"Quiet Life' is one of the most beautiful tracks Giorgio Moroder ever created, and together with the voice of the uber-glamourous Dave Sylvian, is like heaven on a stick. The cover of 'All Tomorrow's Parties', dare I say, is better than the original."

"“Rocketman” was brilliantly executed. The magical surrealism from the first performances align us with what the uber-talented Elton must have been feeling at the Troubadour as he literally got his wings, while taking us from the starting point of how his alienation as a child led to his self-loathing and problems with drinking and drugs. Wrapping layers of glitter and glam around himself like armor to cover the pain created the icon of Elton John we know today."

"The only thing wrong about this movie is the terrible haircut Holly Hunter has at the end. Broadcast News is sharp and funny and endlessly quotable—and timelier than ever in this era of both so-called fake news and what feels like the re-emergence of world-changing journalism. I don’t know if I’ve ever related to a fictional character more than I do to Jane, Hunter’s smart, ambitious, flawed uber–Type A producer (who knows when to bust out a therapeutic cry). Add to that William Hurt at his most handsome, a complicated love triangle without a pat ending, the funniest theme-song sequence ever, and cinema’s most iconic polka-dot dress. It’s simply perfect."