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Gareth von Kallenbach (980 KP) rated Sherlock Holmes: A Game of Shadows (2011) in Movies
Aug 7, 2019
Robert Downey, Jr. and Jude Law return once again as Sherlock Holmes and Dr. Watson in “Sherlock Holmes: A Game of Shadows“. In this installment, a series of bombings across Europe has positioned the nations of the world on the brink of war. Holmes is convinced that there is a criminal mastermind behind the numerous, seemingly unrelated events and he believes it is renowned scholar James Moriarty (Jared Harris).
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
Watson, well-accustomed to Holmes’ eccentric and erratic behavior, is dubious of Holmes claims. Besides, Watson has his upcoming wedding to focus on, and only deigns to spend time with Holmes at the promise of a stag party at an upscale gentlemen’s club. While the bachelor party includes an entertaining Stephen Fry playing Holmes’ brother, Mycroft, Holmes has ulterior motives for taking Watson to this particular club. Early in the film, Holmes had cleverly intercepted a message from Irene Adler (Amy McAdams), that led him to a fortuneteller named Madam Simza Heron (Noomi Rapace), a woman Holmes believes has been targeted for death by Moriarty, who just happens to be working at the gentlemen’s club.
Eventually a meeting with Moriarty is arranged for Holmes. The two intellectuals spar with one another verbally in a civilized manner, with menacing undertones. Holmes isn’t able to convince Moriarty that Watson is no longer a partner in any of his endeavors and, Holmes is forced to take drastic measures to ensure the doctor and his new wife stay out of harm’s way. From Paris to Germany and other European locales, Holmes, Watson, and Simza and her gypsy friends race against time to uncover the diabolical plot that Moriarty has set for their demise in his quest to drive nations to war.
The film is an absolute delight and is a rare sequel that is even better than the previous film in the series. Robert Downey, Jr. and Jude Law have amazing chemistry with one another and their timing is absolutely perfect. The duo deftly mix action and comedy as well as the serious subject matter of the plot line and are utterly captivating and enjoyable to watch every step of the way. Rapace continues to impress in a much softer character than her Lisbeth Salandar role in the “Girl with the Dragon Tattoo” Swedish trilogy. and is poised to become one of Hollywood’s new leading ladies.
Having become familiar with Harris’ work on the series Mad Men, I was delighted to see him expertly portray such a complex character as Moriarty: a gentleman scholar of impeccable upbringing and education who is also a twisted and evil genius. Harris plays Moriarty perfectly and never lets you forget the dark and sinister side of him without ever becoming a campy or cartoony vaudeville villain.
Guy Ritchie returns as director and lets his stars carry the film. The action has been ramped up this time around with some spectacular action sequences but the action never overshadows the character-driven story. The film was well-paced and an absolute thrill ride from beginning to end mixing fantastic action and some great humor for a very winning combination that is not to be missed. I am already looking forward to future outings of Holmes and Watson on the big screen as this was a truly enjoyable experience that shows you how action comedies are supposed to be made.
Gareth von Kallenbach (980 KP) rated Hoodwinked Too! Hood vs Evil (2011) in Movies
Aug 7, 2019
Does anyone remember the original Hoodwinked movie? Nobody else does, either. Blue Yonder Films, the studio that brought you Doogal tries to pull another rabbit out of their hat by releasing a sequel to the twisted fairy-tale movie titled Hoodwinked Too: Hood vs. Evil. All of the original voice characters are present from the first film, except for Red (Anne Hathaway was replaced by Hayden Panettiere), and Kirk the Woodsman (Jim Belushi , who was replaced by Martin Short).
It doesn’t really matter if you’ve seen the first movie, as a storybook opening catches the audience up on the current situation. A short intro introduces the HEA (Happily Ever After Agency; shouldn’t that be HEAA?) staking out a Wicked Witch who is holding Hansel & Gretel (Bill Hader & Amy Poehler) hostage in her Gingerbread House. The main protagonist, Red Riding Hood (Panettiere) is off on training, and her former partner, The Big Bad Wolf (Patrick Warburton) is handling the situation with Granny (Glen Close).
Of course, the seemingly simple scenario changes to a conspiracy which has actually been masterminded by the hostages, in order to drag a secret from Granny. Granny is a part of the Sisterhood of Kung-Fu Bakers (the “Hood” in the film’s title), and possesses the recipe of a secret weapon known as the Super Truffle, which supposedly makes those who consume it invincible. The movie has a small army of all-star cast members, and each one makes the most of their parts.
Unfortunately nearly everything else in the film misses the mark, from the writing, direction, and even the animation. Many other computer-animated movies today feel a lot more organic, and although the visuals of this sequel are better than the first there are times when character movements appear more programmed than motion-captured. Most of the jokes in the movie require one to have lived during the 70s or 80s, and nearly all of them are groaners. Jokes like “Dog is your co-pilot”, and a backwards sign where “dyslexic” is clearly visible are just too obscure even for the average adult. Sure, this is a family movie that should have something for everyone, but the preview theater I was in had a large mix of children and their parents, and there was only one time when the audience laughed as a whole.
There are a few running gags that did receive a positive audience response. Cheech Marin and Tommy Chong play two of the Three Little Pigs (hitmen for hire), and they received most of the genuine laughs. Another running gag was of a banjo-playing goat, who is constantly being fallen upon by other characters. This gag did get some chuckles, particularly from children, but was an obvious rip-off of “Scrat” from the Ice Age series, but just didn’t have the same charm. Most animated films either have amazing visuals, humor or heart, and the best ones blend these essentials together. Unfortunately none of these elements are present in Hoodwinked Too to make the audience feel for Red’s story, and the semi-warm victory at the end is simply “meh”.
You won’t be missing anything by skipping this film at the box office. It might be worth a rental when it comes out on DVD, but you and your family can still live a full and satisfying life without it.
It doesn’t really matter if you’ve seen the first movie, as a storybook opening catches the audience up on the current situation. A short intro introduces the HEA (Happily Ever After Agency; shouldn’t that be HEAA?) staking out a Wicked Witch who is holding Hansel & Gretel (Bill Hader & Amy Poehler) hostage in her Gingerbread House. The main protagonist, Red Riding Hood (Panettiere) is off on training, and her former partner, The Big Bad Wolf (Patrick Warburton) is handling the situation with Granny (Glen Close).
Of course, the seemingly simple scenario changes to a conspiracy which has actually been masterminded by the hostages, in order to drag a secret from Granny. Granny is a part of the Sisterhood of Kung-Fu Bakers (the “Hood” in the film’s title), and possesses the recipe of a secret weapon known as the Super Truffle, which supposedly makes those who consume it invincible. The movie has a small army of all-star cast members, and each one makes the most of their parts.
Unfortunately nearly everything else in the film misses the mark, from the writing, direction, and even the animation. Many other computer-animated movies today feel a lot more organic, and although the visuals of this sequel are better than the first there are times when character movements appear more programmed than motion-captured. Most of the jokes in the movie require one to have lived during the 70s or 80s, and nearly all of them are groaners. Jokes like “Dog is your co-pilot”, and a backwards sign where “dyslexic” is clearly visible are just too obscure even for the average adult. Sure, this is a family movie that should have something for everyone, but the preview theater I was in had a large mix of children and their parents, and there was only one time when the audience laughed as a whole.
There are a few running gags that did receive a positive audience response. Cheech Marin and Tommy Chong play two of the Three Little Pigs (hitmen for hire), and they received most of the genuine laughs. Another running gag was of a banjo-playing goat, who is constantly being fallen upon by other characters. This gag did get some chuckles, particularly from children, but was an obvious rip-off of “Scrat” from the Ice Age series, but just didn’t have the same charm. Most animated films either have amazing visuals, humor or heart, and the best ones blend these essentials together. Unfortunately none of these elements are present in Hoodwinked Too to make the audience feel for Red’s story, and the semi-warm victory at the end is simply “meh”.
You won’t be missing anything by skipping this film at the box office. It might be worth a rental when it comes out on DVD, but you and your family can still live a full and satisfying life without it.
Kristy H (1252 KP) rated Long Bright River in Books
Apr 23, 2020
This was the first book I ever checked out from Libby. I miss my library right now, but I'm glad for that app, even if I can only put six books on hold at one time. (What is that?! Six holds; that's for amateurs.)
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.
Kensington, a neighborhood in Philadelphia, is plagued by drug use, especially heroin. It's where sisters Kacey and Mickey grew up. The girls lost their mother at a young age and were raised by their grandmother, Gee, who provided shelter and not much else. Now, Mickey is determined to raise her son Thomas differently. With love and kindness and a feeling of safety. Mickey is a police officer, so she's more than familiar with the streets of Kensington. At the same time, Kensington is struck with a series of murders, Kacey disappears. Mickey and Kacey haven't had much contact in years, since her sister became stuck in the tangle of addiction, but she's still worried. Even more so since those being murdered are young women, no doubt drug and sex workers. Found strangled on the streets. As Mickey starts looking into the murders, she gets caught up in a twisted web of lies and deceit--some of it related to her missing sister--and soon it may be too late to save either Mickey or Kacey.
The first time I found my sister dead, she was sixteen. It was the summer of 2002. Forty-eight hours earlier, on a Friday afternoon, she’d left school with her friends, telling me she’d be back by evening. She wasn’t.
This isn't a fun book to read, so if you're looking for a feel-good read right now, this isn't it. But it's a well-written, extremely powerful look at addiction. While it focuses on the story of the murdered girls, it's also an in-depth character study, taking us into Mickey's history with her sister and how their past has formed their present. Told in a then and now format, we learn about the sisters, and we get a harrowing and detailed look at the effect of addiction, not just on Kacey, but on an entire town. It's depressing, it's real, and it's wonderfully done.
Kacey told me that time spent in addiction feels looped. Each morning brings with it the possibility of change, each evening the shame of failure.
This is not really a fast-moving book, but it does have twists and turns, many of them surprising. There's plenty to keep you guessing, as we try to figure out what is happening to the women on the streets in Kensington. In turn, we have to figure out Kacey and Mickey's past and how it's brought us to where we are today. Characters are sparse, but incredibly well-created, with my favorite, beyond the sisters, being Mickey's landlord, Mrs. Mahon, a formidable woman in her own right. And Mickey's sweet, wise young son Thomas.
While Kacey is clearly the damaged one on paper, as an addict, often living on the streets, we see Mickey isn't always much better. She's had a tough time, and it's hard for her to trust anyone. Both she and Kacey are astounding characters, who stand out in this powerful novel about addiction, police abuse, and the love of a mother. This isn't always an easy read, but I'm glad I picked it up. It will stick with me for some time.
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Natasha Khan recommended Selected Ambient Works 85-92 by Aphex Twin in Music (curated)
Darren (1599 KP) rated Scar (2007) in Movies
Sep 26, 2019
Characters – Joan is a character we meet at two different ages and flashback between through the film, the teenage version of her gets tortured by the serial killer leaving her with the scar on her face. The adult one heads back to her hometown for the first time since to see her niece graduate. When the killings start again she becomes the prime suspect though she believes she killed the killer all those years ago. She must learn who the killer is before her niece goes through the same ordeal she does. Olympia is the niece that is living the normal teenage life graduating only to become the latest target by the killer who has already taken her friends. Bishop is the serial killer that targeted Joan and her friend all those years ago, forcing the through a torturous ordeal, has he return? He enjoys making the victims suffer as he cuts them. We do get to meet other characters who mostly become victims of the killer, each one interacts in their own way.
Performances – Angela Bettis is strong in the leading role of this film, she often took chances on horror and this is one where she can lead the film and deal with the horrors involved. Kirby Bliss Blanton is solid in her role though she doesn’t get as much to do other than be generic teenager. Ben Cotton does make for a good villain that showed just how twisted his character it. The supporting cast are all solid enough without being challenged to do anything to make them standout.
Story – The story follows a victim returning home for the first time only to face a serial killer she believed she had killed to protect her niece. The story does a good job balance the two timelines as we see how Joan is reacting to the ordeal from her first encounter to the new encounter, playing along the lines that she might not be as clean as she thought she was. We also get to deal with how people can become interested in killings over the stories about the killer over the victim. The strangest twist in the film is the fact that another bigger film seemed to use the exact same twist and motives behind the killings, I won’t mention the film because it will ruin the end of the film.
Crime/Horror – The crime side of the film follows the action of the serial killer which plays into the horror because of the torturous nature that they follow through the film, the wounds feel real, look real and brutal with just how they are made to look.
Settings – The film takes place in a small town, which has a reputation, we see the normal locations, but it is in the shadows where we see the killer conduct their actions.
Special Effects – The effects come from the graphic body horror we are put through by the killer, the wounds being enough to make the blood appear over causing fatal wounds.
Scene of the Movie – The killer’s identity.
That Moment That Annoyed Me – The killer’s motivation.
Final Thoughts – When it comes to late night horrors sometimes we can just enjoy the events for what they are, this is one of the perfect examples of this giving us horror when we need it and a simple horror to watch.
Overall: Midnight horror treat.
Performances – Angela Bettis is strong in the leading role of this film, she often took chances on horror and this is one where she can lead the film and deal with the horrors involved. Kirby Bliss Blanton is solid in her role though she doesn’t get as much to do other than be generic teenager. Ben Cotton does make for a good villain that showed just how twisted his character it. The supporting cast are all solid enough without being challenged to do anything to make them standout.
Story – The story follows a victim returning home for the first time only to face a serial killer she believed she had killed to protect her niece. The story does a good job balance the two timelines as we see how Joan is reacting to the ordeal from her first encounter to the new encounter, playing along the lines that she might not be as clean as she thought she was. We also get to deal with how people can become interested in killings over the stories about the killer over the victim. The strangest twist in the film is the fact that another bigger film seemed to use the exact same twist and motives behind the killings, I won’t mention the film because it will ruin the end of the film.
Crime/Horror – The crime side of the film follows the action of the serial killer which plays into the horror because of the torturous nature that they follow through the film, the wounds feel real, look real and brutal with just how they are made to look.
Settings – The film takes place in a small town, which has a reputation, we see the normal locations, but it is in the shadows where we see the killer conduct their actions.
Special Effects – The effects come from the graphic body horror we are put through by the killer, the wounds being enough to make the blood appear over causing fatal wounds.
Scene of the Movie – The killer’s identity.
That Moment That Annoyed Me – The killer’s motivation.
Final Thoughts – When it comes to late night horrors sometimes we can just enjoy the events for what they are, this is one of the perfect examples of this giving us horror when we need it and a simple horror to watch.
Overall: Midnight horror treat.
Kristy H (1252 KP) rated The Stories You Tell in Books
Jul 12, 2019
Private Investigator Roxane Weary and her brother, Andrew, are night owls, but it's still never good news when she gets a call from Andrew in the middle of the night. This time, Andrew tells her that he's just had the strangest visit from Addison Stowe, a young woman who used to work with him at the hotel where he tends bar. She seemed panicked and scared, begging to used Andrew's phone, and she disappeared almost as quickly as she arrived. At Andrew's pleading, Roxane starts looking for Addison, but she quickly realizes this is not a straightforward case. Soon the police are on Addison's trail--and Andrew's too. Add a dead cop to the mix, and it looks like Andrew could be mixed up in something serious.
"Clients hired me to find lots of things, and I took them all seriously--but people, most of all."
So, I won't lie. I have a particular affinity for one Roxane Weary, our sarcastic, intelligent, bisexual PI. This is the third book in Roxane's series, and I just love them all. You know how you can give your iPhone a name? Well, one of mine (I have one for work and one for personal use, okay) is named Roxane. This gritty PI has wormed her way into my heart. And I've said it before and I'll say it again--it's just so refreshing to have a bisexual character in mainstream fiction who is real. She's not a crazy person or a murderer, she's just a smart, complex character. The main character. And when Roxane is talking, it sounds like my own friends hanging out. It makes me happy.
"The state of straight people was troubling."
This book finds Roxane on a slightly personal quest, as her search for Addison gets real fast, once it looks like Andrew could be in some big time trouble. Her searching leads her to a shady nightclub--including its shifty manager--and some of Addison's suburban friends. We also, as mentioned, have a dead cop, meaning that Tom is in full force in this one. Tom is the former partner of Roxane's late father, and Roxane's old flame. I'm happy to report that there's plenty happening in Roxane's personal life--both with Catherine and Tom. Lots of sexual tension and witty banter on a variety of fronts. (And I am the only one who would be perfectly fine if Catherine just disappeared? Roxane deserves someone who treats her properly.)
Anyway, despite a cast of recurring characters, this one will standalone just fine. That being said, if you haven't read the first two books, I highly recommend them. The conversational first-person style Lepionka uses for Roxane is amazing and draws you in from the start. I adore Roxane's voice. (Partially because I deem her my kindred spirit--see below.)
"Apparently he was one of those people who listened to and deleted messages instead of just reading the transcription and ignoring it like I did."
Roxane is a witty, awesome, complex main character, and she's nearly impossible not to love. The story itself is dark and twisted, with plenty of twists and turns to keep you guessing. No gimmicks, just a good mystery. There's lots of humor, lots of surprises, and lots of Roxane, one of the best PIs around. 4.5 stars.
"Clients hired me to find lots of things, and I took them all seriously--but people, most of all."
So, I won't lie. I have a particular affinity for one Roxane Weary, our sarcastic, intelligent, bisexual PI. This is the third book in Roxane's series, and I just love them all. You know how you can give your iPhone a name? Well, one of mine (I have one for work and one for personal use, okay) is named Roxane. This gritty PI has wormed her way into my heart. And I've said it before and I'll say it again--it's just so refreshing to have a bisexual character in mainstream fiction who is real. She's not a crazy person or a murderer, she's just a smart, complex character. The main character. And when Roxane is talking, it sounds like my own friends hanging out. It makes me happy.
"The state of straight people was troubling."
This book finds Roxane on a slightly personal quest, as her search for Addison gets real fast, once it looks like Andrew could be in some big time trouble. Her searching leads her to a shady nightclub--including its shifty manager--and some of Addison's suburban friends. We also, as mentioned, have a dead cop, meaning that Tom is in full force in this one. Tom is the former partner of Roxane's late father, and Roxane's old flame. I'm happy to report that there's plenty happening in Roxane's personal life--both with Catherine and Tom. Lots of sexual tension and witty banter on a variety of fronts. (And I am the only one who would be perfectly fine if Catherine just disappeared? Roxane deserves someone who treats her properly.)
Anyway, despite a cast of recurring characters, this one will standalone just fine. That being said, if you haven't read the first two books, I highly recommend them. The conversational first-person style Lepionka uses for Roxane is amazing and draws you in from the start. I adore Roxane's voice. (Partially because I deem her my kindred spirit--see below.)
"Apparently he was one of those people who listened to and deleted messages instead of just reading the transcription and ignoring it like I did."
Roxane is a witty, awesome, complex main character, and she's nearly impossible not to love. The story itself is dark and twisted, with plenty of twists and turns to keep you guessing. No gimmicks, just a good mystery. There's lots of humor, lots of surprises, and lots of Roxane, one of the best PIs around. 4.5 stars.
Darren (1599 KP) rated Joker (2019) in Movies
Oct 4, 2019
Thoughts on Joker
Characters – Arthur Fleck is a loner that has been struggling for work, he wants to be an entertainer and is working on his own material to try his luck at stand-up comedy. He starts a new relationship and thinks his life is going in a new direction, until he learns the truth, becoming the icon we know. Murray Franklin is the host of his own talk show, he handles the comedy of the real events and is the man Arthur sees as an idol, he sees one of the clips of the stand up and puts it on his own show. Sophie is the neighbour and single mother that starts a relationship with Arthur, showing him in a better life. Penny is the mother of Arthur, she sees only the good in the richest man in the town and writes to him often waiting for a reply from her former employer. While most of the characters do have more about them, though most details will contain full spoilers.
Performances – Joaquin Phoenix gives us a wonderful performance, showing his commitment to the role, which will be one people will talk about when award season hits. Robert De Niro is joy to watch as the charismatic talk show host. Zazie Beetz is good to watch, though she just doesn’t get enough screen time. Frances Conroy is strong to through the film.
Story – The story here follows a man that has been failed by the society and the mental health system, which sees him struggle to deal with reality and begin his path to become one of the most iconic comic villains. This is much like Venom, a strange choice for a character to bring to the centre stage because we shouldn’t be backing a villainous character, but this time we do get everything connecting to why Joker became who he is. By stepping into how mental health can be brushed aside at times forcing people to fall through the cracks, not being treated the correct way to help them. If you are expecting any sort of comic book movie, you will be lost in this one because nothing we see has anything that couldn’t become a reality, which is what could make the film feel unsettling in places. This is also a story that could have been told without needing to throw a big character name like the Joker in around it and it might have been even better if it didn’t rely on the familiar name.
Crime – The crime side of the film shows how Arthur starts by being a victim, before he starts to try and show just how far he will go to stand up for himself.
Settings – The film does use the settings brilliantly, showing how Arthur has come from the bottom, never been given a thing in life, which does reflect just how we would see a Batman figure born with wealth.
Scene of the Movie – Talk show time.
That Moment That Annoyed Me – I didn’t like the laughing stuff, it would include spoilers to why though.
Final Thoughts – This is an interesting a dark spin on the world for one of the biggest names in comic book history, without making it feel like a comic book in anyway.
Overall: Dark and as Twisted as You Would Imagine.
Characters – Arthur Fleck is a loner that has been struggling for work, he wants to be an entertainer and is working on his own material to try his luck at stand-up comedy. He starts a new relationship and thinks his life is going in a new direction, until he learns the truth, becoming the icon we know. Murray Franklin is the host of his own talk show, he handles the comedy of the real events and is the man Arthur sees as an idol, he sees one of the clips of the stand up and puts it on his own show. Sophie is the neighbour and single mother that starts a relationship with Arthur, showing him in a better life. Penny is the mother of Arthur, she sees only the good in the richest man in the town and writes to him often waiting for a reply from her former employer. While most of the characters do have more about them, though most details will contain full spoilers.
Performances – Joaquin Phoenix gives us a wonderful performance, showing his commitment to the role, which will be one people will talk about when award season hits. Robert De Niro is joy to watch as the charismatic talk show host. Zazie Beetz is good to watch, though she just doesn’t get enough screen time. Frances Conroy is strong to through the film.
Story – The story here follows a man that has been failed by the society and the mental health system, which sees him struggle to deal with reality and begin his path to become one of the most iconic comic villains. This is much like Venom, a strange choice for a character to bring to the centre stage because we shouldn’t be backing a villainous character, but this time we do get everything connecting to why Joker became who he is. By stepping into how mental health can be brushed aside at times forcing people to fall through the cracks, not being treated the correct way to help them. If you are expecting any sort of comic book movie, you will be lost in this one because nothing we see has anything that couldn’t become a reality, which is what could make the film feel unsettling in places. This is also a story that could have been told without needing to throw a big character name like the Joker in around it and it might have been even better if it didn’t rely on the familiar name.
Crime – The crime side of the film shows how Arthur starts by being a victim, before he starts to try and show just how far he will go to stand up for himself.
Settings – The film does use the settings brilliantly, showing how Arthur has come from the bottom, never been given a thing in life, which does reflect just how we would see a Batman figure born with wealth.
Scene of the Movie – Talk show time.
That Moment That Annoyed Me – I didn’t like the laughing stuff, it would include spoilers to why though.
Final Thoughts – This is an interesting a dark spin on the world for one of the biggest names in comic book history, without making it feel like a comic book in anyway.
Overall: Dark and as Twisted as You Would Imagine.
