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A Simple Favor (2018)
A Simple Favor (2018)
2018 | Crime, Mystery, Thriller
Contains spoilers, click to show
As soon as the movie starts we learn that Stephanie is a vlogger who's "best friend" Emily is currently missing and we are thrown into a backstory of how they met. We also discover that Stephanie is a widower and Emily isn't the nicest of people, she's always criticising Stephanie and even freaked out when she took her photo, yet Stephanie still wants to hang out with her and share secrets etc. I guess Stephanie just has a hard time making friends so clings to the first woman who speaks to her, sadly this is a thing as I've known people who have done this in real life. Anyway the last time Stephanie hears from Emily, she is asked to pick up her child from school for a few hours and she's never heard from again. Stephanie and Emily's husband take it upon themselves to find out where Emily is, the investigation is short lived when Emily is found dead.
The movie was very captivating especially an hour before the end. There was so many unexpected twists and turns, just when you get over one twist another is thrown at you. There is a little humour in it, however, this humour can sometimes takeaway the seriousness of the movie as it is a little far fetched at times. You'll understand when you watch 😉
  
We Summon the Darkness (2019)
We Summon the Darkness (2019)
2019 | Horror, Thriller
This is fun but there's no reason it shouldn't be gorier, crazier, more inventive, and/or more insightful given the film's insanely clever choice to frame a horror/slasher flick through the lens of religious sects vs. metal culture in the 80s - but I digress, perfectly serviceable fluff trash as it stands. Daddario is awesome in it, and I just can't get enough of Knoxville as a deliciously fire-and-brimstone pastor. I at least appreciate the formality - I'm glad this wasn't an obnoxiously meta "hey, remember this?" nostalgia soundboard like droves of films or shows detrimentally feel the need to become whenever they're set in the 80s now. But at the same time, there's so much potential for super bombastic kills and nuanced commentary that never was, and in their place it just tends to lumber for no real reason. Otherwise entertaining solely on principle, with another dependably cool score from Timothy Williams keeping things entertaining. And yes the twist is as righteous as everyone says. Not going to shake a stick at the amount of blood, enjoyment, and amped-up performances this does end up delivering - it's a decent little throwback slasher on its own - but God could you imagine if like Adam Wingard had made this? Holy hell what a picture that would have been.