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Mark @ Carstairs Considers (2464 KP) rated A Parfait Murder in Books

Dec 9, 2019

Can Tally Clear Her Cousin of the Parfait Crime?

The country fair is in fully swing, and Tully Jones is hopping between her ice cream store and the booth she’s set up at the fair. Things get even more complicated when her cousin Bree’s ex-husband Sonny walks back into town after fifteen years. Bree is considering going after him for years of back child support, but before that can happen, he slaps her with a paternity suit, trying to claim that Alice isn’t really his daughter. The next day, Sonny’s lawyer is shot inside the haunted rodeo attraction at the fair, and the only other person in the ride is Bree. Tally can’t believe her cousin would do something like this, and Bree flat out denies it. But who else could it have been?

This is a great third book in the series. I loved the twist on the locked room puzzle presented here. There are several good suspects and clues that kept me reading as Tully worked to match the right suspect with the ability to pull off the crime. I also love the characters. Tully and her family are strong, and their relationships go through quite a bit here. I appreciate the growth it showed us for them. Naturally, the suspects are just as strong. I also appreciated that the characters understood why the police were focusing on Bree. They disagreed, but they worked to change their minds. Naturally, as an ice cream lover, I also enjoyed the ice cream descriptions. The book left me smiling and yearning for ice cream.

Kudos

JT (287 KP) rated Greta (2019) in Movies

Mar 10, 2020

Greta (2019)

2019 | Drama, Thriller

6.2

(15 Ratings)

Movie Rating

Psychological thrillers come without much surprise these days. After the initial character introductions and back stories have bee laid out, the tension is ramped up until a climactic ending, which often falls flat – unless there is a clever twist.

With Greta, director Neil Jordan (Crying Game) uses an expensive green handbag to connect two lonely individuals together. One recovering from the death of her mother, while the other lives alone, longing for company and for someone to share meaningful conversation with.

While riding the subway after work one night Frances (Chloë Grace Moretz) comes across the green handbag and after being coerced into keeping the contents by her flatmate (Maika Monroe) her conscious tells her to return it. There she meets Greta, a softly spoken woman with a seemingly kind heart.

A revelation at dinner one night Frances confronts Greta and after an unnerving exchange, Frances leaves, in the hope that she will never see her again – but Greta is not about to let go of her that easily. French actress Isabelle Huppert gives a sinister performance – not many can stand still and look menacing without really trying, but she gets it spot on. It certainly put the fear in me.

Despite her quirky and innocent advances Frances is not fooled and does all she can to push back, without success. Even a private investigator intent on uncovering the truth about Greta is no match for the softly spoken malevolent loner.

There is some tense moments and the film is at the higher end of the psychological scale, but more could have been done with the writing to elevate it to one of sheer terror.

Kudos

LeftSideCut (3776 KP) rated Get Out (2017) in Movies

Feb 18, 2020

Get Out (2017)

2017 | Horror, Thriller

8.0

(207 Ratings)

Movie Rating

Get Out is an incredibly strong directorial debut from Jordan Peele and is easily in the top tier of horror/thriller movies in the last few years.

He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.

The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.

The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.

With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.