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Darren Fisher (2465 KP) rated Tough to Kill (Duri a morire) (1978) in Movies
Dec 13, 2020 (Updated Dec 13, 2020)
Not so much Tough to Kill as Probably Quite Easy to Kill
Not so much Tough to Kill as Probably Quite Easy to Kill, as the main character gets a bullet in the leg early on in the film and is carried around a lot in the jungle. Poor bloke doesn't really get a chance to prove if he's tough to kill or not until nearer the end of the film. Even then, I'd rate my chances if we had to fight it out in a sweaty jungle...
Our main protagonist Martin (Luc Merenda), is a (apparently) ruthless mercenary who accepts a mission to find a hired killer who is hiding out with a group of mercenaries in a South American jungle. When members of the group get wind that there is a price on the hired killers head things get a tad messy and they end up fighting amongst themselves to claim the bounty.
Certainly not directors Joe D'Amato's finest hour but it is a fun ride nonetheless.
Those expecting the usual nudity and gore from a D'Amato flick will be disappointed though, as this is a pure Boys Own testosterone fueled adventure.
Not that I'm complaining, as it has all the ingredients of a staple low budget film. Bad and often hilarious dialogue. Check. Gaping plot holes. Check. Nonsensical narrative. Check. Stock footage. Check. Crap explosions. Check. And so on...
Donald O'Brien, who is no stranger to low budget flicks, is great to watch as Major Hagerty. He pretty much dominates the film, outacting the entire cast (although that isn't particularly difficult).
The 'specially adapted' assault course, the shootout barrel run, and saving the rabbit from drowning scenes are some of the highlights on show. The twist ending is blindingly obvious though. Pure trash fun!
NOTE: The transfer I watched was terrible. More grain, dropouts, and interference than you could shake an exploitation stick at. Although it did kind of add to the enjoyment, if like myself, it gets you yearning for the good old days of vhs.
Our main protagonist Martin (Luc Merenda), is a (apparently) ruthless mercenary who accepts a mission to find a hired killer who is hiding out with a group of mercenaries in a South American jungle. When members of the group get wind that there is a price on the hired killers head things get a tad messy and they end up fighting amongst themselves to claim the bounty.
Certainly not directors Joe D'Amato's finest hour but it is a fun ride nonetheless.
Those expecting the usual nudity and gore from a D'Amato flick will be disappointed though, as this is a pure Boys Own testosterone fueled adventure.
Not that I'm complaining, as it has all the ingredients of a staple low budget film. Bad and often hilarious dialogue. Check. Gaping plot holes. Check. Nonsensical narrative. Check. Stock footage. Check. Crap explosions. Check. And so on...
Donald O'Brien, who is no stranger to low budget flicks, is great to watch as Major Hagerty. He pretty much dominates the film, outacting the entire cast (although that isn't particularly difficult).
The 'specially adapted' assault course, the shootout barrel run, and saving the rabbit from drowning scenes are some of the highlights on show. The twist ending is blindingly obvious though. Pure trash fun!
NOTE: The transfer I watched was terrible. More grain, dropouts, and interference than you could shake an exploitation stick at. Although it did kind of add to the enjoyment, if like myself, it gets you yearning for the good old days of vhs.
Debbiereadsbook (1554 KP) rated The Captain and the Theatrical in Books
Sep 3, 2019
very enjoyable read
I was gifted my copy of this book, that I write a review was not required.
Ambrose Pendleton is a hero and returns home from war to his father’s meddling into his love life. Or lack thereof. Pen now faces an arranged marriage his father has brokered as part of a business deal. To get out of this marriage, Pen needs a fiancée, and who better than his long-time friend and actor, Orsini, who has a leading lady who might just fit the bill. But Pen has long held feelings for Orsini, feelings a man should not have for another. Then Orsini surprises him and throws his own feelings at Pen. Now they just need to get rid of the dreadful arranged marriage and they can be together.
For the most part, I did enjoy this. It was a little bit different and different is always good in my book, but something didn’t quite work for me, and I cannot figure out what. And I hate that I can’t!
Pen and Orsini are old friends, and Pen has crushed on Orsini for a long time. He did not know that feeling was the same for Orsini, though. With Orsini pretending to be Pen’s new bride, the pair get close, far closer than they should. I loved how it really was a bit of a slow burn for these two. It’s not overly explicit, but it doesn’t need to be for these two.
Both Pen and Orsini have a say, and I didn’t think that was going to be the case for a while, so I am glad they both were given a voice.
There was a little twist, with the missing jewels, that I did not see coming, and I thought Pen’s mother might have given the game away a time or two. I think she had them sussed, I really do!
An enjoyable way to spend and lazy Sunday evening.
3.5 stars (rounded up to four the Amazon and Goodreads)
**same worded review will appear elsewhere**
Ambrose Pendleton is a hero and returns home from war to his father’s meddling into his love life. Or lack thereof. Pen now faces an arranged marriage his father has brokered as part of a business deal. To get out of this marriage, Pen needs a fiancée, and who better than his long-time friend and actor, Orsini, who has a leading lady who might just fit the bill. But Pen has long held feelings for Orsini, feelings a man should not have for another. Then Orsini surprises him and throws his own feelings at Pen. Now they just need to get rid of the dreadful arranged marriage and they can be together.
For the most part, I did enjoy this. It was a little bit different and different is always good in my book, but something didn’t quite work for me, and I cannot figure out what. And I hate that I can’t!
Pen and Orsini are old friends, and Pen has crushed on Orsini for a long time. He did not know that feeling was the same for Orsini, though. With Orsini pretending to be Pen’s new bride, the pair get close, far closer than they should. I loved how it really was a bit of a slow burn for these two. It’s not overly explicit, but it doesn’t need to be for these two.
Both Pen and Orsini have a say, and I didn’t think that was going to be the case for a while, so I am glad they both were given a voice.
There was a little twist, with the missing jewels, that I did not see coming, and I thought Pen’s mother might have given the game away a time or two. I think she had them sussed, I really do!
An enjoyable way to spend and lazy Sunday evening.
3.5 stars (rounded up to four the Amazon and Goodreads)
**same worded review will appear elsewhere**
Lyndsey Gollogly (2893 KP) rated Claimed (Brides of the Kindred #1) in Books
Sep 10, 2019
Olivia Waterhouse has just graduated from nursing school and has her whole life ahead of her—until she gets drafted. Problem is, she isn’t being forced into the Army, she’s been chosen as a Kindred bride.
The Kindred are huge alien warriors—a race of genetic traders whose population is ninety-five percent male. After saving Earth from the threat of invasion they demand a reward—the right to find brides among the population. The chances of being chosen are about the same as those of winning the lottery—guess it’s just Liv’s lucky day.
Baird is a Beast Kindred who recently escaped imprisonment and torture at the hands of the malevolent Scourge. Through the torment and pain only one thing kept him sane—the thought of finding and claiming his bride—Olivia. His need to possess her is a burning intensity that threatens to consume them both.
Angry at having her future and her family taken away from her, Liv vows to fight back the only way she can—by resisting. She has one month on the Kindred Mothership with Baird—their claiming period. If she can keep from having bonding sex with him during that time, she can go home and get on with her life on Earth.
But Baird isn’t going to make it easy for her. Every week he is allowed to touch Liv more and more intimately and according to the contract she signed, she has to let him. She’s determined to resist him but his touch sets her on fire. And just as she thinks she knows what she wants, a twist of fate and an attack by the faceless Scourge AllFather changes everything…
<strong>It was ok</strong>
So I wasn't expecting becoming like it but it was actually ok. Think Black dagger brotherhood in space. Seemed a bit oh I've heard it before but it got better.I will be sticking with the series as I'm interested in where it will go.
⭐⭐⭐

The Kindred are huge alien warriors—a race of genetic traders whose population is ninety-five percent male. After saving Earth from the threat of invasion they demand a reward—the right to find brides among the population. The chances of being chosen are about the same as those of winning the lottery—guess it’s just Liv’s lucky day.
Baird is a Beast Kindred who recently escaped imprisonment and torture at the hands of the malevolent Scourge. Through the torment and pain only one thing kept him sane—the thought of finding and claiming his bride—Olivia. His need to possess her is a burning intensity that threatens to consume them both.
Angry at having her future and her family taken away from her, Liv vows to fight back the only way she can—by resisting. She has one month on the Kindred Mothership with Baird—their claiming period. If she can keep from having bonding sex with him during that time, she can go home and get on with her life on Earth.
But Baird isn’t going to make it easy for her. Every week he is allowed to touch Liv more and more intimately and according to the contract she signed, she has to let him. She’s determined to resist him but his touch sets her on fire. And just as she thinks she knows what she wants, a twist of fate and an attack by the faceless Scourge AllFather changes everything…
<strong>It was ok</strong>
So I wasn't expecting becoming like it but it was actually ok. Think Black dagger brotherhood in space. Seemed a bit oh I've heard it before but it got better.I will be sticking with the series as I'm interested in where it will go.
⭐⭐⭐

Matthew Krueger (10051 KP) rated Batman (1989) in Movies
Oct 10, 2019
Batman- i love this movie, i have seen it about 7-9 times. I love michael Keaton as bruce wayne/batman. I love jack nicholson as the joker. This movie has action, comedy, suspense, laughing gas, a prince song, adventure and so much more. Also you have darkness, romance, lots of screaming from Vicki Vale played by Kim Basinger. Did i mention that Tim Burton directed this film.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
The Plot: Having witnessed his parents' brutal murder as a child, millionaire philanthropist Bruce Wayne (Michael Keaton) fights crime in Gotham City disguised as Batman, a costumed hero who strikes fear into the hearts of villains. But when a deformed madman who calls himself "The Joker" (Jack Nicholson) seizes control of Gotham's criminal underworld, Batman must face his most ruthless nemesis ever while protecting both his identity and his love interest, reporter Vicki Vale (Kim Basinger).
Keaton's casting caused a controversy since, by 1988, he had become typecast as a comedic actor and many observers doubted he could portray a serious role. Nicholson accepted the role of the Joker under strict conditions that dictated top billing, a high salary, a portion of the box office profits and his own shooting schedule.
The tone and themes of the film were influenced in part by Alan Moore and Brian Bolland's The Killing Joke and Frank Miller's The Dark Knight Returns. The film primarily adapts the "Red Hood" origin story for the Joker, in which Batman inadvertently creates the Joker by causing him to fall into Axis Chemical acid, resulting in his transformation into a psychopath, but it adds a unique twist in presenting him specifically as a gangster named Jack Napier.
Considered the role of Batman, including Mel Gibson, Kevin Costner, Charlie Sheen, Tom Selleck, Bill Murray, Harrison Ford and Dennis Quaid.
Brad Dourif, Tim Curry, David Bowie, John Lithgow and James Woods were considered for the Joker.
This film is great and should be watched.
Mark @ Carstairs Considers (2434 KP) rated Haunted House Murder in Books
Aug 30, 2019
Cozy Halloween Hauntings
This collection of three novellas focuses on Halloween. The book opens with the title story featuring Leslie Meier’s protagonist Lucy Stone. A couple has moved into the old abandoned house in town, but they are rebuffing efforts from Lucy and others to welcome them to town. Then strange things start happening and rumors start flying. What is happening? Up next is “Death by Haunted House” by Lee Hollis which takes up back to 2009 and shows us what life was like for Hayley Powell while she was married. When the house next door, which is rumored to be haunted, gets a new family, Hayley’s husband Danny is certain that they are up to something. The discovery of a dead body in the nearby woods just confirms his theory – at least to himself. Is he right? Finally comes “Hallowed Out” from Barbara Ross. The local Haunted House tour is gearing up for Halloween, trying to bring some more people to town in the fall. However, when a reenactment of a crime leaves an actor dead, Julia Snowden must figure out what happened.
As you might expect in a collection of stories by various authors, some are stronger than others. Personally, I found the opening story to be the weakest – I think it might have worked as a short story, but even as a novella is was too long. The middle story was better, with some fun scenes and a good twist to the mystery. I adore Barbara Ross’s Maine Clambake mysteries, so it was the reason I picked up the book. It also means I found the third story to be the best, with some good twists and a very fun sub-plot. While each story has plenty of fall atmosphere, these stories aren’t that spooky – they are by cozy mystery authors after all. Still, fans of these authors will enjoy picking up the book.
As you might expect in a collection of stories by various authors, some are stronger than others. Personally, I found the opening story to be the weakest – I think it might have worked as a short story, but even as a novella is was too long. The middle story was better, with some fun scenes and a good twist to the mystery. I adore Barbara Ross’s Maine Clambake mysteries, so it was the reason I picked up the book. It also means I found the third story to be the best, with some good twists and a very fun sub-plot. While each story has plenty of fall atmosphere, these stories aren’t that spooky – they are by cozy mystery authors after all. Still, fans of these authors will enjoy picking up the book.
ClareR (5996 KP) rated One Year Later in Books
Aug 18, 2019
One Year Later by Sanjida Kay is a psychological thriller that had my heart in my mouth from the first page. It starts with an emotive subject: the death of a child - 3 year old Ruby. The family becomes fractured, no one deals well with Ruby’s death, and so Nick, her uncle, convinces his sister and her husband that it would be a good idea for the whole family to celebrate or mark the anniversary of Ruby’s death abroad and away from the bad memories. So they all go to a small island off the coast of Italy. But instead of this being the healing holiday that everyone needs and hopes for, secrets are revealed and it looks as though fractures within the family will become even worse.
I really think that Sanjida Kay has the voices of the characters just right: the mother who is barely able to function and hides alcohol around the house, just to get by and to be able to function for her two living children; the father who distances himself from everyone; the uncle who constantly thinks about his dead niece, and blames himself even though he couldn’t possibly be to blame; the sister who seems completely wrapped up in her own world of TV and her looks; and the grandfather who is responsible for the death of his granddaughter, but can’t remember what happened.
It’s such an emotional subject and so well written. I found myself very involved with these characters, and I couldn’t help but empathise with them. I was never quite sure if the person they all thought was responsible for Ruby’s death actually was, but I have to admit that I changed my mind a few times. The twist revealing the actual culprit came as a total shock and surprise.
A really very impressive book, in my opinion, and I’ll be telling everyone to read it!
Many thanks to NetGalley and the publisher for my copy to read and review.
I really think that Sanjida Kay has the voices of the characters just right: the mother who is barely able to function and hides alcohol around the house, just to get by and to be able to function for her two living children; the father who distances himself from everyone; the uncle who constantly thinks about his dead niece, and blames himself even though he couldn’t possibly be to blame; the sister who seems completely wrapped up in her own world of TV and her looks; and the grandfather who is responsible for the death of his granddaughter, but can’t remember what happened.
It’s such an emotional subject and so well written. I found myself very involved with these characters, and I couldn’t help but empathise with them. I was never quite sure if the person they all thought was responsible for Ruby’s death actually was, but I have to admit that I changed my mind a few times. The twist revealing the actual culprit came as a total shock and surprise.
A really very impressive book, in my opinion, and I’ll be telling everyone to read it!
Many thanks to NetGalley and the publisher for my copy to read and review.
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LeftSideCut (3776 KP) rated The Cloverfield Paradox (2018) in Movies
May 20, 2020
The Cloverfield Paradox is a kind of semi decent sci-fi thriller, with a relatively tenuous link to the wider Cloverfield story.
Much like 10 Cloverfield Lane, Paradox started life as a non-Cloverfield property. My only real issue with it's predecessor is that the link to the original film felt tacked onto the end, after the (excellent) main bulk of the story was done. My main issue with Paradox, is that the links are weaved in from the get go, but it's painfully obvious that the original plot was retconned to fit the overall Cloverfield narrative, and it doesn't quite flow properly.
This is most evident in the scenes that take place on Earth, and centre around Roger Davies' character. They just feel a bit out of place, even if they do have a monster movie kind of vibe.
The stuff that takes place up in space isn't too awful. A crew of scientists are orbiting earth in a space station, using a partical accelerator to find new sources of energy, energy that Earth desperately needs as reserves run low, and global war seems imminent. Of course, it doesn't all go to plan, and the crew find themselves in a parallel dimension, space and time is ripped apart etc etc.
To cut it short, lots of weird shit starts to happen aboard the station. It comes across like a poor man's Event Horizon. The pacing is a little off and the obligatory twist near the films climax is a bit silly and unearned, but honestly, there are worse sci-fi 'horror' films out there. There's some good effects work on show, and the cast are mostly likeable.
It's an entertaining enough film, but honestly, the Cloverfield links sort of spoil it a little. I love the original, and I loved 10 Cloverfield Lane, but I sincerely hope that if the franchise continues to move forward, they do some proper big budget sequels, and stop retconning other films!
Much like 10 Cloverfield Lane, Paradox started life as a non-Cloverfield property. My only real issue with it's predecessor is that the link to the original film felt tacked onto the end, after the (excellent) main bulk of the story was done. My main issue with Paradox, is that the links are weaved in from the get go, but it's painfully obvious that the original plot was retconned to fit the overall Cloverfield narrative, and it doesn't quite flow properly.
This is most evident in the scenes that take place on Earth, and centre around Roger Davies' character. They just feel a bit out of place, even if they do have a monster movie kind of vibe.
The stuff that takes place up in space isn't too awful. A crew of scientists are orbiting earth in a space station, using a partical accelerator to find new sources of energy, energy that Earth desperately needs as reserves run low, and global war seems imminent. Of course, it doesn't all go to plan, and the crew find themselves in a parallel dimension, space and time is ripped apart etc etc.
To cut it short, lots of weird shit starts to happen aboard the station. It comes across like a poor man's Event Horizon. The pacing is a little off and the obligatory twist near the films climax is a bit silly and unearned, but honestly, there are worse sci-fi 'horror' films out there. There's some good effects work on show, and the cast are mostly likeable.
It's an entertaining enough film, but honestly, the Cloverfield links sort of spoil it a little. I love the original, and I loved 10 Cloverfield Lane, but I sincerely hope that if the franchise continues to move forward, they do some proper big budget sequels, and stop retconning other films!