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Mark @ Carstairs Considers (2355 KP) rated A Killer Carol in Books
Sep 25, 2019
A Killing at Christmas is Anything but Heavenly for Claire
Christmas is approaching in Heavenly, Pennsylvania, and Claire Weatherly has her hands full. Not only does she have the normal tourists coming into her shop, Heavenly Treasures, but she is organizing the first annual One Heavenly Night event designed as a chance for residence and tourists to enjoy the town at Christmas. However, murder rears its ugly head once again one night. Annie, the Amish teen who works for Claire, is out Christmas caroling with some friends, and when they stop at the Esch’s farm, they find both of the them dead. Detective Jakob Fisher is quick to realize it was murder. Unfortunately, the last people to visit the victims were Claire’s Amish friend Ruth and her new husband Samuel. Even worse, the couple appear to have a motive for committing the crime. Claire doesn’t believe they could have done it, but Jakob has to follow the evidence wherever it leads, even if it ruins the unofficial inroads he has made in building relationships with the people who used to be his family before he left the Amish community. Can Claire help him solve the case before that happens?
This series works best when the characters are driving a strong mystery, and that’s definitely the case here. I’ve felt like I knew the series regulars from their first appearances in the series, so it was fantastic to spend time with them again. They are still just as strong as ever, and the new character are just as compelling. Since Heavenly sits on the edge of an Amish community, life is a bit slower, and that is reflected in the plot. This isn’t a twist a page type of book, but that faster pace wouldn’t feel right. Don’t get me wrong, we do have twists and surprises, but the impact on the characters is just as important, and the two combined keep me glued to the book. I had to fight to keep from peaking ahead and making sure everyone was going to be okay. Honestly, just reading about Heavenly refreshes my soul, so picking up this book was great. The Christmas setting was an added bonus since I love that season so much. There are a couple of niggles with the book, but they are minor. This is a fantastic addition to a favorite series.
This series works best when the characters are driving a strong mystery, and that’s definitely the case here. I’ve felt like I knew the series regulars from their first appearances in the series, so it was fantastic to spend time with them again. They are still just as strong as ever, and the new character are just as compelling. Since Heavenly sits on the edge of an Amish community, life is a bit slower, and that is reflected in the plot. This isn’t a twist a page type of book, but that faster pace wouldn’t feel right. Don’t get me wrong, we do have twists and surprises, but the impact on the characters is just as important, and the two combined keep me glued to the book. I had to fight to keep from peaking ahead and making sure everyone was going to be okay. Honestly, just reading about Heavenly refreshes my soul, so picking up this book was great. The Christmas setting was an added bonus since I love that season so much. There are a couple of niggles with the book, but they are minor. This is a fantastic addition to a favorite series.
Darren (1599 KP) rated Voice from the Stone (2017) in Movies
Sep 26, 2019
Characters – Verena is a nurse, she is an expert in helping children with problems, her latest job takes her to Tuscany to help a young boy who hasn’t spoken since the passing of his mother. She doesn’t believe in any of the afterlife but must now learn to accept it in this latest case. Klaus is the father of the boy, he an artist and grieving in his own way, hoping to get his son to talk once more. Malvina is the mother that has passed away, she hasn’t remained away though communicating with Jakob through the wall, holding him back, she must get pushed into the afterlife for the family to move on.
Performances – Emilia Clarke is the biggest selling point of this movie, having one of the most beautiful women in the world, one of the most famous television characters, here she does get to show her serious side, but never reaches the levels we know she could. Marton Csokas is one of the good performers in the European mysterious men roles, here he is no different showing us why he is always picked.
Story – The story here does get caught up in two minds, the first is just a young nurse trying to help a sick child get over the grieving process, this should be a good enough story, but we get thrown into a mystery about why his deceased mother is talking to him through a stone, while this does have a kicker of a twist and never reaches the true levels of mystery to make us satisfied with how it ended or how we got there either.
Mystery – The mystery does fall flat by the end of the film, because we get part of an answer but not the complete answer.
Settings – The film does have beautiful settings outside of the house, we get to see moments of stunning scenery from the Tuscany location.
Scene of the Movie – Pose for me?
That Moment That Annoyed Me – The ending doesn’t seem to make sense.
Final Thoughts – This is a slow moving mystery thriller that does make you want to see where things go, but in the end things don’t click to make sense to where it should all be.
Overall: Mystery that lacks the punch.
Performances – Emilia Clarke is the biggest selling point of this movie, having one of the most beautiful women in the world, one of the most famous television characters, here she does get to show her serious side, but never reaches the levels we know she could. Marton Csokas is one of the good performers in the European mysterious men roles, here he is no different showing us why he is always picked.
Story – The story here does get caught up in two minds, the first is just a young nurse trying to help a sick child get over the grieving process, this should be a good enough story, but we get thrown into a mystery about why his deceased mother is talking to him through a stone, while this does have a kicker of a twist and never reaches the true levels of mystery to make us satisfied with how it ended or how we got there either.
Mystery – The mystery does fall flat by the end of the film, because we get part of an answer but not the complete answer.
Settings – The film does have beautiful settings outside of the house, we get to see moments of stunning scenery from the Tuscany location.
Scene of the Movie – Pose for me?
That Moment That Annoyed Me – The ending doesn’t seem to make sense.
Final Thoughts – This is a slow moving mystery thriller that does make you want to see where things go, but in the end things don’t click to make sense to where it should all be.
Overall: Mystery that lacks the punch.
James P. Sumner (65 KP) rated Gemini Man (2019) in Movies
Oct 11, 2019
Not even two Will Smiths can save it.
"Gemini Man (2019)" is a blend of action, drama, crime and sci-fi, and tells the story of Henry Brogan (portrayed by Will Smith), the world's most renowned assassin who is looking to retire from the government agency he's been working for.
When he finds out his last job wasn't all it seemed, he starts asking questions, which quickly prompts the agency to try and retire him themselves. We know from the trailers that a younger clone of himself is sent to kill him, and so begins a typical cat-and-mouse gunfight across the globe.
*sigh*
I was really disappointed with this film. It had so much potential - a strong lead with great support from Clive Owen (in fine antagonistic form), Benedict Wong (playing another Wong-esque character) and Mary Elizabeth Winstead (in a commanding, if at times a little bland, outing). But even a good turn from Mr. Smith can't stop it from ultimately becoming a victim of its own ambition.
The plot isn't especially original, but has a nice twist to it that sets it apart. However, it loses itself halfway through, becoming convoluted and indecipherable, seemingly even for the cast. Nothing feels like it has any meaning, and the promising start was soon forgotten in favour of one set piece after another.
And speaking of the set pieces, whilst the action and choreography is really good, the scenes with Will Smith vs. Will Smith (both fighting and talking) are ruined by poor CGI. It's too obviously computer-generated. To me, good CGI looks integrated into the real life scenes, but this stands out like a video game. The action scenes in particular are way too fast and unrealistic. It's like they're trying to recreate the gritty, hard-hitting pace and tone of the Bourne films, but end up with The Matrix being playing on fast forward.
Ang Lee is the kind of director who either wins big (see "Life Of Pi (2012)") or loses big (see "Hulk (2003)"). I don't know where the blame lies here. The script wasn't particularly bad. The direction was... okay. But nothing seemed to gel. It had all the right ingredients and should've been great, yet it fails in every aspect.
This could've been one of the year's best blockbusters... sadly, it's a forgettable tale that Will Smith will likely want wiping from his IMDB profile.
When he finds out his last job wasn't all it seemed, he starts asking questions, which quickly prompts the agency to try and retire him themselves. We know from the trailers that a younger clone of himself is sent to kill him, and so begins a typical cat-and-mouse gunfight across the globe.
*sigh*
I was really disappointed with this film. It had so much potential - a strong lead with great support from Clive Owen (in fine antagonistic form), Benedict Wong (playing another Wong-esque character) and Mary Elizabeth Winstead (in a commanding, if at times a little bland, outing). But even a good turn from Mr. Smith can't stop it from ultimately becoming a victim of its own ambition.
The plot isn't especially original, but has a nice twist to it that sets it apart. However, it loses itself halfway through, becoming convoluted and indecipherable, seemingly even for the cast. Nothing feels like it has any meaning, and the promising start was soon forgotten in favour of one set piece after another.
And speaking of the set pieces, whilst the action and choreography is really good, the scenes with Will Smith vs. Will Smith (both fighting and talking) are ruined by poor CGI. It's too obviously computer-generated. To me, good CGI looks integrated into the real life scenes, but this stands out like a video game. The action scenes in particular are way too fast and unrealistic. It's like they're trying to recreate the gritty, hard-hitting pace and tone of the Bourne films, but end up with The Matrix being playing on fast forward.
Ang Lee is the kind of director who either wins big (see "Life Of Pi (2012)") or loses big (see "Hulk (2003)"). I don't know where the blame lies here. The script wasn't particularly bad. The direction was... okay. But nothing seemed to gel. It had all the right ingredients and should've been great, yet it fails in every aspect.
This could've been one of the year's best blockbusters... sadly, it's a forgettable tale that Will Smith will likely want wiping from his IMDB profile.
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