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Debbiereadsbook (1053 KP) rated Beautiful Dangerous (Philly Heat Series, #4) in Books
Oct 4, 2023
I liked this, just didn't love it.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
The book title shows as book 3 in the Philly Heat series, but some sites has this at book 4, but it doesn't matter where it sits, it can be read as a stand alone within the series. Alex (Fall To Pieces) and Trudy (Yesterday's Over) do appear here, but you don't need their stories to follow this one. I've read both those books, and much preferred Fall To Pieces then Yesterday's Over and indeed, this one.
I liked this book, I just didn't love it.
I liked (if that's the right word!) the increasing issue with the stalker. That they were ALREADY scaring Hannah before she met with Doyle. And said stalker gets mighty angry about Doyle, let me tell ya!
I liked that I didn't see who was doing the stalking, at all! That one threw me off a bit, cos it was not who I thought. I liked the twist that took, too, heading back a year ago to her brother's murder.
I felt the romance came out of nowhere. there seemed to be little build up to that. I liked that it is, again, a backdrop to the major crime going on, rather than front and centre. I think I might have enjoyed this one if there had been NO romance on page, to be honest.
It's well written, from both Doyle and Hannah's point of view. I saw no spelling or editing errors to spoil my reading.
I just think that maybe this author isn't really for ME. I stress the ME point! I really did enjoy Fall To Pieces, but the other books have been a bit behind that one.
3 good, but not for me, stars
*same worded review will appear elsewhere
The book title shows as book 3 in the Philly Heat series, but some sites has this at book 4, but it doesn't matter where it sits, it can be read as a stand alone within the series. Alex (Fall To Pieces) and Trudy (Yesterday's Over) do appear here, but you don't need their stories to follow this one. I've read both those books, and much preferred Fall To Pieces then Yesterday's Over and indeed, this one.
I liked this book, I just didn't love it.
I liked (if that's the right word!) the increasing issue with the stalker. That they were ALREADY scaring Hannah before she met with Doyle. And said stalker gets mighty angry about Doyle, let me tell ya!
I liked that I didn't see who was doing the stalking, at all! That one threw me off a bit, cos it was not who I thought. I liked the twist that took, too, heading back a year ago to her brother's murder.
I felt the romance came out of nowhere. there seemed to be little build up to that. I liked that it is, again, a backdrop to the major crime going on, rather than front and centre. I think I might have enjoyed this one if there had been NO romance on page, to be honest.
It's well written, from both Doyle and Hannah's point of view. I saw no spelling or editing errors to spoil my reading.
I just think that maybe this author isn't really for ME. I stress the ME point! I really did enjoy Fall To Pieces, but the other books have been a bit behind that one.
3 good, but not for me, stars
*same worded review will appear elsewhere
Merissa (11612 KP) rated The Trouble with Timekeepers (The Thirteenth Hour #1) in Books
Oct 14, 2021 (Updated Jul 12, 2023)
THE TROUBLE WITH TIMEKEEPERS is the first book in a new series by Cheree Alsop, so absolutely I've had to read it!
Cada is an Innate. That means she is able to manipulate time without using a nifty little device like the rest of them. Who are the rest of them? Well, the Timekeepers, of course. The only trouble is, Cada has no idea she's a Timekeeper or what it actually entails. So she is brought into a world with its own rules and regulations, able to change time, but having no idea what she should or shouldn't do. That also brings a fresh perspective to that world, as well as to Cadence herself.
The story is an intricate twist of time and sorrow, heartache and hope. Cada learns that nothing is black and white but can she make a difference? I was completely engrossed in this story and read it in one sitting. The characters are all relatable, even Eternyl - who has a sad story but becomes insane!
One word about the cover itself - GORGEOUS!!! I think it is completely stunning and would look fantastic as a piece of wall art.
I would have loved a bit more at the end, as it felt like some parts were glossed over slightly. Saying that; I did love the ending between Cada and Destyn. I really hope they feature in future books as I thought they were brilliant. I loved entering their world and can't wait to return. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 14, 2021
Cada is an Innate. That means she is able to manipulate time without using a nifty little device like the rest of them. Who are the rest of them? Well, the Timekeepers, of course. The only trouble is, Cada has no idea she's a Timekeeper or what it actually entails. So she is brought into a world with its own rules and regulations, able to change time, but having no idea what she should or shouldn't do. That also brings a fresh perspective to that world, as well as to Cadence herself.
The story is an intricate twist of time and sorrow, heartache and hope. Cada learns that nothing is black and white but can she make a difference? I was completely engrossed in this story and read it in one sitting. The characters are all relatable, even Eternyl - who has a sad story but becomes insane!
One word about the cover itself - GORGEOUS!!! I think it is completely stunning and would look fantastic as a piece of wall art.
I would have loved a bit more at the end, as it felt like some parts were glossed over slightly. Saying that; I did love the ending between Cada and Destyn. I really hope they feature in future books as I thought they were brilliant. I loved entering their world and can't wait to return. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 14, 2021
Debbiereadsbook (1053 KP) rated Hers, United (Hers, #5) in Books
Sep 16, 2022
So good!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 5 in the Hers series. It can be read as a stand alone, but personally I recommend you read the other books first.It will give you a better picture of this world and how much it has changed.
Riley is called into work to talk to two hybrids who want to kill each other. Talon has been tasked with bringing dagger back to face his punishment for abandoning his post. But there is more going on with these two than they will admit, at first, but Riley will get to the bottom it, and have them for herself. Assuming of course, she can keep them!
I love this series, I really do. The books change tack every time and twist and turn and pull you along for a very enjoyable ride!
While Dagger is a little more forthcoming with how he feels, it does take Talon a lot longer to finally admit to himself, at least, what he feels for Dagger. It takes Dagger's life being in danger for him to admit to Riley though!
I loved that we got to catch up with Kaitlyn and Roth. They both play a part here, but none of the other characters are mentioned. The previously troublesome Traditionalists are causing problems again, and things are bought to a head.
It's steamy, oh yes! Dagger is a perfect sub, although that title isn't given him, he does call Riley Mistress. It does mean he gets put in his place a time or two!
A thoroughly enjoyable, 4 star read. Not quite as good as book 4, but so close!
*same worded review will appear elsewhere
This is book 5 in the Hers series. It can be read as a stand alone, but personally I recommend you read the other books first.It will give you a better picture of this world and how much it has changed.
Riley is called into work to talk to two hybrids who want to kill each other. Talon has been tasked with bringing dagger back to face his punishment for abandoning his post. But there is more going on with these two than they will admit, at first, but Riley will get to the bottom it, and have them for herself. Assuming of course, she can keep them!
I love this series, I really do. The books change tack every time and twist and turn and pull you along for a very enjoyable ride!
While Dagger is a little more forthcoming with how he feels, it does take Talon a lot longer to finally admit to himself, at least, what he feels for Dagger. It takes Dagger's life being in danger for him to admit to Riley though!
I loved that we got to catch up with Kaitlyn and Roth. They both play a part here, but none of the other characters are mentioned. The previously troublesome Traditionalists are causing problems again, and things are bought to a head.
It's steamy, oh yes! Dagger is a perfect sub, although that title isn't given him, he does call Riley Mistress. It does mean he gets put in his place a time or two!
A thoroughly enjoyable, 4 star read. Not quite as good as book 4, but so close!
*same worded review will appear elsewhere
A Murder Most French
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The City of Light is surging back to life in the wake of war, and its citizens are seizing every...
Acanthea Grimscythe (300 KP) rated Three Heart Echo in Books
May 16, 2018
Three Heart Echo by Keary Taylor ended up on my reading list by yet another mislabeling on NetGalley, I must admit. As seen in the title image above, the book is a paranormal suspense. If you’ve read my blog for any length of time, you’ll no doubt guess that I grabbed it from the horror genre titles. Fortunately, after revisiting its cover I can at least say that its actual genre is the right one. While Three Heart Echo does have some elements of horror, it reads more like a paranormal-themed Lifetime movie.
Taking place soon after the death of Jack Caraway, Three Heart Echo tells the story of two vastly different people meeting and, you guessed it, falling in love. It’s not that simple though, and several of the more twisted things that one might expect from a horror novel surface throughout the plot. Iona Faye, a frail woman mourning the death of her fiance, seeks out Sully Whitmore, a man rumored to be able to speak to the dead. Together, the two unravel the darkness of Jack’s past while racing against time to unravel not one, but two curses.
The plot is fairly linear, with only one unexpected twist at the end. That twist defines much of the book though, and I have to admit that I actually felt anger flare up within me. I’ve gotta give Taylor kudos for that one. What I don’t like, besides the heavily romantic subplot, is the fact that, as readers see in many romance books, we’re dealing with two Mary Sue characters. Iona is described as a beautiful fawn whilst Sully is a giant Viking of a man. Catch my drift? Oh, and poor dead Jack? Apparently, he’s a stunner too.
While the plot is straightforward, Taylor also alternates between perspectives on chapters. Now, as a reader, you may think I mean she goes back and forth between past and present. It’s common enough when we read books, after all. Unfortunately, what I mean is that Taylor switches between perspectives of Sully and Iona. For the most part, the switches follow a pattern. There is some story overlap/repetition within those shifts, but it isn’t terrible. What perturbs me about these perspectives is that every now and then, there’s a break to the pattern where it may take some readers a moment to realize that the book has suddenly shifted to the past without warning.
Back to the romance side of things, there are far too many cliches. Poor, helpless main character gets an indescribable pain in their chest and they can’t fathom why it feels like their heart races when they look upon their love interest. As if that’s not bad enough, you know from the get-go that there’s going to be a love story involved. It’s not well enough to leave it a paranormal suspense, we might as well make it a romance too. Because y’know, two attractive people can’t simply be friends!
Speaking of chest pain, there’s another thing about this book that absolutely irked me. I could understand if one character had an odd need to count things. It happens and OCD is a real thing; but, what I’m referring to, is the need by both characters to take exactly five steps, to blink four times, to wait for three heartbeats before they do something so much as take a breath.
Finally, what the hell is a grand opus? The actual term is magnum opus. I’lll hope it was just a typo that was fixed in the final, published copy of the Three Heart Echo. Overall, the story itself is engaging to a degree, but it definitely wasn’t my style. I think it belongs more in the paranormal romance genre than it does horror.
I’d like to thank NetGalley and the author for providing me with a free copy for the purpose of review.
Taking place soon after the death of Jack Caraway, Three Heart Echo tells the story of two vastly different people meeting and, you guessed it, falling in love. It’s not that simple though, and several of the more twisted things that one might expect from a horror novel surface throughout the plot. Iona Faye, a frail woman mourning the death of her fiance, seeks out Sully Whitmore, a man rumored to be able to speak to the dead. Together, the two unravel the darkness of Jack’s past while racing against time to unravel not one, but two curses.
The plot is fairly linear, with only one unexpected twist at the end. That twist defines much of the book though, and I have to admit that I actually felt anger flare up within me. I’ve gotta give Taylor kudos for that one. What I don’t like, besides the heavily romantic subplot, is the fact that, as readers see in many romance books, we’re dealing with two Mary Sue characters. Iona is described as a beautiful fawn whilst Sully is a giant Viking of a man. Catch my drift? Oh, and poor dead Jack? Apparently, he’s a stunner too.
While the plot is straightforward, Taylor also alternates between perspectives on chapters. Now, as a reader, you may think I mean she goes back and forth between past and present. It’s common enough when we read books, after all. Unfortunately, what I mean is that Taylor switches between perspectives of Sully and Iona. For the most part, the switches follow a pattern. There is some story overlap/repetition within those shifts, but it isn’t terrible. What perturbs me about these perspectives is that every now and then, there’s a break to the pattern where it may take some readers a moment to realize that the book has suddenly shifted to the past without warning.
Back to the romance side of things, there are far too many cliches. Poor, helpless main character gets an indescribable pain in their chest and they can’t fathom why it feels like their heart races when they look upon their love interest. As if that’s not bad enough, you know from the get-go that there’s going to be a love story involved. It’s not well enough to leave it a paranormal suspense, we might as well make it a romance too. Because y’know, two attractive people can’t simply be friends!
Speaking of chest pain, there’s another thing about this book that absolutely irked me. I could understand if one character had an odd need to count things. It happens and OCD is a real thing; but, what I’m referring to, is the need by both characters to take exactly five steps, to blink four times, to wait for three heartbeats before they do something so much as take a breath.
Finally, what the hell is a grand opus? The actual term is magnum opus. I’lll hope it was just a typo that was fixed in the final, published copy of the Three Heart Echo. Overall, the story itself is engaging to a degree, but it definitely wasn’t my style. I think it belongs more in the paranormal romance genre than it does horror.
I’d like to thank NetGalley and the author for providing me with a free copy for the purpose of review.
Zuky the BookBum (15 KP) rated Zodiac in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/june-29th-2016
Firstly I'd like to thank Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this book in an exchange for a review.
<b><i>"How much worse would the world be if everyone was colour-coded? If people thought they could tell someone's essence at a glance, and discrimination became purely thoughtless? … Maybe people wouldn't spend so much time making sure they acted, sounded and thought the same as their neighbours, if they weren't terrified of being mistaken for the wrong sign. Maybe they'd realise how arbitrary it truly was."</b></i>
This was such a tricky debut novel. The premise was incredibly unique and intriguing that it almost became difficult for the author to live up to the expectations of the plot. Not to say that all debut crime novels are crap but this was such a complex story that I think only really experienced writers like Stephen King or even Gillian Flynn could have shaped it into what it was supposed to be.
I was initially attracted to this book because of the front cover and because the idea of a society where you are segregated by your star sign is a really interesting and unique twist on a look at modern society. Plus I love a crime thriller and had read some good things about this already.
To my disappointment, I felt this started off really slow. I almost couldn’t get into it, but I decided to push myself to continue reading. Only at around 30 - 40% did I finally start to enjoy this. I think a big problem for me was the writing. I often found it a bit clunky and overly descriptive, plus a few spelling and grammar mistakes threw me off. <b>(I hope there's a lot of proofreading before this gets published!)</b>
Though the plot got better, more fast paced and more exciting I still found it difficult to like any of the characters. Burton was a little pretentious and overly insecure. Lindi was as useful as a medium. Mendez was a little bitch. Daniel was mopey and selfish. Cray was your typical dislikable teen gangster. Bram was needy and childish. Maria was supposed to be a kind character but all she did was resent her job and her life. Maybe I’m being a little harsh but I found it difficult to like or relate to any of them.
I felt there was a lot left unsaid when it came to the characters too. Like what happened between Burton and his wife? They were completely fine and loved up one minute and then the next he was saying <i>“he knew she was separating from his life”</i>, but why? Also after the whole Bram <i>thing</i>, he said <i>”Justice was coming for them all”</i> but again, when did that happen in the novel?
Unfortunately I predicted the twist before the 50% mark, I don’t think it was that hard to guess, so that took away some of the excitement of finding out what was going on and getting our killers motive. By the time we find out who our killer is and the Aries people are rising up it all got too confusing for me. There was too much going on in each scene that my mind couldn't focus on any of it!
I’ve given this 3 stars because there was a good story line there and at times some quite nice writing but it was a mediocre book in my mind, not particularly memorable.
On another note, the Ram Squad reminded me of the all the different gangs in Saints Row and the entire Ariesville had a very Gotham vibe to it.
Firstly I'd like to thank Netgalley and Penguin UK - Michael Joseph for giving me the opportunity to read this book in an exchange for a review.
<b><i>"How much worse would the world be if everyone was colour-coded? If people thought they could tell someone's essence at a glance, and discrimination became purely thoughtless? … Maybe people wouldn't spend so much time making sure they acted, sounded and thought the same as their neighbours, if they weren't terrified of being mistaken for the wrong sign. Maybe they'd realise how arbitrary it truly was."</b></i>
This was such a tricky debut novel. The premise was incredibly unique and intriguing that it almost became difficult for the author to live up to the expectations of the plot. Not to say that all debut crime novels are crap but this was such a complex story that I think only really experienced writers like Stephen King or even Gillian Flynn could have shaped it into what it was supposed to be.
I was initially attracted to this book because of the front cover and because the idea of a society where you are segregated by your star sign is a really interesting and unique twist on a look at modern society. Plus I love a crime thriller and had read some good things about this already.
To my disappointment, I felt this started off really slow. I almost couldn’t get into it, but I decided to push myself to continue reading. Only at around 30 - 40% did I finally start to enjoy this. I think a big problem for me was the writing. I often found it a bit clunky and overly descriptive, plus a few spelling and grammar mistakes threw me off. <b>(I hope there's a lot of proofreading before this gets published!)</b>
Though the plot got better, more fast paced and more exciting I still found it difficult to like any of the characters. Burton was a little pretentious and overly insecure. Lindi was as useful as a medium. Mendez was a little bitch. Daniel was mopey and selfish. Cray was your typical dislikable teen gangster. Bram was needy and childish. Maria was supposed to be a kind character but all she did was resent her job and her life. Maybe I’m being a little harsh but I found it difficult to like or relate to any of them.
I felt there was a lot left unsaid when it came to the characters too. Like what happened between Burton and his wife? They were completely fine and loved up one minute and then the next he was saying <i>“he knew she was separating from his life”</i>, but why? Also after the whole Bram <i>thing</i>, he said <i>”Justice was coming for them all”</i> but again, when did that happen in the novel?
Unfortunately I predicted the twist before the 50% mark, I don’t think it was that hard to guess, so that took away some of the excitement of finding out what was going on and getting our killers motive. By the time we find out who our killer is and the Aries people are rising up it all got too confusing for me. There was too much going on in each scene that my mind couldn't focus on any of it!
I’ve given this 3 stars because there was a good story line there and at times some quite nice writing but it was a mediocre book in my mind, not particularly memorable.
On another note, the Ram Squad reminded me of the all the different gangs in Saints Row and the entire Ariesville had a very Gotham vibe to it.
Zuky the BookBum (15 KP) rated Her Every Fear in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/
NOW AVAILABLE!
<b><i>Face it. Accept it. Float with it. Let time pass.</i></b>
Kate, our anxiety riddled main character, has just flat swapped with her American cousin in order to boost her confidence and try to escape her haunted past for a little while, but as soon as she arrives at her cousin's luxurious apartment, things begin to go sour. Her new next door neighbour has been murdered, and her secretive American cousin seems to the main suspect.
<b>This <i>could</i> have been <i>so</i> good.</b> Swansons last hit novel, <a href="https://www.goodreads.com/review/show/1427280826">The Kind Worth Killing</a> (aw look at my baby review) was so goddamn exciting and thrilling but this was completely missing whatever spark the other had. A co-reviewer (Maxi/Slothreads) commented that this book was uninspired and I couldnt have put that any better myself, hence why Im quoting it. This had potential to work and be great but I feel like Swanson was pushed for time by his editors on this and spewed out whatever came to mind first. I know I sound like a total arse for saying that but Im just really disappointed in this novel! <b>Warning: some spoilers ahead.</b>
Lets start off by talking about our uninteresting characters. Kate suffers from anxiety disorder, made a lot worse by a terrifying incident she had with her ex boyfriend, so she decides to travel across the pond and into her cousin's apartment. While anxiety is something Im all too familiar with, I dont actually have any sympathy for Kate, as were supposed to. If she was really as damaged as she is made out to be, I find it very hard to believe she would move to America for 6 months all by herself, make friends and chat with everyone she comes across and sleep with a guy, Alan, whos admitted to be a creepy window watcher after 3 days of knowing him. Next comes ol cousin Corbin whos a cliche jock. Swanson makes him out to be the guilt ridden, caring man but after the revelation of his bad deeds in the past, how are we supposed to like him or feel sorry for him? It makes all the empathetic talk from him seem so creepy. Our only interesting character is, of course, the psycho. A bit of an over-the-top, cliche psycho, but at least worth reading about.
My <b>main</b> issue with this novel is the repetition of scenes. Our narrator chops and changes several times in the novel, so were often presented with a retelling of what weve already been told by another narrator. Id say that at least 25% of this book is a repeat of a part weve already read, so it gets very tedious, very quickly. Another issue with this novel is the lack of plot twist, I mean, there is a plot twist, but its not that exciting and it happens early on in the novel, so the rest of the book plays out exactly how you would expect it to. Can I also quickly just complain about the unnecessary focus on the fact that Alan is Jewish? It made me uncomfortable. And that Swanson should have done some more research into England because we dont have £100 notes.
This novel had great potential, but in the end, it was a let down. The ending was terribly mediocre and then the remaining chapters were a waste of time to read, they really could have been removed.
Thanks to Netgalley and Faber & Faber Ltd for giving me the opportunity to read this in exchange for an honest review.
NOW AVAILABLE!
<b><i>Face it. Accept it. Float with it. Let time pass.</i></b>
Kate, our anxiety riddled main character, has just flat swapped with her American cousin in order to boost her confidence and try to escape her haunted past for a little while, but as soon as she arrives at her cousin's luxurious apartment, things begin to go sour. Her new next door neighbour has been murdered, and her secretive American cousin seems to the main suspect.
<b>This <i>could</i> have been <i>so</i> good.</b> Swansons last hit novel, <a href="https://www.goodreads.com/review/show/1427280826">The Kind Worth Killing</a> (aw look at my baby review) was so goddamn exciting and thrilling but this was completely missing whatever spark the other had. A co-reviewer (Maxi/Slothreads) commented that this book was uninspired and I couldnt have put that any better myself, hence why Im quoting it. This had potential to work and be great but I feel like Swanson was pushed for time by his editors on this and spewed out whatever came to mind first. I know I sound like a total arse for saying that but Im just really disappointed in this novel! <b>Warning: some spoilers ahead.</b>
Lets start off by talking about our uninteresting characters. Kate suffers from anxiety disorder, made a lot worse by a terrifying incident she had with her ex boyfriend, so she decides to travel across the pond and into her cousin's apartment. While anxiety is something Im all too familiar with, I dont actually have any sympathy for Kate, as were supposed to. If she was really as damaged as she is made out to be, I find it very hard to believe she would move to America for 6 months all by herself, make friends and chat with everyone she comes across and sleep with a guy, Alan, whos admitted to be a creepy window watcher after 3 days of knowing him. Next comes ol cousin Corbin whos a cliche jock. Swanson makes him out to be the guilt ridden, caring man but after the revelation of his bad deeds in the past, how are we supposed to like him or feel sorry for him? It makes all the empathetic talk from him seem so creepy. Our only interesting character is, of course, the psycho. A bit of an over-the-top, cliche psycho, but at least worth reading about.
My <b>main</b> issue with this novel is the repetition of scenes. Our narrator chops and changes several times in the novel, so were often presented with a retelling of what weve already been told by another narrator. Id say that at least 25% of this book is a repeat of a part weve already read, so it gets very tedious, very quickly. Another issue with this novel is the lack of plot twist, I mean, there is a plot twist, but its not that exciting and it happens early on in the novel, so the rest of the book plays out exactly how you would expect it to. Can I also quickly just complain about the unnecessary focus on the fact that Alan is Jewish? It made me uncomfortable. And that Swanson should have done some more research into England because we dont have £100 notes.
This novel had great potential, but in the end, it was a let down. The ending was terribly mediocre and then the remaining chapters were a waste of time to read, they really could have been removed.
Thanks to Netgalley and Faber & Faber Ltd for giving me the opportunity to read this in exchange for an honest review.
Gareth Michael Lewis (6 KP) rated Star Trek: Discovery in TV
Feb 26, 2018
Not the Star Trek we've come to know...
Contains spoilers, click to show
I did not have high hopes for this new series. I read every snippet of news about reshoots, cast changes, problems, etc. and I really could not see this new series living up to the ideals of all the Treks gone by. That said, I sat and watched it each week on Netflix and tried, really tried, to keep an open mind.
To begin, this series IS Star Trek. It has the ships. It has the Federation. It has the USS Enterprise (mentioned and seen). So why all the fuss?
Well, firstly, we have the Klingons. They look nothing like their predecessors in any other show. Alright, in The Original Series (TOS) they looked like fake-tanned, mustachioed humans and then they had forehead ridges in The Motion Picture and Next Generation (TNG) and we got over that quickly enough (they even explained why the ridgless Klingons existed in Star Trek Enterprise). Why the hostility towards the new Klingons in STD? Is it because they took an iconic villian and remade them for a more modern audience? Changing the appearance of ships, costumes and make-up along the way? Apparently so. But what series hasn't updated their villains as technology allows them to? Doctor Who's TARDIS has changed appearance more than once as have the Daleks. Didn't Battlestar Galactica face similar issues with the rebooted series? Of course. But we Trekkies can be an unforgiving bunch. Move past the updates to ships, uniforms and even aliens and judge the show on its own merits.
That leads us to the next bit.
Network executives seem to think that a more modern audience needs something edgier to keep them interested. So STD contains bloody violence, torture, f-words, naked Klingon sex (I did not need to see Klingon, armour-plated boobs) and is clearly made for an "adult" audience. My introduction to Star Trek was TNG, and I went back to TOS because I loved it. Then onto DS9 and Voyager. Even Enterprise, which played with established canon like a child in a sandpit, felt like something I'd let my kids watch. STD is like Game of Thrones in space, just with less incest. My kids will not be allowed to see this until they are much, much older.
The show itself is very pretty to look at, acted capably by almost everyone who has screentime and has characters I grew to genuinely like, but the writing was lazy. We were promised a Federation/Klingon war then somehow missed the whole thing by the final episode. The final episode itself seemed like an exercise in "how to end a season quickly and in the least satisfying way possible".
I wanted to give this series a higher score, I really did. I moved it from 7 to 6 and back to 7 again and again until I stuck with 6 because, although it has moments of brilliance, these moments are telegraphed so far in advance of happening you just can't bring yourself to be surprised by any of it. Almost every plot twist is so obvious that the writers seem to be waiting for a pat on the back at how cleverly they revealed the twist to you rather than trying to genuinely amaze you. It had such potential, it really did. The opening credits are beautiful, the music perfect. The ships are great (I play Star Trek Online so updated ships don't faze me that much). The crew are awesome, with dynamics that shift wonderfully and made me want to see more. But... alas.
If you want to watch a Star Trek series that pushes sci-fi, political and societal boundaries then go back and watch TOS, TNG, DS9 or even Voyager. If you want to watch a "Star Trek" series that does all of that for a modern audience... watch The Orville.
To begin, this series IS Star Trek. It has the ships. It has the Federation. It has the USS Enterprise (mentioned and seen). So why all the fuss?
Well, firstly, we have the Klingons. They look nothing like their predecessors in any other show. Alright, in The Original Series (TOS) they looked like fake-tanned, mustachioed humans and then they had forehead ridges in The Motion Picture and Next Generation (TNG) and we got over that quickly enough (they even explained why the ridgless Klingons existed in Star Trek Enterprise). Why the hostility towards the new Klingons in STD? Is it because they took an iconic villian and remade them for a more modern audience? Changing the appearance of ships, costumes and make-up along the way? Apparently so. But what series hasn't updated their villains as technology allows them to? Doctor Who's TARDIS has changed appearance more than once as have the Daleks. Didn't Battlestar Galactica face similar issues with the rebooted series? Of course. But we Trekkies can be an unforgiving bunch. Move past the updates to ships, uniforms and even aliens and judge the show on its own merits.
That leads us to the next bit.
Network executives seem to think that a more modern audience needs something edgier to keep them interested. So STD contains bloody violence, torture, f-words, naked Klingon sex (I did not need to see Klingon, armour-plated boobs) and is clearly made for an "adult" audience. My introduction to Star Trek was TNG, and I went back to TOS because I loved it. Then onto DS9 and Voyager. Even Enterprise, which played with established canon like a child in a sandpit, felt like something I'd let my kids watch. STD is like Game of Thrones in space, just with less incest. My kids will not be allowed to see this until they are much, much older.
The show itself is very pretty to look at, acted capably by almost everyone who has screentime and has characters I grew to genuinely like, but the writing was lazy. We were promised a Federation/Klingon war then somehow missed the whole thing by the final episode. The final episode itself seemed like an exercise in "how to end a season quickly and in the least satisfying way possible".
I wanted to give this series a higher score, I really did. I moved it from 7 to 6 and back to 7 again and again until I stuck with 6 because, although it has moments of brilliance, these moments are telegraphed so far in advance of happening you just can't bring yourself to be surprised by any of it. Almost every plot twist is so obvious that the writers seem to be waiting for a pat on the back at how cleverly they revealed the twist to you rather than trying to genuinely amaze you. It had such potential, it really did. The opening credits are beautiful, the music perfect. The ships are great (I play Star Trek Online so updated ships don't faze me that much). The crew are awesome, with dynamics that shift wonderfully and made me want to see more. But... alas.
If you want to watch a Star Trek series that pushes sci-fi, political and societal boundaries then go back and watch TOS, TNG, DS9 or even Voyager. If you want to watch a "Star Trek" series that does all of that for a modern audience... watch The Orville.
Heather Cranmer (2721 KP) rated You Are Not Alone in Books
Dec 29, 2019
I've been a fan of Greer Hendricks and Sarah Pekkanen since I read their novel The Wife Between Us as well as their other book An Anonymous Girl. Hendricks and Pekkanen are definitely a force to be reckoned with when it comes to writing. When I was offered a chance to read their new book You Are Not Alone, I didn't even have to think twice about saying yes!
The plot of You Are Not Alone sounded intriguing. Shay Miller is just existing. Through witnessing a tragic event, Shay meets the Moore sisters - Cassandra and Jane who are extremely glamorous. Shay is beyond thrilled to be friends with these two amazing women. However, things aren't always what they seem, and this is what puts Shay's life in immediate danger.
I felt that the world building of You Are Not Alone was done beautifully. The novel takes place in New York, and although I've never been, Hendricks and Pekkanen made me feel like I was instantly transported to that setting every time I started reading. The pacing is a bit up and down throughout the book though. However, this wasn't that fast paced thriller I was expecting it to be. I felt as if there was something missing overall from You Are Not Alone. I felt satiated with Hendricks and Pekkanen's last two novels, but there was something that felt a bit flat in this new novel. I felt as if the big unpredictable plot twist was also missing. Yes, there are a few plot twists throughout You Are Not Alone, but the actual plot twist didn't wow me like in the authors' previous books. Don't get me wrong, You are Not Alone is not a horrible read. In fact, it is quite interesting. I just felt as if Hendricks and Pekkanen rushed through You Are Not Alone. I will say that I admired all the statistics throughout the book. Hendricks and Pekkanen really did their research for this novel, and it shows.
I felt that some of the characters of You Are Not Alone lacked a bit of depth. The main character, Shay, felt a bit too one dimensional at times especially for the majority of the book. However, towards the end, she does become quite the character, and I enjoyed her tenacity to get to the bottom of what was happening. I did enjoy Cassandra and Jane, and I felt like they were fairly fleshed out, but I would have liked a bit more backstory on them such as how they rose to be such prominent adults. I would have liked to know about how they were able to become the perfect manipulators. I enjoyed the character of Daphne, but I would have liked to get to know her more. I would have also liked to read more about Stacey too. Valerie and Amanda were the only ones who felt the realest. They both seemed pretty fleshed out and realistic. I felt like I could relate to Amanda and her thought process.
Trigger warnings for You Are Not Alone include rape and attempted rape (not graphic), alcohol use, manipulation (including gaslighting), some violence, profanity (although not much), murder and attempted murder, and suicide.
Overall, You Are Not Alone is a decent read. Despite its flaws, the book does have some redeeming qualities such as an interesting plot and a fantastic background when it comes to the statistics mentioned in the book. I would still recommend You Are Not Alone by Greer Hendricks and Sarah Pekkanen to those aged 17+ who are fans of psychological thrillers.
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(A special thank you to St. Martin's Press for providing me with an eBook of You Are Not Alone by Greer Hendricks and Sarah Pekkanen in exchange for an honest and unbiased review.)
The plot of You Are Not Alone sounded intriguing. Shay Miller is just existing. Through witnessing a tragic event, Shay meets the Moore sisters - Cassandra and Jane who are extremely glamorous. Shay is beyond thrilled to be friends with these two amazing women. However, things aren't always what they seem, and this is what puts Shay's life in immediate danger.
I felt that the world building of You Are Not Alone was done beautifully. The novel takes place in New York, and although I've never been, Hendricks and Pekkanen made me feel like I was instantly transported to that setting every time I started reading. The pacing is a bit up and down throughout the book though. However, this wasn't that fast paced thriller I was expecting it to be. I felt as if there was something missing overall from You Are Not Alone. I felt satiated with Hendricks and Pekkanen's last two novels, but there was something that felt a bit flat in this new novel. I felt as if the big unpredictable plot twist was also missing. Yes, there are a few plot twists throughout You Are Not Alone, but the actual plot twist didn't wow me like in the authors' previous books. Don't get me wrong, You are Not Alone is not a horrible read. In fact, it is quite interesting. I just felt as if Hendricks and Pekkanen rushed through You Are Not Alone. I will say that I admired all the statistics throughout the book. Hendricks and Pekkanen really did their research for this novel, and it shows.
I felt that some of the characters of You Are Not Alone lacked a bit of depth. The main character, Shay, felt a bit too one dimensional at times especially for the majority of the book. However, towards the end, she does become quite the character, and I enjoyed her tenacity to get to the bottom of what was happening. I did enjoy Cassandra and Jane, and I felt like they were fairly fleshed out, but I would have liked a bit more backstory on them such as how they rose to be such prominent adults. I would have liked to know about how they were able to become the perfect manipulators. I enjoyed the character of Daphne, but I would have liked to get to know her more. I would have also liked to read more about Stacey too. Valerie and Amanda were the only ones who felt the realest. They both seemed pretty fleshed out and realistic. I felt like I could relate to Amanda and her thought process.
Trigger warnings for You Are Not Alone include rape and attempted rape (not graphic), alcohol use, manipulation (including gaslighting), some violence, profanity (although not much), murder and attempted murder, and suicide.
Overall, You Are Not Alone is a decent read. Despite its flaws, the book does have some redeeming qualities such as an interesting plot and a fantastic background when it comes to the statistics mentioned in the book. I would still recommend You Are Not Alone by Greer Hendricks and Sarah Pekkanen to those aged 17+ who are fans of psychological thrillers.
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(A special thank you to St. Martin's Press for providing me with an eBook of You Are Not Alone by Greer Hendricks and Sarah Pekkanen in exchange for an honest and unbiased review.)
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