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Louise (64 KP) rated Mad About the Hatter in Books
Jul 2, 2018
I received a free copy of this book to review from Netgalley.
Hatter has been kept prisoner in the red queens dungeons for longer than he can remember. Eventually the day has come, he has been summoned by the Queen herself what can only be for none the less a beheading as everyone knows this is her favourite pastime. To the Hatters amazement she is sparing his head by striking a deal that he can’t refuse (really he can’t refuse) by capturing ‘boy Alice’ – and returning him for a right old head lolloping.
‘Boy Alice’ is in fact Alice’s younger brother Henry(17). He has never believed Alice’s stories of wonderland and always thought she was attention seeking, for which they have never seen eye to eye.
All Henry remembers is Alice apologising after their recent altercation, handing him a glass of punch and telling him to find the Hatter!
Henry finds himself in a mysterious place of oversized flowers and a caterpillar sitting upon a mushroom that speaks in riddles – can it really be Wonderland? Was Alice really an attention seeking twit?.
When Hatter finds Henry they grow to like each other and try to figure a plan to get Henry back to his home but by doing so they have to cross some challenging areas within Wonderland such as the Neverglades and Drawrof, during this adventure the relationship between the Hatter and Henry blossom.
"Rules are merely a fistful of conundrums, obstacles and barriers knotted and twisted together for the sole purpose of sucking the last bit of fun out of every experience"
I loved this book so much! The world-building was amazing that I felt like I was in Wonderland alongside the Hatter and Henry. Every section of Wonderland they crossed was so different from the last and every bit as magical.
The book is only 190 pages so a very fast and easy read. I liked that all the original characters were used and they all had the same traits as from Alice in Wonderland and that new creatures added and were blended in well.
The friendship between Henry and that Hatter was very sweet and heartwarming as they ventured on through the mystical lands and defied death, the feelings for one another become more than companions.
There were some particularly funny moments in the book that did make me laugh out loud as they were quite witty and there were still some essence of nonsense but not as much as Alice in Wonderland.
Alice to me was the only character that I didn’t really feel genuine, it felt a bit forced like she had to been in the book because it was based on Alice in Wonderland by C.S Lewis.
Nearing the end of the book there was a particular cheesy bit that I didn’t really like as it was a bit of a cliché but other than that I thoroughly enjoyed the book. I was sucked in to the magical world that was Wonderland!
I think there is definitely room for a sequel.
"That’s the secret to Wonderland. Believing. It’s what fuels magic"
I would recommend this book for anyone that reads/likes Young Adult and Lite fantasy novels.
I have never read anything else by Dakota Chase, though she has other books published such as ‘Changing Jamie’ and ‘Monster Town’.
Overall I rate this 4 out of 5 stars
Hatter has been kept prisoner in the red queens dungeons for longer than he can remember. Eventually the day has come, he has been summoned by the Queen herself what can only be for none the less a beheading as everyone knows this is her favourite pastime. To the Hatters amazement she is sparing his head by striking a deal that he can’t refuse (really he can’t refuse) by capturing ‘boy Alice’ – and returning him for a right old head lolloping.
‘Boy Alice’ is in fact Alice’s younger brother Henry(17). He has never believed Alice’s stories of wonderland and always thought she was attention seeking, for which they have never seen eye to eye.
All Henry remembers is Alice apologising after their recent altercation, handing him a glass of punch and telling him to find the Hatter!
Henry finds himself in a mysterious place of oversized flowers and a caterpillar sitting upon a mushroom that speaks in riddles – can it really be Wonderland? Was Alice really an attention seeking twit?.
When Hatter finds Henry they grow to like each other and try to figure a plan to get Henry back to his home but by doing so they have to cross some challenging areas within Wonderland such as the Neverglades and Drawrof, during this adventure the relationship between the Hatter and Henry blossom.
"Rules are merely a fistful of conundrums, obstacles and barriers knotted and twisted together for the sole purpose of sucking the last bit of fun out of every experience"
I loved this book so much! The world-building was amazing that I felt like I was in Wonderland alongside the Hatter and Henry. Every section of Wonderland they crossed was so different from the last and every bit as magical.
The book is only 190 pages so a very fast and easy read. I liked that all the original characters were used and they all had the same traits as from Alice in Wonderland and that new creatures added and were blended in well.
The friendship between Henry and that Hatter was very sweet and heartwarming as they ventured on through the mystical lands and defied death, the feelings for one another become more than companions.
There were some particularly funny moments in the book that did make me laugh out loud as they were quite witty and there were still some essence of nonsense but not as much as Alice in Wonderland.
Alice to me was the only character that I didn’t really feel genuine, it felt a bit forced like she had to been in the book because it was based on Alice in Wonderland by C.S Lewis.
Nearing the end of the book there was a particular cheesy bit that I didn’t really like as it was a bit of a cliché but other than that I thoroughly enjoyed the book. I was sucked in to the magical world that was Wonderland!
I think there is definitely room for a sequel.
"That’s the secret to Wonderland. Believing. It’s what fuels magic"
I would recommend this book for anyone that reads/likes Young Adult and Lite fantasy novels.
I have never read anything else by Dakota Chase, though she has other books published such as ‘Changing Jamie’ and ‘Monster Town’.
Overall I rate this 4 out of 5 stars
Cassie Osbourne (6 KP) rated Alice (The Chronicles of Alice #1) in Books
Nov 9, 2018
'Alice' is a dark and twisted reimagining of Lewis Carrol's classic children's story 'Alice in Wonderland' in which Alice (after escaping from the asylum she has been imprisoned in for ten years) has to navigate to Old City with her friend Hatch to slay the Jabberwock. Now, I am a lover of all things dark and creepy in a book, and I have to say that Christina Henry's retelling did not disappoint! The tie-ins and references to the original story were very, very clever and I'm sure that I could have spotted more if I had read or been a fan of the classic.
The main protagonists, Alice and Hatcher, are so well developed (and I'm sure will only get more so in the sequel). Both have compelling backstories and challenges to overcome as the story unfolds and the information is leaked in small, tiny fragments as their memories resurface. I also really enjoyed the comments in italics which were not explicitly attributed to Alice's thoughts as it made her madness (whether real or perceived) to be even more present as part of her character. If you love a good villain as I do then, boy, is this book for you! Sinister antagonists and 'bosses' lurk around every corner to delight and terrify you. I have to say that Cheshire and the Catapiller were my favourite characters - I just loved how smug and manipulative they were. However, I do have to mention that after all the build-up that Henry gives the Walrus and the Rabbit, when we meet them it is, very sadly, a bit of an anti-climax and the Jabberwock (who was supposed to be the Big Bad in the novel), it seemed was defeated too quickly and simplistically. I didn't especially buy it and would have liked a full chapter of it as I thought that the Jabberwock was excellent when we did meet him, so I just wanted a bit more time between him and Alice.
The atmosphere and overall writing-style in the book were both strong. As mentioned previously, everything was dark and strange (and strangeness is something that you would expect in a retelling of 'Alice in Wonderland'). I think the chapters in the Butterfly were well described and felt very real. Those chapters and the chapters in Cheshire's office were my favourites.
Regarding enjoyment and intrigue, there's nothing much to add apart from how much I utterly loved it and was gripped by the adventures. Every single chapter ended with a very Dicken's style cliffhanger, making the book almost impossible to put down and break away from the world that Henry creates. I finished it in pretty much one day, only stopping two chapters before the end because it was 1 am, and I had to be awake for work at 7 am so needed to get some sleep. Every chapter left me with the same thought - "f*** me, this book is good", and that is not a feeling that I've had while reading a book for a very, very long time. For all the lovers of dark tales out there, this is the book for you.
Characters: 8/10
Atmosphere: 9/10
Writing Style: 10/10
Plot: 7/10
Intrigue: 10/10
Logic: 7/10
Enjoyment: 10/10
The main protagonists, Alice and Hatcher, are so well developed (and I'm sure will only get more so in the sequel). Both have compelling backstories and challenges to overcome as the story unfolds and the information is leaked in small, tiny fragments as their memories resurface. I also really enjoyed the comments in italics which were not explicitly attributed to Alice's thoughts as it made her madness (whether real or perceived) to be even more present as part of her character. If you love a good villain as I do then, boy, is this book for you! Sinister antagonists and 'bosses' lurk around every corner to delight and terrify you. I have to say that Cheshire and the Catapiller were my favourite characters - I just loved how smug and manipulative they were. However, I do have to mention that after all the build-up that Henry gives the Walrus and the Rabbit, when we meet them it is, very sadly, a bit of an anti-climax and the Jabberwock (who was supposed to be the Big Bad in the novel), it seemed was defeated too quickly and simplistically. I didn't especially buy it and would have liked a full chapter of it as I thought that the Jabberwock was excellent when we did meet him, so I just wanted a bit more time between him and Alice.
The atmosphere and overall writing-style in the book were both strong. As mentioned previously, everything was dark and strange (and strangeness is something that you would expect in a retelling of 'Alice in Wonderland'). I think the chapters in the Butterfly were well described and felt very real. Those chapters and the chapters in Cheshire's office were my favourites.
Regarding enjoyment and intrigue, there's nothing much to add apart from how much I utterly loved it and was gripped by the adventures. Every single chapter ended with a very Dicken's style cliffhanger, making the book almost impossible to put down and break away from the world that Henry creates. I finished it in pretty much one day, only stopping two chapters before the end because it was 1 am, and I had to be awake for work at 7 am so needed to get some sleep. Every chapter left me with the same thought - "f*** me, this book is good", and that is not a feeling that I've had while reading a book for a very, very long time. For all the lovers of dark tales out there, this is the book for you.
Characters: 8/10
Atmosphere: 9/10
Writing Style: 10/10
Plot: 7/10
Intrigue: 10/10
Logic: 7/10
Enjoyment: 10/10
Gareth von Kallenbach (980 KP) rated Oblivion (2013) in Movies
Jun 19, 2019
60 years removed from a devastating alien attack, upon the earth a technician named Jack (Tom Cruise), tools away protecting machinery that is essential to the survival of the human race. With only his companion Victoria (Andrea Riseborough), for company the duo form an effective team according to the company.
In the new film “Oblivion”, it is learned that while humanity won the war, the aftermath was left the earth largely uninhabitable. As a result, the survivors have fled to the moon of Titan or are awaiting transit aboard gigantic space station Earth orbit.
Jack and Victoria watch over gigantic extractors that process seawater for much-needed resources for the fusion reactors of humanity. Their only link to the outside world is through communication with the orbiting space station and they efficiently set about their task of repairing guard drones and monitoring water processors from any threats.
With only two weeks to go before they can join the others on Titan Jack is troubled by images of a woman and another life. He dismisses this at first due to the fact that both he and Victoria had memory wipes in order to provide security for their assignment.
After following Jack through his various patrols he discovers the remaining pocket of alien resistance has managed to bring down and orbiting spacecraft filled with passengers in cryogenic suspension. Despite company orders Jack decides to intervene and manages to save one of the passengers from destruction by security drone. He is shocked to discover that the woman is the same one that he’s been dreaming about and is even further confused by the fact that she seems to know him.
This discovery does not sit well with Victoria and is not going to sit well with the company but despite this, Jack agrees to go with the survivor in order to retrieve a flight recorder from her downed ship.
This is where things really get twisted as Jack becomes a captive of the alien menace and learns that they are not what he had been led to believe. Their mysterious leader (Morgan Freeman), proceeds to tell Jack that the life he has known it is a lie and proceeds to tell Jack of his plan to bring down the orbiting space station.
What follows is a very twisting and at times action-packed story that is awash in visual splendor. Not only is “Oblivion” filled with incredible imagery but it is also a intriguing and at times thought-provoking story that proves you can do action driven science fiction and still have interesting characters with complexity and a branching story.
Cruise is very good in the role of Jack and he deftly combines the humanity and sense of wonder of this character very well with the action scenes. Jack is not just a man of action he is a deeper and more complicated individual that appreciates the way the world used to be and things such as music and nature as well as possessing a fierce sense of duty.
While the ending may have been a bit too Hollywood for my liking and I was able to figure out the plot twists ahead of time, the journey was still a very enjoyable one at one that I would suggest taking for yourself.
http://sknr.net/2013/04/19/oblivion/
In the new film “Oblivion”, it is learned that while humanity won the war, the aftermath was left the earth largely uninhabitable. As a result, the survivors have fled to the moon of Titan or are awaiting transit aboard gigantic space station Earth orbit.
Jack and Victoria watch over gigantic extractors that process seawater for much-needed resources for the fusion reactors of humanity. Their only link to the outside world is through communication with the orbiting space station and they efficiently set about their task of repairing guard drones and monitoring water processors from any threats.
With only two weeks to go before they can join the others on Titan Jack is troubled by images of a woman and another life. He dismisses this at first due to the fact that both he and Victoria had memory wipes in order to provide security for their assignment.
After following Jack through his various patrols he discovers the remaining pocket of alien resistance has managed to bring down and orbiting spacecraft filled with passengers in cryogenic suspension. Despite company orders Jack decides to intervene and manages to save one of the passengers from destruction by security drone. He is shocked to discover that the woman is the same one that he’s been dreaming about and is even further confused by the fact that she seems to know him.
This discovery does not sit well with Victoria and is not going to sit well with the company but despite this, Jack agrees to go with the survivor in order to retrieve a flight recorder from her downed ship.
This is where things really get twisted as Jack becomes a captive of the alien menace and learns that they are not what he had been led to believe. Their mysterious leader (Morgan Freeman), proceeds to tell Jack that the life he has known it is a lie and proceeds to tell Jack of his plan to bring down the orbiting space station.
What follows is a very twisting and at times action-packed story that is awash in visual splendor. Not only is “Oblivion” filled with incredible imagery but it is also a intriguing and at times thought-provoking story that proves you can do action driven science fiction and still have interesting characters with complexity and a branching story.
Cruise is very good in the role of Jack and he deftly combines the humanity and sense of wonder of this character very well with the action scenes. Jack is not just a man of action he is a deeper and more complicated individual that appreciates the way the world used to be and things such as music and nature as well as possessing a fierce sense of duty.
While the ending may have been a bit too Hollywood for my liking and I was able to figure out the plot twists ahead of time, the journey was still a very enjoyable one at one that I would suggest taking for yourself.
http://sknr.net/2013/04/19/oblivion/
Lucy Buglass (45 KP) rated Border (2018) in Movies
Jun 20, 2019
If you’re a fan of the original super dark fairy tales, you’re probably going to love Border. But be warned, it contains some incredibly disturbing content that I wasn’t prepared for. This film is not an easy watch, and I found myself thinking about it for a long time afterwards. That’s not necessarily a bad thing, it just isn’t for the faint of heart.
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
Lucy Buglass (45 KP) rated Venom (2018) in Movies
Jun 20, 2019
It’s not as bad as you might think…
It feels like everyone has something to say about Venom. Amongst critics and fans, it’s caused a lot of debate and controversy. Whenever this happens, I tend to find myself becoming even more curious about the film because if everyone else has strong words to say, maybe I will too?
Before I begin my review I just want to put in a quick disclaimer: I am by no means a comic book expert, and I don’t claim to be Marvel’s number one fan. If anything I’m a casual fan. So this review is coming from the mind of a film lover and nothing more. Now that’s out of the way…
Venom was quick to grab my attention when it was first announced, as I’m always interested when Marvel move into darker, grittier territories. I have a soft spot for villains and Venom’s character is definitely one of the coolest ones in the franchise. There are few things scarier than the thought of a parasite taking over your body, so the horror elements definitely drew me towards the film. Visually, Venom does utilise things we would associate with horror, such as long, lingering shots and sudden jumpy moments. Whilst they’re nothing new or particularly outstanding, I did enjoy this side to the film. Symbiotes as a concept are terrifying, so it only seemed fair to portray them in this way.
Tom Hardy gives a great performance as Eddie Brock, especially during his interactions with Venom. The comedic side to this film was genuinely funny, and gave the audience some light relief after the more horrifying scenes. This dynamic between Eddie and Venom is what really stood out to me, as they owned the vast majority of screen time and had to keep the audience entertained. For me, it worked and it had some serious laugh-out-loud moments.
Some of the scenes are a bit ridiculous, but I’ve quickly learned to expect a bit of implausibility when it comes to comic book movies. I wasn’t bothered by some of the sillier scenes, though I can see why someone would want to criticise them. The one thing I was bothered by, however, was the plot holes and confusing lines within the film that, so I felt this did weaken the script in places. I’m certainly in agreement that the writing was lazy overall. Nonetheless, I was still entertained by 90% of the film and I don’t think that’s a bad thing. The action scenes were fun, chaotic, and made even better by Venom’s presence inside Eddie’s head. Without that, I might not have enjoyed them as much.
I liked the visual effects throughout the film, and was particularly creeped out by the way the symbiote looked before it finds a host. The scenes set within The Life Foundation’s facility stood out to me, reminiscent of other films where science ‘goes wrong’. It’s clinical, confusing and isolating, making you feel just as uncomfortable and scared as those undergoing the trials. I really enjoyed the twisted side to this narrative, showing us a dark side to corporations as films often do.
Is Venom the best film I’ve seen this year? Of course it’s not. But it was a fun way to spend 2 hours on a Sunday evening and that’s good enough for me. It’s a very average, very three star film that kept me entertained. It’s nothing more than that, and to me, that’s okay.
https://lucygoestohollywood.com/2018/10/14/venom-its-not-as-bad-as-you-might-think/
Before I begin my review I just want to put in a quick disclaimer: I am by no means a comic book expert, and I don’t claim to be Marvel’s number one fan. If anything I’m a casual fan. So this review is coming from the mind of a film lover and nothing more. Now that’s out of the way…
Venom was quick to grab my attention when it was first announced, as I’m always interested when Marvel move into darker, grittier territories. I have a soft spot for villains and Venom’s character is definitely one of the coolest ones in the franchise. There are few things scarier than the thought of a parasite taking over your body, so the horror elements definitely drew me towards the film. Visually, Venom does utilise things we would associate with horror, such as long, lingering shots and sudden jumpy moments. Whilst they’re nothing new or particularly outstanding, I did enjoy this side to the film. Symbiotes as a concept are terrifying, so it only seemed fair to portray them in this way.
Tom Hardy gives a great performance as Eddie Brock, especially during his interactions with Venom. The comedic side to this film was genuinely funny, and gave the audience some light relief after the more horrifying scenes. This dynamic between Eddie and Venom is what really stood out to me, as they owned the vast majority of screen time and had to keep the audience entertained. For me, it worked and it had some serious laugh-out-loud moments.
Some of the scenes are a bit ridiculous, but I’ve quickly learned to expect a bit of implausibility when it comes to comic book movies. I wasn’t bothered by some of the sillier scenes, though I can see why someone would want to criticise them. The one thing I was bothered by, however, was the plot holes and confusing lines within the film that, so I felt this did weaken the script in places. I’m certainly in agreement that the writing was lazy overall. Nonetheless, I was still entertained by 90% of the film and I don’t think that’s a bad thing. The action scenes were fun, chaotic, and made even better by Venom’s presence inside Eddie’s head. Without that, I might not have enjoyed them as much.
I liked the visual effects throughout the film, and was particularly creeped out by the way the symbiote looked before it finds a host. The scenes set within The Life Foundation’s facility stood out to me, reminiscent of other films where science ‘goes wrong’. It’s clinical, confusing and isolating, making you feel just as uncomfortable and scared as those undergoing the trials. I really enjoyed the twisted side to this narrative, showing us a dark side to corporations as films often do.
Is Venom the best film I’ve seen this year? Of course it’s not. But it was a fun way to spend 2 hours on a Sunday evening and that’s good enough for me. It’s a very average, very three star film that kept me entertained. It’s nothing more than that, and to me, that’s okay.
https://lucygoestohollywood.com/2018/10/14/venom-its-not-as-bad-as-you-might-think/
Sophia (Bookwyrming Thoughts) (530 KP) rated #murdertrending in Books
Jan 23, 2020
<b><i>I received this book for free from in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<h2><strong>I don't know if this is something related to psychology, but <em>#Murdertrending</em> is both creepy and engrossing at the same time.</strong></h2>
I found myself reading this quicker than I normally would have (if we're not counting the days I procrastinated), and while I should have turned away from this book in horror instantly, I didn't. Maybe that says something about me or human nature in general. 🙈
<h3><em>#Murdertrending</em> gives off <em>Hunger Games</em> vibes</h3>
We have Dee Guerrera, a girl who is supposedly guilty of murdering her stepsister and is sent to Alcatraz 2.0, a prison for those who are convicted of murdering someone. <strong>The entire prison is full of killers, and they never know when they'll be the next person whose murder will be publicized for all to see.</strong> It's <em>Hunger Games</em> without fighting amongst the inmates, or rather capital punishment for the entertainment of millions of people.
(And Death Row Breakfast Club, which is a fitting name for Dee and her friends.)
<h3>I can't tell if I'm disappointed in the last few scenes.</h3>
<em>#Murdertrending</em> gave off that video game vibe sometimes - Press X and get a reagent! - as Dee found herself facing off against the government-sanctioned killers who are in charge of killing the inmates one by one. Fortunately for Dee and the reader's cruel enjoyment, she still has some obstacles in her way.
<h3>To be honest, this felt tied to current politics in the US</h3>
Maybe this is me being very critical and overthinking, but McNeil's latest book felt really relevant to what is currently going on today (added on with the social media snippets). Only this one is more fictionalized and brutal with a lot more death and blood. And heads rolling, among other disturbing things.
<h3><em>#Murdertrending</em> is very plot-driven</h3>
If you're looking for character development, there won't be much of it. McNeil's latest novel is plot-driven to the core, fast-paced and action-packed.
<h3>That ending though...</h3>
I did NOT see that coming - I mean, I <em>should</em> have, but I didn't. McNeil kept me distracted from what was really going on in the story - there is so much going on that I didn't focus on being a step ahead and putting it all together before the story came together on its own.
<h3>This smells of a sequel?!?!?!</h3>
I have no clue if this is true or not (sounds like it is according to various sources and Google searches), but I am all for a sequel if it happens since I am immensely curious about what happens to the characters who survive the first novel. (Do I sound like a horrible person now?)
<h2><em><strong>#Murdertrending</strong></em><strong> is deliciously dark and twisted - it's very plot-driven and action-packed that will keep you turning the pages despite how gross it may make you feel.</strong></h2>
<a href="http://bookwyrmingthoughts.com/murdertrending-by-gretchen-mcneil/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<h2><strong>I don't know if this is something related to psychology, but <em>#Murdertrending</em> is both creepy and engrossing at the same time.</strong></h2>
I found myself reading this quicker than I normally would have (if we're not counting the days I procrastinated), and while I should have turned away from this book in horror instantly, I didn't. Maybe that says something about me or human nature in general. 🙈
<h3><em>#Murdertrending</em> gives off <em>Hunger Games</em> vibes</h3>
We have Dee Guerrera, a girl who is supposedly guilty of murdering her stepsister and is sent to Alcatraz 2.0, a prison for those who are convicted of murdering someone. <strong>The entire prison is full of killers, and they never know when they'll be the next person whose murder will be publicized for all to see.</strong> It's <em>Hunger Games</em> without fighting amongst the inmates, or rather capital punishment for the entertainment of millions of people.
(And Death Row Breakfast Club, which is a fitting name for Dee and her friends.)
<h3>I can't tell if I'm disappointed in the last few scenes.</h3>
<em>#Murdertrending</em> gave off that video game vibe sometimes - Press X and get a reagent! - as Dee found herself facing off against the government-sanctioned killers who are in charge of killing the inmates one by one. Fortunately for Dee and the reader's cruel enjoyment, she still has some obstacles in her way.
<h3>To be honest, this felt tied to current politics in the US</h3>
Maybe this is me being very critical and overthinking, but McNeil's latest book felt really relevant to what is currently going on today (added on with the social media snippets). Only this one is more fictionalized and brutal with a lot more death and blood. And heads rolling, among other disturbing things.
<h3><em>#Murdertrending</em> is very plot-driven</h3>
If you're looking for character development, there won't be much of it. McNeil's latest novel is plot-driven to the core, fast-paced and action-packed.
<h3>That ending though...</h3>
I did NOT see that coming - I mean, I <em>should</em> have, but I didn't. McNeil kept me distracted from what was really going on in the story - there is so much going on that I didn't focus on being a step ahead and putting it all together before the story came together on its own.
<h3>This smells of a sequel?!?!?!</h3>
I have no clue if this is true or not (sounds like it is according to various sources and Google searches), but I am all for a sequel if it happens since I am immensely curious about what happens to the characters who survive the first novel. (Do I sound like a horrible person now?)
<h2><em><strong>#Murdertrending</strong></em><strong> is deliciously dark and twisted - it's very plot-driven and action-packed that will keep you turning the pages despite how gross it may make you feel.</strong></h2>
<a href="http://bookwyrmingthoughts.com/murdertrending-by-gretchen-mcneil/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Kristy H (1252 KP) rated Shatter the Night in Books
Mar 19, 2020
Cedar Valley Detective Gemma Monroe takes a break from trick-or-treating on Halloween night with her young daughter Grace and fiance Brody to visit a family friend, former Cedar Valley Judge Caleb Montgomery. Caleb tells Gemma that he's been receiving haunting anonymous threats on his life. As Gemma, Brody, and Grace return to the Halloween festivities, they hear a gigantic explosion. Gemma quickly learns it was Caleb's Mercedes. The well-respected judge is dead. This kicks off a twisted and grueling case for Gemma and her partner, Detective Finn Nowlin, leading them down the dark past of Cedar Valley. There are ties to former serial killer and the more Gemma and Finn dig, the more disturbing things they find. Even worse, it appears as if Caleb's killer might not be finished.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.
"We had summoned the evil to our town just as surely as if we'd mailed an invitation. We just didn't know it yet, and by the time we did know it, the damage would already be done. People would be killed. Lives would be changed."
This was such a good book, you guys. I've read the first three books in the Gemma Monroe series and really enjoyed them, and this was such an excellent addition to this series. To put it in perspective, I started reading this book about the same time as Michael Connelly's latest. I quickly realized that wouldn't work as they both involved plots with arson, and my small brain was getting addled. Well, I found this book so completely captivating that this was the one I kept with--and I mean, Connelly is my most favorite of authors. I have a cat named Harry Bosch. But there was just something about this one!
Gemma has become one of my favorite detectives. She's so easy to identify with. I love that she's a working mom, and that she can share her perspectives about working and motherhood with the reader. She even admits that she is probably a better mom because she works, but she still struggles being away from young Grace. She's human and fallible. We also see her make some strides in her personal growth in this book. She's awesome and tough, and I really like her.
"Since having my daughter, time seemed to speed up at incredible rates."
The plot in this one is wonderful. It's creepy and builds up suspense. I was completely captivated. I love a book that keeps me guessing, and Shatter The Night definitely did that. There are a lot of suspects, and it was really fun to try to figure out what was going on and who might be our bad "guy(s)." The book weaves in the town's legacy, intertwining the history and its elders, so to speak. So you have a past that features Caleb and his ancestors; the police and their history; even Gemma's family. I don't want to go deeper than that, but Littlejohn weaves it all together flawlessly.
Overall, this was a great read. Interesting story, wonderful characters (the recurring characters are the best--please live forever, Tilly Krinkle), and a strong female lead. What more can you ask for? Maybe it's time to name a cat Gemma Monroe. :) 4.5 stars.
Kristy H (1252 KP) rated The Arrangement in Books
Aug 5, 2019
Twenty-one-year-old Natalie gratefully escaped her small-town life in Washington state, including an obsessive ex-boyfriend who broke into her house when she told him she was leaving for art school in New York City. But now the glamorous life she dreamed of is anything but: even with a partial scholarship, she's struggling to pay her tuition and rent. So when her friend tells her of a possible solution--go online and find an older sugar daddy: a wealthy man who pays her for dates--Natalie is intrigued. She figures it is a temporary solution until she gets back on her feet. But then she meets Gabe Turnmill, a handsome lawyer, more than thirty years older her senior. Soon she's madly in love with Gabe, who gives her a monthly allowance and helps her find her own apartment. But Gabe has his own family and life, and when he ends things with Natalie, she's devastated, unable to let things go. She begins stalking Gabe and his family. Gabe is a powerful man, however, and he's not going to let his sugar baby ruin his life.
Wow, this book was utterly captivating! I totally loved HER PRETTY FACE, and I felt the same about this one! This novel starts out with Natalie calling her long-estranged father, who abandoned her family when she was ten. "I killed someone," she says. From there, we flash back four months, learning more about Natalie's life as an art student and how she winds up as a sugar baby. It's utterly fascinating--learning about this life and how Natalie becomes tied up in it. She's convinced she will only go on a couple of dates, but her life becomes a series of unfortunate incidents. Then she falls for Gabe.
"But this was not a real relationship. Gabe was paying her. Now, Nat was afraid of falling for a man she could never really have."
The characters in this book are spot-on. Talk about creepy, obsessive, and utter trainwrecks. These two are so messed up. And I loved them! I could not put this book down! I picked it up on Sunday afternoon and had to finish it Sunday night before I went to bed. I simply could not look away from Natalie and Gabe and their absolutely bizarre relationship.
"Gabe liked situations he could control, people he could manage."
This book is a crazy mix of thriller, mystery, and romantic suspense. It's really interesting to think that these sugar baby/daddy relationships actually exist (hopefully without some of the other insanity that occurs in this book). Harding does such a wonderful job with her main characters and their utterly twisted minds. The point of view switches between the two, and we hear from some of the supporting cast, too. It helps up the drama and suspense, for sure. New York City is a great backdrop for all that goes down. I sort of had an inkling how it would all play out near the end, but I definitely couldn't put the book down.
Overall, totally loved this one. Definitely one of my favorite thrillers this year--just a really fun, captivating book with a different storyline and awesome, crazy characters. 4.5 stars.
Wow, this book was utterly captivating! I totally loved HER PRETTY FACE, and I felt the same about this one! This novel starts out with Natalie calling her long-estranged father, who abandoned her family when she was ten. "I killed someone," she says. From there, we flash back four months, learning more about Natalie's life as an art student and how she winds up as a sugar baby. It's utterly fascinating--learning about this life and how Natalie becomes tied up in it. She's convinced she will only go on a couple of dates, but her life becomes a series of unfortunate incidents. Then she falls for Gabe.
"But this was not a real relationship. Gabe was paying her. Now, Nat was afraid of falling for a man she could never really have."
The characters in this book are spot-on. Talk about creepy, obsessive, and utter trainwrecks. These two are so messed up. And I loved them! I could not put this book down! I picked it up on Sunday afternoon and had to finish it Sunday night before I went to bed. I simply could not look away from Natalie and Gabe and their absolutely bizarre relationship.
"Gabe liked situations he could control, people he could manage."
This book is a crazy mix of thriller, mystery, and romantic suspense. It's really interesting to think that these sugar baby/daddy relationships actually exist (hopefully without some of the other insanity that occurs in this book). Harding does such a wonderful job with her main characters and their utterly twisted minds. The point of view switches between the two, and we hear from some of the supporting cast, too. It helps up the drama and suspense, for sure. New York City is a great backdrop for all that goes down. I sort of had an inkling how it would all play out near the end, but I definitely couldn't put the book down.
Overall, totally loved this one. Definitely one of my favorite thrillers this year--just a really fun, captivating book with a different storyline and awesome, crazy characters. 4.5 stars.
Gareth von Kallenbach (980 KP) rated Nightcrawler (2014) in Movies
Aug 6, 2019
The concept of the American dream is generally thought of as ascending to great heights of success. For some, that means creating something out of nothing. They can do this either through lots of hard work, or by having a stroke of good luck.
“Nightcrawler” centers around Louis Bloom (Jake Gyllenhaal), a young man who is attempting to do just that – create something out of nothing and ascend to great heights of success.
Truly a schmuck by every definition of the word, Louis is a contemptible character. He lies, steals, and bends every rule in pursuit of the almighty dollar. This makes for a character that people will love to hate.
Louis discovers a grand opportunity to make money by essentially playing paparazzi to the world of crime. A skill in high demand in a news industry which sensationalizes violence and crime in order to gain ratings.
The film portrays the workings of the news media as somewhat twisted. The industry plays off of the naivety of the American public.
This theme builds throughout the movie, becoming more and more apparent. It hints at an uncertainty of the ethics of crime news coverage. This message is perhaps intended to extend beyond the silver screen and into the real world.
A thriller with depth, “Nightcrawler” is one hell of a debut for director Dan Gilroy. In addition to the unique and complex plot line, the cast is expertly selected.
Each character achieves a raw realness that turns the audience into witnesses rather than movie goers.
Gyllenhaal, who lost 20 pounds for the role, has mastered the art of portraying madness. His eyes communicate a certain detached sadness, yet at the same time he appears egotistical. His expression exudes an inner dialogue which is fleeting and somewhat absent from reality. He is the main character in the movie, as well as in his own mind.
The evolution which his character, Louis, exhibits is electrifying. He is a man in constant motion – doing whatever it takes to succeed, and sinking deeper into the dark side of a news media that lives off of ratings.
The film starts to resemble a gory train wreck which one cannot resist but to stare at as it follows Louis. In order to get the perfect shot, he pushes the line of morality further and further. His morally questionable character begins to blur into the realm of psychotic.
Human lives begin to be something of a commodity when on the other side of a lens. Nina (Rene Russo), a news director desperate to stay in demand is determined to stay focused on theme of urban crime creeping into suburban neighborhoods. She knows this is what grabs attention, and despite reality, she intends to deliver a particular story to viewers.
Russo’s tired eyes add to the realness of the dramatic story. She is just one of the characters which may confuse the audience in regards to who is “good” and who is “bad.” The interplay between characters who cannot be defined as good or bad creates a massively entertaining drama.
The deeper message of the film is left up for interpretation. Perhaps many people are just “not so good,” then there’s Louis who most people won’t be able to help but loath.
A true statement piece, “Nightcrawler” delivers a nauseating cinematic rush.
I give “Nightcrawler” 5 out of 5 stars.
“Nightcrawler” centers around Louis Bloom (Jake Gyllenhaal), a young man who is attempting to do just that – create something out of nothing and ascend to great heights of success.
Truly a schmuck by every definition of the word, Louis is a contemptible character. He lies, steals, and bends every rule in pursuit of the almighty dollar. This makes for a character that people will love to hate.
Louis discovers a grand opportunity to make money by essentially playing paparazzi to the world of crime. A skill in high demand in a news industry which sensationalizes violence and crime in order to gain ratings.
The film portrays the workings of the news media as somewhat twisted. The industry plays off of the naivety of the American public.
This theme builds throughout the movie, becoming more and more apparent. It hints at an uncertainty of the ethics of crime news coverage. This message is perhaps intended to extend beyond the silver screen and into the real world.
A thriller with depth, “Nightcrawler” is one hell of a debut for director Dan Gilroy. In addition to the unique and complex plot line, the cast is expertly selected.
Each character achieves a raw realness that turns the audience into witnesses rather than movie goers.
Gyllenhaal, who lost 20 pounds for the role, has mastered the art of portraying madness. His eyes communicate a certain detached sadness, yet at the same time he appears egotistical. His expression exudes an inner dialogue which is fleeting and somewhat absent from reality. He is the main character in the movie, as well as in his own mind.
The evolution which his character, Louis, exhibits is electrifying. He is a man in constant motion – doing whatever it takes to succeed, and sinking deeper into the dark side of a news media that lives off of ratings.
The film starts to resemble a gory train wreck which one cannot resist but to stare at as it follows Louis. In order to get the perfect shot, he pushes the line of morality further and further. His morally questionable character begins to blur into the realm of psychotic.
Human lives begin to be something of a commodity when on the other side of a lens. Nina (Rene Russo), a news director desperate to stay in demand is determined to stay focused on theme of urban crime creeping into suburban neighborhoods. She knows this is what grabs attention, and despite reality, she intends to deliver a particular story to viewers.
Russo’s tired eyes add to the realness of the dramatic story. She is just one of the characters which may confuse the audience in regards to who is “good” and who is “bad.” The interplay between characters who cannot be defined as good or bad creates a massively entertaining drama.
The deeper message of the film is left up for interpretation. Perhaps many people are just “not so good,” then there’s Louis who most people won’t be able to help but loath.
A true statement piece, “Nightcrawler” delivers a nauseating cinematic rush.
I give “Nightcrawler” 5 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Chernobyl Diaries (2012) in Movies
Aug 7, 2019
What do you get when you pair the director of “Paranormal Activity” with a handful of unknown actors, a one-hit wonder soap-star-turned-singer, and a plot based upon the Chernobyl meltdown? You guessed it: a sub-par suspense film with a poorly executed ending.
Meet Chris, Amanda, and Natalie – a trio of pretty Americans touring Europe and en route to Russia to meet Chris’ older brother, Paul, in Minsk. Unbeknownst to Amanda, Chris confides in his older brother his plan to propose to her upon their arrival in Moscow, their next destination. However, Paul decides to intervene and proposes a new plan: an extreme tourism excursion in the abandoned city of Pripyat, just outside of the Chernobyl nuclear plant. Despite Chris’ pleas, the group decides to take up Paul’s offer and embark the next day to Chernobyl/Pripyat under the guide of Uri, an ex-Soviet Special Forces agent.
Piling into an assault-van of sorts and accompanied by a pair of last minute travelers – an Aussie named Mike and his blonde Norse girlfriend, Zoe – they set off on the 2-hour drive to Pripyat. However, it is upon arrival at their destination that they find the area restricted to tourists by the Soviet guard. Undaunted, Uri drives the van to another remote access point, stealing them into the abandoned city of Pripyat for their excursion. It is there, as one can imagine, that some unknown element intercedes and prevents them from leaving the city. Somehow wires to the van’s starter are cut and they are forced to stay overnight. It’s at this point, as you can imagine, the horror movie element sets in and the typical suspense-film-plot takes over.
Of course, people leave the van to investigate “strange noises” and, of course, they are picked off one by one. As the movie progresses and the horror-film starts to settle in, the plot unravels and you’re ultimately left with one of the lamest endings conceived. Basically, you’ve had almost two hour’s worth of build-up and suspense for absolutely nothing.
Suspense-wise, you’re definitely going to jump here and there; my poor date had to suffer through my grabbing his hand and leg on more than one occasion. Acting wise, there’s nothing substantial. Jesse McCartney draws upon his experience as a soap actor for the more emotional role and Devin Kelley who plays Amanda seems more adept at sticking out her chest than acting her way out of a bag. But I digress, horror movies aren’t exactly based on strong acting skills, right?
If you’re looking for a good suspense film, something that gives you an excuse to grab your date’s hand or squeal like a girl, then this is a good film for that. If you’re looking for something twisted, something akin to “The Hills Have Eyes” or “Silent Hill,” then this falls rather short in comparison. The director had so many opportunities to delve further into the Chernobyl mystery and play up the radiation/mutation stab, but failed to provide any substance behind his direction. For my taste, there were too many unanswered questions and vague allusions for me to be wholly impressed with the movie. The premise had a lot of potential and promise but honestly failed to deliver.
Meet Chris, Amanda, and Natalie – a trio of pretty Americans touring Europe and en route to Russia to meet Chris’ older brother, Paul, in Minsk. Unbeknownst to Amanda, Chris confides in his older brother his plan to propose to her upon their arrival in Moscow, their next destination. However, Paul decides to intervene and proposes a new plan: an extreme tourism excursion in the abandoned city of Pripyat, just outside of the Chernobyl nuclear plant. Despite Chris’ pleas, the group decides to take up Paul’s offer and embark the next day to Chernobyl/Pripyat under the guide of Uri, an ex-Soviet Special Forces agent.
Piling into an assault-van of sorts and accompanied by a pair of last minute travelers – an Aussie named Mike and his blonde Norse girlfriend, Zoe – they set off on the 2-hour drive to Pripyat. However, it is upon arrival at their destination that they find the area restricted to tourists by the Soviet guard. Undaunted, Uri drives the van to another remote access point, stealing them into the abandoned city of Pripyat for their excursion. It is there, as one can imagine, that some unknown element intercedes and prevents them from leaving the city. Somehow wires to the van’s starter are cut and they are forced to stay overnight. It’s at this point, as you can imagine, the horror movie element sets in and the typical suspense-film-plot takes over.
Of course, people leave the van to investigate “strange noises” and, of course, they are picked off one by one. As the movie progresses and the horror-film starts to settle in, the plot unravels and you’re ultimately left with one of the lamest endings conceived. Basically, you’ve had almost two hour’s worth of build-up and suspense for absolutely nothing.
Suspense-wise, you’re definitely going to jump here and there; my poor date had to suffer through my grabbing his hand and leg on more than one occasion. Acting wise, there’s nothing substantial. Jesse McCartney draws upon his experience as a soap actor for the more emotional role and Devin Kelley who plays Amanda seems more adept at sticking out her chest than acting her way out of a bag. But I digress, horror movies aren’t exactly based on strong acting skills, right?
If you’re looking for a good suspense film, something that gives you an excuse to grab your date’s hand or squeal like a girl, then this is a good film for that. If you’re looking for something twisted, something akin to “The Hills Have Eyes” or “Silent Hill,” then this falls rather short in comparison. The director had so many opportunities to delve further into the Chernobyl mystery and play up the radiation/mutation stab, but failed to provide any substance behind his direction. For my taste, there were too many unanswered questions and vague allusions for me to be wholly impressed with the movie. The premise had a lot of potential and promise but honestly failed to deliver.