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Gareth von Kallenbach (980 KP) rated The Equalizer 2 (2018) in Movies
Jul 8, 2019
Ex-government assassin Robert McCall (Denzel Washington) takes it upon himself to right the wrongs of those who have been exploited. He spends his days driving a Lyft around making chance encounters with people. When one of those people is in need he will go to any length to dispense justice. His brand of justice is brutal and swift but he always give the oppressors the chance to redeem themselves. He does this for people passing though his life but when his best friend, and one of the only former colleges to know his alive, Susan Plummer (Melissa Leo) is killed while on an investigation he sets out to dispatch vengeance rather than justice. He will stop at nothing to find out why his friend was murdered and eliminate those responsible. Robert must first reveal that he is still alive to his former partner Dave York (Pedro Pascal) so he can have access to the investigation. Once he has access the pair will try and find the killers and exact revenge. That is before the killers find them.
This film is the follow up to 2014’s The Equalizer. It returns both Washington and Leo as well as Director Antoine Fuqua (Shooter, South Paw) and Writer Richard Wenk (Jack Reacher: Never Go Back, 16 Blocks) and Bill Pullman, as Brian Plummer. The action scenes in the beginning of the film are really well done. Maybe a spoiler here so caution, the climatic fight scene at the end is less well done and because it is set in a hurricane a lot of it is blurry and hard to follow. It puts you in the setting of the weather but because the action is hand to hand you can really miss a lot of what is going on. It didn’t really work for me personally. The story started out really how I expected and followed the first films story of McCall helping out those who had no other options. This part felt very much like the first film but not redundant. However, it really slowed down when it got into the main story of the film. This part really seemed overly predictable and unoriginal. You, or rather I, could see how the entire movie was laid out and the inevitable conclusion with very few plot twist. This made pace of the film is tough for me. Really action packed at the beginning and then really slow drawn out drama in the middle.
On its own this film is an okay movie. One of many action/crime/mystery films that are made each year. It didn’t really do a good job of distinguishing itself from the rest of the genre. But fans of this type of movie can enjoy how it is heartfelt and warm at times and bloody and action packed at others. The end I discussed above I was not a fan of. Also there is the issue of when you compare it to the original film it really is lacking some key things that the made the first film a success. The villain in this film really leaves something to be desired while the first film had a pretty good antagonist. The pace of the first film was much better and the story flowed more naturally. Sometimes it is really hard to recreate something and I think this film falls way short.
This film is the follow up to 2014’s The Equalizer. It returns both Washington and Leo as well as Director Antoine Fuqua (Shooter, South Paw) and Writer Richard Wenk (Jack Reacher: Never Go Back, 16 Blocks) and Bill Pullman, as Brian Plummer. The action scenes in the beginning of the film are really well done. Maybe a spoiler here so caution, the climatic fight scene at the end is less well done and because it is set in a hurricane a lot of it is blurry and hard to follow. It puts you in the setting of the weather but because the action is hand to hand you can really miss a lot of what is going on. It didn’t really work for me personally. The story started out really how I expected and followed the first films story of McCall helping out those who had no other options. This part felt very much like the first film but not redundant. However, it really slowed down when it got into the main story of the film. This part really seemed overly predictable and unoriginal. You, or rather I, could see how the entire movie was laid out and the inevitable conclusion with very few plot twist. This made pace of the film is tough for me. Really action packed at the beginning and then really slow drawn out drama in the middle.
On its own this film is an okay movie. One of many action/crime/mystery films that are made each year. It didn’t really do a good job of distinguishing itself from the rest of the genre. But fans of this type of movie can enjoy how it is heartfelt and warm at times and bloody and action packed at others. The end I discussed above I was not a fan of. Also there is the issue of when you compare it to the original film it really is lacking some key things that the made the first film a success. The villain in this film really leaves something to be desired while the first film had a pretty good antagonist. The pace of the first film was much better and the story flowed more naturally. Sometimes it is really hard to recreate something and I think this film falls way short.
Phil Leader (619 KP) rated Brood of Bones (Lady of Gems #1) in Books
Nov 11, 2019
I got this book because I wanted to read some of Marling's work and it seemed a good starting point. I downloaded it at the same time as a lot of other works, intending just to skim the first chapter of each and then decide which one I was going to read.
I read the first part of this novel and I was hooked. The story unfolds really well and there is real suspense. The writing is a joy to read and the descriptions of the world are really evocative.
The story revolves around Elder Enchantress Hiresha who having become a powerful practitioner of magic is requested to return to her home town. There she quickly realises that something is very wrong - all the women are pregnant, and all are due around the same time. Clearly this is not normal, but what is the cause and why has it happened?
Hiresha must unravel the threads to work out what is going on and exactly what the threat to the town is. Perhaps the pregnancies are the divine work of a god, but for what purpose? Or perhaps the dark Lord of the Feast is involved so that he may dine on the fears of the population in the night? Hiresha must find the truth - and quickly - and along the way she will make both questionable alliances and bitter enemies. But who can really be trusted when the fate of the city is at stake?
The world is immersive, and Marling does well to convey just enough information to ensure the reader is not overwhelmed by some of the stranger aspects of his world. I have read other (more well known) authors who struggle in this regard. The characterisations are good, particularly impressive is Hiresha who despite her mastery of magic is very human, with many faults and failings which she must overcome during the course of the story. The supporting characters are also well drawn and have a depth. There is a real impression that they are leading their own lives outside of the story.
The story itself is mainly a fantasy 'whodunnit' with Hiresha gathering evidence and suspects, as well has finding out exactly what the pregnancies entail. The main twist is that she suffers from a form of narcolepsy and finds it hard to keep awake - and when awake she is not very perceptive. But when sleeps she is able to perform her magic and analyse what she has seen while awake.
Once the culprit is revealed, the ending is hard to put down as Hiresha has put herself - and possibly the whole town - in grave danger in order to find out the truth. The final part of the story is a breathtaking battle as powerful forces fight over the fate of the town.
I really could not stop reading this book. I looked forward to picking it up and was reluctant to put it down. The story is really very compelling and despite having a lot of swords and sorcery in it, this does not fall into any of the well trodden paths of fantasy. The writing moves the story on at a good pace and is full of fantastic descriptions and little details that really bring the world alive.
I rate this book very highly. I know it is only January but already I feel that this is easily one of the best books I will read this year. Very highly recommended
I read the first part of this novel and I was hooked. The story unfolds really well and there is real suspense. The writing is a joy to read and the descriptions of the world are really evocative.
The story revolves around Elder Enchantress Hiresha who having become a powerful practitioner of magic is requested to return to her home town. There she quickly realises that something is very wrong - all the women are pregnant, and all are due around the same time. Clearly this is not normal, but what is the cause and why has it happened?
Hiresha must unravel the threads to work out what is going on and exactly what the threat to the town is. Perhaps the pregnancies are the divine work of a god, but for what purpose? Or perhaps the dark Lord of the Feast is involved so that he may dine on the fears of the population in the night? Hiresha must find the truth - and quickly - and along the way she will make both questionable alliances and bitter enemies. But who can really be trusted when the fate of the city is at stake?
The world is immersive, and Marling does well to convey just enough information to ensure the reader is not overwhelmed by some of the stranger aspects of his world. I have read other (more well known) authors who struggle in this regard. The characterisations are good, particularly impressive is Hiresha who despite her mastery of magic is very human, with many faults and failings which she must overcome during the course of the story. The supporting characters are also well drawn and have a depth. There is a real impression that they are leading their own lives outside of the story.
The story itself is mainly a fantasy 'whodunnit' with Hiresha gathering evidence and suspects, as well has finding out exactly what the pregnancies entail. The main twist is that she suffers from a form of narcolepsy and finds it hard to keep awake - and when awake she is not very perceptive. But when sleeps she is able to perform her magic and analyse what she has seen while awake.
Once the culprit is revealed, the ending is hard to put down as Hiresha has put herself - and possibly the whole town - in grave danger in order to find out the truth. The final part of the story is a breathtaking battle as powerful forces fight over the fate of the town.
I really could not stop reading this book. I looked forward to picking it up and was reluctant to put it down. The story is really very compelling and despite having a lot of swords and sorcery in it, this does not fall into any of the well trodden paths of fantasy. The writing moves the story on at a good pace and is full of fantastic descriptions and little details that really bring the world alive.
I rate this book very highly. I know it is only January but already I feel that this is easily one of the best books I will read this year. Very highly recommended
Sophia (Bookwyrming Thoughts) (530 KP) rated MARY: The Summoning (Bloody Mary, #1) in Books
Jan 23, 2020
I don't know the precise reason why I actually requested The Summoning in the first place. I do know that I must have been really intrigued by the idea of a retelling of Bloody Mary and maybe just wanted a break from the influx of YA books that have some type of romance running about. Or, I just wanted to measure Hillary Monahan's debut novel with a scare-a-meter.
The first in the Bloody Mary series follows Shauna O'Brien, who decides to join with her 3 friends, Jess, Anna and Kitty to summon Bloody Mary, a legend that has been around since the 1960s with rumors that the person is someone who died near the end of the Civil War by the name of Mary Worth. As a result of summoning Bloody Mary, the spirit manages to go free from its rightful place within the boundaries of a mirror and begins to haunt the 4 girls, Shauna being her main victim.
Possibly what Mary so scary is the very fact she pops out everywhere almost and locks doors/windows. As the author so puts it in a sentence...
<blockquote>Mary was appearing without a summoning, manipulating objects, haunting glass, and skipping from surface to surface.</blockquote>
I did have a problem with Mary's abilities though. While it certainly puts a wow to the scare factor, Mary seems a little... too powerful. Reflective object manipulation? That's almost everything if you ask me. Computer/Tablet screens, washers/dryers, refrigerators, windows, doorknobs, lambs, flash drives, scissors, transportation, sinks, etc. So not only does the haunted have to live in isolation to protect everyone they love, but s/he have to live smelling like poo and crap for the rest of their lives because they can't take a decent shower?
<img src="http://3.bp.blogspot.com/-nfP1y5PZpOs/U49rNV8em4I/AAAAAAAADZo/XHTD2iwNTxs/s1600/giphy.gif"; border="0">
Somehow, I don't think Mary qualifies as a ghost now. More like a demon in my humble opinion. While that may scare readers at first, eventually some will catch on and Mary won't be as scary.
The Summoning is basically the ultimate friendship test for the main characters – Jess, Anna, Kitty and Shauna have been best friends for quite awhile, so when Shauna begins to see Mary everywhere, they have to try to work together to get rid of the ghost. <spoiler>Apparently this test failed, because Anna gets taken. Once you're gone, you're technically gone. It's not like doing anything would have brought Anna back. Although I did like her, so it was actually sad to see her get taken through the mirror by a ghost.</spoiler>
So the ultimate question from the beginning: how well can Hillary Monahan scare me? Quite well, but I managed to sleep very well. While I'll certainly applaud on what a chilling twist on an urban legend The Summoning was, Mary needs to be toned down a bit to make her more believable.
----------------
Advanced Review copy provided by Disney Hyperion for review
Original Rating: 4.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/arc-review-mary-the-summoning-by-hillary-monahan.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
The first in the Bloody Mary series follows Shauna O'Brien, who decides to join with her 3 friends, Jess, Anna and Kitty to summon Bloody Mary, a legend that has been around since the 1960s with rumors that the person is someone who died near the end of the Civil War by the name of Mary Worth. As a result of summoning Bloody Mary, the spirit manages to go free from its rightful place within the boundaries of a mirror and begins to haunt the 4 girls, Shauna being her main victim.
Possibly what Mary so scary is the very fact she pops out everywhere almost and locks doors/windows. As the author so puts it in a sentence...
<blockquote>Mary was appearing without a summoning, manipulating objects, haunting glass, and skipping from surface to surface.</blockquote>
I did have a problem with Mary's abilities though. While it certainly puts a wow to the scare factor, Mary seems a little... too powerful. Reflective object manipulation? That's almost everything if you ask me. Computer/Tablet screens, washers/dryers, refrigerators, windows, doorknobs, lambs, flash drives, scissors, transportation, sinks, etc. So not only does the haunted have to live in isolation to protect everyone they love, but s/he have to live smelling like poo and crap for the rest of their lives because they can't take a decent shower?
<img src="http://3.bp.blogspot.com/-nfP1y5PZpOs/U49rNV8em4I/AAAAAAAADZo/XHTD2iwNTxs/s1600/giphy.gif"; border="0">
Somehow, I don't think Mary qualifies as a ghost now. More like a demon in my humble opinion. While that may scare readers at first, eventually some will catch on and Mary won't be as scary.
The Summoning is basically the ultimate friendship test for the main characters – Jess, Anna, Kitty and Shauna have been best friends for quite awhile, so when Shauna begins to see Mary everywhere, they have to try to work together to get rid of the ghost. <spoiler>Apparently this test failed, because Anna gets taken. Once you're gone, you're technically gone. It's not like doing anything would have brought Anna back. Although I did like her, so it was actually sad to see her get taken through the mirror by a ghost.</spoiler>
So the ultimate question from the beginning: how well can Hillary Monahan scare me? Quite well, but I managed to sleep very well. While I'll certainly applaud on what a chilling twist on an urban legend The Summoning was, Mary needs to be toned down a bit to make her more believable.
----------------
Advanced Review copy provided by Disney Hyperion for review
Original Rating: 4.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/arc-review-mary-the-summoning-by-hillary-monahan.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Emma @ The Movies (1786 KP) rated Jumanji: The Next Level (2019) in Movies
Jan 9, 2020
Time for more fun in Jumanji? You didn't even need to show me a trailer, I was in.
Life has moved on for everyone since they escaped Jumanji, but Spencer isn't having the same great life that the others are. When he doesn't turn up to their mini-reunion, Martha, Bethany and Fridge head over to his house to check on him. It doesn't seem like he's in but Grandpa Eddie invites them in, nothing seems untoward, that is until they hear the drums that lead them to the basement and the reconstructed remains of the destroyed games console.
I enjoyed the twist of these tales. We went from board game to video game and successfully gave the whole thing a modern update and as the title suggests we go to the next level of the game to freshen up the similar storyline to the last instalment. It felt like a really good way to progress the series but going forward it may cause some issues which I'll mention more later.
This is firmly in the "if it ain't broke don't fix it" camp, Welcome To The Jungle was great fun and so hopes were high for this, it didn't disappoint. Our in-game character actors get to flex their muscles in new ways and it managed to keet the body-swapping element entertaining without feeling like we'd already "been there, done that".
The new characters had me a little worried, DeVito and Glover are great but I wasn't sure how they would translate into Johnson and Hart, and I find Awkwakina to be very Marmite, so when I saw her in a clip I was on the fence. All was well though. Johnson and Hart interacted just right as Eddie and Milo and Awkwafina made a great job of her switched up role. Jack Black brought me the most joy though as he got to take on Fridge's persona.
Jumanji: The Next Level has some fun little touches here and there but my favourite has to be the Bond girl exit, you'll know it when you see it but I don't want to spoil it for you if you haven't seen the film. So much of this film was entertaining and even when I wasn't laughing I was smiling.
The only real drawback was that I worked out fairly early on what was going to happen, it didn't take away from the film though and I thought it ended up giving us an excellent storyline to play out. And damn it if I didn't cry.
Everything comes together really well, the effects were never overly obvious, the sets and costumes were great, and it all gives you a solid, fun film. It's here for entertainment and it delivers.
Where does it go from here? We're left with a solid lay up for a third (fourth depending on how you look at it) film. On the one hand I like what that set up is doing, but on the other, it could be leading us to a dead end. I don't know what the plans were for these films as a series but I don't think that the quality could persist for much longer. Hopefully we won't have to see it overplayed.
I'm hoping to get a rewatch of this in at the weekend, having not already done so, I would say I didn't like it as much as the first outing... but it was still a great adventure.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jumanji-next-level-movie-review.html
Life has moved on for everyone since they escaped Jumanji, but Spencer isn't having the same great life that the others are. When he doesn't turn up to their mini-reunion, Martha, Bethany and Fridge head over to his house to check on him. It doesn't seem like he's in but Grandpa Eddie invites them in, nothing seems untoward, that is until they hear the drums that lead them to the basement and the reconstructed remains of the destroyed games console.
I enjoyed the twist of these tales. We went from board game to video game and successfully gave the whole thing a modern update and as the title suggests we go to the next level of the game to freshen up the similar storyline to the last instalment. It felt like a really good way to progress the series but going forward it may cause some issues which I'll mention more later.
This is firmly in the "if it ain't broke don't fix it" camp, Welcome To The Jungle was great fun and so hopes were high for this, it didn't disappoint. Our in-game character actors get to flex their muscles in new ways and it managed to keet the body-swapping element entertaining without feeling like we'd already "been there, done that".
The new characters had me a little worried, DeVito and Glover are great but I wasn't sure how they would translate into Johnson and Hart, and I find Awkwakina to be very Marmite, so when I saw her in a clip I was on the fence. All was well though. Johnson and Hart interacted just right as Eddie and Milo and Awkwafina made a great job of her switched up role. Jack Black brought me the most joy though as he got to take on Fridge's persona.
Jumanji: The Next Level has some fun little touches here and there but my favourite has to be the Bond girl exit, you'll know it when you see it but I don't want to spoil it for you if you haven't seen the film. So much of this film was entertaining and even when I wasn't laughing I was smiling.
The only real drawback was that I worked out fairly early on what was going to happen, it didn't take away from the film though and I thought it ended up giving us an excellent storyline to play out. And damn it if I didn't cry.
Everything comes together really well, the effects were never overly obvious, the sets and costumes were great, and it all gives you a solid, fun film. It's here for entertainment and it delivers.
Where does it go from here? We're left with a solid lay up for a third (fourth depending on how you look at it) film. On the one hand I like what that set up is doing, but on the other, it could be leading us to a dead end. I don't know what the plans were for these films as a series but I don't think that the quality could persist for much longer. Hopefully we won't have to see it overplayed.
I'm hoping to get a rewatch of this in at the weekend, having not already done so, I would say I didn't like it as much as the first outing... but it was still a great adventure.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/01/jumanji-next-level-movie-review.html
Bob Mann (459 KP) rated Parasite (2019) in Movies
Feb 9, 2020
It’s so metaphorical.
Everyone said “Go see Parasite”. Everyone said “The one rule about Parasite is that you don’t talk about Parasite”. So I went to see Parasite. So this is a review about Parasite without talking about Parasite.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Kim Ki-Woo (Woo-sik Choi) is a student living with his family in poverty in a sub-basement room, sponging off internet signals and scrounging a living, of sorts, by assembling pizza boxes. Opportunity presents itself when his best friend, the slightly older Min (Seo-joon Park), goes abroad to study. For Min is an English tutor to the up-market Park family’s school-age daughter Da-hye (Ji-so Jung). Not wanting his fellow ‘frat-boys’ to move in on future romance – he’s lined up Ki-Woo as his replacement.
Ki-woo knows he’s lucked in when he visits the swanky Park residence and manages to pull the wool over the eyes of Da-hye’s not too bright mother Yeon-kyo (Yeo-jeong Jo). But the influence of the family’s “lucky rock” doesn’t stop there. Ki-woo sees an opportunity to get jobs for his sister Kim (So-dam Park), his father Ki-taek (Kang-ho Song) and his mother Chung-sook (Hye-jin Jang). And gradually the poor Kim family start to encroach on the rich Park family’s lives.
You might think that’s the story. It’s not. Just when you think you know where the film is going – a gentle comic tale with farcical elements – the movie takes a sudden left turn into The Twilight Zone.
To say more, if you’ve not seen the film, would be cruelty beyond measure. It’s a truly astonishing script, by writer/director Bong Joon Ho, and my nomination for the Oscar for best original screenplay.
It’s the details that get to you. This will be a superb film to watch multiple times. There are fabulous details scattered throughout. You know how the more expensive the car the more “solid” the clunk is as you shut the door? Listen to the sound effect when the Park front door shuts! Look what happens to the “one of a kind” lucky rock!
As for one of my favourite films from last year – “The Farewell” – you very quickly get to accept and embrace the subtitles. YOU MUST NOT LET THIS PUT YOU OFF. This is a masterpiece of cinema, well-deserving of its multiple Oscar nominations and its Cannes Palme d’Or award. At 132 minutes, it’s not a short film, but seldom have two hours flown by faster. It’s totally gripping. At times hysterically funny; at times shocking. A class struggle movie of a calibre that Ken Loach would never have imagined!
Gripes? I had just one. An action near the end of the movie seems bizarrely out of character and was a “WTF” moment that I didn’t think the film needed. However, it did set up a wonderful story-telling finale that I will think about for many months.
It provoked that seldom found reaction in the cinema when the end-titles ran. A hubbub of chatter and appreciation.
It comes with a highly recommended from me.
For the full graphical review, check out https://bob-the-movie-man.com/2020/02/09/one-manns-movies-film-review-parasite-2020/.
Gareth von Kallenbach (980 KP) rated Safe (2012) in Movies
Aug 7, 2019
I’ve returned with another movie review for y’all and it should certainly come as no surprise Whatsoever that my review covers the latest edition to Jason Statham’s growing resume of action Movies. After 3 delays for its U.S. release, “SAFE” has finally arrived.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
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Charlie Cobra Reviews (1840 KP) rated Joker (2019) in Movies
Jul 7, 2020
A Near Perfect Film/Comic Book Movie With A Piece Missing
Contains spoilers, click to show
This film did a great job in making the Joker or rather Arthur a sympathetic character. Joaquin Phoenix did a phenomenal job in this movie. His laugh made me really feel for this character, it sounded sad but also painful, like it physically hurt him. I really felt for Arthur and it actually made me feel bad for him equally when he was getting beat up and assaulted but also just berated and treated bad by others. People were talking about the violence in the movie and how it was graphic and disturbing but what bothered me more were the parts where Arthur was having violence done on him, it made me sad for him. I thought a lot of the movie was well done. The double twist in him finding his mother's letter to Thomas Wayne saying he (Arthur) is his son only to find out that he was adopted was a great reveal. Still makes me wonder what the truth really is, because later he does find a photograph with Thomas Wayne's initials on the back. Either he really is his son and Wayne had it covered up, which he totally has the means to do, or maybe she was delusional about it. I also thought it was cool how they showed Arthur also had delusions of grandeur in the begging when he is watching the Murray show and he imagines himself as a guest there. Like I said this movie was really well done in a lot of ways but there were somethings that bothered me. One right off the back is that Bruce Wayne is just a kid in this movie and if Arthur is supposed to be the Joker he would be way older than he should be when Wayne becomes Batman. To mere there wasn't a lot that Arthur really did as Joker. Nothing grandiose or epic like what I've become accustomed to with the Joker in other incarnations. There was no plans or power moves like in The Dark Knight or parade and taking over the city like in 1989's Batman. They really could have called the movie something else since he really only becomes the Joker at the end of the movie for not really that long even. I know it's supposed to be an origin story of how he becomes the Joker but it wasn't even going off of any of the comics and just loosely based on the version of Joker from The Killing Joke and then given the "Hollywood" treatment. I think I just expected more Joker from a movie called Joker. I thought the ending was perfect if it would have ended with him on top of the car when they helped him escape. I honestly don't know why they should that little part with him in Arkham, I don't think it added anything and kind of took away from it. The only thing I can think of is they didn't want to end it that dark. I have to say that if your judging this film from not being a big fan of Joker, the comics or the films and only on as a stand alone film it's probably like a 9/10. But for me since at it's core it is a comic book movie I give it an 8/10.