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Matthew Krueger (10051 KP) rated Saw (2004) in Movies
Dec 17, 2019 (Updated Jan 8, 2020)
The Start
Saw- this one started it all, this one started the franchise. This one is the best one out of all of them. This one has the best story, the best plot and the best twist ending to all of them. This one is more detective film than a tourture film, it still had tourture in it, but its more about the two main charcters trying to survivor and figure out where their are and the detective trying to find them. With introduction Jigsaw/John Kramer, doctor Gordon and Amanda Young.
The Plot: Photographer Adam Stanheight (Leigh Whannell) and oncologist Lawrence Gordon (Cary Elwes) regain consciousness while chained to pipes at either end of a filthy bathroom. As the two men realize they've been trapped by a sadistic serial killer nicknamed "Jigsaw" and must complete his perverse puzzle to live, flashbacks relate the fates of his previous victims. Meanwhile, Dr. Gordon's wife (Monica Potter) and young daughter (Makenzie Vega) are forced to watch his torture via closed-circuit video.
After this one, the franchise became more of a tourture porn franchise, well it did become tourture porn in the sequels, with focus more on tourture and the traps rather than a story. The story is just sprinkled within inside the tourture porn and traps, you just have to find the story.
Like i said before this one is the best one out of all of them, the best story, the best plot and the best twist ending.
Want to play a game, do you punk? Well do you?
The Plot: Photographer Adam Stanheight (Leigh Whannell) and oncologist Lawrence Gordon (Cary Elwes) regain consciousness while chained to pipes at either end of a filthy bathroom. As the two men realize they've been trapped by a sadistic serial killer nicknamed "Jigsaw" and must complete his perverse puzzle to live, flashbacks relate the fates of his previous victims. Meanwhile, Dr. Gordon's wife (Monica Potter) and young daughter (Makenzie Vega) are forced to watch his torture via closed-circuit video.
After this one, the franchise became more of a tourture porn franchise, well it did become tourture porn in the sequels, with focus more on tourture and the traps rather than a story. The story is just sprinkled within inside the tourture porn and traps, you just have to find the story.
Like i said before this one is the best one out of all of them, the best story, the best plot and the best twist ending.
Want to play a game, do you punk? Well do you?
LeftSideCut (3776 KP) rated The Lie (2020) in Movies
Nov 18, 2020
To sum up The Lie in one word - frustrating.
This recent thriller from Blumhouse, based on 2015 German film Wir Monster, has a lot of good ingredients, and some decent performances but there's just so much that bogs it down.
First off, the lead cast here are great. Peter Sarsgaard and Mireille Enos in particular are heart wrenchingly believable as two parents desperately trying to protect their teen daughter (Joey King) who has confessed to impulsively murdering one of her friends. It's a slow burn of a plot, and Sarsgaard and Enos do a hell of a lot to make it watchable.
Joey King's character is stupidly unlikable however. I got the feeling that we as the audience were supposed to be on her side, hoping that she wouldn't get caught - like the filmmakers we're going for a Psycho vibe or something, but her character is so obnoxious and spoilt, that all I wanted was for her to go to prison. It's a big hiccup considering the narrative centres around her so severely.
Then there's the twist - no spoilers here, but fuck me, it's stupid. All good thrillers need a good twist to round things off, but the one we're subjected to here requires a huge suspension of disbelief on the viewers part. It asks too much, and ruins what is otherwise a fairly tense and minimalist thriller.
The snowy setting adds some beauty to the films aesthetic, but it's not enough to detract from everything that makes The Lie more unenjoyable than it should be.
This recent thriller from Blumhouse, based on 2015 German film Wir Monster, has a lot of good ingredients, and some decent performances but there's just so much that bogs it down.
First off, the lead cast here are great. Peter Sarsgaard and Mireille Enos in particular are heart wrenchingly believable as two parents desperately trying to protect their teen daughter (Joey King) who has confessed to impulsively murdering one of her friends. It's a slow burn of a plot, and Sarsgaard and Enos do a hell of a lot to make it watchable.
Joey King's character is stupidly unlikable however. I got the feeling that we as the audience were supposed to be on her side, hoping that she wouldn't get caught - like the filmmakers we're going for a Psycho vibe or something, but her character is so obnoxious and spoilt, that all I wanted was for her to go to prison. It's a big hiccup considering the narrative centres around her so severely.
Then there's the twist - no spoilers here, but fuck me, it's stupid. All good thrillers need a good twist to round things off, but the one we're subjected to here requires a huge suspension of disbelief on the viewers part. It asks too much, and ruins what is otherwise a fairly tense and minimalist thriller.
The snowy setting adds some beauty to the films aesthetic, but it's not enough to detract from everything that makes The Lie more unenjoyable than it should be.
LeftSideCut (3776 KP) rated Black Box (2020) in Movies
Nov 23, 2020
I was pleasantly surprised by Black Box, even it does feel overly familiar.
The concept revolves around a man, Nolan, still suffering from amnesia, six months after he was in a car accident that killed his wife, and left him to raise their young daughter on his own. He eventually ends up taking part in an experimental procedure designed to help people like Nolan dive deep into their subconscious to directly confront their memories, and in turn, restore what they have lost.
It's a neat, if very Black Mirror-esque premise, with a hint of discount Get Out hypnosis for good measure.
There are plenty of plot turns scattered throughout, and when the inevitable big twist hits, it's lands an emotional punch. Some people I'm sure will argue that the twist is easy to see early on but it's elevated by some great performances, even if that is the case.
Lead actor Mamoudoe Athie is fantastic throughout, and is supported by decent turns from Phylicia Rashad, Tosin Morohunfola, and Charmaine Bingwa. Amanda Christine, who plays Nolan's daughter is great as well, and the chemistry between her and Athie really adds to the overall film.
Black Box won't set your world on fire, but it's a competent and tight thriller with a few creepy moments sprinkled here and there and It's comfortably the best of the recent Amazon Original-Blumhouse offerings, even if it does borrow liberally from other (and better) movies. It's not for everyone, but worth checking out.
The concept revolves around a man, Nolan, still suffering from amnesia, six months after he was in a car accident that killed his wife, and left him to raise their young daughter on his own. He eventually ends up taking part in an experimental procedure designed to help people like Nolan dive deep into their subconscious to directly confront their memories, and in turn, restore what they have lost.
It's a neat, if very Black Mirror-esque premise, with a hint of discount Get Out hypnosis for good measure.
There are plenty of plot turns scattered throughout, and when the inevitable big twist hits, it's lands an emotional punch. Some people I'm sure will argue that the twist is easy to see early on but it's elevated by some great performances, even if that is the case.
Lead actor Mamoudoe Athie is fantastic throughout, and is supported by decent turns from Phylicia Rashad, Tosin Morohunfola, and Charmaine Bingwa. Amanda Christine, who plays Nolan's daughter is great as well, and the chemistry between her and Athie really adds to the overall film.
Black Box won't set your world on fire, but it's a competent and tight thriller with a few creepy moments sprinkled here and there and It's comfortably the best of the recent Amazon Original-Blumhouse offerings, even if it does borrow liberally from other (and better) movies. It's not for everyone, but worth checking out.
LeftSideCut (3776 KP) rated Cube 2: Hypercube (2002) in Movies
Jan 14, 2021
Christ, I did not have fun with this. Cube 2: Hypercube is unfortunately a downgrade of its predecessor in every single way, so I'll start with a couple of positives - 1. Kari Matchett gives us a likable enough lead to follow. 2. When the film first introduces parallel dimensions around 30 minutes in, it became vaguely interesting for about two minutes. And that's about your lot.
Every single character is a walking cliché. The introductions to all these people go on for waaayy too long, and I found myself pretty much immediately wanting them to die, but we're not even allowed to enjoy that aspect. The little gore on display looks awful, nothing done practically, and instead with CGI that looks like deep fried turd, CGI that is draped liberally all over the movie.
Then there's the titular cube itself. Gone are the intricate and Hellraiser-esque aesthetics of the first film, to make way for a clinical white series of Cube rooms (with a grey trim just to spice things up a bit). It just looks terrible.
The narrative isn't too compelling either, with twist after twist thrown at the viewer, but none which have any impact. It even throws in one at the very end which just isn't explained in any capacity. A lazy script with a lazy plot.
I'm pretty sure I had even more negatives to say about Cube 2, but honestly, I'm getting bored just thinking about this film, so yeah, it's poo.
Every single character is a walking cliché. The introductions to all these people go on for waaayy too long, and I found myself pretty much immediately wanting them to die, but we're not even allowed to enjoy that aspect. The little gore on display looks awful, nothing done practically, and instead with CGI that looks like deep fried turd, CGI that is draped liberally all over the movie.
Then there's the titular cube itself. Gone are the intricate and Hellraiser-esque aesthetics of the first film, to make way for a clinical white series of Cube rooms (with a grey trim just to spice things up a bit). It just looks terrible.
The narrative isn't too compelling either, with twist after twist thrown at the viewer, but none which have any impact. It even throws in one at the very end which just isn't explained in any capacity. A lazy script with a lazy plot.
I'm pretty sure I had even more negatives to say about Cube 2, but honestly, I'm getting bored just thinking about this film, so yeah, it's poo.
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Debbiereadsbook (1564 KP) rated Shifter Woods: Claw (Esposito County Shifters #4) in Books
May 9, 2023
blinder of a plot twist!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Esposito County Shifters series, but I have not read them all. They can all be read as stand alones.
Angela runs after discovering her abusive boyfriend sells her out to the mob. Something guides her to Esposito County and Matt saves her. There is a familiar scent to Angela that Matt can't place, but he knows one thing: he will do anything to keep her safe, and make her his.
I liked this a lot. It takes a darker edge than Growl (book 3) but plays another blinder of a plot twist for Matt and Angela that I did not see coming!
It's steamy and smexy, yes but this had less of a *MINE* moment that some shifter books have and more of an *I know you, but can't place you* and the feelings for both Matt and Angela creep up on them. Oh, don't get me wrong, Matt has that drive to protect Angela right from the start, but he wasn't sure what it meant. I loved that it takes time, you know? The rapid fall-in-loves books are all well and good, but I especially liked that particular book isn't like that.
I loved that the other shifters in town pulled together to sort out Angela's problem, and I love that Matt asked if he could deal with it personally.
A thoroughly enjoyable 4 star read.
*same worded review will appear elsewhere
This is book 4 in the Esposito County Shifters series, but I have not read them all. They can all be read as stand alones.
Angela runs after discovering her abusive boyfriend sells her out to the mob. Something guides her to Esposito County and Matt saves her. There is a familiar scent to Angela that Matt can't place, but he knows one thing: he will do anything to keep her safe, and make her his.
I liked this a lot. It takes a darker edge than Growl (book 3) but plays another blinder of a plot twist for Matt and Angela that I did not see coming!
It's steamy and smexy, yes but this had less of a *MINE* moment that some shifter books have and more of an *I know you, but can't place you* and the feelings for both Matt and Angela creep up on them. Oh, don't get me wrong, Matt has that drive to protect Angela right from the start, but he wasn't sure what it meant. I loved that it takes time, you know? The rapid fall-in-loves books are all well and good, but I especially liked that particular book isn't like that.
I loved that the other shifters in town pulled together to sort out Angela's problem, and I love that Matt asked if he could deal with it personally.
A thoroughly enjoyable 4 star read.
*same worded review will appear elsewhere
Debbiereadsbook (1564 KP) rated Beyond the Darkness (Basic Instincts #3) in Books
Oct 9, 2025
plot twist I did not see coming!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 3 in the Basic Instincts series but you don't need to have read the other two books for this to make sense. I've only read book 2, and I loved that book.
And I loved this one too, bar for one thing and I'll come back to that in a mo.
Again, I'd like to commend Collins on a blinder of a twist I did not see coming! I had my doubts, when they were saying who might have been behind it all, but my idea was way, WAY off base and I loved being thrown for a loop!
I really, really do not want to see that film Hudson was in! Sounds gory and violent and not really my thing.
The book is dark and deadly and some of it is on page, but I do think that it is necessary to get the point across.
Some emotional moments, some steamy, but the focus is on the play and the chaos that comes with it.
That thing? But for one solitary chapter, only Hudson has a say. Luke has a chapter and that is the only reason I cannot give this 5 stars! I think if he had no say at all, I might have been tipped over to 5 stars, though! Weird, I know but ya'll know my book feelings!
so, a very VERY good
4 stars
*same worded review will appear elsewhere
This is book 3 in the Basic Instincts series but you don't need to have read the other two books for this to make sense. I've only read book 2, and I loved that book.
And I loved this one too, bar for one thing and I'll come back to that in a mo.
Again, I'd like to commend Collins on a blinder of a twist I did not see coming! I had my doubts, when they were saying who might have been behind it all, but my idea was way, WAY off base and I loved being thrown for a loop!
I really, really do not want to see that film Hudson was in! Sounds gory and violent and not really my thing.
The book is dark and deadly and some of it is on page, but I do think that it is necessary to get the point across.
Some emotional moments, some steamy, but the focus is on the play and the chaos that comes with it.
That thing? But for one solitary chapter, only Hudson has a say. Luke has a chapter and that is the only reason I cannot give this 5 stars! I think if he had no say at all, I might have been tipped over to 5 stars, though! Weird, I know but ya'll know my book feelings!
so, a very VERY good
4 stars
*same worded review will appear elsewhere
Suswatibasu (1703 KP) rated David Copperfield in Books
Oct 10, 2017 (Updated Oct 11, 2017)
How trauma can be overcome through determination
David Copperfield is written in the perspective of him narrating his experiences as a child, in which his stepfather and sister treat him cruelly, eventually sending him away to a boarding school. Similar to Cinderella, his mother dies leaving him neglected by his family, hence he begins his search for his father’s sister, Miss Betsey Trotwood.
His life consists of moving from one place to another, literally walking the length of England, much like Oliver Twist, attempting to find a place in the world. Dickens', as in his other works, explores how hardships can force a child to become independent and successful. It's terribly sad once again, so you'll need something lighthearted afterwards.
His life consists of moving from one place to another, literally walking the length of England, much like Oliver Twist, attempting to find a place in the world. Dickens', as in his other works, explores how hardships can force a child to become independent and successful. It's terribly sad once again, so you'll need something lighthearted afterwards.
Character Development (1 more)
Love Story
Love Story with a Twist
Contains spoilers, click to show
The story is great. I love the idea of a spirit/soul waking up in a different body everyday. As the plot unfolds you come to know A for who they are inside and not on the outside. You begin to fall in love with A's dedication to living each day as the person that A is in for the day. However, as the book progresses, A starts to deviate from the everyday schedules of the bodies A inhabits and chases after a girl the A is in love with.
The whole story was great, the only complaint is I want to know what happens next. Where did A go? Will A ever find a body?
The whole story was great, the only complaint is I want to know what happens next. Where did A go? Will A ever find a body?