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Kristy H (1252 KP) rated Never Have I Ever in Books
Jul 8, 2019
After a childhood where she never felt good enough, Amy Whey finally has her perfect life. A loving husband, a feisty fifteen-year-old stepdaughter, and a sweet baby boy. She even has a best friend, Charlotte, to hang out with in her suburban neighborhood. It's at Charlotte's book group when everything changes: with the appearance of Roux, a new neighbor. Roux is gorgeous and charming and soon all the book group ladies are happily drinking wine and spilling their secrets during Roux's Never Have I Ever game. But Amy can sense Roux's sinister side from the start. And sure enough, before she knows it, Roux comes to Amy. She knows Amy isn't so perfect after all. She knows a big, dark secret about Amy's past. And if Amy doesn't give Roux exactly what she wants, she's going to make Amy pay, tearing down the perfect life she's so carefully built.
"The game was Roux's idea. More than an idea. A plan. She made it up herself, this shotgun of a game. She packed it tight with salt and metal, counting on collateral damage, too, but she aimed it straight at me. She said it was like Never Have I Ever, but not any version I'd ever played."
Well, this was an interesting one, I must say. It's the epitome of domestic thriller, I suppose: a mix of character-driven fiction and thriller/mystery. The beginning was tough for me: it felt slow, as I waited for things to heat up. The language is rather flowery at times, making some scenes seem long. And some of the real action felt bogged down by Amy and Roux's interactions, as they chattered and bantered--either in person or in Amy's head--while they played their twisted little games. Enough, enough, just get to the point!
"Her hands were not empty after all. They were holding my history, invisible but so very heavy. I could almost see it in her hands."
That said, once things picked up, I enjoyed this much more. When the twists arrive, they are very twisty and fun, and often quite surprising. Roux is appropriately hateful, and Amy is a bit whiny, but it's okay when everything is collapsing and you're trying to figure out where this is all going. This one trailed dangerously close to my pet peeve of "main character with secret, where the book would have no point if they'd just man up and tell someone," but once some of the twists came out, I could at least understand Amy's point of view, if not exactly empathize with her. Jackson gives us a rather dark tale, which, you know, is appreciated. If these two women are going to battle each other, it might as well be grim, right?
Overall, this book starts slow, but once it gets going it's enjoyable twisty, dark, and macabre. It was a different sort of tale, but worth the read. 3.5 stars.
"The game was Roux's idea. More than an idea. A plan. She made it up herself, this shotgun of a game. She packed it tight with salt and metal, counting on collateral damage, too, but she aimed it straight at me. She said it was like Never Have I Ever, but not any version I'd ever played."
Well, this was an interesting one, I must say. It's the epitome of domestic thriller, I suppose: a mix of character-driven fiction and thriller/mystery. The beginning was tough for me: it felt slow, as I waited for things to heat up. The language is rather flowery at times, making some scenes seem long. And some of the real action felt bogged down by Amy and Roux's interactions, as they chattered and bantered--either in person or in Amy's head--while they played their twisted little games. Enough, enough, just get to the point!
"Her hands were not empty after all. They were holding my history, invisible but so very heavy. I could almost see it in her hands."
That said, once things picked up, I enjoyed this much more. When the twists arrive, they are very twisty and fun, and often quite surprising. Roux is appropriately hateful, and Amy is a bit whiny, but it's okay when everything is collapsing and you're trying to figure out where this is all going. This one trailed dangerously close to my pet peeve of "main character with secret, where the book would have no point if they'd just man up and tell someone," but once some of the twists came out, I could at least understand Amy's point of view, if not exactly empathize with her. Jackson gives us a rather dark tale, which, you know, is appreciated. If these two women are going to battle each other, it might as well be grim, right?
Overall, this book starts slow, but once it gets going it's enjoyable twisty, dark, and macabre. It was a different sort of tale, but worth the read. 3.5 stars.
BookInspector (124 KP) rated The Weight of Shadows (Shadow Series #1) in Books
Sep 24, 2020
The description above, does not do the justice to this book, there is so much more to it than it is given away in the blurb.
One thing for sure about this book, it is not boring. The book begins by introducing characters, and you should pay attention, because there is a vast amount of them. In the beginning, I was confused of who belonged were, but as I continued reading this book, it all made sense. These 300 pages are filled with action, robberies, murders, kidnapping, police investigations and of course, Ukrainian Mafia. And believe it or not, everything is entangled so masterfully that it makes one huge, great crime mystery.
The characters chosen for this book are very diverse, intriguing and complex. The book covers period of six days and it is unbelievable what can happen in that period of time. I, personally, could not choose my favourite character in this book, because there were too many great personalities. This novel was told from multiple perspectives, and it allowed to get to know the characters better, and made the book more interesting for the reader. I do like books, which are set in London, and I really enjoyed the detailed knowledge of this city, which Holton shared in the book. It just somehow warms my heart and makes it more realistic.
I really enjoyed how fast paced this book’s narrative was. Every chapter gives a different character’s story, so it was a real page turner for me, as I wanted to find out, what happened to other characters. There were a lot of twists and turns in this novel, however, some of the parts were quite obvious, and it annoyed me that those great detectives couldn’t figure out some of the things quicker. This novel is a debut for Holton, but in the prologue chapter, there is an incredibly interesting character mentioned, where it feels like this is a second book in the series, and I honestly hope that one day there will be a book about the “skin artist” and that investigation.
The writing style was pleasurable to read with easy and understandable language . I loved the short chapters of this book, and it was fast paced and indulging read. I should mention, that there are murders, blood and violence in this book, so it is not suitable for people with weak nerves. The ending of this book has very unexpected twist and a cliff hanger, which is driving me mad, but otherwise it gives a satisfactory ending for this part of the series. So, to conclude, I would strongly recommend this book, because it has riveting, complex variety of characters, and the plot is masterfully twisted making it an indulging, fast paced book, which deserves to be read. Can’t wait for the next book in the series.
Was given this book by author for honest review.
One thing for sure about this book, it is not boring. The book begins by introducing characters, and you should pay attention, because there is a vast amount of them. In the beginning, I was confused of who belonged were, but as I continued reading this book, it all made sense. These 300 pages are filled with action, robberies, murders, kidnapping, police investigations and of course, Ukrainian Mafia. And believe it or not, everything is entangled so masterfully that it makes one huge, great crime mystery.
The characters chosen for this book are very diverse, intriguing and complex. The book covers period of six days and it is unbelievable what can happen in that period of time. I, personally, could not choose my favourite character in this book, because there were too many great personalities. This novel was told from multiple perspectives, and it allowed to get to know the characters better, and made the book more interesting for the reader. I do like books, which are set in London, and I really enjoyed the detailed knowledge of this city, which Holton shared in the book. It just somehow warms my heart and makes it more realistic.
I really enjoyed how fast paced this book’s narrative was. Every chapter gives a different character’s story, so it was a real page turner for me, as I wanted to find out, what happened to other characters. There were a lot of twists and turns in this novel, however, some of the parts were quite obvious, and it annoyed me that those great detectives couldn’t figure out some of the things quicker. This novel is a debut for Holton, but in the prologue chapter, there is an incredibly interesting character mentioned, where it feels like this is a second book in the series, and I honestly hope that one day there will be a book about the “skin artist” and that investigation.
The writing style was pleasurable to read with easy and understandable language . I loved the short chapters of this book, and it was fast paced and indulging read. I should mention, that there are murders, blood and violence in this book, so it is not suitable for people with weak nerves. The ending of this book has very unexpected twist and a cliff hanger, which is driving me mad, but otherwise it gives a satisfactory ending for this part of the series. So, to conclude, I would strongly recommend this book, because it has riveting, complex variety of characters, and the plot is masterfully twisted making it an indulging, fast paced book, which deserves to be read. Can’t wait for the next book in the series.
Was given this book by author for honest review.
Plague Inc: Scenario Creator
Utilities and Games
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Lottie disney bookworm (1056 KP) rated As Old As Time in Books
Aug 16, 2019
Review by Disney Bookworm
I’m going to come right out and say (although you will probably be able to tell if you make it to the end of this blog) that this is, so far, my favourite book in the twisted tale series. Seriously, this is the second time I have read it and I loved it just as much as the first time. I got just as engrossed in the story and I seriously think Liz Braswell and I could be best friends!
As Old As Time is the retelling of Beauty and the Beast and opens with the familiar story of the enchantress and the young, vain prince that we all know. You can probably still picture the stained-glass scene from the original 1991 movie and the dramatic ballroom scene in the 2017 remake.
Refusing to be eclipsed by these though, Braswell follows the well-known tale with: “It was a very good story. It often entertained the woman who lay in her black hole of a room, manacled to a hard, cold bed.”
Wait! What?
There, with one fell swoop, on the second page, Braswell brings an almost gothic darkness to the fairy tale. Of course, some would say it is already dark: very few people who are cursed to become a beast are particularly jolly about the situation! However, Braswell goes one step further by both revealing the story behind the enchantress and taking us on a journey to discover the ugly truth in the present.
Liz Braswell creates a kingdom where magic and non-magic people have lived together peacefully for years but where politics and a lack of cultural understanding is threatening to tear that apart as les charmantes find themselves persecuted by les naturels. (I can’t imagine where she draws her inspiration from(!))
It is in this kingdom that we meet a young dreamer called Maurice and the enchantress Rosalind, Belle’s mother (nicknamed Rose- so clever!). Maurice is very much a younger version of the character we grew up with: loveable and devoted to his inventions. Rosalind however is much more headstrong and impulsive: even changing her appearance on a whim. Her pride is fierce and we first meet her holding her own against a large man insulting ‘her kind’, calling her unnatural and a child of the devil. The bully soon learns the error of his ways when his nose is replaced by a pig’s snout but a warning runs all the way through this tale: “magic always comes back on itself”.
Maurice and Rosalind’s life is happy and settled at first but they soon start to witness the persecution of les charmantes for themselves. Thus, when the King and Queen call on Rosalind to protect them against the advancing plague, she passionately fights for her people…only to be rejected and turned away. Maurice, always the voice of reason, convinces Rosalind to at least protect the children and servants and so it comes to pass that Rosalind later visits the young prince, on the eve of his coronation, carrying with her the simple gift of a rose.
Braswell’s character development is, as always, impressive. Belle is immediately relatable as the kooky bookworm we know and love: her story running parallel to the film until we, as readers, develop a relationship with her parents. It is then that we discover there is a slight edge to Belle. Although clearly tortured by the fact her mother cursed a 10-year-old boy, Braswell’s Belle is desperate to be adventurous and heroic like the characters in her books but soon realises an adventure is not all it is cracked up to be. Like her mother, Belle can be quite impulsive: grabbing the enchanted rose before the beast can stop her and destroying any chance of breaking the spell. However, she is also quick and cunning, tricking the wardrobe into revealing the curse’s timeline. Nevertheless, the bravery of our protagonist can never be doubted and Belle embarks on one hell of a journey to discover the truth about her family and herself.
Uniquely, within As Old As Time we slowly see side-line characters weave their way into the lives and stories of our characters. Levi and Alaric, for example, are old friends of Maurice and Rosalind and are seemingly insignificant to the story at first. However, Levi is also the godfather to Belle and the village bookseller (“If you like it that much, it’s yours!” – that guy). Alaric on the other hand has a significant link to the castle and both carry clues with them that assist Belle on her quest.
Any Beauty and the Beast tale would not be complete without LeFou and Gaston – that infamous double act- but even Gaston is ever so slightly darker than his animated counterpart. Frederic: another friend from the past and, quite frankly, odd from the start also plays a pivotal role in the story but I won’t spoil the surprise for you!
As Old As Time is true to its name: weaving two stories into its plot at different points in time: the story that we all know and the story of how that came to be. It is an ominous tale with curses, murder, creepy ivy statues and a frankly terrifying tour of the lunatic asylum.
It is not all doom and gloom however; Liz Braswell takes a very tongue-in-cheek attitude towards the infamous scenes within Beauty and the Beast: invoking a dry sense of humour into the story. From a chapter named “Be Our … Oh You Know the Rest” to a direct reference to Stockholm Syndrome: Braswell makes sure that we do not expect her novel to be a copycat, heartfelt tale with a happy ending. Belle even remarks to the Beast that hoping she would fall in love with him within a month or so was wildly unrealistic.
This is very much a novel for the cynical Disney lovers amongst us and highly deserving of its title of a twisted tale!
As Old As Time is the retelling of Beauty and the Beast and opens with the familiar story of the enchantress and the young, vain prince that we all know. You can probably still picture the stained-glass scene from the original 1991 movie and the dramatic ballroom scene in the 2017 remake.
Refusing to be eclipsed by these though, Braswell follows the well-known tale with: “It was a very good story. It often entertained the woman who lay in her black hole of a room, manacled to a hard, cold bed.”
Wait! What?
There, with one fell swoop, on the second page, Braswell brings an almost gothic darkness to the fairy tale. Of course, some would say it is already dark: very few people who are cursed to become a beast are particularly jolly about the situation! However, Braswell goes one step further by both revealing the story behind the enchantress and taking us on a journey to discover the ugly truth in the present.
Liz Braswell creates a kingdom where magic and non-magic people have lived together peacefully for years but where politics and a lack of cultural understanding is threatening to tear that apart as les charmantes find themselves persecuted by les naturels. (I can’t imagine where she draws her inspiration from(!))
It is in this kingdom that we meet a young dreamer called Maurice and the enchantress Rosalind, Belle’s mother (nicknamed Rose- so clever!). Maurice is very much a younger version of the character we grew up with: loveable and devoted to his inventions. Rosalind however is much more headstrong and impulsive: even changing her appearance on a whim. Her pride is fierce and we first meet her holding her own against a large man insulting ‘her kind’, calling her unnatural and a child of the devil. The bully soon learns the error of his ways when his nose is replaced by a pig’s snout but a warning runs all the way through this tale: “magic always comes back on itself”.
Maurice and Rosalind’s life is happy and settled at first but they soon start to witness the persecution of les charmantes for themselves. Thus, when the King and Queen call on Rosalind to protect them against the advancing plague, she passionately fights for her people…only to be rejected and turned away. Maurice, always the voice of reason, convinces Rosalind to at least protect the children and servants and so it comes to pass that Rosalind later visits the young prince, on the eve of his coronation, carrying with her the simple gift of a rose.
Braswell’s character development is, as always, impressive. Belle is immediately relatable as the kooky bookworm we know and love: her story running parallel to the film until we, as readers, develop a relationship with her parents. It is then that we discover there is a slight edge to Belle. Although clearly tortured by the fact her mother cursed a 10-year-old boy, Braswell’s Belle is desperate to be adventurous and heroic like the characters in her books but soon realises an adventure is not all it is cracked up to be. Like her mother, Belle can be quite impulsive: grabbing the enchanted rose before the beast can stop her and destroying any chance of breaking the spell. However, she is also quick and cunning, tricking the wardrobe into revealing the curse’s timeline. Nevertheless, the bravery of our protagonist can never be doubted and Belle embarks on one hell of a journey to discover the truth about her family and herself.
Uniquely, within As Old As Time we slowly see side-line characters weave their way into the lives and stories of our characters. Levi and Alaric, for example, are old friends of Maurice and Rosalind and are seemingly insignificant to the story at first. However, Levi is also the godfather to Belle and the village bookseller (“If you like it that much, it’s yours!” – that guy). Alaric on the other hand has a significant link to the castle and both carry clues with them that assist Belle on her quest.
Any Beauty and the Beast tale would not be complete without LeFou and Gaston – that infamous double act- but even Gaston is ever so slightly darker than his animated counterpart. Frederic: another friend from the past and, quite frankly, odd from the start also plays a pivotal role in the story but I won’t spoil the surprise for you!
As Old As Time is true to its name: weaving two stories into its plot at different points in time: the story that we all know and the story of how that came to be. It is an ominous tale with curses, murder, creepy ivy statues and a frankly terrifying tour of the lunatic asylum.
It is not all doom and gloom however; Liz Braswell takes a very tongue-in-cheek attitude towards the infamous scenes within Beauty and the Beast: invoking a dry sense of humour into the story. From a chapter named “Be Our … Oh You Know the Rest” to a direct reference to Stockholm Syndrome: Braswell makes sure that we do not expect her novel to be a copycat, heartfelt tale with a happy ending. Belle even remarks to the Beast that hoping she would fall in love with him within a month or so was wildly unrealistic.
This is very much a novel for the cynical Disney lovers amongst us and highly deserving of its title of a twisted tale!
Lottie disney bookworm (1056 KP) rated Mirror, Mirror in Books
Aug 16, 2019
Review by Disney Bookworm
Contains spoilers, click to show
If I’m honest I initially thought the tagline to this Snow White twisted tale novel was a massive plot spoiler but, when you are 300 pages into a book and no-one has eaten a poisoned apple, it may be the ideal opportunity to admit you were wrong. This book is not that simple!
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
Mirror, Mirror explores the traditional Grimm fairy tale of Snow White through the eyes of the two main characters: the Evil Queen and Snow White herself. The reader is completely under the control of these two women: finding themselves with no choice but to witness the familiar story from their perspective.
Jen Calonita’s novel is also heavily built on story telling through flashbacks. In my opinion, this is a genius idea as it provides an undeniable depth to her characters. Let’s be honest, everyone knows the story of Snow White but not everyone knows the story before Snow White and it is here where the twisted tale evolves.
Through these flashbacks we meet Katherine and Ingrid: two sisters whom have lost their mother and are being raised by their neglectful, sometimes violent, father. As a result of their upbringing, Ingrid, the elder sister, has adopted a motherly role towards her younger sister Katherine and strives to protect the innocent girl at all times. They leave home, finding work on a farm where Katherine finds her passion within the apple orchard, cultivating a new variety of apple which will later attract the attention of the King.
Ingrid however, always wants more than what she has. Older and more aware of the hardship life can bring, Ingrid is not as sweet and innocent as her sister: people do not dote on Ingrid as they do Katherine and eventually Ingrid finds that she cannot settle for a simple life- instead opting for a job in a small shop known for its association with dark magic and the home of a certain mirror.
You may have guessed by now that Ingrid is, in fact, the Evil Queen and her sister Katherine is Snow White’s mother! I know what you are thinking, I have just described how protective Ingrid was of the future Queen: surely she wouldn’t “off” her own sister and try to collect her niece’s heart in a box?
This is where the complexity of Ingrid’s character really shines through and where, (if hats suited me) I will take my hat off to Jen Calonita. Mirror Mirror takes you on a journey with Ingrid. You experience her love for her sister first-hand as well as her frustration with her sheltered life but later you also witness her lust for power and how easily Ingrid’s choices lead her down the wrong path.
I also believe that Ingrid is truly scarred by her past. She sneers upon her sister’s kindness and villainises Katherine for letting a man, and later her baby, come between them. Ingrid views herself as wiser and more intelligent than her little sister: believing that she would certainly rule the Kingdom more efficiently and not stopping until this becomes a reality.
Despite being a formidable woman, Ingrid is not devoid of vulnerabilities and, as the story progresses, the readers will witness Ingrid’s ghosts and note how one in particular never leaves her until the very end.
Of course, Ingrid’s enabler is the magic mirror. Calonita paints a picture of a mirror identical to the one we remember from the Disney 1938 classic animated film with a haunting mask dominating and manipulating The Evil Queen with every chance it gets.
The mirror creates an obsession and dependence within Ingrid that is chillingly portrayed. It is undoubtedly the real villain of the story: demanding blood from the start and weakening Ingrid until she cleaves to its will. However, we all know who is standing between the mirror and its plans for domination and undisputed power: the princess Snow White.
In the past, I have made no secret of the fact that Snow is my least favourite Disney princess. Her voice in the film grated on me and I just genuinely found her irritating. Thankfully Calonita’s Snow White is more akin to the ‘Once Upon A Time’ interpretation and so much easier to form a relationship with as a reader.
While fulfilling our expectations of being kind, innocent and prone to falling in love with conveniently handsome Princes: Mirror Mirror’s Snow White is bolder than we are used to and, as her story progresses, becomes more confident in herself as the heir to the kingdom. Her priorities are more political in nature, with a strong focus on rebuilding her kingdom and her bravery shines through almost from the very beginning. Snow does encounter challenges and dark thoughts as any person does but earns her Disney princess badge by helping true love to save the day!
Similarly, the seven dwarves are not as one-dimensional as the classic movie. They assist the Princess of course and shelter her in the forest but they also seem more street-wise (or should that be forest-wise?), squirreling away diamonds for bartering and mustering armies for Snow’s cause. There isn’t too much focus on the seven men in Mirror Mirror but I don’t think that the book is necessarily missing this. I think the characters are so well-known that too much character development would stray away from the main plot.
Mirror, Mirror is a modern adaptation of the familiar fairytale: centring itself around two very strong women in their own right but polar opposites in terms of their characters and choices in life.
The novel makes several nods to the iconic images formed in 1938 by Walt Disney such as the apple, the glass coffin and, of course, the seven dwarves. However, the recurring theme of choosing your own story and the complex backgrounds to her characters cause Jen Calonita’s novel to stand out on its own.
It may not have been the traditional “happy ever after” but this adaptation of Snow White was, in my opinion, the “fairest of them all”.
Written by The Disney Bookworm:
https://disneybookworm.home.blog
John Roope (4 KP) rated Alita: Battle Angel (2019) in Movies
Feb 12, 2019
Great Design (1 more)
Good Action
Cheesy Dialogue (3 more)
Paper thin characters
Poor Performances
Distracting CGI main character
A cluttered poorly written movie with engaging action keeping it afloat
Alita battle angel is full of great action and a potentially interesting story that's let down by a substandard script. It follows Alita a cyborg rebuilt by Dr Dyson Igo ( a substandard performance from Cristoph Waltz) who has amnesia and must rediscover her past while on a quest to reach the mysterious floating city of Salem.
The first act of the movie is probably the strongest from a character perspective as we see Alita exploring this new world and building relationships with our central characters however on a dime that all changes. After observing Dr Igos mysterious nocturnal activities she unlocks some of her past discovering that she has unmatched fighting capabilities and suddenly becomes a wise cracking badass instead of this innocent girl and suddenly the action is centre stage.
Alita becomes a hunter warrior and participates in motor ball in order to reach Salem and defeat the baddies that want to capture her at all costs for the enigmatic nova up in the floating city. The action is well choreographed and while it does sometimes creep into the transformers/man of steel realm of headache inducing loud cluttered cgi infused battles for the most part they are exciting and tense as she battles larger and more experienced opponents. However after seeing Alita best even the strongest the tension in these fights wane as it becomes clearer and clearer she is in a league of of her own and her heartless ruthlessness disconnected me somewhat from sympathising with her as a character.
Fallen by the wayside in this deluge of action is the development of side characters and their relationships with Alita as well as the back story for the world. The father daughter dynamic is left shallow as is her relationship with Hugo who has a rather troubling occupation and Igo's ex wife who's collaborating with Salems spokesperson Vektor in order to get to Salem. None of these characters have enough time to develop their characters in order to give the audience much of an emotional connection that just leaves the movie feeling very stretched out and thin especially as the emotional connection with our heroine wanes.
The effects for the most part were good for the most part but Alita's CGI face didn't work for me at all at times it was over expressive and other times looked blank. It left me cringing at times when she spoke as the uncanny valley territory creeps ever closer. It just struck me as unnecessary and down right creepy feeling like a twisted sexual fantasy of a ultra innocent doe eyed girl who was also a killing machine. It was endlessly distracting and feel like it would be easier to connect with her as a character if she didn't loom so fake while everyone else felt completely real.
Going into this for some fun balls to the wall action you probably won't be too disappointed but looking for much depth here will be in vain as this never reaches the levels the ambitiously vast story aspires to get to
The first act of the movie is probably the strongest from a character perspective as we see Alita exploring this new world and building relationships with our central characters however on a dime that all changes. After observing Dr Igos mysterious nocturnal activities she unlocks some of her past discovering that she has unmatched fighting capabilities and suddenly becomes a wise cracking badass instead of this innocent girl and suddenly the action is centre stage.
Alita becomes a hunter warrior and participates in motor ball in order to reach Salem and defeat the baddies that want to capture her at all costs for the enigmatic nova up in the floating city. The action is well choreographed and while it does sometimes creep into the transformers/man of steel realm of headache inducing loud cluttered cgi infused battles for the most part they are exciting and tense as she battles larger and more experienced opponents. However after seeing Alita best even the strongest the tension in these fights wane as it becomes clearer and clearer she is in a league of of her own and her heartless ruthlessness disconnected me somewhat from sympathising with her as a character.
Fallen by the wayside in this deluge of action is the development of side characters and their relationships with Alita as well as the back story for the world. The father daughter dynamic is left shallow as is her relationship with Hugo who has a rather troubling occupation and Igo's ex wife who's collaborating with Salems spokesperson Vektor in order to get to Salem. None of these characters have enough time to develop their characters in order to give the audience much of an emotional connection that just leaves the movie feeling very stretched out and thin especially as the emotional connection with our heroine wanes.
The effects for the most part were good for the most part but Alita's CGI face didn't work for me at all at times it was over expressive and other times looked blank. It left me cringing at times when she spoke as the uncanny valley territory creeps ever closer. It just struck me as unnecessary and down right creepy feeling like a twisted sexual fantasy of a ultra innocent doe eyed girl who was also a killing machine. It was endlessly distracting and feel like it would be easier to connect with her as a character if she didn't loom so fake while everyone else felt completely real.
Going into this for some fun balls to the wall action you probably won't be too disappointed but looking for much depth here will be in vain as this never reaches the levels the ambitiously vast story aspires to get to
Kristy H (1252 KP) rated Tear Me Apart in Books
Mar 11, 2019
Quick, engaging read
Mindy Wright--an up and coming competitive teenage skier-- breaks her leg in competition. During surgery, doctors discover that Mindy is sick: she has an aggressive form of leukemia and needs a stem cell transplant. But when her family is tested, it is discovered that Mindy's parents are not her biological parents. What does this mean? Was she switched at birth, or did something more dark and dramatic happen? At the core, Mindy needs to live. But beyond that, what are the ramifications for the Wright family? What secrets will be revealed and uncovered while trying to save their precious daughter?
This was a dramatic and interesting story that grabbed me from the beginning. The first portion is told from the perspective of three women: Mindy, age 17; her mother, Lauren; and Lauren's sister, Juliet, who actually works as a scientist in a DNA crime lab. This gives Juliet early and easy access to DNA samples relating to Mindy and the "case" as it progresses on. We also get excerpts of letters that appear to be from or relating to a psychiatric hospital in the early 1990s. All of this makes for an interesting and compelling format to our story, with a slow and steady reveal of strange information that you know does not add up: a twisted web of secrets and lies. We are immediately left wondering what happened with Mindy--how is she not Lauren's daughter? What is going on?
I do not want to go into too much detail and ruin much of the plot, but I found this one very intriguing, as I was wondering where the story would go. I might have been a little slow on the uptake as to who was Mindy's real mother, but I did find it exciting to put all the pieces together. I really liked the characters of Mindy and Juliet and a few others who were introduced later on (the story is told in various parts, so you get some different narrators, too).
In true Ellison fashion, there's some great drama and a few good "whoa" moments, as well. When I first started the book, I hadn't refreshed myself on the description, and I was a little worried that this would be more of a family drama than a mystery, but have no fear--while this family has more than their share of drama, there's a great mystery/thriller aspect as well. In fact, the novel can get downright creepy at times, with a villain who can give you the chills.
Overall, I thought this was another winner from Ms. Ellison. It's a quick, engaging read with interesting characters and a plot that encourages you to put the pieces together. She's quickly becoming a go-to author of mine. I'm actually chasing down her Taylor Jackson series on Paperbackswap, because I want to read more of her books! If you enjoy a dramatic, quick-moving thriller, I highly recommend this one!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
This was a dramatic and interesting story that grabbed me from the beginning. The first portion is told from the perspective of three women: Mindy, age 17; her mother, Lauren; and Lauren's sister, Juliet, who actually works as a scientist in a DNA crime lab. This gives Juliet early and easy access to DNA samples relating to Mindy and the "case" as it progresses on. We also get excerpts of letters that appear to be from or relating to a psychiatric hospital in the early 1990s. All of this makes for an interesting and compelling format to our story, with a slow and steady reveal of strange information that you know does not add up: a twisted web of secrets and lies. We are immediately left wondering what happened with Mindy--how is she not Lauren's daughter? What is going on?
I do not want to go into too much detail and ruin much of the plot, but I found this one very intriguing, as I was wondering where the story would go. I might have been a little slow on the uptake as to who was Mindy's real mother, but I did find it exciting to put all the pieces together. I really liked the characters of Mindy and Juliet and a few others who were introduced later on (the story is told in various parts, so you get some different narrators, too).
In true Ellison fashion, there's some great drama and a few good "whoa" moments, as well. When I first started the book, I hadn't refreshed myself on the description, and I was a little worried that this would be more of a family drama than a mystery, but have no fear--while this family has more than their share of drama, there's a great mystery/thriller aspect as well. In fact, the novel can get downright creepy at times, with a villain who can give you the chills.
Overall, I thought this was another winner from Ms. Ellison. It's a quick, engaging read with interesting characters and a plot that encourages you to put the pieces together. She's quickly becoming a go-to author of mine. I'm actually chasing down her Taylor Jackson series on Paperbackswap, because I want to read more of her books! If you enjoy a dramatic, quick-moving thriller, I highly recommend this one!
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
postapocalypticplayground (27 KP) rated The Hazel Wood in Books
Feb 28, 2018
Review of The Hazel Wood
"Seventeen-year-old Alice and her mother have spent most of Alice's life on the road, always a step ahead of the strange bad luck biting at their heels. But when Alice's grandmother, the reclusive author of a book of pitch-dark fairy tales, dies alone on her estate - the Hazel Wood - Alice learns how bad her luck can really get. Her mother is stolen away - by a figure who claims to come from the cruel supernatural world where her grandmother's stories are set. Alice's only lead is the message her mother left behind: STAY AWAY FROM THE HAZEL WOOD.
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*
To retrieve her mother, Alice must venture first to the Hazel Wood, then into the world where her grandmother's tales began . . ."
I'm not to sure how to start with this review. I found The Hazel Wood a real book of 2 halves, one half was very contemporary and not what I would have traditionally expected from a fantasy whereas the other was dark, twisted and incredibly chilling to read at times. I found that not only did I feel this way with the story but also with the characters too. I struggled immensely with the main protagonist Alice, I really couldn't warm to her at all and given her character arc perhaps there is good reason for her being written that way. Whilst she has clearly had to build up walls from the nomadic existence she has had with her mother, I just found her very frustrating in her manner. Juxtaposed with Ellery Finch, her partner in crime of sorts, it really brings out her brattish qualities. Ellery is fabulous though and despite his privilege and flaws I just really enjoyed his character. His fanboy status in relation to the book written by Alice's grandmother also gives us an insight into a few of the dark stories themselves, as he re-tells them to Alice in his own words.
For me the contemporary element was a bit too overwhelming, the breadcrumbs had to be laid and followed in true Hansel and Gretel style but I felt that it took a bit too long to get to where it needed to go. However, when it reached that point I really started to enjoy it more, the pace picked up and I got a sense of both excitement and dread as I was reading. The story telling becomes darker and you know you are very much in the Grimm fairy tale camp rather than Disney. Tricks and twists are plenty as Alice tries to fulfil an almost prophetic course to an ending which isn't quite what you may be expecting.
Whilst I enjoyed it immensely in places, at times I found it a bit of a slog - I need more fantasy in my fantasy. I think it would have been lovely as well to actually have more of the "Tales from the Hinterland" stories within the book as I feel that could have really added an extra dimension to the latter part of the story. From me, The Hazel Wood gets 3*