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Gareth von Kallenbach (971 KP) rated Bendy and the Ink Machine in Video Games
Aug 14, 2019
Set in the long abandoned Joey Drew Studios, Bendy and the Ink Machine (“BatIM”) is a survival horror game with an aesthetic of classic cartoons of yesteryear. As Henry, you set about to revisit your old workshop after receiving a mysterious letter from your past employer. When Henry arrives at the shop, he finds duhn duhn duhn the Ink Machine. The Ink Machine is a rather large device that gushes out black ink and has mystical qualities. Henry then becomes trapped in the maze-like studio, though he soon finds that he is not alone. Like a creep in the shadows, Bendy, the Mickey Mouse of the Joey Drew Studios universe, is lurking. BatIM blends puzzle solving with first-person gameplay as you adventure through a studio brimming with horrors. The art style is reminiscent of Steamboat Willie, with a macabre twist. Instead of happy go-lucky little animals, we are bombarded with the sinister grin of Bendy as he emerges from the shadows.
Similar to other games with an episodic structure (e.g.: Alan Wake and Life is Strange), BatIM uses short levels to advance the story line in some intriguing ways. Love of Exploration will be your saving grace in this game, as each area requires some in order to advance to the next. The game is not fast-paced. On the contrary, it’s meant to be a slow experience for the player with sparse combat scenarios present only to add a brief moment of action. Your actions as Henry are very limited, as is his speed. With 5 chapters, the gameplay time is at just about hours, and the game uses every minute to pull you deeper into the dark world it has created.
I reviewed BatIM for the Nintendo Switch and found that the game was somewhat held back by the platform’s technical limitations. The biggest drawback I found was that textures would often blur and have jagged edges, with the shaky 30FPS frame rate just feeding fuel to this fire. This is a detriment to gaming’s purpose in keeping the players immersed in the environment. BatIM is meant to be tense, but I often found myself dispelled of the illusion due to blurry visuals and dropped frames. With a game designed so well, how unfortunate that this be its biggest flaw. Maybe this can be patched out, but we can only hope at this point.
BatIM developer, theMeatly Games, may have taken inspiration from Five Nights at Freddy’s as the gameplay and overall genre of the games are quite similar. The world is conceptualized using objects such as books and tapes found within the game instead of long cut scenes that can tend to take you out of the moment rather than add to it in games like these. As you delve deeper into the oubliette of a workshop, you’ll find that the gameplay is perfectly paired with the game’s sick and twisted visuals, proving that BatIM delivers on every level.
Bendy and the Ink Machine is available now on all major platforms.
Similar to other games with an episodic structure (e.g.: Alan Wake and Life is Strange), BatIM uses short levels to advance the story line in some intriguing ways. Love of Exploration will be your saving grace in this game, as each area requires some in order to advance to the next. The game is not fast-paced. On the contrary, it’s meant to be a slow experience for the player with sparse combat scenarios present only to add a brief moment of action. Your actions as Henry are very limited, as is his speed. With 5 chapters, the gameplay time is at just about hours, and the game uses every minute to pull you deeper into the dark world it has created.
I reviewed BatIM for the Nintendo Switch and found that the game was somewhat held back by the platform’s technical limitations. The biggest drawback I found was that textures would often blur and have jagged edges, with the shaky 30FPS frame rate just feeding fuel to this fire. This is a detriment to gaming’s purpose in keeping the players immersed in the environment. BatIM is meant to be tense, but I often found myself dispelled of the illusion due to blurry visuals and dropped frames. With a game designed so well, how unfortunate that this be its biggest flaw. Maybe this can be patched out, but we can only hope at this point.
BatIM developer, theMeatly Games, may have taken inspiration from Five Nights at Freddy’s as the gameplay and overall genre of the games are quite similar. The world is conceptualized using objects such as books and tapes found within the game instead of long cut scenes that can tend to take you out of the moment rather than add to it in games like these. As you delve deeper into the oubliette of a workshop, you’ll find that the gameplay is perfectly paired with the game’s sick and twisted visuals, proving that BatIM delivers on every level.
Bendy and the Ink Machine is available now on all major platforms.
Chris Sawin (602 KP) rated Catfish (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Nev Schulman is a photographer of dance that catches the eye of an 8 year old girl named Abby when one of his pictures is published nationally. She sends Nev a painting of his published picture, which begins a rather incredible friendship. Nev eventually gets the chance to talk to Abby's mom, Angela, and her older sister, Megan. Megan and Nev really start to hit it off and a relationship begins to form. That is until many of the things Megan has been telling Nev begin drifting further and further from the truth. Nev decides to fly to Michigan and get the answers he so desperately desires.
If somebody made me choose a favorite film genre, psychological thriller would quite possibly be my answer. Films that include incredible twist endings (Oldboy) or have elaborate storylines that make you think (Inception) are definitely some of the best times to be had when it comes to an entertaining movie experience. Catfish was marketed as a film that was not only a thriller, but also contained "a shattering conclusion" that was compared to Alfred Hitchcock. In the end, it didn't really have either of those things.
Catfish had this vibe the entire film like it was leading towards something dark near its conclusion. As Nev makes his way to Michigan, you get more and more anxious as he nears his destination. Even the music gets really unsettling. Is Megan's family going to be a bunch of chainsaw wielding cannibals or have Angela and Vince been keeping a kidnapped girl named Megan chained in their basement for weeks to lead young, single guys out there for them to torture as some sort of twisted way to get off? No, it's nothing like that. Catfish never really became thrilling or even came near diving into dark territory.
What Catfish winds up being is an interesting character study presented as a documentary. The film's heart resides in who Megan really is and how the entire experience affects Nev. Once the pieces of the puzzle are put together and everything falls into place, Catfish turns out to be a very raw, emotional, and heartfelt film. What's intriguing is the film revolves around Facebook and with The Social Network hitting theaters in about two weeks, it seems like a bit of a bold move.
What is arguably the best scene in the film is when it's actually explained why Catfish was chosen as the title in the final minutes. It is a pretty incredible explanation and fits the film perfectly.
Catfish isn't necessarily a bad film, in fact, it's pretty powerful once it really gets going. It probably isn't what you're expecting though. While Catfish is laugh out loud at certain points in the film, at its core, it's a documented love story that mostly resides on the internet. Maybe it just comes from personal experience, the way the film was presented, or the on-screen presence of the characters in the film, but Catfish felt genuine which isn't something that can be said about many films that have come out in 2010.
If somebody made me choose a favorite film genre, psychological thriller would quite possibly be my answer. Films that include incredible twist endings (Oldboy) or have elaborate storylines that make you think (Inception) are definitely some of the best times to be had when it comes to an entertaining movie experience. Catfish was marketed as a film that was not only a thriller, but also contained "a shattering conclusion" that was compared to Alfred Hitchcock. In the end, it didn't really have either of those things.
Catfish had this vibe the entire film like it was leading towards something dark near its conclusion. As Nev makes his way to Michigan, you get more and more anxious as he nears his destination. Even the music gets really unsettling. Is Megan's family going to be a bunch of chainsaw wielding cannibals or have Angela and Vince been keeping a kidnapped girl named Megan chained in their basement for weeks to lead young, single guys out there for them to torture as some sort of twisted way to get off? No, it's nothing like that. Catfish never really became thrilling or even came near diving into dark territory.
What Catfish winds up being is an interesting character study presented as a documentary. The film's heart resides in who Megan really is and how the entire experience affects Nev. Once the pieces of the puzzle are put together and everything falls into place, Catfish turns out to be a very raw, emotional, and heartfelt film. What's intriguing is the film revolves around Facebook and with The Social Network hitting theaters in about two weeks, it seems like a bit of a bold move.
What is arguably the best scene in the film is when it's actually explained why Catfish was chosen as the title in the final minutes. It is a pretty incredible explanation and fits the film perfectly.
Catfish isn't necessarily a bad film, in fact, it's pretty powerful once it really gets going. It probably isn't what you're expecting though. While Catfish is laugh out loud at certain points in the film, at its core, it's a documented love story that mostly resides on the internet. Maybe it just comes from personal experience, the way the film was presented, or the on-screen presence of the characters in the film, but Catfish felt genuine which isn't something that can be said about many films that have come out in 2010.
BookInspector (124 KP) rated Sweetpea in Books
Sep 24, 2020
This is a first book I read, which is written by this author, and it is absolutely hilarious and fantastic. I absolutely loved it! Rhinannon is a psychopath, and this book is her diary, which is incredibly amusing. By day she acts as this loving, caring and sweet friend/ colleague/girlfriend, and by night, her only urge is to kill, and relieve her tension. She targets people with bad intentions, or who gave her hard time when she was little, but the urge to kill leaves her desperate for anyone, eventually.
The main character chosen for this book is incredibly funny and seriously disturbed. I really liked the way she expressed herself in this diary. We all sometimes want to kill some nasty people around us, of course just in our heads, but the character actually does it. Rhinannon is psychotic genius, I would say, she knows how to manipulate people to her advantage, knows how to lure them into her traps, like a clever spider. It’s just hard to explain her personality, it is so twisted and complex. In some places I was really grossed out by the fetishes of the main character, they are just nasty. All these details made this book so amazing.
The plot of this book happens in one of England’s small towns, and time frame of this diary is between New Year and first of June, so, six month. Most of the chapters used to start with character’s “kill list”, the people who annoyed her in one way or the other, and she would be more than happy to end their lives. The plot of this book is full of twists and turns, and more you get into the book, the more secrets and nastiness it unfolds. It was quite scary to read, how detailed the author described the feeling, when the murder used to take place. How does she know all this stuff? I found it interesting, how author showed, that stereotypes of serial killers can be broken, and that you never know who is seriously messed up in their heads.
The book itself contains heaps of strong language, which makes it really funny, and most probably, I looked really silly, while reading and smiling on the tube. The chapters of the book are really short, and the book is fast paced, so it makes it a real page turner, as you really want to find out what is coming up next. The writing style of this book is really great, and I had real pleasure while reading it, it’s easy to understand and uses great daily terms which are very realistic, and we all used them sometimes. The ending of the book left me questioning and curious, but at the same time it was obvious and concluding. But still, I really want to know what happened next. So, to conclude, I really loved this book and I strongly recommend getting it, it is a marvellous thriller which is extremely funny, but disturbing at the same time, full of layers and insight into the mind of the psychopath. It’s one of my favourites so far and a total must read.
The main character chosen for this book is incredibly funny and seriously disturbed. I really liked the way she expressed herself in this diary. We all sometimes want to kill some nasty people around us, of course just in our heads, but the character actually does it. Rhinannon is psychotic genius, I would say, she knows how to manipulate people to her advantage, knows how to lure them into her traps, like a clever spider. It’s just hard to explain her personality, it is so twisted and complex. In some places I was really grossed out by the fetishes of the main character, they are just nasty. All these details made this book so amazing.
The plot of this book happens in one of England’s small towns, and time frame of this diary is between New Year and first of June, so, six month. Most of the chapters used to start with character’s “kill list”, the people who annoyed her in one way or the other, and she would be more than happy to end their lives. The plot of this book is full of twists and turns, and more you get into the book, the more secrets and nastiness it unfolds. It was quite scary to read, how detailed the author described the feeling, when the murder used to take place. How does she know all this stuff? I found it interesting, how author showed, that stereotypes of serial killers can be broken, and that you never know who is seriously messed up in their heads.
The book itself contains heaps of strong language, which makes it really funny, and most probably, I looked really silly, while reading and smiling on the tube. The chapters of the book are really short, and the book is fast paced, so it makes it a real page turner, as you really want to find out what is coming up next. The writing style of this book is really great, and I had real pleasure while reading it, it’s easy to understand and uses great daily terms which are very realistic, and we all used them sometimes. The ending of the book left me questioning and curious, but at the same time it was obvious and concluding. But still, I really want to know what happened next. So, to conclude, I really loved this book and I strongly recommend getting it, it is a marvellous thriller which is extremely funny, but disturbing at the same time, full of layers and insight into the mind of the psychopath. It’s one of my favourites so far and a total must read.
Ivana A. | Diary of Difference (1171 KP) rated Not My Daughter in Books
Oct 5, 2020
I am so happy to have the opportunity to be part of the blog tour for Not My Daughter by Suzy K. Quinn. Thank you to the team at HQ, for sending me an e-copy in exchange for an honest review. Have a look at the Blog Tour Banner below and check out the other bloggers.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
Suzy K Quinn is a British fiction author, and writes in three different genres: psychological thriller, comedy and romance. She was first published by Hachette in 2010 with her debut novel Glass Geishas (now Night Girls), then self-published a romance series, the Ivy Lessons, which became an international bestseller and a #1 Kindle romance bestseller in the US and UK.
After her second daughter was born in 2013, she self-published the Bad Mother’s Diary series, which also went on to become a #1 Kindle romantic comedy bestseller. Suzy K Quinn’s novels have been translated into 7 languages and her books have sold over ¾ million copies worldwide.
She lives in Wivenhoe, Essex, with her husband Demi and two daughters, and travels to Mexico every year to write and study Mayan story telling. Suzy loves her family, friends and readers, but when pushed to add more to the list, she also loves travelling, food and alcohol.
Synopsis:
Lorna has been trying to protect her daughter Liberty for sixteen years. There are dark secrets from her past about her father that Lorna wishes her daughter never finds out. Liberty’s father is a monster, and the best solution is to hide. Forever.
But Liberty has other plans. One day, Liberty decides to find her father, no matter the cost. And Lorna can’t protect her if she doesn’t know where she went…
My Thoughts:
I really enjoyed Not My Daughter. It was a novel that kept me on my toes throughout the whole book and I was eager to know what happens in the end and who the true villain is.
We begin the story in one way, where we have an idea of who the bad person is, and how Lorna is the protector. But once we start reading more, this story becomes more twisted, and we don’t know who to trust anymore. This is something I see in books quite often, but it is not usually as well-written. Suzy did an amazing job writing this part, and making us switch sides as she wanted us to.
The ending was not predictable at all, although, it was a bit unrealistic. However, it really fit nicely with the whole story and I cannot be disappointed.
It is interesting to see how the mother-daughter relationship develops. But more so, how a relationship forms when a daughter wants to get to know her father, no matter what. You meet this person that you share genes with, and you want them to like you. You want them to accept you, like nothing happened. We could see this wish in Liberty as she meets her father – the need to be accepted as a daughter.
I would recommend this book to everyone that loves mystery thrillers. It is a one of a kind, and a very well-written one too.
Darren (1599 KP) rated The Girl in the Spider's Web (2018) in Movies
Oct 2, 2019
Characters – Lisbeth Salander is the famous hacker that will stand up against any man that is causing a woman abuse, she will leave her brand on them. She is called for difficult hacking jobs, which sees her take something from the Americans, this makes her a wanted suspect in Sweden and her on the run looking for answers to clear her name. Mikael Blomkvist is still the only person that Lisbeth will trust, he tries to operate from a distant and investigates the trust behind what is happening. Ed Needham is the American that has his system hacked, a government man, he heads to Sweden to get it back and finds nothing but barriers from the Swedish government. Camilla Salander is the long lost sister of Lisbeth, she thought to be dead, but now she is involved in a criminal gang known as The Spiders, targeting Lisbeth for what she wants.
Performances – Claire Foy does feel mis-cast in this role, she doesn’t seem to have a tough enough look to make this character effect as the two previous stars. Sverrir Gudnason had large shoes to fill and he doesn’t do a strong enough job in the Mikael role, while Sylvia Hoeks does what she can with her role without being anything overly special, while LaKeith Stanfield doesn’t seem to feel like the character he is meant to be playing.
Story – The story here is the fourth story in the Dragon Tattoo world, the second in English and is the first not written by the original author. We follow Lisbeth who once again finds herself needing to take on secret organisation that what something that could put the world in danger and this time it becomes more personal, with her sister being the enemy. This story does feel like it has borrowed from many other films and while it still puts Lisbeth is an anti-hero role, we only seem to find ourselves in one direction where Lisbeth is always one step ahead of everything happening, despite the fact we get to see just how twisted the Spiders are, it paints one image of them only to leave us facing a different softer enemy.
Action/Crime – The action was pretty much all given away in the trailer, we have the motorbike chase across the ice, the car chases and shoot outs, each feels very similar and doesn’t have the suspense required in a thriller.
Settings – The film does try to bring everything back to Lisbeth’s backstory with the settings showing the off the grid life she current lives compared to the one she could have lived, the snowy roads add a little to the chases, but not that much overall.
Scene of the Movie – Ice lake escape.
That Moment That Annoyed Me – The Spider’s not hinting at wanting to do to what they did to the guy without a nose, to the new Lisbeth group.
Final Thoughts – This does feel like a cash grab on a franchise that has never taken off on the American side of things, we get everything scaled back leaving us feeling disappointed by the end of the film.
Overall: No thrills to be seen here.
Performances – Claire Foy does feel mis-cast in this role, she doesn’t seem to have a tough enough look to make this character effect as the two previous stars. Sverrir Gudnason had large shoes to fill and he doesn’t do a strong enough job in the Mikael role, while Sylvia Hoeks does what she can with her role without being anything overly special, while LaKeith Stanfield doesn’t seem to feel like the character he is meant to be playing.
Story – The story here is the fourth story in the Dragon Tattoo world, the second in English and is the first not written by the original author. We follow Lisbeth who once again finds herself needing to take on secret organisation that what something that could put the world in danger and this time it becomes more personal, with her sister being the enemy. This story does feel like it has borrowed from many other films and while it still puts Lisbeth is an anti-hero role, we only seem to find ourselves in one direction where Lisbeth is always one step ahead of everything happening, despite the fact we get to see just how twisted the Spiders are, it paints one image of them only to leave us facing a different softer enemy.
Action/Crime – The action was pretty much all given away in the trailer, we have the motorbike chase across the ice, the car chases and shoot outs, each feels very similar and doesn’t have the suspense required in a thriller.
Settings – The film does try to bring everything back to Lisbeth’s backstory with the settings showing the off the grid life she current lives compared to the one she could have lived, the snowy roads add a little to the chases, but not that much overall.
Scene of the Movie – Ice lake escape.
That Moment That Annoyed Me – The Spider’s not hinting at wanting to do to what they did to the guy without a nose, to the new Lisbeth group.
Final Thoughts – This does feel like a cash grab on a franchise that has never taken off on the American side of things, we get everything scaled back leaving us feeling disappointed by the end of the film.
Overall: No thrills to be seen here.
Lottie disney bookworm (1056 KP) rated Stepsister in Books
Aug 16, 2019
Review by Disney Bookworm
I took a break from the Disney Twisted Tales collection to check out a new novel by the New York Times best-selling author Jennifer Donnelly and wow am I glad I did!
Judging purely by the title of the book: the cynical side of me expected this to be a retelling of the traditional fairy tale from the viewpoint of the “ugly stepsisters”. Perhaps with a remorseful twist and a concluding reconciliation. I could not have been more wrong.
This is possibly the first time I should have judged a book by its cover: the iconic glass slipper casting fragmented shards across the jacket should have certainly forewarned me that this will not be just another Cinderella story.
Unlike the twisted tales and the villain series, Step Sister is, as far as I know, not connected to the Disney enterprise at all. This makes it an edgier read by far but also allows the novel to lean as far away from the traditional fairy tale as it dares: smashing just a couple of stereotypes along the way.
Oh, and just a quick point: the novel opens on Isabelle and Octavia disfiguring their own feet, at the command of their mother, with the aim to fit into the glass slipper and marry the Prince. See what I mean- edgy right?
Stepsister is told from the viewpoint of Isabelle: a headstrong girl with an ambitious mother, an intelligent sister Octavia and a kind, sweet sister, Ella. Isabelle is a disappointment to her mother: a plain girl who prefers riding and fencing to corsets and suitors. A number of flashbacks to the girls’ childhood also suggests that Isabelle, Octavia and Ella were once very close, leading the reader to wonder how the relationship became the poisonous one we are so familiar with.
Unsurprisingly, their Maman’s plan to mutilate her way to the palace does not succeed and Ella takes her rightful place by the Prince’s side, claiming her ‘happily ever after’. But what is to become of the family she leaves behind? Maimed and outcast, Isabelle and Octavia struggle to carry on once their actions are brought to light and they are promptly labelled the “ugly stepsisters” by all around them.
Desolate and lost, Isabelle mistakenly believes that her life would improve if she were more attractive and makes a wish to the fairy queen Tanaquill, who promises to grant her desire when Isabelle finds the three missing parts of her heart.
Thus, begins Isabelle’s mission to reclaim her heart and turn her life around. The stepsister’s road of discovery is a bumpy one however, and is not made any easier by an old crone named Fate and a young man named Chance, both of whom seem to have an unhealthy obsession with her progress and a strange, almost friendly rivalry over the possession of Isabelle’s life map.
Jennifer Donnelly introduces us to a number of characters throughout Isabelle’s journey, all of whom are exquisite: Chance is an eccentric debonair with an entourage that may have just stepped out of The Greatest Showman; Octavia is every nerdy, sarcastic girl’s dream and even Fate is strangely likeable. It is truly impressive how Donnelly can make us feel like we know these people within the space of 470 pages.
I was also impressed with how different Jennifer Donnelly’s characters are from everything I have read before. Even Tanaquill is not the fairy godmother we all know and love. She isn’t even the slightly bonkers Helena Bonham-Carter version! There isn’t a bibbidi bobbidi boo in sight for this talon-fingered shapeshifter and she certainly does not grant wishes easily.
As a result, the reader does not quite trust the fairy queen: there is always an aspect of her that seems evil. Alas, this is another stroke of genius by Donnelly: the fairy queen doesn’t look like Tinkerbell or the Blue Fairy and so we don’t trust her- even when she is helping Isabelle and why is that? Because of her appearance? Well that makes us just as bad as those who persecute Isabelle!
Ella features very little in the novel. This is not wholly unexpected: it is not her story after all. She is frequently referred to and heavily present in Isabelle’s evolution but, out of all the characters, we know Ella the least. This is not to say that Donnelly presents Ella as a 2D character in order to prevent us from preferring her to our feistier protagonist: in fact, Ella slowly reveals a darker side to her own tale. Simply put, she does not have the depth and human rawness that Isabelle has. Isabelle appeals to the insecure teenager in us all: never believing that she is good enough, focusing on her flaws and judging herself based on the opinions of others.
When Isabelle finally finds the pieces of her heart and has to literally fight to achieve her happy ending, she automatically looks to one of the male characters to lead. After all, it has always been instilled into her that she is “just a girl”. However, Chance and his entourage have educated Isabelle as to the potential of her sex and it is through this inspiration that Isabelle and the reader realise that the answer has been there all along: the answer is Isabelle. All the childhood flashbacks of riding and fighting have been breadcrumbs for the reader: Isabelle is a warrior- her life is not mapped out by Fate or Chance anymore; she can decide her own path.
Step Sister holds up a gigantic mirror to the way we judge beauty and shows us what it really means to be a girl. Jennifer Donnelly proves that being strong, brave and, most importantly, true to yourself is what makes you beautiful. In fact, it is not until Isabelle accepts herself that she is described as beautiful and, by standing up for what she believes in, everyone achieves their own happy endings. As a mum of two young boys I really appreciated how Octavia’s love of science and math and Felix’s creativity and love of art directly contrasted with Maman’s old-fashioned desire to “marry off” her daughters. This story is no fairy tale: it is real, it is edgy and it is telling all generations that life is what you make it.
Judging purely by the title of the book: the cynical side of me expected this to be a retelling of the traditional fairy tale from the viewpoint of the “ugly stepsisters”. Perhaps with a remorseful twist and a concluding reconciliation. I could not have been more wrong.
This is possibly the first time I should have judged a book by its cover: the iconic glass slipper casting fragmented shards across the jacket should have certainly forewarned me that this will not be just another Cinderella story.
Unlike the twisted tales and the villain series, Step Sister is, as far as I know, not connected to the Disney enterprise at all. This makes it an edgier read by far but also allows the novel to lean as far away from the traditional fairy tale as it dares: smashing just a couple of stereotypes along the way.
Oh, and just a quick point: the novel opens on Isabelle and Octavia disfiguring their own feet, at the command of their mother, with the aim to fit into the glass slipper and marry the Prince. See what I mean- edgy right?
Stepsister is told from the viewpoint of Isabelle: a headstrong girl with an ambitious mother, an intelligent sister Octavia and a kind, sweet sister, Ella. Isabelle is a disappointment to her mother: a plain girl who prefers riding and fencing to corsets and suitors. A number of flashbacks to the girls’ childhood also suggests that Isabelle, Octavia and Ella were once very close, leading the reader to wonder how the relationship became the poisonous one we are so familiar with.
Unsurprisingly, their Maman’s plan to mutilate her way to the palace does not succeed and Ella takes her rightful place by the Prince’s side, claiming her ‘happily ever after’. But what is to become of the family she leaves behind? Maimed and outcast, Isabelle and Octavia struggle to carry on once their actions are brought to light and they are promptly labelled the “ugly stepsisters” by all around them.
Desolate and lost, Isabelle mistakenly believes that her life would improve if she were more attractive and makes a wish to the fairy queen Tanaquill, who promises to grant her desire when Isabelle finds the three missing parts of her heart.
Thus, begins Isabelle’s mission to reclaim her heart and turn her life around. The stepsister’s road of discovery is a bumpy one however, and is not made any easier by an old crone named Fate and a young man named Chance, both of whom seem to have an unhealthy obsession with her progress and a strange, almost friendly rivalry over the possession of Isabelle’s life map.
Jennifer Donnelly introduces us to a number of characters throughout Isabelle’s journey, all of whom are exquisite: Chance is an eccentric debonair with an entourage that may have just stepped out of The Greatest Showman; Octavia is every nerdy, sarcastic girl’s dream and even Fate is strangely likeable. It is truly impressive how Donnelly can make us feel like we know these people within the space of 470 pages.
I was also impressed with how different Jennifer Donnelly’s characters are from everything I have read before. Even Tanaquill is not the fairy godmother we all know and love. She isn’t even the slightly bonkers Helena Bonham-Carter version! There isn’t a bibbidi bobbidi boo in sight for this talon-fingered shapeshifter and she certainly does not grant wishes easily.
As a result, the reader does not quite trust the fairy queen: there is always an aspect of her that seems evil. Alas, this is another stroke of genius by Donnelly: the fairy queen doesn’t look like Tinkerbell or the Blue Fairy and so we don’t trust her- even when she is helping Isabelle and why is that? Because of her appearance? Well that makes us just as bad as those who persecute Isabelle!
Ella features very little in the novel. This is not wholly unexpected: it is not her story after all. She is frequently referred to and heavily present in Isabelle’s evolution but, out of all the characters, we know Ella the least. This is not to say that Donnelly presents Ella as a 2D character in order to prevent us from preferring her to our feistier protagonist: in fact, Ella slowly reveals a darker side to her own tale. Simply put, she does not have the depth and human rawness that Isabelle has. Isabelle appeals to the insecure teenager in us all: never believing that she is good enough, focusing on her flaws and judging herself based on the opinions of others.
When Isabelle finally finds the pieces of her heart and has to literally fight to achieve her happy ending, she automatically looks to one of the male characters to lead. After all, it has always been instilled into her that she is “just a girl”. However, Chance and his entourage have educated Isabelle as to the potential of her sex and it is through this inspiration that Isabelle and the reader realise that the answer has been there all along: the answer is Isabelle. All the childhood flashbacks of riding and fighting have been breadcrumbs for the reader: Isabelle is a warrior- her life is not mapped out by Fate or Chance anymore; she can decide her own path.
Step Sister holds up a gigantic mirror to the way we judge beauty and shows us what it really means to be a girl. Jennifer Donnelly proves that being strong, brave and, most importantly, true to yourself is what makes you beautiful. In fact, it is not until Isabelle accepts herself that she is described as beautiful and, by standing up for what she believes in, everyone achieves their own happy endings. As a mum of two young boys I really appreciated how Octavia’s love of science and math and Felix’s creativity and love of art directly contrasted with Maman’s old-fashioned desire to “marry off” her daughters. This story is no fairy tale: it is real, it is edgy and it is telling all generations that life is what you make it.
Kaysee Hood (83 KP) rated Fangirl in Books
Oct 3, 2017
Fangirling (2 more)
College Life
Carry On
Oh can I relate!
Rainbow Rowell’s Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms, but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are and who we are meant to be even if sometimes the road is not so easy to travel; however, for Cath she was never alone to experience life with her twin sister. This was until Freshmen year of college when Wren wants to separate herself from Cath because they have done everything together always for their whole lives. Cath does not want this. She’s scared to not have Wren feet away from her. She fearful of the strangeness college will offer. She terrified she’s crazy and people will find her weird for her fanfics of Simon and Baz.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak to one another. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand to keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Kaysee Hood (83 KP) rated Fangirl in Books
Nov 16, 2017
Twin Life (4 more)
College Life
Mental Illness
Carry On
Fan Fic
Fangirl speaks to the hearts of the current generation of teenagers and young adults who have found love in fandoms but cannot seem to figure it out in the real world when their heads are in the clouds full of fanfics and theories.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
As we grow to become adults we must venture through events of many firsts like kissing, love, heartbreak, and more. It is how we figure out who we are, who we want to be, and where we want to go even if sometimes the road is not easy to travel; however, for Cath she was never alone with her twin sister and she never experienced much other than living through Wren. This was until Freshmen year of college because Wren wants to separate herself from Cath. They've done everything together since birth. Cath does not want this. Cath does not want the space. She's scared not to have Wren feet away. She's fearful of the strangeness college will offer. She's terrified she's crazy and people will find her weird for the Simon and Baz fanfics she's written.
Wren does not give in. She moves in with her roommate, Coutrny, and spends her free time getting drunk at parties. She distances herself from Cath to the point they do not even speak. Thus Cath finds out who she is under the layers she’s wrapped around herself since her mom left without Wren to hold her hand and keep her steady. Oh boy, does this journey give her more adventures she has ever had in the last eighteen years of life all because of Nick (writing partner), Reagan (her roommate), and most importantly Levi (the boy who is always waiting outside her dorm for Reagan). There are other important characters at play in Cath’s life. Miniature quests wrapped around the biggest one of all: Cath learning to be her own person.
Rowell’s style is very pleasing when it comes to the flow between Cath around people in real life and how Cath is when she is logged in FanFixx posting Carry On, Simon chapters. We can relate to the girl who has hidden in her room relying on Wren to give little breathes of life from the one she is not living. She is realistic and not a carbon copy twisted to fit into a new plot to gain readers. In general Rowell writes her characters exquisitely as they stand out being not only realistic versions of possibly real people we could run into on the street, but all have their own lives not pieced together solely to further the plot for Cath alone shown with each word written through their actions or when they speak. Each could stand alone as interesting additions instead of misplaced messes. Even the subplots do not feel tacked on and further the story until the final page is done where it is easy to see how each line led to the end.
By the end of it all none of it felt overdone or predictable and I personally stood behind Cath cheering for her. Anyone could read Fangirl and enjoy Cath’s voyage alone as a Freshmen in college, but I think the fangirls and fanboys might enjoy it a bit more. Pick up a copy as soon as possible to learn how Cath’s story ends.
Movie Metropolis (309 KP) rated Spider-Man: Homecoming (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
The Marvel touch
The first thing I’m going to tell you about Spider-Man: Homecoming is that it has been gloriously undersold in its uninspiring trailers and promotional posters. In fact, most of the marketing materials shown made it look like this would be Iron Man 4 ft. Peter Parker. Thankfully that’s not the case.
The second thing I’ll tell you is that Tom Holland’s turn as Peter Parker is very good indeed. But is he better than Tobey Maguire or Andrew Garfield? Well, for that you’ll have to read on.
Still buzzing from his experiences with the Avengers in Captain America: Civil War, young Peter Parker (Tom Holland) returns home to live with his Aunt May (Marisa Tomei). Under the watchful eye of Tony Stark (Robert Downey Jr), Peter starts to embrace Spider-Man. He also tries to return to his normal life — distracted by thoughts of proving himself to be more than just a bargain basement superhero. However, when danger emerges in the shape of the Vulture (Michael Keaton), Peter must soon put his powers to the test.
Jon Watts directs not only the best Spider-Man film to date, but probably the best film to come out of the Marvel Cinematic Universe since Guardians of the Galaxy. That is by no means and easy thing to achieve, but by golly he’s done it.
The best Marvel films don’t shout about their superhero roots. By that I mean Captain America: the Winter Soldier was first and foremost a heist movie and Guardians of the Galaxy was an epic space opera. Here, Watts and his two writers turn Spider-Man: Homecoming into a cheesy, fun high-school romance and it succeeds at that beautifully.
But is it a good superhero flick? In a word, yes. The action is shot exceptionally well with very little nonsensical shaky cam, the pacing is spot on; in fact it may be one of the best films I have ever seen for pacing and the characters are all utterly believable.
Tom Holland is, without a doubt the best iteration of Peter Parker ever put to the big screen. He is the school geek that the character always should have been. Gone are Tobey Maguire’s ridiculous facial expressions and Andrew Garfield’s unrealistic ‘high school nerd’ persona.
Elsewhere, Michael Keaton avoids the Marvel villain trap and becomes the universe’s best antagonist since Loki. It would be easy for Vulture to come across ridiculous rather than menacing and Keaton gets the latter absolutely spot on. In particular, a pivotal turning point in the film’s third act is exquisitely written and truly intimidating.
It’s not all good news unfortunately. Like a broken record, I have to mention the obligatory CGI-heavy finale. Thankfully though, the story is nicely twisted to give the scenes emotional gravitas. I’m also not sold on Marisa Tomei as Aunt May, but this may come with time. And if I’m really nit-picking, there’s a little too much obvious product placement for Audi.
So, I’ve managed to get through a full review with only a small paragraph of negative points, that doesn’t happen very often. Something else that doesn’t happen very often is for me to award a film a full five stars. On this occasion however, the Marvel touch has well and truly created a corker.
https://moviemetropolis.net/2017/07/06/spider-man-homecoming-review/
The second thing I’ll tell you is that Tom Holland’s turn as Peter Parker is very good indeed. But is he better than Tobey Maguire or Andrew Garfield? Well, for that you’ll have to read on.
Still buzzing from his experiences with the Avengers in Captain America: Civil War, young Peter Parker (Tom Holland) returns home to live with his Aunt May (Marisa Tomei). Under the watchful eye of Tony Stark (Robert Downey Jr), Peter starts to embrace Spider-Man. He also tries to return to his normal life — distracted by thoughts of proving himself to be more than just a bargain basement superhero. However, when danger emerges in the shape of the Vulture (Michael Keaton), Peter must soon put his powers to the test.
Jon Watts directs not only the best Spider-Man film to date, but probably the best film to come out of the Marvel Cinematic Universe since Guardians of the Galaxy. That is by no means and easy thing to achieve, but by golly he’s done it.
The best Marvel films don’t shout about their superhero roots. By that I mean Captain America: the Winter Soldier was first and foremost a heist movie and Guardians of the Galaxy was an epic space opera. Here, Watts and his two writers turn Spider-Man: Homecoming into a cheesy, fun high-school romance and it succeeds at that beautifully.
But is it a good superhero flick? In a word, yes. The action is shot exceptionally well with very little nonsensical shaky cam, the pacing is spot on; in fact it may be one of the best films I have ever seen for pacing and the characters are all utterly believable.
Tom Holland is, without a doubt the best iteration of Peter Parker ever put to the big screen. He is the school geek that the character always should have been. Gone are Tobey Maguire’s ridiculous facial expressions and Andrew Garfield’s unrealistic ‘high school nerd’ persona.
Elsewhere, Michael Keaton avoids the Marvel villain trap and becomes the universe’s best antagonist since Loki. It would be easy for Vulture to come across ridiculous rather than menacing and Keaton gets the latter absolutely spot on. In particular, a pivotal turning point in the film’s third act is exquisitely written and truly intimidating.
It’s not all good news unfortunately. Like a broken record, I have to mention the obligatory CGI-heavy finale. Thankfully though, the story is nicely twisted to give the scenes emotional gravitas. I’m also not sold on Marisa Tomei as Aunt May, but this may come with time. And if I’m really nit-picking, there’s a little too much obvious product placement for Audi.
So, I’ve managed to get through a full review with only a small paragraph of negative points, that doesn’t happen very often. Something else that doesn’t happen very often is for me to award a film a full five stars. On this occasion however, the Marvel touch has well and truly created a corker.
https://moviemetropolis.net/2017/07/06/spider-man-homecoming-review/
Kristy H (1252 KP) rated Y is for Yesterday (Kinsey Millhone, #25) in Books
Feb 13, 2018
The 25th book in Sue Grafton's formidable Kinsey Millhone series actually kicks us back to 1979, where a group of male teens at a private school in Santa Teresa are found responsible for killing a female classmate. Several went to prison and now the one deemed responsible for the murder, Fritz McCabe, has been released. His parents hire Kinsey to assist them with a blackmail case--apparently these juvenile delinquents also made a sex tape before the murder, and it's turned up with Fritz's release. Kinsey quickly finds herself drawn up in their twisted world, but she's also watching her back, as Ned Lowe from [b:X|24940998|X (Kinsey Millhone, #24)|Sue Grafton|https://images.gr-assets.com/books/1429811123s/24940998.jpg|44598633] still has his sights set on Kinsey.
The result is two pronged story--a focus on Kinsey as she tackles the McCabes and their blackmail/extortion plot, delving deeper into the 1979 murder and sexual assault, but also a continuation of the Ned Lowe story and its associated players. <i>There's a lot going on in this book,</i> as Grafton also throws in a plotline involving romantic shenanigans with Kinsey's cousin, Anna, plus Henry's hosting of the homeless Pearl and her pals in his backyard. Grafton is pretty deft at juggling multiple threads, but whew. The one thing I can say, is that both the Ned situation and the teens' videotape allow for some very timely and nuanced thoughts and ruminations on rape, and you sadly realize we haven't made any progress in society on this front since in the 1980s.
Alas, though, for me, <i>this novel gets off to a slow start and never fully recovers.</i> It took a while to keep track of all the teen players from '79 (and present), and the jumps in time in the storytelling don't really help. Even worse, our heroine, Kinsey, is off her game after the attack from Ned. Yes, she is still the Kinsey we know and love, but she's hurting, more cautious, and changed, and well, it's hard to read about sometimes.
The novel just seemed more tedious than usual and bogged down in some unnecessary details. There were definitely moments with Kinsey that made me smile and laugh, but otherwise, we don't have many characters to root for. The entire group originating in 1979 is pretty despicable. Their story picks up a bit at the end, and I was definitely interested in the outcome, but it didn't have the same flair as previous Kinsey novels. Of note, though, despite how different technology was in the late '70s, Grafton did a good job in denoting how teens remain teens, regardless the decade.
Overall, I will always love Kinsey, but the last two in this series have been a bit disappointing. Here's hoping that <i>Z</i> ends on a high note fitting our beloved heroine.
You can read my review of X <a href="https://www.goodreads.com/review/show/1268956692?book_show_action=false&from_review_page=1">here</a>;.
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The result is two pronged story--a focus on Kinsey as she tackles the McCabes and their blackmail/extortion plot, delving deeper into the 1979 murder and sexual assault, but also a continuation of the Ned Lowe story and its associated players. <i>There's a lot going on in this book,</i> as Grafton also throws in a plotline involving romantic shenanigans with Kinsey's cousin, Anna, plus Henry's hosting of the homeless Pearl and her pals in his backyard. Grafton is pretty deft at juggling multiple threads, but whew. The one thing I can say, is that both the Ned situation and the teens' videotape allow for some very timely and nuanced thoughts and ruminations on rape, and you sadly realize we haven't made any progress in society on this front since in the 1980s.
Alas, though, for me, <i>this novel gets off to a slow start and never fully recovers.</i> It took a while to keep track of all the teen players from '79 (and present), and the jumps in time in the storytelling don't really help. Even worse, our heroine, Kinsey, is off her game after the attack from Ned. Yes, she is still the Kinsey we know and love, but she's hurting, more cautious, and changed, and well, it's hard to read about sometimes.
The novel just seemed more tedious than usual and bogged down in some unnecessary details. There were definitely moments with Kinsey that made me smile and laugh, but otherwise, we don't have many characters to root for. The entire group originating in 1979 is pretty despicable. Their story picks up a bit at the end, and I was definitely interested in the outcome, but it didn't have the same flair as previous Kinsey novels. Of note, though, despite how different technology was in the late '70s, Grafton did a good job in denoting how teens remain teens, regardless the decade.
Overall, I will always love Kinsey, but the last two in this series have been a bit disappointing. Here's hoping that <i>Z</i> ends on a high note fitting our beloved heroine.
You can read my review of X <a href="https://www.goodreads.com/review/show/1268956692?book_show_action=false&from_review_page=1">here</a>;.
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