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Having read ÒMe Before YouÓ and cried, ÒAfter YouÓ and laughed, I was heavily anticipating how this third novel would make me feel. It follows our hapless heroine Louisa Clark to New York and a job assisting the uber-rich Gopniks. Lou is in a new city, with a new life but trying to maintain a long-distance relationship with her English boyfriend. Putting her lead character in all manner of new situations, Moyes shows the quirky, humorous side of Louisa balanced with her optimism and charm. The big question is, will Louisa Clark finally find happiness and live happily ever after? This is bound to be made into a movie, grab your tissues and read all three books first.
Kristin (149 KP) rated Diary of a haunting in Books
Dec 7, 2018
I saw the cover and immediately jumped on this book. Haven't read a good horror in a while, and I was super intrigued. Diary style, no issues with that. Kinda cool in some ways, as we get the MC's version of what's going on in her own words. I even found myself a little creeped out at some points.
This book would've been a solid 4-star rating if it weren't for that ending. It was almost like the author took too long, got to the day before the deadline, then just cobbled some nonsense together and said, "Here, take it." Still, not a bad read up until the last 15 pages or so, and could still be decent for those who aren't uber horror fans.
3 stars
This book would've been a solid 4-star rating if it weren't for that ending. It was almost like the author took too long, got to the day before the deadline, then just cobbled some nonsense together and said, "Here, take it." Still, not a bad read up until the last 15 pages or so, and could still be decent for those who aren't uber horror fans.
3 stars
Suswatibasu (1701 KP) rated Uber in Apps
Nov 4, 2017 (Updated Nov 4, 2017)
Takes a while to update location, but couldn't do without
Uber, as controversial as it is, has been a bit of a lifesaver for me especially as I'm carted from appointment to appointment due to a disability. It's easy to use, and far cheaper than other services, and I really can't find a good alternative. No doubt, there are plenty of issues - some with drivers, but otherwise it's been fine.
The app itself is not bad, but it has a few technical issues including updating GPS locations. It usually takes a while to update, having to exit and re-enter the app for it to change.
Communicating with the drivers is a bit hit and miss as well. Sometimes they pick up the phone, a lot of times not - and waiting times increase while I attempt to hobble to the car despite asking them to wait in front. So it isn't without its faults - but I wouldn't change it otherwise.
The app itself is not bad, but it has a few technical issues including updating GPS locations. It usually takes a while to update, having to exit and re-enter the app for it to change.
Communicating with the drivers is a bit hit and miss as well. Sometimes they pick up the phone, a lot of times not - and waiting times increase while I attempt to hobble to the car despite asking them to wait in front. So it isn't without its faults - but I wouldn't change it otherwise.
Chris Sawin (602 KP) rated Jason X (2001) in Movies
Jun 20, 2019 (Updated Jun 21, 2019)
In the not too distant future, Jason Voorhees has been contained. He's been prepared for cryogenic stasis, that is until the military shows up and has other plans for him. After Jason slaughters the military personnel, Rowan(the head of the cryogenic stasis unit) manages to get Jason into a tank for suspended animation preparation. After a slight mishap, she winds up being frozen as well. Now, nearly 450 years in the future, a professor and his team of young students discover Rowan and Jason. They bring the two back to their ship and only have plans to thaw out Rowan, but underestimate how devastating Jason really is. Now with Jason running loose on Grendel(the ship), will anyone be able to survive long enough to make it back home?
This movie is beyond ridiculous. I'll say that up front right now. It is cheese through and through. There's no doubt about that. I'd be lying if I wasn't entertained by it to some degree though. This film boasts the biggest body count of any Friday the 13th film with a staggering 28 kills. And even though Jason suddenly has hair, for whatever miraculous reason, I actually don't mind how he looks up until he becomes some weird hybrid of Lord Zedd and Super Shredder...I mean Uber-Jason.
Some of the kills are really awesome though. They revisit the sleeping bag kill from part seven in this one and it's pretty entertaining. The real kill that steals the show is Adrienne's kill. When Jason first wakes up from cryogenic stasis, he takes Adrienne's face, shoves it into a sink filled with liquid nitrogen, pulls it out, and then smashes it on a nearby table. It's truly the highlight of the film. Jason is in space. That's pretty much the gist of the storyline. Uber-Jason is a joke. Other than looking different, he doesn't do much of anything the normal Jason wouldn't do. With a weak storyline, bad acting, and a rather lame script, Jason X is really only worth watching if you're a die hard Friday the 13th fan. Even then, you're better off watching one of the earlier sequels that you'll know you enjoy.
This movie is beyond ridiculous. I'll say that up front right now. It is cheese through and through. There's no doubt about that. I'd be lying if I wasn't entertained by it to some degree though. This film boasts the biggest body count of any Friday the 13th film with a staggering 28 kills. And even though Jason suddenly has hair, for whatever miraculous reason, I actually don't mind how he looks up until he becomes some weird hybrid of Lord Zedd and Super Shredder...I mean Uber-Jason.
Some of the kills are really awesome though. They revisit the sleeping bag kill from part seven in this one and it's pretty entertaining. The real kill that steals the show is Adrienne's kill. When Jason first wakes up from cryogenic stasis, he takes Adrienne's face, shoves it into a sink filled with liquid nitrogen, pulls it out, and then smashes it on a nearby table. It's truly the highlight of the film. Jason is in space. That's pretty much the gist of the storyline. Uber-Jason is a joke. Other than looking different, he doesn't do much of anything the normal Jason wouldn't do. With a weak storyline, bad acting, and a rather lame script, Jason X is really only worth watching if you're a die hard Friday the 13th fan. Even then, you're better off watching one of the earlier sequels that you'll know you enjoy.
Karica Truebenbach (156 KP) rated Unbreakable (2000) in Movies
Sep 29, 2018 (Updated Oct 4, 2018)
Nope
Contains spoilers, click to show
So a guy in a wheelchair who breaks a bone if someone breathes on him too hard decides to go around setting epic disaster-sized booby traps and murdering people simply so he can find someone who consistently survives said traps unscathed because that person must be a superhero? Because he decided one day that he must be a supervillain? And the hero's costume is a yellow rain slicker because his kryptonite is water? Look, I'll watch Samuel L do darn near anything, but the entire premise of this movie stretched the bounds of reality. I know that Shyamalan loves twists and turns, but this one went straight off a cliff. Who got Glass to all these places? His elderly mother? What possessed him to go, "I must be evil because why else would I have the uber version of brittle bone disease?" Perhaps if this had been released as a graphic novel-type movie ( a la Sin City), I would have been more accepting of the plot, but it wasn't and I wasn't. Hopefully the third movie will be better...
Matthew Krueger (10051 KP) rated Jason X (2001) in Movies
Oct 17, 2019
Deep Space Jason
So the reason why this film excist is because new line was just waiting for Freddy vs. Jason to happen. So while thier were waiting, their put out this. And ohh boy it was bad. So bad its good, yes its one of those movies. With already Hellraiser and the Leprechaun had movies in space, so the next villian to be up in space was no question Jason. Also this movie toke place in the future, oh my. So whats the plot then....
The year is 2455. The Place is Old Earth. Once the shimmering blue jewel of the galaxy, Old Earth is now a contaminated planet abandoned for centuries. Yet humans have returned to the deadly place that they once fled. Not to live, but to research the ancient rusting artifacts of the bygone civilizations that caused this environmental disaster. And little does the most recent landing party of intrepid young explorers realize the fate that awaits them.
Their are intresting kills in this movie, also Uber-Jason that is a plus in my book.
The charcters are not intresting, dont even bother with them, expect for Jason. Jason is the only one that you should care about.
Would i reccordmend this movie, yes i would, even though its a dumb movie and that makes no sense. Its still a fun movie to watch.
The year is 2455. The Place is Old Earth. Once the shimmering blue jewel of the galaxy, Old Earth is now a contaminated planet abandoned for centuries. Yet humans have returned to the deadly place that they once fled. Not to live, but to research the ancient rusting artifacts of the bygone civilizations that caused this environmental disaster. And little does the most recent landing party of intrepid young explorers realize the fate that awaits them.
Their are intresting kills in this movie, also Uber-Jason that is a plus in my book.
The charcters are not intresting, dont even bother with them, expect for Jason. Jason is the only one that you should care about.
Would i reccordmend this movie, yes i would, even though its a dumb movie and that makes no sense. Its still a fun movie to watch.
Gareth von Kallenbach (965 KP) rated The Broken Hearts Gallery (2020) in Movies
Oct 8, 2020
Lucy (Geraldine Viswanathan) works in a very well-known art gallery owned by the ever so extraordinary Eva Woolf (Bernadette Peters). It has been a dream of hers since she was very young to work as a curator in a gallery and she is starting as an assistant at “The Woolf”.
She has been seeing Max (Utkarsh Ambudkar), the gallery curator for a while. Helping him with information on the artists as well as the likes and dislikes of Eva. On the night of the latest show launch, Eva asks Lucy to step to the podium and introduce Max so he could open the show. In a matter of minutes, Lucy loses her job and is dumped.
Lucy, having been through a traumatic loss, mistakenly hops into a stranger’s car under the assumption that it was her uber. She then proceeds to tell the driver of her night of disaster without registering that she is in the car of a stranger that is not her uber driver. Come to find out, the driver, Nick (Dacre Montgomery) is a budding hotelier trying to build a small boutique hotel.
He drops her off at the apartment, where her roommates immediately cocoon her in a dance that they have done oh so many times.
She has known Nadine (Phillipa Soo) and Amanda (Molly Gordon) since they were in high school. This trio is the partner in crime type of best friends. The interactions between them is so well coordinated I believed that they have been the closest of friends for ages. The same goes for Nick and his best friend Marcos (Arturo Castro).
.This film is the perfect Romantic Comedy that is very well suited for this moment in time.
It is a well-deserved salve on the dearth of darkness in cinema as of late. The lines are funny, the timing of the responses, quick and clever. It is also quirky and charming as well as emotional and sweet.
Natalie Krinsky, the Writer and Director had cast the characters perfectly. The actors drew me into the film as I laughed at their escapades, vicariously experienced celebrations. This movie was a joy to watch. It was sweet, funny, clever, and heartwarming.
Viswanathan embodied Lucy. The character is of the modern twenty something woman in hipsterville. She showed that Lucy is intelligent, imperfect and at times, insecure, but she is brave and willing to forge through anything.
The soundtrack is fantastic, the songs support the scenes and it is a veritable list of the current pop artists that are played in daily rotation.
Beyonce, Taylor Swift, Halsey, Rita Ora, Ariana Grande, and Selena Gomez who is an executive producer on the film.
If this is the direction of the modern romantic comedy, I look forward to the development of this genre as it grows. I rarely want to watch most films a second time. If you like the Romcom, this is one that is thoroughly enjoyable. Well worth the time and the ticket.
She has been seeing Max (Utkarsh Ambudkar), the gallery curator for a while. Helping him with information on the artists as well as the likes and dislikes of Eva. On the night of the latest show launch, Eva asks Lucy to step to the podium and introduce Max so he could open the show. In a matter of minutes, Lucy loses her job and is dumped.
Lucy, having been through a traumatic loss, mistakenly hops into a stranger’s car under the assumption that it was her uber. She then proceeds to tell the driver of her night of disaster without registering that she is in the car of a stranger that is not her uber driver. Come to find out, the driver, Nick (Dacre Montgomery) is a budding hotelier trying to build a small boutique hotel.
He drops her off at the apartment, where her roommates immediately cocoon her in a dance that they have done oh so many times.
She has known Nadine (Phillipa Soo) and Amanda (Molly Gordon) since they were in high school. This trio is the partner in crime type of best friends. The interactions between them is so well coordinated I believed that they have been the closest of friends for ages. The same goes for Nick and his best friend Marcos (Arturo Castro).
.This film is the perfect Romantic Comedy that is very well suited for this moment in time.
It is a well-deserved salve on the dearth of darkness in cinema as of late. The lines are funny, the timing of the responses, quick and clever. It is also quirky and charming as well as emotional and sweet.
Natalie Krinsky, the Writer and Director had cast the characters perfectly. The actors drew me into the film as I laughed at their escapades, vicariously experienced celebrations. This movie was a joy to watch. It was sweet, funny, clever, and heartwarming.
Viswanathan embodied Lucy. The character is of the modern twenty something woman in hipsterville. She showed that Lucy is intelligent, imperfect and at times, insecure, but she is brave and willing to forge through anything.
The soundtrack is fantastic, the songs support the scenes and it is a veritable list of the current pop artists that are played in daily rotation.
Beyonce, Taylor Swift, Halsey, Rita Ora, Ariana Grande, and Selena Gomez who is an executive producer on the film.
If this is the direction of the modern romantic comedy, I look forward to the development of this genre as it grows. I rarely want to watch most films a second time. If you like the Romcom, this is one that is thoroughly enjoyable. Well worth the time and the ticket.
LeftSideCut (3778 KP) rated Jason X (2001) in Movies
Feb 1, 2021
Jason X might be trash, but by God its glorious trash.
At this point, we're in full blown "fuck whatever has happened in the previous films" territory, with liberal splashings of narrative bullshit just to get Jason into a space setting, as he's cryogenically frozen only to be unwittingly thawed 450 years later aboard a spaceship, where he is snapped out of his slumber by teenagers shagging in another room. It's damn good then, that Jason X knows just how silly it is. The first Friday the 13th movie to release in a post Scream landscape, its self awareness gives it a much needed pass, as Jason slashes his way through a suspiciously 2000s looking cast.
The set looks cheap as hell, the CGI is terrible, the script is overspilling with cheesy one liners and puns, most of the characters are generally forgettable or unlikable, but despite all of this, it's an incredibly enjoyable film. Kane Hodder is back (sadly, for the last time movie wise) as Jason and once again cuts an imposing figure (especially when Uber Jason infamously rocks up near the films climax) and just to top it off, there's an inexplicable David Cronenberg cameo near the beginning.
Jason X is obviously flawed, but it's a damn good time, isn't boring, and boasts some decent gore. A two star film that I would recommend to anyone. Final thought - it's weird that Jason has a full head of hair in this...
At this point, we're in full blown "fuck whatever has happened in the previous films" territory, with liberal splashings of narrative bullshit just to get Jason into a space setting, as he's cryogenically frozen only to be unwittingly thawed 450 years later aboard a spaceship, where he is snapped out of his slumber by teenagers shagging in another room. It's damn good then, that Jason X knows just how silly it is. The first Friday the 13th movie to release in a post Scream landscape, its self awareness gives it a much needed pass, as Jason slashes his way through a suspiciously 2000s looking cast.
The set looks cheap as hell, the CGI is terrible, the script is overspilling with cheesy one liners and puns, most of the characters are generally forgettable or unlikable, but despite all of this, it's an incredibly enjoyable film. Kane Hodder is back (sadly, for the last time movie wise) as Jason and once again cuts an imposing figure (especially when Uber Jason infamously rocks up near the films climax) and just to top it off, there's an inexplicable David Cronenberg cameo near the beginning.
Jason X is obviously flawed, but it's a damn good time, isn't boring, and boasts some decent gore. A two star film that I would recommend to anyone. Final thought - it's weird that Jason has a full head of hair in this...
Gareth von Kallenbach (965 KP) rated Stuber (2019) in Movies
Jul 8, 2019
Stuber Review
There’s no denying that ridesharing has become one of the fastest growing industries around the world. What used to be a chore of finding a cab company and calling them for a pickup (or flagging them down in the streets of New York) has now been simplified with a smartphone app. What used to be thirty minutes waiting for your ride to arrive has now been reduced to minutes thanks to technology. So, a movie featuring a lovable Uber driver who gets caught tangled up with a cop chasing a notorious fugitive shouldn’t sound like to much of a stretch.
Stuber introduces us to Stu (Kumail Nanjiani) a man who is madly in love with his plutonic friend and pushed around daily by his boss at the local big chain sporting goods store. In an effort to help subsidize his friend Becca’s (Betty Gilpin) spin studio he moonlights as an Uber driver. Fate intervenes one day when Detective Vic (Dave Bautista) who has literally just undergone corrective eye surgery receives a tip that the drug lord who had murdered his partner just months before has turned up again in the city. Unable to drive, and recently introduced to Uber by his daughter, Detective Vic is forced to hold hostage Stu as he tracks the killer through the city in an effort to bring him to justice.
Stuber features a star-studded cast that brings this amazingly heartfelt and incredibly funny film to the big screen. With a supporting cast such as Karen Gillan, Mira Sorvino and Natalie Morales to back them up, the audience is taken on a laugh filled, action-packed movie that certainly shows better than the advertisements would lead you to believe. The characters are instantly likable, and no matter how much cursing (of which there is a lot) and violence is portrayed on the screen that never changes. Kumail Nanjiani does an amazing job as the lovable Stu. His comedic timing regularly hits the mark, and his portrayal of a man longing to escape the friend zone never gets old. Bautista delivers what may be one of the most defining roles that he has played. While he regularly is able to stand out among his peers in his previous films, this is one of the first where he is asked to carry the film on his own shoulders…and carry it he does. The partnership and true friendship between the two is believable and continues to strengthen as the film moves on. I might even go as far as to say that the chemistry between these two incredible actors is magical.
That’s not to say that Stuber is a perfect movie, it’s predictable and doesn’t really bring anything new to the table. It does however handle the cop who can’t drive scenario far better than any movie that has come before it (like that horrendous movie Taxi that came out back in 2004). It’s a movie that could have gotten away with a PG-13 rating with a little less language, which ultimately may have helped it do better in the theaters (only time will tell of course). That being said, the language itself never feels as though it was thrown in for shock value, in fact I imagine that any of us who might wind up in this particular predicament might have a few choice words of our own to spout out throughout the entire adventure.
I got far more out of Stuber than I thought possible. For a movie that has had little fanfare and releases not long after the acquisition of Twentieth Century Fox, it’s incredibly fun and full of just as much heart. To say that I had not expected this to be a movie where the audience would clap when it was over would be a tremendous understatement. It’s good to see that movie studios haven’t given up on fun ideas, even ones that don’t seem to be exceptionally revolutionary or over-the-top. This is one of the most surprising movies of the summer, in a summer full of blockbusters and big budget films Stuber quietly succeeds where many others are likely to fail. Stuber is certainly a movie worth the price of admission, and you might even come out a little happier than when you went in.
4 out of 5 stars
http://sknr.net/2019/07/07/stuber/
Stuber introduces us to Stu (Kumail Nanjiani) a man who is madly in love with his plutonic friend and pushed around daily by his boss at the local big chain sporting goods store. In an effort to help subsidize his friend Becca’s (Betty Gilpin) spin studio he moonlights as an Uber driver. Fate intervenes one day when Detective Vic (Dave Bautista) who has literally just undergone corrective eye surgery receives a tip that the drug lord who had murdered his partner just months before has turned up again in the city. Unable to drive, and recently introduced to Uber by his daughter, Detective Vic is forced to hold hostage Stu as he tracks the killer through the city in an effort to bring him to justice.
Stuber features a star-studded cast that brings this amazingly heartfelt and incredibly funny film to the big screen. With a supporting cast such as Karen Gillan, Mira Sorvino and Natalie Morales to back them up, the audience is taken on a laugh filled, action-packed movie that certainly shows better than the advertisements would lead you to believe. The characters are instantly likable, and no matter how much cursing (of which there is a lot) and violence is portrayed on the screen that never changes. Kumail Nanjiani does an amazing job as the lovable Stu. His comedic timing regularly hits the mark, and his portrayal of a man longing to escape the friend zone never gets old. Bautista delivers what may be one of the most defining roles that he has played. While he regularly is able to stand out among his peers in his previous films, this is one of the first where he is asked to carry the film on his own shoulders…and carry it he does. The partnership and true friendship between the two is believable and continues to strengthen as the film moves on. I might even go as far as to say that the chemistry between these two incredible actors is magical.
That’s not to say that Stuber is a perfect movie, it’s predictable and doesn’t really bring anything new to the table. It does however handle the cop who can’t drive scenario far better than any movie that has come before it (like that horrendous movie Taxi that came out back in 2004). It’s a movie that could have gotten away with a PG-13 rating with a little less language, which ultimately may have helped it do better in the theaters (only time will tell of course). That being said, the language itself never feels as though it was thrown in for shock value, in fact I imagine that any of us who might wind up in this particular predicament might have a few choice words of our own to spout out throughout the entire adventure.
I got far more out of Stuber than I thought possible. For a movie that has had little fanfare and releases not long after the acquisition of Twentieth Century Fox, it’s incredibly fun and full of just as much heart. To say that I had not expected this to be a movie where the audience would clap when it was over would be a tremendous understatement. It’s good to see that movie studios haven’t given up on fun ideas, even ones that don’t seem to be exceptionally revolutionary or over-the-top. This is one of the most surprising movies of the summer, in a summer full of blockbusters and big budget films Stuber quietly succeeds where many others are likely to fail. Stuber is certainly a movie worth the price of admission, and you might even come out a little happier than when you went in.
4 out of 5 stars
http://sknr.net/2019/07/07/stuber/
BankofMarquis (1832 KP) rated Stuber (2019) in Movies
Jul 18, 2019
Lack of chemistry between the leads
"Chemistry" is a tricky thing in a film and one that "either you got it or you don't" - it's an elusive element that can sink or raise a film. Case in point 2 films I have seen this week.
I rewatched the 1998 Crime/Romance flick OUT OF SIGHT - starring George Clooney and Jennifer Lopez. I remembered this Steven Soderbergh directed film as "terrific" and was excited to show it to my bride. What I realized when watching it is that this is a middle-of-the-road film that is elevated by the tremendous (sexual) chemistry between Lopez and Clooney. It oozes off the screen and is palatable to the viewer.
On the other end of the scale is the recent Action/Comedy STUBER with comedian Kuamil Nanjiani (THE BIG SICK) and former pro wrestler Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films). This is a middle-of-the-road film that is hurt (tremendously) by the LACK of chemistry between the two leads.
Nanjiani stars as Stu, a sad-sack Uber driver who does not stand up for himself while Bautista is a "nothing gets in my way" take charge cop who (because of recent eye surgery) cannot drive and hires an Uber driver, Stu (who gets called STUBER, hence the name of the film), to chase down clues to a criminal he's been on the hunt for - shenanigans ensue.
Individually, some of the scenes/scenarios of this film are fine/funny and Nanjiani is terrific as Stu and adds some clever comedic elements to a script that is "good enough" by Tripper Clancy.
And then there's Bautista.
He seems lost in this film, underplaying the things that make him good, his over-exuberance and over physicality (if that is a term) of someone of his size. Is this Bautista's fault or did Director Michael Dowse (GOON) purposely tone him down? It doesn't really matter for it doesn't really work.
And this is the beginning of the problem with the chemistry between the two leads - Nanjiani manic energy is not matched by Bautista - he seems to be an "energy sucker" and takes quite a bit of life out of this film. But...Director Dowse is also a problem, for he brings this lack of energy to quite a few of the big action scenes, underplaying, not overplaying what should have been over played.
There are some good things in this - besides the script and Nanjiani, Natalie Morales and Betty Gilpin are good and we do have a "Mira Sorvino sighting", which is welcome...but that's about it. Oh...except for an extended cameo by Karen Gillan (Nebula in the GUARDIANS films) she brings some energy. I would have loved to see her paired with Nanjiani in this.
If you're looking for a good "buddy cop" film with good chemistry between the leads, might I suggest THE OTHER GUYS (Will Ferrell/Mark Wahlberg), RUNNING SCARED (Billy Crystal/Gregory Hines) or the greatest example of strong chemistry - 48 HOURS (Nick Nolte/Eddie Murphy). Stuber would be the example of just the opposite.
6 stars out of 10 (for Nanjiani, Gillan and Sorvino - and a script and circumstances that could have worked had the chemistry between the leads been better)
Letter Grade: B- and you can take that to the Bank(ofMarquis)
I rewatched the 1998 Crime/Romance flick OUT OF SIGHT - starring George Clooney and Jennifer Lopez. I remembered this Steven Soderbergh directed film as "terrific" and was excited to show it to my bride. What I realized when watching it is that this is a middle-of-the-road film that is elevated by the tremendous (sexual) chemistry between Lopez and Clooney. It oozes off the screen and is palatable to the viewer.
On the other end of the scale is the recent Action/Comedy STUBER with comedian Kuamil Nanjiani (THE BIG SICK) and former pro wrestler Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films). This is a middle-of-the-road film that is hurt (tremendously) by the LACK of chemistry between the two leads.
Nanjiani stars as Stu, a sad-sack Uber driver who does not stand up for himself while Bautista is a "nothing gets in my way" take charge cop who (because of recent eye surgery) cannot drive and hires an Uber driver, Stu (who gets called STUBER, hence the name of the film), to chase down clues to a criminal he's been on the hunt for - shenanigans ensue.
Individually, some of the scenes/scenarios of this film are fine/funny and Nanjiani is terrific as Stu and adds some clever comedic elements to a script that is "good enough" by Tripper Clancy.
And then there's Bautista.
He seems lost in this film, underplaying the things that make him good, his over-exuberance and over physicality (if that is a term) of someone of his size. Is this Bautista's fault or did Director Michael Dowse (GOON) purposely tone him down? It doesn't really matter for it doesn't really work.
And this is the beginning of the problem with the chemistry between the two leads - Nanjiani manic energy is not matched by Bautista - he seems to be an "energy sucker" and takes quite a bit of life out of this film. But...Director Dowse is also a problem, for he brings this lack of energy to quite a few of the big action scenes, underplaying, not overplaying what should have been over played.
There are some good things in this - besides the script and Nanjiani, Natalie Morales and Betty Gilpin are good and we do have a "Mira Sorvino sighting", which is welcome...but that's about it. Oh...except for an extended cameo by Karen Gillan (Nebula in the GUARDIANS films) she brings some energy. I would have loved to see her paired with Nanjiani in this.
If you're looking for a good "buddy cop" film with good chemistry between the leads, might I suggest THE OTHER GUYS (Will Ferrell/Mark Wahlberg), RUNNING SCARED (Billy Crystal/Gregory Hines) or the greatest example of strong chemistry - 48 HOURS (Nick Nolte/Eddie Murphy). Stuber would be the example of just the opposite.
6 stars out of 10 (for Nanjiani, Gillan and Sorvino - and a script and circumstances that could have worked had the chemistry between the leads been better)
Letter Grade: B- and you can take that to the Bank(ofMarquis)