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How Did We Get So Dark? by Royal Blood
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After becoming the biggest breaking British rock band with their self-titled 2014 debut album, Royal...
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Kristy H (1252 KP) rated We Are All the Same in the Dark in Books
Sep 24, 2020
Stunning, shocking thriller filled with dark twists
Ten years ago, Trumanell Branson disappeared, along with her no-good daddy. But it's beautiful Trumanell her Texas town remembers and mourns. And, despite no arrests, they blame her brother, Wyatt, who lives alone on the old Branson homestead, hated by the entire town. When Wyatt, a trucker, finds a girl in a field of dandelions, he thinks it's a sign. As for the town cop, Odette--who has a long history with Wyatt--she fears the discovery of this girl will only turn the town against Wyatt fully and permanently. But when she goes to retrieve her, she feels drawn to the girl. Odette is haunted by Trumanell's disappearance, and now, the arrival of this mystery girl. As she digs into the past and the present, she uncovers shocking secrets about her town and the night that forever changed it.
"She has a bad, bad mystery to her. I can feel it deep in the hollow of my spook bone, the one my dad broke when I was a kid. My arm is never wrong."
This is an amazing, absorbing thriller that draws you in from the first page. Heaberlin writes so beautifully and lyrically--all these dark and horrific moments unfold in such beautiful prose. Her words astound me.
"There's no chatter about why I'm alone, scared, speeding on a prairie road with trees scattered like sailboats, thinking how my daddy, the town's late great top cop, told me to never come back to this little Texas hellhole unless it was to bury his ashes. Don't try to find the truth about Trumanell. Some answers are left to the by and by."
The characters here are beautiful--flawed, damaged, tender, and painted with a depth that will astound you. Troubled Odette, lost Wyatt, and Angel, the girl found in the field. They form a trio that one is unlikely to forget for quite some time.
This is a dark read--atmospheric and sad, and not always easy to read. Bad things happen in this town. Heaberlin's twists are true stunners. It's rare when a thriller takes me by surprise, but wow, I found myself shocked several times, and even better, unaware of the true culprit. How nice to read a mystery without guessing the ultimate ending.
Overall, this is a superb tale of a town held captive by its own secrets and tragedy. The characters come to life before your eyes through Heaberlin's elegant writing. It's shocking and twisted and one that shouldn't be missed. 4.5 stars.
"She has a bad, bad mystery to her. I can feel it deep in the hollow of my spook bone, the one my dad broke when I was a kid. My arm is never wrong."
This is an amazing, absorbing thriller that draws you in from the first page. Heaberlin writes so beautifully and lyrically--all these dark and horrific moments unfold in such beautiful prose. Her words astound me.
"There's no chatter about why I'm alone, scared, speeding on a prairie road with trees scattered like sailboats, thinking how my daddy, the town's late great top cop, told me to never come back to this little Texas hellhole unless it was to bury his ashes. Don't try to find the truth about Trumanell. Some answers are left to the by and by."
The characters here are beautiful--flawed, damaged, tender, and painted with a depth that will astound you. Troubled Odette, lost Wyatt, and Angel, the girl found in the field. They form a trio that one is unlikely to forget for quite some time.
This is a dark read--atmospheric and sad, and not always easy to read. Bad things happen in this town. Heaberlin's twists are true stunners. It's rare when a thriller takes me by surprise, but wow, I found myself shocked several times, and even better, unaware of the true culprit. How nice to read a mystery without guessing the ultimate ending.
Overall, this is a superb tale of a town held captive by its own secrets and tragedy. The characters come to life before your eyes through Heaberlin's elegant writing. It's shocking and twisted and one that shouldn't be missed. 4.5 stars.
Kristy H (1252 KP) rated Big Summer in Books
May 7, 2020
Well this was an unexpected yet enjoyable read. It's far less serious than Weiner's previous book, the expansive and beautiful Mrs. Everything, but I think it's exactly the read we need for these times. I finished feeling happy and grateful for what I had in my life. Big Summer was a wonderful distraction from real life.
This is a fun story featuring our engaging plus-size heroine, Daphne, who is still struggling to find herself as an adult. Many of her scars and insecurities come from her so-called friendship with Drue, who was more of a user than a friend. After Drue hurt Daphne one time too many, she hasn't seen her in six years. But she's still powerless to say no to her, especially when she's begging for her to attend her high society wedding.
"You are susceptible to Drue Cavanaugh. She's your Kryptonite."
I found Daphne to be sweet albeit in need of a backbone at times. Her journey to self-actualization is certainly engaging. Big Summer takes a huge turn about halfway through, giving me a big surprise, but I loved it, honestly. I'm glad I hadn't read about the twist--a lot of reviews give it away, but I won't. Let's just say that Drue and her minions can be quite twisted at times, and there's a lot to unravel and unwrap here in terms of motivations and backstory. Big Summer starts with a little snippet set in the early 1990s, setting us up for the story ahead. We also learn about Daphne and Drue's past and all about their friendship.
This is such a sweet, sometimes silly (oh how I love Daphne's parents), and real read. Goodness, the pieces about Daphne's weight can be so heartbreaking. There's a section where she remembers her grandmother caring for her for a summer and basically giving her her weight insecurities, as she put Daphne on her first diet, making her aware of being heavier. Oh man. Weiner is an excellent writer, and she brings Daphne to life here, making her such a true person, whom we want to root for, hug, and love.
And she gives us a book about family, love, and reminds us to be grateful for what we have. The grass isn't always greener on the other side, per se. Always important, but even so more right now. I loved this one, with its escapist nature and twisty yet heartfelt storyline. 4+ stars.
This is a fun story featuring our engaging plus-size heroine, Daphne, who is still struggling to find herself as an adult. Many of her scars and insecurities come from her so-called friendship with Drue, who was more of a user than a friend. After Drue hurt Daphne one time too many, she hasn't seen her in six years. But she's still powerless to say no to her, especially when she's begging for her to attend her high society wedding.
"You are susceptible to Drue Cavanaugh. She's your Kryptonite."
I found Daphne to be sweet albeit in need of a backbone at times. Her journey to self-actualization is certainly engaging. Big Summer takes a huge turn about halfway through, giving me a big surprise, but I loved it, honestly. I'm glad I hadn't read about the twist--a lot of reviews give it away, but I won't. Let's just say that Drue and her minions can be quite twisted at times, and there's a lot to unravel and unwrap here in terms of motivations and backstory. Big Summer starts with a little snippet set in the early 1990s, setting us up for the story ahead. We also learn about Daphne and Drue's past and all about their friendship.
This is such a sweet, sometimes silly (oh how I love Daphne's parents), and real read. Goodness, the pieces about Daphne's weight can be so heartbreaking. There's a section where she remembers her grandmother caring for her for a summer and basically giving her her weight insecurities, as she put Daphne on her first diet, making her aware of being heavier. Oh man. Weiner is an excellent writer, and she brings Daphne to life here, making her such a true person, whom we want to root for, hug, and love.
And she gives us a book about family, love, and reminds us to be grateful for what we have. The grass isn't always greener on the other side, per se. Always important, but even so more right now. I loved this one, with its escapist nature and twisty yet heartfelt storyline. 4+ stars.
Ascending a Mountain of Heavy Light by The Body and Full of Hell
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Haley Mathiot (9 KP) rated Jekel Loves Hyde in Books
Apr 27, 2018
Jekel Loves Hyde by Beth Fantaskey
Genre: Young Adult
ISBN:9780152063900
Rating: 4
Using their last names –and a mysterious box of notes in her dad's office—to their advantage, Jill Jekel and Tristen Hyde attempt to recreate the formula from the classic novel for a science competition. Tristen is becoming lost inside his other half, and knows that the formula is the only way to save himself… and Jill, since the beast wants to kill her. We've all heard about the kiss that alters your soul, but when Jill accidently consumes a little bit of a formula, things… change.
I read this book in one sitting. Even for a bookaholic like myself, I generally don't have that much patience.
There were a few things about Jekel Loves Hyde that really stuck out for me: One of them was happy-land syndrome. If you've never heard me refer to it before, it's where everything works out just perfect for the character's advantage, nobody argues, and everyone forgives each other. Jekel Loves Hyde did not have happy-land syndrome. The relationship was a rollercoaster, the plot was very complex, and things didn't always work out ideally. It made the story realistic and believable. I think if everything had worked out ideally it would have been to ridiculous to read.
Another thing was the plot. It was very twisted and complicated, and never ceased to surprise me. I had no idea what to expect from this book when I first started reading it, and that continued all through the book. From the very beginning, I knew the characters were keeping secrets from me, which compelled me to continue reading until 2 :00 AM (literally).
Some of the characters I thought I liked, but as the story went on I discovered what kind of people they really were, and I began to dislike them a lot. The main characters, Jill and Tristen, I liked. I can't say I "liked" their relationship though the story, because as I mentioned earlier, it wasn't always pretty. There were some pretty serious downfalls, but then again some pretty wonderful uprisings.
As far as the writing, it was decent but there were some fragments that were scattered throughout that were disappointing. Between the great plot, the characters, and the enjoyment, the mediocrity doesn't stand out too bad.
The end was great. It answered my questions, and gave a definite conclusion to their relationship—that I liked! Maybe it's the way I've been raised, but when the hero and the heroine's story ends with them only dating, I feel like the story can't be over. Ending with them engaged, her mother no longer off the deep end, and the "bad guy" gone forever, was pretty much perfect.
Content: sexual references, some language.
Recommendation: Ages 16+
Genre: Young Adult
ISBN:9780152063900
Rating: 4
Using their last names –and a mysterious box of notes in her dad's office—to their advantage, Jill Jekel and Tristen Hyde attempt to recreate the formula from the classic novel for a science competition. Tristen is becoming lost inside his other half, and knows that the formula is the only way to save himself… and Jill, since the beast wants to kill her. We've all heard about the kiss that alters your soul, but when Jill accidently consumes a little bit of a formula, things… change.
I read this book in one sitting. Even for a bookaholic like myself, I generally don't have that much patience.
There were a few things about Jekel Loves Hyde that really stuck out for me: One of them was happy-land syndrome. If you've never heard me refer to it before, it's where everything works out just perfect for the character's advantage, nobody argues, and everyone forgives each other. Jekel Loves Hyde did not have happy-land syndrome. The relationship was a rollercoaster, the plot was very complex, and things didn't always work out ideally. It made the story realistic and believable. I think if everything had worked out ideally it would have been to ridiculous to read.
Another thing was the plot. It was very twisted and complicated, and never ceased to surprise me. I had no idea what to expect from this book when I first started reading it, and that continued all through the book. From the very beginning, I knew the characters were keeping secrets from me, which compelled me to continue reading until 2 :00 AM (literally).
Some of the characters I thought I liked, but as the story went on I discovered what kind of people they really were, and I began to dislike them a lot. The main characters, Jill and Tristen, I liked. I can't say I "liked" their relationship though the story, because as I mentioned earlier, it wasn't always pretty. There were some pretty serious downfalls, but then again some pretty wonderful uprisings.
As far as the writing, it was decent but there were some fragments that were scattered throughout that were disappointing. Between the great plot, the characters, and the enjoyment, the mediocrity doesn't stand out too bad.
The end was great. It answered my questions, and gave a definite conclusion to their relationship—that I liked! Maybe it's the way I've been raised, but when the hero and the heroine's story ends with them only dating, I feel like the story can't be over. Ending with them engaged, her mother no longer off the deep end, and the "bad guy" gone forever, was pretty much perfect.
Content: sexual references, some language.
Recommendation: Ages 16+
Haley Mathiot (9 KP) rated Abandon (Abandon, #1) in Books
Apr 27, 2018
I read Meg Cabot's Vanished series (previously published as 1-800-WHERE-R-U) and have drawn the same conclusion about Abandon as I did about that series: She's a fabulous story teller and can weave a wonderful intriguing mysterious story that is highly addicting (I read Abandon in five hours without stopping) but she's not a very good writer.
Let me explain: The ARC was 304 pages. If she had cut out all the unneeded phrases, descriptions, and dead wood that slowed the story down and made it harder to read, it would be closer to 200. If it were shorter, she'd have more space for more of that great plot line that she's so good at developing. But instead, I'm stuck tripping over ungrammatical sentences and awkward phrases—and let's not forget whole unnecessary paragraphs with details that don't matter, set off by dashes right in the middle of the sentence, because that's just such a good thing to put in a novel—that force you to go back and read the sentence several times so your brain doesn't get to twisted.
As for the story itself: I can't praise it enough. It was a mystery I had to solve, and some of the small clues I figured out, and others I didn't. I loved that I could figure out stuff about the same time Pierce did, but I also loved that I didn't figure out the major mystery of the story until I was supposed to. Some novelists make it too obvious, but Cabot had just enough to make it work.
I liked Pierce, but there were a few times I wanted to shake her and tell her to grow up and be honest. That is one of the reasons I couldn't stop reading, though. I wanted to see what happened because of the choices she made. And then there was the time I wanted to slap her: of course John was in love with her, why did she think he was acting like that? silly girl. Yet I couldn't have mean thoughts towards her because I liked her (and, okay, I have a soft spot for crazy main characters). John? He was quite amazing. Wild thing. Dark troubled boy. Dangerous. John needs to climb out of that novel and through my bedroom window and be my boyfriend.
The pacing and tension was perfect: I started reading and didn't stop until about five hours later when I closed the book at the end. I couldn't stop reading. That's the kind of book I like.
Now if only Cabot could write. Yes I have read worse writers, but she would be so excellent if the interior monologue of the character was less frustrating.
Content/Recommendation: No language, no sex. Ages 15+
Let me explain: The ARC was 304 pages. If she had cut out all the unneeded phrases, descriptions, and dead wood that slowed the story down and made it harder to read, it would be closer to 200. If it were shorter, she'd have more space for more of that great plot line that she's so good at developing. But instead, I'm stuck tripping over ungrammatical sentences and awkward phrases—and let's not forget whole unnecessary paragraphs with details that don't matter, set off by dashes right in the middle of the sentence, because that's just such a good thing to put in a novel—that force you to go back and read the sentence several times so your brain doesn't get to twisted.
As for the story itself: I can't praise it enough. It was a mystery I had to solve, and some of the small clues I figured out, and others I didn't. I loved that I could figure out stuff about the same time Pierce did, but I also loved that I didn't figure out the major mystery of the story until I was supposed to. Some novelists make it too obvious, but Cabot had just enough to make it work.
I liked Pierce, but there were a few times I wanted to shake her and tell her to grow up and be honest. That is one of the reasons I couldn't stop reading, though. I wanted to see what happened because of the choices she made. And then there was the time I wanted to slap her: of course John was in love with her, why did she think he was acting like that? silly girl. Yet I couldn't have mean thoughts towards her because I liked her (and, okay, I have a soft spot for crazy main characters). John? He was quite amazing. Wild thing. Dark troubled boy. Dangerous. John needs to climb out of that novel and through my bedroom window and be my boyfriend.
The pacing and tension was perfect: I started reading and didn't stop until about five hours later when I closed the book at the end. I couldn't stop reading. That's the kind of book I like.
Now if only Cabot could write. Yes I have read worse writers, but she would be so excellent if the interior monologue of the character was less frustrating.
Content/Recommendation: No language, no sex. Ages 15+
Haley Mathiot (9 KP) rated Love You to Death in Books
Apr 27, 2018
Love you to Death by Shannon K. Butcher
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Genre: Romantic Suspense
Rating: 2.5/5
Summary (from back of book):
It's been days since reporter Elise McBride has heard from her sister, Ashley. She's convinced Ashley has met with some kind of foul play, especially when she learns that bodies of other missing women have surfaced in and around Chicago--all victims of a brutal serial killer. Convinced her sister is still alive, Elise vows to risk everything to save her...
The last thing ex-cop Trent Brady needs is more blood on his hands. Yet when he catches Elise breaking into her sister's house, full of reckless determination and fear, he knows she needs his help. But just as desire ignites between them, a twisted madman sets his sights on Elise. Hell-bent on possessing her for himself, this psychopath won't rest until he has his perfect woman.
It’s hard for me to say where I sit for this book. There were some aspects of it that I liked (how do you spell Hottie? T-R-E-N-T.) and some that I didn’t (a lot of content.)
The plot wasn’t as mysterious as it could have been. I knew what the criminal was doing because when I read from his perspective, he told me. Also even at the end, there are some un-answered questions. They should have come up in the book and they didn’t.
This wasn’t a book that I was addicted to. I could only get through a few chapters at a time before having to put it down. The writing wasn’t anything special and the characters were just characters. They were realistic but not enough to make me really care about them. My favorite character was John, the ex-cop who was Trent’s partner. He just had so much character and personality. I think I would have enjoyed a book with him as the main character. Ashley and Elsie? Not so much.
On the good side, I liked the change in Elsie. In the beginning of the book she didn’t believe in true love, and laughed at the idea of marriage. She said it just didn’t work. She learned that that wasn’t true. I also liked that Trent was a marriage-minded man (There aren’t enough of those out there). But of course that didn’t stop their physical or sexual relationship any.
If you look at my sidebar at my rating system, you’ll see that this rating was the only one I could come up with. It wasn’t really worth reading, but I liked it enough to finish it.
Content: My opinion on the content is mentioned thought the review.
Recommendation: Ages 18+
Kristy H (1252 KP) rated Our Kind of Cruelty: A Novel in Books
May 15, 2018
Eerily mesmerizing & creepy thriller
Mike Hayes had a terrible childhood, where he was neglected by his drunken mother and beaten by her string of hapless boyfriends. At ten, he was taken into care, eventually winding up with a nice couple. With their help, Mike went on to a good university, where he met Verity (V), with whom he fell madly in love. V helped Mike learn the ways of the world and society. They also played a sexual game called the Crave that brought them even closer together. However, after Mike went to New York for two years for work, their relationship ended. Even worse, Verity is now getting married to another man, Angus. At first, Mike is devastated. But soon, he realizes that V's wedding invitation is just another piece of Crave. As such, he must watch her, track her, and prepare his home for her inevitable return--all parts of the tense and careful game that is Crave.
Well, this was an interesting one. It was a pretty quick read, yet sometimes felt a bit long. It was definitely creepy, for sure. Hall has created a slow-burning thriller here, and you become eerily mesmerized by Mike's crazy. In fact, at times, I almost found myself rooting for him, despite the fact you knew he was unreliable, delusional, and not at all good for anyone in the novel. The book is less "edge-on-your-seat" thriller and more a character-driven study. Be prepared for Mike, Mike, and more Mike. The novel is told from his perspective and we're reliant entirely on his mindset. Because we know we can't trust said mindset, we're constantly waiting for something bad to happen. It's like watching a train wreck. A very twisted one.
That being said, the novel can be fascinating at times, but it also hard to know where it's going. As you're constantly waiting for something terrible to occur, you're waiting. And waiting. The novel moves slowly, with its intense focus on Mike, and his thoughts on Verity. I would have liked more insight to V, for instance, or the other people in Mike's life. So at that point, things can get feel drawn out. Not to mention, is Mike really this delusional, you wonder? Can he really believe what he's spouting? Needless to say the book is very effective at making you feel uncomfortable. It captures anger, longing, tension, and more (stalking?!) very well.
Overall, this novel drew me in with its creepy tone and compelling character of Mike. It's definitely slow-moving at times, but oddly fascinating as well.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Well, this was an interesting one. It was a pretty quick read, yet sometimes felt a bit long. It was definitely creepy, for sure. Hall has created a slow-burning thriller here, and you become eerily mesmerized by Mike's crazy. In fact, at times, I almost found myself rooting for him, despite the fact you knew he was unreliable, delusional, and not at all good for anyone in the novel. The book is less "edge-on-your-seat" thriller and more a character-driven study. Be prepared for Mike, Mike, and more Mike. The novel is told from his perspective and we're reliant entirely on his mindset. Because we know we can't trust said mindset, we're constantly waiting for something bad to happen. It's like watching a train wreck. A very twisted one.
That being said, the novel can be fascinating at times, but it also hard to know where it's going. As you're constantly waiting for something terrible to occur, you're waiting. And waiting. The novel moves slowly, with its intense focus on Mike, and his thoughts on Verity. I would have liked more insight to V, for instance, or the other people in Mike's life. So at that point, things can get feel drawn out. Not to mention, is Mike really this delusional, you wonder? Can he really believe what he's spouting? Needless to say the book is very effective at making you feel uncomfortable. It captures anger, longing, tension, and more (stalking?!) very well.
Overall, this novel drew me in with its creepy tone and compelling character of Mike. It's definitely slow-moving at times, but oddly fascinating as well.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Kristy H (1252 KP) rated The Other Mother in Books
Apr 10, 2018
Twisty psychological thriller
When Daphne flees her home, taking very little but her six-month-old daughter, Chloe, she isn't sure what to expect. She's leaving everything behind (including her controlling husband) to work for one of her favorite authors, Schuyler, as an archivist. She'll be living in the shadow of a mental hospital, which Schulyer's late father ran for many years. Daphne hopes this will be a new start and a way to escape both her husband and the dark moods, diagnosed as postpartum mood disorder, she felt when Chloe was born. She'll also miss her friend, Laurel, with whom she formed a tight bond after meeting in a mother's group.
Get ready: this book is a crazy, bewildering ride. It will also always have the distinction of being the novel I was reading on an airplane trip to San Diego when one of my five-year-old daughters threw up. Twice. So it will be memorable in several ways. :)
If you're looking for an easy, linear psychological thriller, this one may not be for you. This novel is confusing and crazy and makes you question everything you're reading. But it's an exciting, twisty thriller and a great, fast read (and a welcome distraction from vomiting children). Most of it is told in current-day descriptions from Daphne, along with excerpts from her journal from her postpartum mothers group. As Daphne meets her new boss, Schuyler, and becomes fascinated with a patient of her father's, Edith, we also eventually hear from Edith and excerpts from Edith's journal, too. The entire result is a wonderful, twisted, tale that has you frantically turning pages, trying to work things out and figure out who is who and what the heck is going on.
I don't want to reveal too much, as it's best going in without too many preconceived notions. The novel has a bit of gothic in it, as many of Goodman's do, with the mental hospital looming in the background. The idea of postpartum depression and motherhood is a theme running throughout, as well.
Overall, even though I was sometimes frustrated as I tried to work through this one, I wound up enjoying it. I was impressed at how things came together and enjoyed the wild ride I was on. I've loved Goodman since The Lake of Dead Languages and find myself looking forward to each new novel she releases. This one was different, but I was quite caught up in its characters and dark themes. Definitely worth a read.
I received a copy of this novel from the publisher and Librarything in return for an unbiased review (thank you!).
Get ready: this book is a crazy, bewildering ride. It will also always have the distinction of being the novel I was reading on an airplane trip to San Diego when one of my five-year-old daughters threw up. Twice. So it will be memorable in several ways. :)
If you're looking for an easy, linear psychological thriller, this one may not be for you. This novel is confusing and crazy and makes you question everything you're reading. But it's an exciting, twisty thriller and a great, fast read (and a welcome distraction from vomiting children). Most of it is told in current-day descriptions from Daphne, along with excerpts from her journal from her postpartum mothers group. As Daphne meets her new boss, Schuyler, and becomes fascinated with a patient of her father's, Edith, we also eventually hear from Edith and excerpts from Edith's journal, too. The entire result is a wonderful, twisted, tale that has you frantically turning pages, trying to work things out and figure out who is who and what the heck is going on.
I don't want to reveal too much, as it's best going in without too many preconceived notions. The novel has a bit of gothic in it, as many of Goodman's do, with the mental hospital looming in the background. The idea of postpartum depression and motherhood is a theme running throughout, as well.
Overall, even though I was sometimes frustrated as I tried to work through this one, I wound up enjoying it. I was impressed at how things came together and enjoyed the wild ride I was on. I've loved Goodman since The Lake of Dead Languages and find myself looking forward to each new novel she releases. This one was different, but I was quite caught up in its characters and dark themes. Definitely worth a read.
I received a copy of this novel from the publisher and Librarything in return for an unbiased review (thank you!).