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J.K. Simmons recommended Juno (2007) in Movies (curated)
Darren (1599 KP) rated The Dish (2001) in Movies
Sep 16, 2019
Characters – Cliff Buxton is the director of the facility, he remains calm for the additional pressure placed on him by this mission, he knows how to welcome a new member to the team and keep his loyal team showing the respect required, Cliff has been through his own personal tragedy which has given him extra motivation to be part of this moment in history. Mitch is the senior member of the team in Australia, he has worked with Cliff for years now and doesn’t take too keenly to Al, he must learn to accept his own mistakes and that everyone involved wants the same thing. Glenn is the youngest member of the team, he is nervous person in life and has a side story of whether he will ask a local woman out. Al is the representative from NASA, he is very much by the book figure and this does cause tension in places because he isn’t as laid back as the rest of the team, even though he does have the utmost respect for the team.
Performances – Sam Neill is brilliant in this film, he has always been one of the actors that can portray knowledge with ease and will always be engaging. Kevin Harrington, Tom Long and Patrick Warburton are all wonderful to watch, showing great chemistry throughout the film.
Story – The story here follows the small team of satellite team in Australia that have been selected to be the link in communication for NASA for the Apollo 11 mission to be the first man to walk on the moon, we see how they team had to overcome their own problems to make sure they are part of history. When it comes to the moon mission, it has to go down as one of the biggest moments in human history and over the years we have seen many stories about the people involved in making this moment in history happen. By seeing how a small crew has operated to make this event visible for the world is entertaining. Seeing how things didn’t go to plan shows how they had to show their skills to adapt to the situation is interesting and the side story of the Mayor seeing how proud he is to be selected for this. This is a complete story that shows us just how wonderful this event was for the people involved.
Comedy/History – The comedy involved in the film shows us just how the crew can make the events fee light-hearted with what happens, showing us how they can feel like they are can operate best with the laidback nature. This does circle around one of the biggest events in human history.
Settings – The film uses a couple of main locations, first and most importantly is the dish which shows how contained the operation was and how the town came together to be remembered in history.
Scene of the Movie – Rudy the security guard, he gets so many laughs it is brilliant.
That Moment That Annoyed Me – Nothing about this film.
Final Thoughts – This is easily one of the most underrated movies involving the moon landing, it is one that is easy to enjoy with laughs and historical moments blend effortlessly.
Overall: Wonderful drama.
Performances – Sam Neill is brilliant in this film, he has always been one of the actors that can portray knowledge with ease and will always be engaging. Kevin Harrington, Tom Long and Patrick Warburton are all wonderful to watch, showing great chemistry throughout the film.
Story – The story here follows the small team of satellite team in Australia that have been selected to be the link in communication for NASA for the Apollo 11 mission to be the first man to walk on the moon, we see how they team had to overcome their own problems to make sure they are part of history. When it comes to the moon mission, it has to go down as one of the biggest moments in human history and over the years we have seen many stories about the people involved in making this moment in history happen. By seeing how a small crew has operated to make this event visible for the world is entertaining. Seeing how things didn’t go to plan shows how they had to show their skills to adapt to the situation is interesting and the side story of the Mayor seeing how proud he is to be selected for this. This is a complete story that shows us just how wonderful this event was for the people involved.
Comedy/History – The comedy involved in the film shows us just how the crew can make the events fee light-hearted with what happens, showing us how they can feel like they are can operate best with the laidback nature. This does circle around one of the biggest events in human history.
Settings – The film uses a couple of main locations, first and most importantly is the dish which shows how contained the operation was and how the town came together to be remembered in history.
Scene of the Movie – Rudy the security guard, he gets so many laughs it is brilliant.
That Moment That Annoyed Me – Nothing about this film.
Final Thoughts – This is easily one of the most underrated movies involving the moon landing, it is one that is easy to enjoy with laughs and historical moments blend effortlessly.
Overall: Wonderful drama.
BankofMarquis (1832 KP) rated 8-BIT CHRISTMAS (2021) in Movies
Dec 12, 2021
Charming, Nostalgic and HeartWarming
If I told you that I just watched a charming Holiday movie where the Narrator reminisced about a Christmas of his youth - when he was 10 or 11 - and the Narrator desperately wanted a special present brought to him by Santa - but said item is strictly forbidden in his household, so the Narrator heads off on an adventure to get this item, you would think I was talking about the classic Holiday perennial A CHRISTMAS STORY - and you would be wrong.
I’m speaking about the HBO MAX Original Film 8-BIT CHRISTMAS starring Neil Patrick Harris as the Narrator of the story that reminisces about his life as a 10-11 year old around the Holidays in the late 1980’s.
And, darn it all, if it doesn’t work well (despite my indignation that all they are doing is ripping off A CHRISTMAS STORY) for there is enough nostalgia and heart to melt the emotions of even the most miserly of Ebenezer Scrooge’s this holiday season.
Written by Kevin Jakubowski (based off his book) and Directed by Michael Dowse (the underrated comedy STUBER), 8-Bit Christmas tells the tale of 11 year old Jake Doyle who wants nothing more in this world than to receive the mother of all Christmas presents - a Nintendo 8 Bit system. Along with a “Goonies” collection of friends, Jake sets off to find this hard to find item - and convince his parents to get it for him for Christmas.
In the hands of young actor Winslow Fegley (Disney’s TIMMY FAILURE), young Jake is a pleasant enough protagonist to head off on this journey with. His ragtag group of friends are a group of generic nerds that pretty much check-off the “nerd friend group” list (and this is meant as a compliment). We spend quite a bit of time with these kids and they are a good enough group of kids to spend time with.
This film does hit a few of the same notes as A CHRISTMAS STORY, there is an obsessed, seemingly out of touch Dad, this time played by Steve Zahn (RESCUE DAWN) in a heart-warming portrayal and the coupon-cutting, cost saving Mom played by June Diane Raphael (FORGETTING SARAH MARSHALL) who is putting up with it all. This film even has a younger sibling, this time a sister Lizzy, who wants her own elusive gift - a Cabbage Patch kid.
A highlight for me was the performance of Kathy Greenwood as the teacher with the constant sniffles. I know many a teacher and they almost ALWAYS have colds given to them from their charges.
This film is a fine post card of Chicago in the late 1980s and skewers (and honors) the pop-fads of the time (complete with fashion and styling) and is an entertaining enough 2 hour escape during the Holidays.
Oh, and did I mention that at one point in this film, I had to dab at my eyes with a tissue? Yes, despite my skepticism, this film managed to touch my heart even though I fought like crazy to deny that.
If you’re looking for a fun family entertainment this Holiday season, 8-BIT CHRISTMAS can fill the bill nicely.
Letter Grade: B+
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
I’m speaking about the HBO MAX Original Film 8-BIT CHRISTMAS starring Neil Patrick Harris as the Narrator of the story that reminisces about his life as a 10-11 year old around the Holidays in the late 1980’s.
And, darn it all, if it doesn’t work well (despite my indignation that all they are doing is ripping off A CHRISTMAS STORY) for there is enough nostalgia and heart to melt the emotions of even the most miserly of Ebenezer Scrooge’s this holiday season.
Written by Kevin Jakubowski (based off his book) and Directed by Michael Dowse (the underrated comedy STUBER), 8-Bit Christmas tells the tale of 11 year old Jake Doyle who wants nothing more in this world than to receive the mother of all Christmas presents - a Nintendo 8 Bit system. Along with a “Goonies” collection of friends, Jake sets off to find this hard to find item - and convince his parents to get it for him for Christmas.
In the hands of young actor Winslow Fegley (Disney’s TIMMY FAILURE), young Jake is a pleasant enough protagonist to head off on this journey with. His ragtag group of friends are a group of generic nerds that pretty much check-off the “nerd friend group” list (and this is meant as a compliment). We spend quite a bit of time with these kids and they are a good enough group of kids to spend time with.
This film does hit a few of the same notes as A CHRISTMAS STORY, there is an obsessed, seemingly out of touch Dad, this time played by Steve Zahn (RESCUE DAWN) in a heart-warming portrayal and the coupon-cutting, cost saving Mom played by June Diane Raphael (FORGETTING SARAH MARSHALL) who is putting up with it all. This film even has a younger sibling, this time a sister Lizzy, who wants her own elusive gift - a Cabbage Patch kid.
A highlight for me was the performance of Kathy Greenwood as the teacher with the constant sniffles. I know many a teacher and they almost ALWAYS have colds given to them from their charges.
This film is a fine post card of Chicago in the late 1980s and skewers (and honors) the pop-fads of the time (complete with fashion and styling) and is an entertaining enough 2 hour escape during the Holidays.
Oh, and did I mention that at one point in this film, I had to dab at my eyes with a tissue? Yes, despite my skepticism, this film managed to touch my heart even though I fought like crazy to deny that.
If you’re looking for a fun family entertainment this Holiday season, 8-BIT CHRISTMAS can fill the bill nicely.
Letter Grade: B+
7 stars (out of 10) and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Pootie Tang (2001) in Movies
May 3, 2018
Dare You Not to Like it
Platinum recording artist Pootie Tang (Lance Crouther) has to figure out how to get his mojo back after the scandalous Ireenie (Jennifer Coolidge) steals his magical belt that is the source of both his power and swag. Sound dumb? Well, it is. But it's damn funny and I challenge anyone not to laugh without cracking up at the absurdity of it all.
Acting: 10
Beginning: 10
Characters: 10
Pootie provides the most hilarious moments in the film. As it opens, Pootie is having an interview with Bob Costas and you quickly learn that Pootie speaks his own language literally. For the sake of this review, let's call it Pootie Slang. The audience doesn't understand Pootie Slang, but the world he lives in can somehow make out every word he's saying. Best example I can think of: Groot speech. The words he says are enough to make you laugh, but it's the confidence in which the lines are delivered that take it to a whole new level. Pootie's got swag. For whatever reason, the ladies love him and everyone respects him, including the "Tippy ties" (those are children, by the way). It's one of those films you have to see to understand.
If Pootie isn't enough, there's an array of characters that keep the film entertaining. There's Biggy Shorty (Wanda Sykes), Pootie's love interest who has an eccentric style of dress and will slap the taste out of the mouth of anyone that disrespects Pooty. Then you have Trucky, Pootie's loudmouth friend that basically lives off of Pootie's success. Dirty Dee (Reg E. Cathey), the dirty scoundrel who walks around constantly covered in muck. My personal favorite: Lacey (Mario Joyner) who has a special knack for repeating everything a person said as if it were his idea. I could go on...
Cinematography/Visuals: 7
You haven't laughed until you have seen eight-year-old Pootie walking down a street while a woman three times his age throws his big wheel out the window because she's mad at him. You haven't laughed until you see Pootie's father get attacked at his job by a "gorilla" which is really someone in a gorilla costume. You really haven't laughed until you've seen Pootie record a song with absolutely no sound as he silently screams into the mic. And you really haven't laughed...well, you get my point.
Conflict: 10
Genre: 8
Memorability: 7
Pace: 7
Pacing was a bit spotty at times. When it's rolling, it's really rolling. However, there were a handful of dry spots where the film didn't seem like it knew where it was headed.
Plot: 6
The plot is all over the place at times, like watching a grenade explode. It has a direct line of sight, sure. There is a clear beginning, middle, and end. It's all the filler between these three things where the film goes south. There is a bit of forgiveness here as Pootie Tang manages to stay humorous even when it's confusing. Sometimes the confusion is what makes things funny. The writing definitely could have been stronger in certain points.
Resolution: 9
Overall: 84
Will Pootie Tang ever win an award for underrated comedy? No. Is it a pretty darn good time that makes you laugh consistently? Absolutely. It's dumb, but that's what makes it endearing. Honestly, I don't think it's any less dumb than a Bill and Ted film or *insert Pauly Shore film here* and those are regarded as cult classics. Just saying...Give it a chance. Maybe you hate it, but it's going to leave you laughing a few times and that's all that matters.
P.S.--Did I really just mention Groot and Pootie Tang in the same review? Wow...
Acting: 10
Beginning: 10
Characters: 10
Pootie provides the most hilarious moments in the film. As it opens, Pootie is having an interview with Bob Costas and you quickly learn that Pootie speaks his own language literally. For the sake of this review, let's call it Pootie Slang. The audience doesn't understand Pootie Slang, but the world he lives in can somehow make out every word he's saying. Best example I can think of: Groot speech. The words he says are enough to make you laugh, but it's the confidence in which the lines are delivered that take it to a whole new level. Pootie's got swag. For whatever reason, the ladies love him and everyone respects him, including the "Tippy ties" (those are children, by the way). It's one of those films you have to see to understand.
If Pootie isn't enough, there's an array of characters that keep the film entertaining. There's Biggy Shorty (Wanda Sykes), Pootie's love interest who has an eccentric style of dress and will slap the taste out of the mouth of anyone that disrespects Pooty. Then you have Trucky, Pootie's loudmouth friend that basically lives off of Pootie's success. Dirty Dee (Reg E. Cathey), the dirty scoundrel who walks around constantly covered in muck. My personal favorite: Lacey (Mario Joyner) who has a special knack for repeating everything a person said as if it were his idea. I could go on...
Cinematography/Visuals: 7
You haven't laughed until you have seen eight-year-old Pootie walking down a street while a woman three times his age throws his big wheel out the window because she's mad at him. You haven't laughed until you see Pootie's father get attacked at his job by a "gorilla" which is really someone in a gorilla costume. You really haven't laughed until you've seen Pootie record a song with absolutely no sound as he silently screams into the mic. And you really haven't laughed...well, you get my point.
Conflict: 10
Genre: 8
Memorability: 7
Pace: 7
Pacing was a bit spotty at times. When it's rolling, it's really rolling. However, there were a handful of dry spots where the film didn't seem like it knew where it was headed.
Plot: 6
The plot is all over the place at times, like watching a grenade explode. It has a direct line of sight, sure. There is a clear beginning, middle, and end. It's all the filler between these three things where the film goes south. There is a bit of forgiveness here as Pootie Tang manages to stay humorous even when it's confusing. Sometimes the confusion is what makes things funny. The writing definitely could have been stronger in certain points.
Resolution: 9
Overall: 84
Will Pootie Tang ever win an award for underrated comedy? No. Is it a pretty darn good time that makes you laugh consistently? Absolutely. It's dumb, but that's what makes it endearing. Honestly, I don't think it's any less dumb than a Bill and Ted film or *insert Pauly Shore film here* and those are regarded as cult classics. Just saying...Give it a chance. Maybe you hate it, but it's going to leave you laughing a few times and that's all that matters.
P.S.--Did I really just mention Groot and Pootie Tang in the same review? Wow...
Ryan Hill (152 KP) rated The Incredible Hulk (2008) in Movies
May 9, 2019
"As far as I'm concerned, that man's whole body is property of the U.S. army."
I will defend this gem until the day I die.
The Incredible Hulk is without a doubt one of the most underrated, underappreciated film's that I have ever seen. There it is. I'm just putting it out there. Don't worry, I have my reasons that I'll get into but if you don't like this film, if you hate this film even, I encourage you to read this review. I encourage this because I hope to open your eyes to how beautiful and tragic The Incredible Hulk is.
For one, let's take it back to May 1962 when Stan Lee and Jack Kirby introduced to us, in his very own debut issue, the Hulk himself. According to interviews, Lee spoke of how this film truly captured the essence of the character and the comics. In those comics, General Thunderbolt Ross, along with the military, was always chasing Dr. Banner ever since the accident. This is portrayed brilliantly here by Louis Leterrier. I'm not a huge fan of his work but I got to give credit where credit's due.
I don't even know where to start for positives because there's so many. For one, Edward Norton is brilliant (yes brilliant) as Bruce Banner. His performance is so emotionally subdued, filled with great sadness and longing. They even show him suffering from PTSD, which has never been touched on with this character on film. Really great stuff on Norton's part. We also get to finally see Bruce Banner be a scientist. We've seen it in the future films sure, but not to this extent. Bruce is working with scraps, using solely his wits, in a third world country . . . just like in the comics.
The story of Hulk is really a tragic love story. I got serious King Kong vibes from the similar dynamic here and it's beautiful. The chemistry between Banner and Elizabeth Ross is great. It's so believable; two people put in an impossible situation and making it work. That's love.
Hulk's character is so well realized here. He suffers from PTSD like I said, but the actual monster himself is perfect. They even throw in a bit of a horror vibe for the first Hulk-out scene. Oh yeah, there's numerous Hulk-out scenes!!! There's so many great omages to the comics as well and I loved every bit of it.
Lastly, looking at it from a technical side it's great. The cinematography is extremely well done and a total feast for the eyes. The pacing is great and goes by like the snap of Thanos himself. The editing is top-notch. The soundtrack by Craig Armstrong is one of my favorites of all time and is so iconic and beautiful. Finally, there's a serious tone. FINALLY. There are some well incorporated jokes but unlike some other Marvel films, it's not overbearing.
As for negatives, they are almost none to nonexistent. Really just nitpicks. The taxi scene is a bit unrealistic and silly. It's the only scene of humor that felt a bit forced and silly, yet I can easily ignore it. But since this is an analysis, I had to mention it. Also, unlike Ruffalo's Hulk, Norton's Hulk doesn't look very similar to Norton himself. Again, purely a nitpick.
Overall, I absolutely love The Incredible Hulk
The Incredible Hulk is without a doubt one of the most underrated, underappreciated film's that I have ever seen. There it is. I'm just putting it out there. Don't worry, I have my reasons that I'll get into but if you don't like this film, if you hate this film even, I encourage you to read this review. I encourage this because I hope to open your eyes to how beautiful and tragic The Incredible Hulk is.
For one, let's take it back to May 1962 when Stan Lee and Jack Kirby introduced to us, in his very own debut issue, the Hulk himself. According to interviews, Lee spoke of how this film truly captured the essence of the character and the comics. In those comics, General Thunderbolt Ross, along with the military, was always chasing Dr. Banner ever since the accident. This is portrayed brilliantly here by Louis Leterrier. I'm not a huge fan of his work but I got to give credit where credit's due.
I don't even know where to start for positives because there's so many. For one, Edward Norton is brilliant (yes brilliant) as Bruce Banner. His performance is so emotionally subdued, filled with great sadness and longing. They even show him suffering from PTSD, which has never been touched on with this character on film. Really great stuff on Norton's part. We also get to finally see Bruce Banner be a scientist. We've seen it in the future films sure, but not to this extent. Bruce is working with scraps, using solely his wits, in a third world country . . . just like in the comics.
The story of Hulk is really a tragic love story. I got serious King Kong vibes from the similar dynamic here and it's beautiful. The chemistry between Banner and Elizabeth Ross is great. It's so believable; two people put in an impossible situation and making it work. That's love.
Hulk's character is so well realized here. He suffers from PTSD like I said, but the actual monster himself is perfect. They even throw in a bit of a horror vibe for the first Hulk-out scene. Oh yeah, there's numerous Hulk-out scenes!!! There's so many great omages to the comics as well and I loved every bit of it.
Lastly, looking at it from a technical side it's great. The cinematography is extremely well done and a total feast for the eyes. The pacing is great and goes by like the snap of Thanos himself. The editing is top-notch. The soundtrack by Craig Armstrong is one of my favorites of all time and is so iconic and beautiful. Finally, there's a serious tone. FINALLY. There are some well incorporated jokes but unlike some other Marvel films, it's not overbearing.
As for negatives, they are almost none to nonexistent. Really just nitpicks. The taxi scene is a bit unrealistic and silly. It's the only scene of humor that felt a bit forced and silly, yet I can easily ignore it. But since this is an analysis, I had to mention it. Also, unlike Ruffalo's Hulk, Norton's Hulk doesn't look very similar to Norton himself. Again, purely a nitpick.
Overall, I absolutely love The Incredible Hulk
Phillip McSween (751 KP) rated Wreck-It-Ralph (2012) in Movies
May 20, 2019
Underrated Masterpiece
Trying to prove his worth, star video game bad guy Ralph (John C. Reilly) goes on a quest to earn a medal and show the world he’s actually good.
Acting: 10
Beginning: 10
The intro is everything you want for the start of a movie. It builds a beautiful world while getting you immersed in it at the same time. I loved how the characters are introduced in true video game style fashion. By the time you see the characters ending their shift and stepping out of their games to go home, you already feel like you are a part of the world. The Bad Guys Anonymous meeting Ralph attends is easily one of my favorite scenes done in a movie. Just seeing the characters from my childhood talking about what it was like being a bad guy just puts a smile on my face everytime I watch it.
Characters: 10
Ralph is someone you can easily sympathize with as he really doesn’t seem like that bad of a guy. He’s gotten a bad rap because of his job but you watch him giving away fruit to lesser characters whose games have been unplugged and you can’t help but like the guy. Outside of Ralph, the sheer number of video game characters they were able to include was just plain amazing. It’s eye candy for both older and newer generations. The supporting cast will keep you entertained as well from Fix-it Felix (Jack McBrayer) who is a stickler for doing the right thing to Vanellope Von Schweetz (Sarah Silverman), a crazy game glitch that’s also on a quest to earn a medal. There is no shortage of depth or originality.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
I’ll stand by this statement and I’ll fight anyone on it: Because of it’s originality, visuals, and message, Wreck-it Ralph is not only one of the greatest animated films of all time, but one of the greatest films of all time. Period. It sets a new bar for animated movies from top to bottom. Every single time i watch it, I find something different to appreciate.
Memorability: 10
In one scene, Ralph finds himself in the middle of a Starship Trooper-esque battle fighting alien bugs and trying to make it to the top of a tower. It’s such an amazing scene to watch and one of my favorites…until, that is, I make it to the next scene where that one becomes my favorite. From one wild ride to the next, no moment is wasted in this movie. Neither is one easily forgotten. The movie also packs a beautiful message about embracing who you are in spite of your weaknesses.
Pace: 10
As I mentioned earlier, the movie makes full use of its time as it moves quickly from one scene to the next, never lingering. Where I find myself saying “Get to the point already” when I watch a lot of movies, director Rich More manages the pace excellently. Even during slower moments where Ralph and Vanellope are bantering back and forth, the movie forces you to have a good time.
Plot: 10
Video game stories are typically very linear but that isn’t a problem in the least with Wreck-it Ralph. There are enough twists and turns to renew your interest and keep you entertained. Each character was handled perfectly, given just enough screen time to impact the movie in their own way. Each piece of story is carefully crafted and never breaks the laws of the world in which the story takes place.
Resolution: 10
Overall: 100
What can I say? Some reviewers give perfect scores to Citizen Kane. I give them to movies like Wreck-it Ralph, movies that remind us of what watching movies is all about: Escape and having fun. Wreck-it Ralph will wow you, make you cheer, and leave you with enough memories to last ages.
Acting: 10
Beginning: 10
The intro is everything you want for the start of a movie. It builds a beautiful world while getting you immersed in it at the same time. I loved how the characters are introduced in true video game style fashion. By the time you see the characters ending their shift and stepping out of their games to go home, you already feel like you are a part of the world. The Bad Guys Anonymous meeting Ralph attends is easily one of my favorite scenes done in a movie. Just seeing the characters from my childhood talking about what it was like being a bad guy just puts a smile on my face everytime I watch it.
Characters: 10
Ralph is someone you can easily sympathize with as he really doesn’t seem like that bad of a guy. He’s gotten a bad rap because of his job but you watch him giving away fruit to lesser characters whose games have been unplugged and you can’t help but like the guy. Outside of Ralph, the sheer number of video game characters they were able to include was just plain amazing. It’s eye candy for both older and newer generations. The supporting cast will keep you entertained as well from Fix-it Felix (Jack McBrayer) who is a stickler for doing the right thing to Vanellope Von Schweetz (Sarah Silverman), a crazy game glitch that’s also on a quest to earn a medal. There is no shortage of depth or originality.
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
I’ll stand by this statement and I’ll fight anyone on it: Because of it’s originality, visuals, and message, Wreck-it Ralph is not only one of the greatest animated films of all time, but one of the greatest films of all time. Period. It sets a new bar for animated movies from top to bottom. Every single time i watch it, I find something different to appreciate.
Memorability: 10
In one scene, Ralph finds himself in the middle of a Starship Trooper-esque battle fighting alien bugs and trying to make it to the top of a tower. It’s such an amazing scene to watch and one of my favorites…until, that is, I make it to the next scene where that one becomes my favorite. From one wild ride to the next, no moment is wasted in this movie. Neither is one easily forgotten. The movie also packs a beautiful message about embracing who you are in spite of your weaknesses.
Pace: 10
As I mentioned earlier, the movie makes full use of its time as it moves quickly from one scene to the next, never lingering. Where I find myself saying “Get to the point already” when I watch a lot of movies, director Rich More manages the pace excellently. Even during slower moments where Ralph and Vanellope are bantering back and forth, the movie forces you to have a good time.
Plot: 10
Video game stories are typically very linear but that isn’t a problem in the least with Wreck-it Ralph. There are enough twists and turns to renew your interest and keep you entertained. Each character was handled perfectly, given just enough screen time to impact the movie in their own way. Each piece of story is carefully crafted and never breaks the laws of the world in which the story takes place.
Resolution: 10
Overall: 100
What can I say? Some reviewers give perfect scores to Citizen Kane. I give them to movies like Wreck-it Ralph, movies that remind us of what watching movies is all about: Escape and having fun. Wreck-it Ralph will wow you, make you cheer, and leave you with enough memories to last ages.
Gareth von Kallenbach (980 KP) rated Miles Ahead (2016) in Movies
Aug 6, 2019
If you’ve ever found yourself in a coffee shop, bookstore, or perhaps even a jazz club in the 21st century you can’t NOT have heard either the name ‘Miles Davis’, his music, or perhaps both. If you’ve been living under a rock your whole life and by some miracle you have a smartphone, computer, or a radio find a jazz station and it’s almost a sure thing you’ll here his music within minutes. The man is no myth although the man and his music are so legendary there is almost a mythical presence to him. He is one of the greats. No question. No argument.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
‘Miles Ahead’ is a biopic about the legendary jazz musician directed by and staring Don Cheadle who also co-wrote the film with Steven Baigelman, Christopher Wilkinson, and Steven J. Rivele.
Emayatzy Corinealdi, Ewan McGregor, Michael Stuhlbarg, and Keith Stanfield. Rather than focus on the entire life of the great jazz musician which could encompass several films and take up an entire archive, the film focuses mainly on a period in Davis’s life where he is living in relative seclusion in his home in New York City after having retreated from the public spotlight five years previously. Miles endeavors to begin recording and playing music once again after combating addictions to alcohol and cocaine which he indulged in to deal with his wife leaving him and the heavy stress brought upon him by a loss of inspiration to compose music. At about this same time ‘Rolling Stone’ reporter Dave Braden (McGregor), a borderline paparazzi of the time but not quite, calls upon Davis begging him to let him write about Davis’s great comeback. After several futile attempts on the part of Braden, Davis reluctantly agrees after Braden introduces him to a new dealer willing to supply him with high-grade cocaine. What follows is something thats almost out of a Hunter S. Thompson book as the two attempt to recover a demo tape of Davis’s most recent recordings from a low level gangster/manager/agent who stole the from Davis’s home. Amongst the drugs and the booze and the gun fights and car chases there are brief flashbacks into Miles’s past where he relives times good and bad with his wife Frances (Corinealdi). How they met, how they lived, and how she inspired some of his greatest works through her graceful dancing and their mutual love for classical music like Eric Satie, Chopin, and Stravinsky and how he eventually lost her due to his addictions and indulgences.
For such a brief glimpse into the life of one of music’s greatest, the movie was quite well done. It was clearly a labor of love for Mr. Cheadle who had his hands in nearly every aspect of the movie and went so far as to learn to play the trumpet so he could actually play the music himself in the movie. The actor, who is amongst the best and most underrated of our time, reportedly spent six years making this film. The background music is mostly comprised of tracks from arguably one of Davis’s best albums ‘Sketches Of Spain’ and selections of his work is played by Cheadle himself. It’s sometimes difficult to tell whether the movie is more about the music or the man himself. Does it honestly matter though? In many ways, they’re one in the same are they not? The movie is rated R for scenes with violence, adult language, and intimate scenes. I’d give it 4 out of 5 stars. The only negative thing I have to say about is that I wish there had been more about the life of the man. His beginnings. Like when he was accepted into the Juilliard School of Music in New York only to drop out. His days spent jamming with Charlie Parker. Again, that would encompass far more time than one would consider ‘feasible’ for a movie.
BankofMarquis (1832 KP) rated News of the World (2020) in Movies
Jan 17, 2021
Strongly Acted and Directed
Pound for pound, Tom Hanks is the best actor of this generation. From his big screen debut in SPLASH to his Oscar Nominated turn in BIG to his back-to-back Oscar wins for PHILADELPHIA and FORREST GUMP to more recent works like SULLY and THE POST, Hanks’ “everyman goodness” quality shines through the screen and makes him a screen presence that cannot be ignored.
And in his latest effort, the Paul Greengrass Directed NEWS OF THE WORLD, Hanks uses every molecule of his screen presence to keep the audience’s attention in a slow-paced, moody character study.
Based on the novel by Paulette Jiles, NEWS OF THE WORLD takes place in a post-Civil War Texas where a former Confederate Captain makes a living by going from town to town and reading the news to them. A chance encounter with a twice orphaned young girl alters the lives of both of them.
Writer/Director Paul Greengrass is most known for quick-cut action films like the BOURNE series or the criminally underrated GREEN ROOM, so he would seem - at first glance - as an unusual choice to adapt and direct this character study, but look further at Greengrass’ resume and you will find - in films such as UNITED 93 and CAPTAIN PHILLIPS - an ability to tell a story that is driven more by character than by action.
And this combination of Director and Actor works well for NEWS OF THE WORLD is a languidly paced piece that has a somber mood and look but Greengrass avoids the temptation of lingering on scenes or pictures too long (and there are some wonderful images captured by Greengrass and Cinemotgrapher Darius Wolski) to tell a story of a man who needs to rediscover and remake himself.
And Hanks is more than equal to the task of bringing the pragmatic, introspective Captain Jefferson Kyle Kidd character to life in a way that makes him intriguing and not boring. Hanks ability to show inherent decency in a look or a gesture is the stuff of legends and when he speaks, you listen. Which is good for Hanks is in every scene in this film and his performance needs to strongly capture the audience for this film to work - and he is more than equal to this task - so strong is Hanks in this role that I would not be surprised if there is another Oscar nomination in Tom’s near future.
Newcomer Helena Zegal is “just fine” in the other main role in this film - the young girl that Captain Kidd encounters, Johnna. This young girl is silent and shut down for most of the film and Zegal performs “shut down and silent” well. Also along for brief cameo roles of characters that Captain Kidd encounters on his journey is a bevy of wonderfully cast character actors that include Mare Winnigham, Ray McKinnon, Bill Camp and the always interesting to watch Elizabeth Marvel.
As is often the case in these sorts of films, the music/soundtrack becomes a vital part of the story that unfolds and 8 time Oscar nominated composer James Newton Howard (THE PRINCE OF TIDES) is more than up to the task. The music is another character in this film and helps set the mood along the journey.
But make no mistake, this is Hanks’ film - and he is VERY good in this. Like MIDNIGHT SKY (reviewed last month), this movie will not be for everyone - and many, many folks are going to tell me that they checked this movie out on my recommendation and were bored by it. But…if you click into the mood, motion and energy of what Greengrass is showing, you will be rewarded with an emotionally rich and complex character study.
Letter Grade: A-
8 stars (out of 10) - and you can take that to the Bank (ofMarquis)
And in his latest effort, the Paul Greengrass Directed NEWS OF THE WORLD, Hanks uses every molecule of his screen presence to keep the audience’s attention in a slow-paced, moody character study.
Based on the novel by Paulette Jiles, NEWS OF THE WORLD takes place in a post-Civil War Texas where a former Confederate Captain makes a living by going from town to town and reading the news to them. A chance encounter with a twice orphaned young girl alters the lives of both of them.
Writer/Director Paul Greengrass is most known for quick-cut action films like the BOURNE series or the criminally underrated GREEN ROOM, so he would seem - at first glance - as an unusual choice to adapt and direct this character study, but look further at Greengrass’ resume and you will find - in films such as UNITED 93 and CAPTAIN PHILLIPS - an ability to tell a story that is driven more by character than by action.
And this combination of Director and Actor works well for NEWS OF THE WORLD is a languidly paced piece that has a somber mood and look but Greengrass avoids the temptation of lingering on scenes or pictures too long (and there are some wonderful images captured by Greengrass and Cinemotgrapher Darius Wolski) to tell a story of a man who needs to rediscover and remake himself.
And Hanks is more than equal to the task of bringing the pragmatic, introspective Captain Jefferson Kyle Kidd character to life in a way that makes him intriguing and not boring. Hanks ability to show inherent decency in a look or a gesture is the stuff of legends and when he speaks, you listen. Which is good for Hanks is in every scene in this film and his performance needs to strongly capture the audience for this film to work - and he is more than equal to this task - so strong is Hanks in this role that I would not be surprised if there is another Oscar nomination in Tom’s near future.
Newcomer Helena Zegal is “just fine” in the other main role in this film - the young girl that Captain Kidd encounters, Johnna. This young girl is silent and shut down for most of the film and Zegal performs “shut down and silent” well. Also along for brief cameo roles of characters that Captain Kidd encounters on his journey is a bevy of wonderfully cast character actors that include Mare Winnigham, Ray McKinnon, Bill Camp and the always interesting to watch Elizabeth Marvel.
As is often the case in these sorts of films, the music/soundtrack becomes a vital part of the story that unfolds and 8 time Oscar nominated composer James Newton Howard (THE PRINCE OF TIDES) is more than up to the task. The music is another character in this film and helps set the mood along the journey.
But make no mistake, this is Hanks’ film - and he is VERY good in this. Like MIDNIGHT SKY (reviewed last month), this movie will not be for everyone - and many, many folks are going to tell me that they checked this movie out on my recommendation and were bored by it. But…if you click into the mood, motion and energy of what Greengrass is showing, you will be rewarded with an emotionally rich and complex character study.
Letter Grade: A-
8 stars (out of 10) - and you can take that to the Bank (ofMarquis)
Bob Mann (459 KP) rated The Shallows (2016) in Movies
Sep 29, 2021
The Deathly Shallows, part 1
Every shark movie is inevitably compared (unfavourably) against Spielberg’s classic 1975 tourist-muncher. And “The Shallows” is no exception. But while not a 5-Fad classic, this flick comes pretty close by being hugely enjoyable and having a lot going for it.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
Waxing lyrically. The shapely Blake Liveley.
Waxing lyrically. The shapely Blake Liveley.
Blake Lively (“The Age of Adeline“) plays surfer and trainee doctor Nancy, still grieving the recent death from cancer of her mother and travelling to a remote Mexican surf beach where she has photos of her mother surfing while pregnant with her. While surfing alone, Nancy is attacked a couple of hundred yards from the shore by a Great White and severely injured. She has the choice of refuge of either a low rock or another less palatable floating object. Choosing the rock (at low tide) she is faced with the dilemma of both surviving her injuries and then being rescued before the high tide takes the rock and leaves her to the mercy of the ever circling big-fish.
We're going to need a bigger rock.
We’re going to need a bigger rock.
A big summer blockbuster this is not, with a total cast of eleven (not including a guest appearance of Steven Seagull (as himself)). But the small cast doesn’t make it less gripping, and gripping it most certainly is, with tension building progressively (emphasised periodically by an on-screen clock) with the countdown to high tide.
Blake Lively is an underrated actress and really delivers the goods here. And bearing in mind the problems that Spielberg had with his mechanical shark Bruce (named after Spielberg’s lawyer) the appearance of the shark is limited to where actually needed, with Lively having to fill in the blanks with reaction shots. As your imagination is still far better than any special effects, this is hugely effective for certain sequences.
Pure horror: here Dad had gone down to the video rental and come back with 'Dirty Grandpa'.
Pure horror: her Dad had gone down to the video rental and come back with ‘Dirty Grandpa’.
The film draws similarities to another interesting entry in the “Jaws” genre – “Open Water 2: Adrift” from 2006. In that film there was the same incessant threat of shark attack combined with the audience frustration that safety (in that case, the deck of their yacht, if only they had let a ladder down) being so near. Here the 200 yards to the shore is shoutable to but still 190 yards too far.
The cinematography (by Flavio Martínez Labiano) is also just beautifully done with some stunning surf and underwater shots that not only highlight Ms Lively’s lithely (sic) figure and her Californian surfing skills, but also the beauty of the ‘Mexican coast’ (actually Lord Howe Island in New South Wales, Australia).
“The Shallows” was written by Anthony Jaswinski and directed by Jaume Collet-Serra (the director of “Non-Stop“, aka Taken 3.5). It comes with a truly impressive BvS quotient of just 5.9%!
So with all of this going for it, you would think that my rating is heading towards at least a 4.5. But all films like this require a satisfying denouement, and unfortunately this is where this one comes off the rails. It is just plain silly and, together with an unnecessary and irritating epilogue scene, diminishes what was on track to be one of the best films of the summer. So here’s the “One Mann’s Movies” solution:
Using Final Cut X, Adobe Premier or your favourite video editing suite, cut out the scene from 115:00 to 116:00 from “Jaws”;
Photoshop Blake Lively’s face onto Roy Scheider’s body.
Insert the finished clip into “The Shallows” at about 82 minutes in.
Enjoy a 5-Fad classic!
This limitation aside, it’s still worth your while hunting it out at a cinema near you, since the fantastic cinematography is best suited to a big screen.
Acanthea Grimscythe (300 KP) rated Repo! The Genetic Opera (2008) in Movies
May 12, 2018
Contains spoilers, click to show
Repo! The Genetic Opera is perhaps one of the most underrated films I’ve ever watched. The first time I watched it was at the behest of the elder of my younger brothers during my senior year of high school. At that time, I thought it was alright. The characters were hauntingly beautiful and the costumes delightfully dark, but beyond its appeal to my horror loving heart, I had little interest in re-watching it. The other day, I was browsing Shudder and came across it and decided to watch it for the sake of nostalgia. It was then that I picked up on the parody that my seventeen-year-old self missed entirely: for-profit healthcare.
Repo! takes place in 2056, where a planet-wide organ failure epidemic has led to drastic measures. In a time of need, a company by the name of GeneCo has come to the rescue. Offering payment plans to those that cannot afford their new organs, GeneCo saves the lives of those unfortunate souls. But what happens when they can’t meet their payments? Well, that’s what repo men are for, isn’t it?
So where does the parody come in? A similar system already exists in the way the American health care system is presently structured with its for-profit health insurance. Most insurance companies, like GeneCo, are not there for the benefit of their consumers, but for the filling of their pockets. As long as you can pay the premium (or the payment), your coverage remains intact and you’re able to get treatment and medication (or keep your organs in the world of Repo!). The moment you’re not able to do that, your coverage is often revoked (or your organs are repossessed). Of course, in the real world, this isn’t as brutal as it is in Repo! At least, not in most cases, but it can be just as scary. For myself, it’s often quite terrifying as I struggle to stay in remission from ulcerative pancolitis.
Moving on from the parody, there are other aspects of the movie that I feel are also accurate representations of today’s society – things that I feel Repo! was a bit ahead of its time on. The Largo family seems to represent the manner by which the wealthy feed upon the powerlessness of the poor. Also, am I the only one that, upon re-watching this film, can’t help but think of Trump when I’m looking at Rotti Largo? As a villain, Rotti is largely incompetent. He uses others to do what he can’t and often resorts to bullying to get what he wants, as can be seen in the blood contract with Blind Mag. Another example is how he manipulated Nathan and later Shiloh to break and control them, in hopes of controlling them. While it worked for the former of the two, Shiloh was not susceptible to his manipulation – yet another reference to something we’re seeing in today’s society in regards to Shiloh’s generation (that is present-day millennials) and the older generation, which is more mixed politically.
I think it’s also important that we take a moment to focus on Shiloh as a character. She is, perhaps, my least favorite character in this film. Then again, she was also in her rebellious teenage years and was, naturally, horrendously stereotyped. She loathed her father for keeping her bound to her room, even though she understood why and, even when she found out his sins and the lies he told her, she failed to turn against him – paying homage to the saying that “blood is thicker than water.” The end comics only state that she went into hiding, hinting that she was never to be heard from again – which is a shame. I’d like to think she’d become an activist, but… I guess that wasn’t her future.
One of my favorite things about this musical is the haunting and unearthly qualities that linger around Blind Mag and the Graverobber. This is a film I will watch again and again, even if others loathe it for being campy and over the top. In fact, I plan to show it to my Dad’s girlfriend’s kid.
Repo! takes place in 2056, where a planet-wide organ failure epidemic has led to drastic measures. In a time of need, a company by the name of GeneCo has come to the rescue. Offering payment plans to those that cannot afford their new organs, GeneCo saves the lives of those unfortunate souls. But what happens when they can’t meet their payments? Well, that’s what repo men are for, isn’t it?
So where does the parody come in? A similar system already exists in the way the American health care system is presently structured with its for-profit health insurance. Most insurance companies, like GeneCo, are not there for the benefit of their consumers, but for the filling of their pockets. As long as you can pay the premium (or the payment), your coverage remains intact and you’re able to get treatment and medication (or keep your organs in the world of Repo!). The moment you’re not able to do that, your coverage is often revoked (or your organs are repossessed). Of course, in the real world, this isn’t as brutal as it is in Repo! At least, not in most cases, but it can be just as scary. For myself, it’s often quite terrifying as I struggle to stay in remission from ulcerative pancolitis.
Moving on from the parody, there are other aspects of the movie that I feel are also accurate representations of today’s society – things that I feel Repo! was a bit ahead of its time on. The Largo family seems to represent the manner by which the wealthy feed upon the powerlessness of the poor. Also, am I the only one that, upon re-watching this film, can’t help but think of Trump when I’m looking at Rotti Largo? As a villain, Rotti is largely incompetent. He uses others to do what he can’t and often resorts to bullying to get what he wants, as can be seen in the blood contract with Blind Mag. Another example is how he manipulated Nathan and later Shiloh to break and control them, in hopes of controlling them. While it worked for the former of the two, Shiloh was not susceptible to his manipulation – yet another reference to something we’re seeing in today’s society in regards to Shiloh’s generation (that is present-day millennials) and the older generation, which is more mixed politically.
I think it’s also important that we take a moment to focus on Shiloh as a character. She is, perhaps, my least favorite character in this film. Then again, she was also in her rebellious teenage years and was, naturally, horrendously stereotyped. She loathed her father for keeping her bound to her room, even though she understood why and, even when she found out his sins and the lies he told her, she failed to turn against him – paying homage to the saying that “blood is thicker than water.” The end comics only state that she went into hiding, hinting that she was never to be heard from again – which is a shame. I’d like to think she’d become an activist, but… I guess that wasn’t her future.
One of my favorite things about this musical is the haunting and unearthly qualities that linger around Blind Mag and the Graverobber. This is a film I will watch again and again, even if others loathe it for being campy and over the top. In fact, I plan to show it to my Dad’s girlfriend’s kid.