flopsy (3 KP) rated Thirteen Reasons Why: (TV Tie-in) in Books
Feb 4, 2018
Contains spoilers, click to show
As a school librarian and in light of the recent Netflix adaptation of this book, I felt that I should read it.
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
Firstly, I don't think this book actively promotes suicide. I actually think it is the intention of the author to make us think about how our actions affect other people's lives. It is not about revenge. It is about changing your actions...making time to talk to that person you think may need someone to talk to....being kinder. Listening to the tapes makes Clay appreciate that a person's actions can influence another's life in ways you do not realise and that making an effort to really get to know someone else can help them be happier if they are struggling.
However, this is definitely not a book to be given to someone who is suffering from depression. This is not a self-help book. Hannah is in a cycle of self-destruction, a downward spiral she is not able to escape from. She has already made up her mind that she cannot carry on and I am not sure she can be diverted from her course in the end. Mr Porter tries to help her talk, but unintentionally confirms the decision she has already made. I have not suffered from depression myself, but am very aware of what this can lead to and I can see that the book could be read in a way which could offer suicide as an option to someone who is in a dark place.
If you are worried about whether to recommend this book, or allow a young person to read this, my advice would be that this is not a story for younger children - this is a dark and sometimes sexual story and does have a rape in it. I would not recommend this book for anyone under the age of 15/16, because of this.
In addition, be aware that this is not a story for someone who suffers from depression as it can be read in a way which seems to offer suicide as an acceptable option if you can see youself in the same place as Hannah finds herself, although this is not its intention. Be aware of who is reading this book. It is, however an interesting read and does open the discussion about suicide, just be careful about who you recommend this to and do talk about it with them both before and afterwards.
Having said all this, I did enjoy reading the book and don't believe that the author intends anything dark by it or suggests intentionally that suicide is a way to get revenge on others.
The Netflix series worries me far more than the book itself. This strings out the story in a way which seems to glamorise Hannah's tapes and the idea of revenge on those that caused her suffering to make it into a "teen drama full of angst". I would be very worried about letting youngsters watch this series.
The Netflix series is horrific. This oringinally had a certificate of 15, but this was been amended to 18. The tv show definitely does not leave you with the same feelings as the book and most certainly is not for children. The final episode even shows Hannah sitting in a bath and cutting into her veins with a razor blade. Please do not watch this if you liked the book. Jay Asher, you should be ashamed that you had anything to do with this!
Kristy H (1252 KP) rated Keep Her Safe in Books
Feb 13, 2018
Cara Burrows runs away from her family--who live in England no less--to an Arizona spa. She leaves her phone with the rental car company and, exhausted by her travels, checks into her room, only to find it occupied by a man and a teenage girl. It's obviously a mistake by the front desk, but after hearing another guest's ramblings, Cara starts to wonder if the girl she saw is murder victim Melody Chapa. Melody Chapa is incredibly famous in the U.S.--her trial garnered intense attention--and her parents are serving life sentences for her murder. Suddenly, Cara finds herself caught up in a whirlwind series of events, unsure of whom to trust. Did she really see Melody? And if so, what is going on at this spa?
The plot of this novel is pretty preposterous, so be prepared to suspend a bit of disbelief. Once you do that, <i>it's really quite enjoyable and a total whirlwind ride,</i> as you cling to Cara and try to figure things out with her. You first have to get past the fact that the woman has decided to come all the way to Arizona from the UK for her spa trip, spending, she claims, one third of her family's savings to do so. And, you'll learn, all over a insane misunderstanding/lack of communication with her family that will make you want to shake the entire clan. Good grief! However, I digress. Because, really, their lack of communication certainly works in our favor, because <i>this book may be crazy, but it's fun crazy and a wonderful sort of escape. </i>
<i>I found this to be a fascinating type of thriller.</i> I flew through the pages, constantly wondering how all the various pieces fit together. Hannah kept the entire thing going, unfurling great little twists and turns every so often to keep you hooked. It's intricately plotted and really quite well-done, even if it's all a little insane. I suspected a couple of portions, but was still really impressed at how everything went together. Cara is an interesting character--she's just bumbling and sympathetic enough that you can somehow believe that she'd stumble into a major murder mystery while on a spa holiday. Her supporting cast of characters is wide and varied: spa guests; various detectives and the FBI; those involved with Melody's case; and even a crime TV show host with a flair for the dramatic. Somehow Hannah weaves them all together successfully, for which you have to give her bonus points.
All in all, this was a slightly unbelievable novel, but compulsively readable with a thrilling mystery plot that completely hooks you. The characters all work together somehow and the novel is just a fun escape. Throw in a creepy ending that leaves you going "What?!" and this is definitely worth a read. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for unbiased review; it is available in the U.S. everywhere as of 09/19/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
The plot of this novel is pretty preposterous, so be prepared to suspend a bit of disbelief. Once you do that, <i>it's really quite enjoyable and a total whirlwind ride,</i> as you cling to Cara and try to figure things out with her. You first have to get past the fact that the woman has decided to come all the way to Arizona from the UK for her spa trip, spending, she claims, one third of her family's savings to do so. And, you'll learn, all over a insane misunderstanding/lack of communication with her family that will make you want to shake the entire clan. Good grief! However, I digress. Because, really, their lack of communication certainly works in our favor, because <i>this book may be crazy, but it's fun crazy and a wonderful sort of escape. </i>
<i>I found this to be a fascinating type of thriller.</i> I flew through the pages, constantly wondering how all the various pieces fit together. Hannah kept the entire thing going, unfurling great little twists and turns every so often to keep you hooked. It's intricately plotted and really quite well-done, even if it's all a little insane. I suspected a couple of portions, but was still really impressed at how everything went together. Cara is an interesting character--she's just bumbling and sympathetic enough that you can somehow believe that she'd stumble into a major murder mystery while on a spa holiday. Her supporting cast of characters is wide and varied: spa guests; various detectives and the FBI; those involved with Melody's case; and even a crime TV show host with a flair for the dramatic. Somehow Hannah weaves them all together successfully, for which you have to give her bonus points.
All in all, this was a slightly unbelievable novel, but compulsively readable with a thrilling mystery plot that completely hooks you. The characters all work together somehow and the novel is just a fun escape. Throw in a creepy ending that leaves you going "What?!" and this is definitely worth a read. 3.5 stars.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for unbiased review; it is available in the U.S. everywhere as of 09/19/2017.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Lucy Buglass (45 KP) rated Russian Doll in TV
Jun 20, 2019
After the success of both Parks and Recreation and Orange is the New Black, I was intrigued by a new Netflix series created by Amy Poehler and Natasha Lyonne. Many fans know them as Leslie Knope and Nicky Nichols, and I’m sure we can all agree they’d make a very interesting duo.
Immediately after seeing the promos for Russian Doll, it was clear that this was going to be a very different tone to their previous work, and felt incredibly offbeat and quirky in nature. The series follows a woman named Nadia Vulvokov (Natasha Lyonne) as she finds herself in a time-loop after she is hit by a taxi and dies. Unfortunately for Nadia, she has to relive her 36th birthday party over and over again. It’s Groundhog Day on speed, which is an utterly delightful concept.
Whilst it may sound similar to Groundhog Day, it’s actually a very unique story. At first it’s easy to worry about the repetitive nature of the series, considering Nadia spends most of her time dying and reliving the same moment. Somehow it manages to stay funny, fresh and watchable throughout all eight episodes. The pacing is spot-on and keeps you guessing, as you follow Nadia’s journey into discovering why she’s found herself in this loop. On this journey, she’s joined by a number of characters including her ex-boyfriend John (Yul Vazquez), close family friend Ruth (Elizabeth Ashley) and a stranger named Alan (Charlie Barnett) who is closer to this situation than he originally realizes.
As the series progresses, we begin to delve into some pretty heavy stuff. Without giving away spoilers, the episodes start to question morality, ethics, the past, and the future. Each character is so well fleshed out and we want to know more about them. It’s easy to become sucked into the world of Russian Doll, and trust me when I say it’s a binge worthy series. You won’t want to stop until you have answers. It’s a show that knows how to balance comedy and drama effectively, delivering laugh out loud then heart-wrenching moments in quick succession. You feel sorry for various characters and loathe others, and it’s an incredibly well fleshed out series.
In terms of its visuals, Russian Doll is a gritty, psychedelic glimpse into the lives of various New York City residents. We see rich and poor, confident and timid, good and bad characters as they go about their daily lives. It’s fascinating to watch and each location has been crafted to give you more insight into the characters in this world. From quirky high-rise apartments to homeless shelters, this series shows it all. It’s the Big Apple in all its glory, whether that’s good or bad.
My advice would be to walk into Russian Doll knowing as little as possible, allowing yourself to approach the situation in a similar way to Nadia. It’s a comedy, thriller and mystery all rolled into one, with each genre complementing the other superbly. As far as Netflix Originals go, this is one of the strongest ones I’ve seen so far. Eight episodes is just enough to keep you entertained, whilst still giving enough backstory to make it a compelling tale. Just when you think you know a character, the tables are turned and your jaw is on the floor.
https://lucygoestohollywood.com/2019/03/07/tv-review-my-thoughts-on-russian-doll/
Immediately after seeing the promos for Russian Doll, it was clear that this was going to be a very different tone to their previous work, and felt incredibly offbeat and quirky in nature. The series follows a woman named Nadia Vulvokov (Natasha Lyonne) as she finds herself in a time-loop after she is hit by a taxi and dies. Unfortunately for Nadia, she has to relive her 36th birthday party over and over again. It’s Groundhog Day on speed, which is an utterly delightful concept.
Whilst it may sound similar to Groundhog Day, it’s actually a very unique story. At first it’s easy to worry about the repetitive nature of the series, considering Nadia spends most of her time dying and reliving the same moment. Somehow it manages to stay funny, fresh and watchable throughout all eight episodes. The pacing is spot-on and keeps you guessing, as you follow Nadia’s journey into discovering why she’s found herself in this loop. On this journey, she’s joined by a number of characters including her ex-boyfriend John (Yul Vazquez), close family friend Ruth (Elizabeth Ashley) and a stranger named Alan (Charlie Barnett) who is closer to this situation than he originally realizes.
As the series progresses, we begin to delve into some pretty heavy stuff. Without giving away spoilers, the episodes start to question morality, ethics, the past, and the future. Each character is so well fleshed out and we want to know more about them. It’s easy to become sucked into the world of Russian Doll, and trust me when I say it’s a binge worthy series. You won’t want to stop until you have answers. It’s a show that knows how to balance comedy and drama effectively, delivering laugh out loud then heart-wrenching moments in quick succession. You feel sorry for various characters and loathe others, and it’s an incredibly well fleshed out series.
In terms of its visuals, Russian Doll is a gritty, psychedelic glimpse into the lives of various New York City residents. We see rich and poor, confident and timid, good and bad characters as they go about their daily lives. It’s fascinating to watch and each location has been crafted to give you more insight into the characters in this world. From quirky high-rise apartments to homeless shelters, this series shows it all. It’s the Big Apple in all its glory, whether that’s good or bad.
My advice would be to walk into Russian Doll knowing as little as possible, allowing yourself to approach the situation in a similar way to Nadia. It’s a comedy, thriller and mystery all rolled into one, with each genre complementing the other superbly. As far as Netflix Originals go, this is one of the strongest ones I’ve seen so far. Eight episodes is just enough to keep you entertained, whilst still giving enough backstory to make it a compelling tale. Just when you think you know a character, the tables are turned and your jaw is on the floor.
https://lucygoestohollywood.com/2019/03/07/tv-review-my-thoughts-on-russian-doll/
Lee (2222 KP) rated Zombieland: Double Tap (2019) in Movies
Oct 22, 2019
Not quite as good as the original
It's been 10 years since we last saw Columbus (Jesse Eisenberg), Tallahassee (Woody Harrelson), Wichita (Emma Stone), and Little Rock (Abigail Breslin) and our TV and movie screens have since become even more saturated with zombie content. It's something which even gets acknowledged by Columbus during his opening narration to Zombieland: Double Tap as he thanks the audience for choosing this movie, now that there are "many choices in zombie entertainment."
The opening narration also hilariously introduces us to some of the specific variations of zombies currently being encountered - the Homer, the Hawking and the Ninja - before continuing the comic book violence that we know and love from the first movie. A hugely entertaining slo-mo zombie battle on the overgrown grounds in front of The White House while the opening credits roll. But after that, the foursome setup residence in the presidential home, making good use of the space available and even celebrating Christmas there (even though it's only November!).
Little has changed in the group dynamic, other than the fact that Little Rock is now all grown up, something which forms the basis for the main plot of the movie. Columbus and Wichita are struggling to settle into a routine as a couple, and Tallahassee serves only as an overbearing father figure to Little Rock. Tiring of this setup, and longing for friends her own age, Little Rock runs away with a peace loving boy called Berkeley, to a place called Bablyon, home to a community of pacifists where weapons are not allowed. The others, fearing for her safety, set out on a road trip to go find her.
Something about the humour of Double Tap doesn't seem to work as well as it did in the first movie and much of the bickering and interaction between this makeshift family doesn't feel quite as enjoyable this time around. The constant onscreen reminders of 'the rules' that the group live by becomes tiresome at times and it's therefore up to a number of new characters that the guys meet along the way to try and inject something fresh into it all.
First up is Madison (Zoey Deutch), a young woman that Columbus and Tallahassee meet at a mall early on. Madison is a typical ditzy blonde cliché, forming the butt of many of the jokes, but still managing to be endearing and a lot of fun. Then there's Nevada (Rosario Dawson), along with Tallahassee and Columbus meeting up with their doppelgängers Albuquerque (Luke Wilson) and Flagstaff (Thomas Middleditch). If you've seen the trailer then that manages to cover off a lot of these character meetings and interactions, along with a number of plot beats too unfortunately.
What the trailer doesn't show you though are the hugely satisfying, big action set-pieces, which manage to come along just at the right time in order to inject some serious entertainment into the flagging dialogue. Aside from the slo-mo opening battle that I've already mentioned, there's a wildly fun slapstick zombie fight in an Elvis themed motel and a finale that's packed full of zombie carnage. Not to mention a lengthy credits scene which starts off well, and just keeps on getting better! And the introduction of a more difficult to kill strain of zombie only adds to the fun too.
Overall, Double Tap doesn't quite live up to its predecessor. It's a fun ride though, still boasting some of the best zombie killing action out there, but ultimately doesn't leave much of a lasting impression.
The opening narration also hilariously introduces us to some of the specific variations of zombies currently being encountered - the Homer, the Hawking and the Ninja - before continuing the comic book violence that we know and love from the first movie. A hugely entertaining slo-mo zombie battle on the overgrown grounds in front of The White House while the opening credits roll. But after that, the foursome setup residence in the presidential home, making good use of the space available and even celebrating Christmas there (even though it's only November!).
Little has changed in the group dynamic, other than the fact that Little Rock is now all grown up, something which forms the basis for the main plot of the movie. Columbus and Wichita are struggling to settle into a routine as a couple, and Tallahassee serves only as an overbearing father figure to Little Rock. Tiring of this setup, and longing for friends her own age, Little Rock runs away with a peace loving boy called Berkeley, to a place called Bablyon, home to a community of pacifists where weapons are not allowed. The others, fearing for her safety, set out on a road trip to go find her.
Something about the humour of Double Tap doesn't seem to work as well as it did in the first movie and much of the bickering and interaction between this makeshift family doesn't feel quite as enjoyable this time around. The constant onscreen reminders of 'the rules' that the group live by becomes tiresome at times and it's therefore up to a number of new characters that the guys meet along the way to try and inject something fresh into it all.
First up is Madison (Zoey Deutch), a young woman that Columbus and Tallahassee meet at a mall early on. Madison is a typical ditzy blonde cliché, forming the butt of many of the jokes, but still managing to be endearing and a lot of fun. Then there's Nevada (Rosario Dawson), along with Tallahassee and Columbus meeting up with their doppelgängers Albuquerque (Luke Wilson) and Flagstaff (Thomas Middleditch). If you've seen the trailer then that manages to cover off a lot of these character meetings and interactions, along with a number of plot beats too unfortunately.
What the trailer doesn't show you though are the hugely satisfying, big action set-pieces, which manage to come along just at the right time in order to inject some serious entertainment into the flagging dialogue. Aside from the slo-mo opening battle that I've already mentioned, there's a wildly fun slapstick zombie fight in an Elvis themed motel and a finale that's packed full of zombie carnage. Not to mention a lengthy credits scene which starts off well, and just keeps on getting better! And the introduction of a more difficult to kill strain of zombie only adds to the fun too.
Overall, Double Tap doesn't quite live up to its predecessor. It's a fun ride though, still boasting some of the best zombie killing action out there, but ultimately doesn't leave much of a lasting impression.
Darren (1599 KP) rated Always Be My Maybe (2019) in Movies
Dec 26, 2019
Verdict: Rom Com 101
Story: Always Be My Maybe starts when we get to meet two friends Sasha and Marcus who have grown up as best friends into their high school era where they almost become a couple, only their friendship falls apart. 15 years later Sasha (Wong) has become a major celebrity chef, heading back home for the latest restaurant opening. Marcus (Park) has followed his father Harry (Saito) into the family business, getting high on the side.
When the two reunite they see the changes they have both been through and start looking at what could once have been between the two despite having their own relationships on the side.
Thoughts on Always Be My Maybe
Characters – Sasha was once Marcus best friend before becoming one of the biggest celebrity chefs in America, she has restaurants across America and now looks to return home for the latest one. She starts to see her relationship crumble and with her old best friend walking back into her life, she is left to wonder what if. Marcus was Sasha best friend too, he never made too much of his life, working with his father, getting high and being part of his small band, never leave San Francisco. With Sasha back in his life, he must decide if it is finally time to take a chance on life. Harry is Marcus father that has always let him do his own thing, they both lost his wife and mother to Marcus. Veronica is Sasha best friend who is always there for business and personal issues, she knows about the previous friendship.
Performances – Randall Park and Ali Wong are both fine in the leading roles, they do struggle with balancing the ideas of their stand-up routines, with realistic conversations, which shows through the film. The supporting performers do get the better laughs, with more realistic nature to everything happening.
Story – The story follows two childhood friends that almost became more that have gone onto live very different lives until they get a chance to meet up again 15-years-later to put forward the question once more about what could have been. We do have deeper side to the story, which explores the ideas of not taking chances in life, when you meet somebody who will go everywhere. The idea that the two get a second chance does make most of the story feel like a straight to TV level of storytelling and while it doesn’t completely fall into relying on stand-up jokes, we do get more than we need to. The story does have a proper heart which is the important factor needed, only it just doesn’t do much more outside of this.
Comedy/Romance – The comedy is mostly miss until Keanu Reeves arrives on the scene, where he will give laughs through the scenes with ease, while the romance elements are everything we have seen before.
Settings – The film is mostly set in San Francisco which is always a nice backdrop, it does show the different lifestyles the two are living with where they feel more comfortable.
Scene of the Movie – Double date.
That Moment That Annoyed Me – It offers nothing new to the rom com.
Final Thoughts – This is a by the book rom com that does get saved by an outrageous cameo, which is the clear highlight of the film.
Overall: Simple and Fun.
Story: Always Be My Maybe starts when we get to meet two friends Sasha and Marcus who have grown up as best friends into their high school era where they almost become a couple, only their friendship falls apart. 15 years later Sasha (Wong) has become a major celebrity chef, heading back home for the latest restaurant opening. Marcus (Park) has followed his father Harry (Saito) into the family business, getting high on the side.
When the two reunite they see the changes they have both been through and start looking at what could once have been between the two despite having their own relationships on the side.
Thoughts on Always Be My Maybe
Characters – Sasha was once Marcus best friend before becoming one of the biggest celebrity chefs in America, she has restaurants across America and now looks to return home for the latest one. She starts to see her relationship crumble and with her old best friend walking back into her life, she is left to wonder what if. Marcus was Sasha best friend too, he never made too much of his life, working with his father, getting high and being part of his small band, never leave San Francisco. With Sasha back in his life, he must decide if it is finally time to take a chance on life. Harry is Marcus father that has always let him do his own thing, they both lost his wife and mother to Marcus. Veronica is Sasha best friend who is always there for business and personal issues, she knows about the previous friendship.
Performances – Randall Park and Ali Wong are both fine in the leading roles, they do struggle with balancing the ideas of their stand-up routines, with realistic conversations, which shows through the film. The supporting performers do get the better laughs, with more realistic nature to everything happening.
Story – The story follows two childhood friends that almost became more that have gone onto live very different lives until they get a chance to meet up again 15-years-later to put forward the question once more about what could have been. We do have deeper side to the story, which explores the ideas of not taking chances in life, when you meet somebody who will go everywhere. The idea that the two get a second chance does make most of the story feel like a straight to TV level of storytelling and while it doesn’t completely fall into relying on stand-up jokes, we do get more than we need to. The story does have a proper heart which is the important factor needed, only it just doesn’t do much more outside of this.
Comedy/Romance – The comedy is mostly miss until Keanu Reeves arrives on the scene, where he will give laughs through the scenes with ease, while the romance elements are everything we have seen before.
Settings – The film is mostly set in San Francisco which is always a nice backdrop, it does show the different lifestyles the two are living with where they feel more comfortable.
Scene of the Movie – Double date.
That Moment That Annoyed Me – It offers nothing new to the rom com.
Final Thoughts – This is a by the book rom com that does get saved by an outrageous cameo, which is the clear highlight of the film.
Overall: Simple and Fun.
Emma @ The Movies (1786 KP) rated Clemency (2019) in Movies
Nov 7, 2019
Clemency was high up on my list to see during the festival so I was slightly annoyed to not get the opportunity to see it initially... but it was day one and I was feeling bold with enthusiasm and joine the queue for last minute tickets. It's a great system if it isn't raining, and after some loitering, chatting, and spotting Wendell Pierce on his way to the cinema for the screening I managed to get a spare ticket.
Bernadine has spent years of her life dedicated to giving prisoners the chance to better themselves and live up to their potential, with the death row inmates she tries to give them respect and comfort in their last days. After an execution goes wrong the whole team is affected and with another coming closer Bernadine starts to feel the pressure.
Her life is turned upside down as she starts to interact with Anthony Woods, she can't sleep, she can't be a wife, her only real escape is drink and her colleagues. Where will everything lead her?
My main pull to this was Aldis Hodge, while I tried to avoid seeing who was in each film when I read the synopsis it was difficult on occasion and so this one zipped to my top picks list. He will always be Hardison to me but I've enjoyed seeing him in films recently.
Anthony Woods is obviously on a rollercoaster of emotions and Hodge brings out the sense of desperation his character is feeling. The swing from hope and emptiness to elation gave him several opportunities to surprise and shock us. One of those moments particularly drew a reaction from a lot of people around me and I'll touch on that in a moment.
Alfre Woodard as Warden Bernadine Williams was very powerful, subtle with her emotions when needed but as the film concludes we see an incredibly difficult moment of pain. That moment is ugly and honest, it really hits you.
The film leaves you with a few uncertain points, you can work things out from context but it never says it outright. It also allows you to slowly unfold what's going on and what's still to come.
As you know, I watch a lot (excessive amounts some might say) of movies and it's very rare from something to surprise me. A lot of things are easy to see coming, a characters's actions can show you something violent coming. There are two moments in Clemency that had the audience react much stronger that I expected, I was also surprised by the reaction of the other press delegates who I thought might be in a similar place a me. Both scenes involved blood and when everyone gasped I actually looked around and wondered how it had earned that reaction. Perhaps I wasn't as engaged with it as they were but I didn't find those moments to be gratuitous or all that shocking given the context and the nature of the scenes. It was this point that I had to ponder the thought that seeing too many films and TV shows might have a detrimental effect on my reactions to some sorts of films.
Clemency deals with some fairly heavy topics but it handles them well and in a captivating way, I've glad I managed to get to see this.
What you should do
It's a moving film and I would recommend trying to catch it.
Movie thing you wish you could take home
Another film where I probably don't need anything to take home from it.
Bernadine has spent years of her life dedicated to giving prisoners the chance to better themselves and live up to their potential, with the death row inmates she tries to give them respect and comfort in their last days. After an execution goes wrong the whole team is affected and with another coming closer Bernadine starts to feel the pressure.
Her life is turned upside down as she starts to interact with Anthony Woods, she can't sleep, she can't be a wife, her only real escape is drink and her colleagues. Where will everything lead her?
My main pull to this was Aldis Hodge, while I tried to avoid seeing who was in each film when I read the synopsis it was difficult on occasion and so this one zipped to my top picks list. He will always be Hardison to me but I've enjoyed seeing him in films recently.
Anthony Woods is obviously on a rollercoaster of emotions and Hodge brings out the sense of desperation his character is feeling. The swing from hope and emptiness to elation gave him several opportunities to surprise and shock us. One of those moments particularly drew a reaction from a lot of people around me and I'll touch on that in a moment.
Alfre Woodard as Warden Bernadine Williams was very powerful, subtle with her emotions when needed but as the film concludes we see an incredibly difficult moment of pain. That moment is ugly and honest, it really hits you.
The film leaves you with a few uncertain points, you can work things out from context but it never says it outright. It also allows you to slowly unfold what's going on and what's still to come.
As you know, I watch a lot (excessive amounts some might say) of movies and it's very rare from something to surprise me. A lot of things are easy to see coming, a characters's actions can show you something violent coming. There are two moments in Clemency that had the audience react much stronger that I expected, I was also surprised by the reaction of the other press delegates who I thought might be in a similar place a me. Both scenes involved blood and when everyone gasped I actually looked around and wondered how it had earned that reaction. Perhaps I wasn't as engaged with it as they were but I didn't find those moments to be gratuitous or all that shocking given the context and the nature of the scenes. It was this point that I had to ponder the thought that seeing too many films and TV shows might have a detrimental effect on my reactions to some sorts of films.
Clemency deals with some fairly heavy topics but it handles them well and in a captivating way, I've glad I managed to get to see this.
What you should do
It's a moving film and I would recommend trying to catch it.
Movie thing you wish you could take home
Another film where I probably don't need anything to take home from it.
Neon's Nerd Nexus (360 KP) rated A Beautiful Day in the Neighborhood (2019) in Movies
Feb 2, 2020 (Updated Feb 2, 2020)
Hello Neighbor
A Beautiful Day In The Neighborhood is an inspiring and delightful film about a man that was oh so smart and oh so pleasant. I just want to say from the start what an absolute joy this film was to watch, there was something so warm and wonderful there constantly that kept my full attention the entire time and when it ended I almost felt sad there wasnt more of it. Tom Hanks plays Fred Rogers aka Mr Rogers as hes known by most. An intriguing man who is almost investigated/interrogated by writer Lloyd Voge who has many troubles of his own. Hanks transforms seamlessly into Rogers with all his mannerisms replicated flawlessly even down to whats going on behined his eyes. Rogers may seem like theres something more sinister behined him at times but truth is he had a troubled past too and while maybe not a war veteran its almost as if you can see signs of depression or ptsd behined those eyes from the way he was treated in his youth of from the general weight of his job. But its the way the way hes learnt to deal with his anger, frustrations and demons thats so fascinating and how he manages to keep stong/humble so he can teach other children to overcome the harshness of life and the dark times they may face ahead of them thats trully inspiring and commendable. Llyods transformation during the film is also depicted amazingly too, hes so troubled hes almost beyond help, struggling with such emotions as grief, hatred and stress hes seemingly stuck on an ever declining path of sadness. That is until he meets rogers and the on screen interactions between these two are the absolute bread and butter to watch here as rogers uses his philosophy and good nature to help him find happiness in himself once again. See the thing is adults tend to dismiss anything they consider 'childish' but more often than not these so called childish things they dismiss contain more answers, escapism and advise for our problems than anything else be it by nostalgia, wisdom or philosophy or simple innocence. I loved how the tv show scenes felt so nostalgic that you could swear they were filmed way back in the past and the choice to use a different aspect ratio for them was smart. Its odd to say but theres definitely a subbtle element of horror and creepiness I found here too especially with some of the almost fever dream type scenes which worked extreamly well and broke up the film nicely. Lastly I would say if you are planning to see this be prepared to cry as its not only incredibly heartfelt it also constantly deals with very depressing subject matter too. So many times I found It depicted problems, situations, feelings and nostalgia to things that I have faced in my own life leading to me to tear up like it was speaking specifically to only me as I questioned my own life, feelings, relationships and decisions in my head. A splendid film that teaches us how life is to short to waste time on anger/hate and that we should instead spend and cherish the time we have here with the ones we love before its to late.