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Emma @ The Movies (1786 KP) rated The Meg (2018) in Movies
Sep 25, 2019
Further down the page you'll see that I've seen it again... of course I did... but that time I saw it in 2D. After trying both versions I'd say you should see it in 3D because the underwater scenes really do benefit from the extra wow factor.
This is the story of a poor shark living down under the bottom of the bottom of the ocean. Happily swimming around in the dark until some nosy old divers come down and set off his migraine with their bright lights. As he attempts to turn out all the lights and go back to his quiet life things just get worse. A rupture in the ocean floor sends him out into the ocean above he finds himself stuck up there surrounded by even more things that aren't going to help his migraine.
First he encounters the observatory with all of their bright lights, but he soon discovers that biting it is going to do nothing to help. He then encounters two whales who are jibber jabbering so loudly that it's setting his several hundred teeth on edge.
Clearly this isn't the section of ocean for him so he heads off for more open water... but of course he bumps into some rather vicious killers who are slicing up his little sharky pals... and he's having none of that and decides to dispense some bitey justice.
Finally, thinking he's got away from all these horrible fishermen and boats he finds himself swimming into some clearer waters. But what's this? Litter everywhere along the ocean floor?! Big plastic floaty things covering the surface?! This isn't the way the ocean should be treated. Some more, swift, bitey justice leads to the problem being cleared with very little effort.
This is the story of The Equalizer of the shark world.
This is also why we should start telling stories from the "baddies" point of view.
Regardless of how serious the film was designed to be it was very entertaining. Action, some great visuals, sharks chomping things, a dog, a bit of romance, Jason Statham looking buff. There wasn't anything I didn't love about this. It's exactly as predictable as you expect it to be and that's why it's good, you've got the anticipation of what you know is going to come, you just don't know in what order it'll be.
This is the story of a poor shark living down under the bottom of the bottom of the ocean. Happily swimming around in the dark until some nosy old divers come down and set off his migraine with their bright lights. As he attempts to turn out all the lights and go back to his quiet life things just get worse. A rupture in the ocean floor sends him out into the ocean above he finds himself stuck up there surrounded by even more things that aren't going to help his migraine.
First he encounters the observatory with all of their bright lights, but he soon discovers that biting it is going to do nothing to help. He then encounters two whales who are jibber jabbering so loudly that it's setting his several hundred teeth on edge.
Clearly this isn't the section of ocean for him so he heads off for more open water... but of course he bumps into some rather vicious killers who are slicing up his little sharky pals... and he's having none of that and decides to dispense some bitey justice.
Finally, thinking he's got away from all these horrible fishermen and boats he finds himself swimming into some clearer waters. But what's this? Litter everywhere along the ocean floor?! Big plastic floaty things covering the surface?! This isn't the way the ocean should be treated. Some more, swift, bitey justice leads to the problem being cleared with very little effort.
This is the story of The Equalizer of the shark world.
This is also why we should start telling stories from the "baddies" point of view.
Regardless of how serious the film was designed to be it was very entertaining. Action, some great visuals, sharks chomping things, a dog, a bit of romance, Jason Statham looking buff. There wasn't anything I didn't love about this. It's exactly as predictable as you expect it to be and that's why it's good, you've got the anticipation of what you know is going to come, you just don't know in what order it'll be.
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JT (287 KP) rated The Reef (2010) in Movies
Mar 10, 2020
“You’re gonna need a bigger boat!” those few words struck terror into the hearts of cinema goers who got a first glimpse of Steven Spielberg’s monster rising out of the water in Jaws. Others have attempted to recreate that fear.
Open Water saw two divers float around for ages before finally becoming lunch for a pack of hunting tiger sharks. Deep Blue Sea used CGI technology to create massive predators with a smart enough brain to devour the hapless crew of a scientific research station. And Shark Night 3D gave us blood curdling horror with half naked women thrown in for good measure. The Reef, encompasses most of the above minus the CGI. Here it’s replaced with clever and careful editing of one of the most beautiful but sinister creatures of the ocean….the Great White Shark.
A small group of friends, some with a past, get together on a yacht and hit the clear blue waters to deliver it to a waiting recipient. When it capsizes they are faced with the choice, swim for it to the nearest land miles away or wait it out on a potentially sinking vessel. Four members venture out leaving one behind, who after confessing he fishes the waters has no desire to get his feet wet, but excelling in scaring the shit out of his friends by telling them they all look like seals ready for the slaughter.
For any low budget indie film such as this creating tension when you have a location that looks exactly the same for miles in each direction is always going to be hard. But to his credit Andrew Traucki does extremely well in building up the entrance of our finned friend. Capturing the underwater viewpoint from Luke (the only one with a face mask) he dives down now and again to check the murky undertow for signs of life at the request of some very distressed friends. You’re always half expecting to see something but it never comes, until you finally catch a glimpse of the tail, and then your heart will race.
Of course this tension has to be sustained for the next forty-five minutes which is pretty hard. The acting is OK, made all the more effective by the fact that the cast is a bunch of relative unknowns. It’s hardly a surprise ending however, but given what Traucki has to work with he’s a produced good effort. There’s enough here to keep anyone happy, more so if you’re afraid of being left to die in miles of open water….oh, and you hate sharks!
Open Water saw two divers float around for ages before finally becoming lunch for a pack of hunting tiger sharks. Deep Blue Sea used CGI technology to create massive predators with a smart enough brain to devour the hapless crew of a scientific research station. And Shark Night 3D gave us blood curdling horror with half naked women thrown in for good measure. The Reef, encompasses most of the above minus the CGI. Here it’s replaced with clever and careful editing of one of the most beautiful but sinister creatures of the ocean….the Great White Shark.
A small group of friends, some with a past, get together on a yacht and hit the clear blue waters to deliver it to a waiting recipient. When it capsizes they are faced with the choice, swim for it to the nearest land miles away or wait it out on a potentially sinking vessel. Four members venture out leaving one behind, who after confessing he fishes the waters has no desire to get his feet wet, but excelling in scaring the shit out of his friends by telling them they all look like seals ready for the slaughter.
For any low budget indie film such as this creating tension when you have a location that looks exactly the same for miles in each direction is always going to be hard. But to his credit Andrew Traucki does extremely well in building up the entrance of our finned friend. Capturing the underwater viewpoint from Luke (the only one with a face mask) he dives down now and again to check the murky undertow for signs of life at the request of some very distressed friends. You’re always half expecting to see something but it never comes, until you finally catch a glimpse of the tail, and then your heart will race.
Of course this tension has to be sustained for the next forty-five minutes which is pretty hard. The acting is OK, made all the more effective by the fact that the cast is a bunch of relative unknowns. It’s hardly a surprise ending however, but given what Traucki has to work with he’s a produced good effort. There’s enough here to keep anyone happy, more so if you’re afraid of being left to die in miles of open water….oh, and you hate sharks!
Ross (3284 KP) rated Across the Broken Stars in Books
Feb 14, 2020
Unusual space fantasy ... with wings!
I received an advance copy of this book from BookSirens and provide this honest review.
This book has a very unusual setting with plenty left to the imagination. The story takes place in a world of "discs" (I presume man-made but not wholly clear), large surfaces with a metal base and a force field keeping oxygen in and gravity working, where single multi-purpose crops ("omnicrops") provide perfect sustenance, various fungi/mosses providing building materials, luminescence and underwater/outer space breathing apparatus.
Despite this apparent sci-fi setting, the technology is at a very early stage - weapons are limited to swords/arrows and vehicles are drawn by pegasi or wind power. Space travel is accomplished by launching oneself towards your destination and hoping to reach the other, orbiting, disc. Unless you're an angel/Pegasus where your wings can apparently help propel you through space (you know, air-less space, where wings wouldn't be of any use) - but hey this is fantasy lets not get bogged down with this.
The angels have been wiped out by the ruling race during a long and nasty war. Leon, a cowardly traitorous "former" angel, is in hiding living a simple life drinking and gambling his days away after back-breaking work unloading airships. He is approached by someone he starts to believe is an angel who has tracked him down. Unfortunately she is also being tracked by an Inquisitor, and the two are forced to run.
Elena, the last angel with wings, is determined to outrun the Inquisition and find Waverrym, the mythical hidden home of the remaining angels. The two (Leon reluctantly) embark on a journey to unravel puzzles and riddles to determine the location of their only haven.
Leon is quite an annoying protagonist, being a whiney, cowardly husk of a man. His role in the story is using his angel training and knowledge to solve the riddles they uncover, while training Elena along the way.
The story is well planned out with a decent plot and well-crafted dungeon-type areas (at times it felt a little D&D/LitRPG). While there was a definite lull to my mind around the halfway mark this didn't impact my enjoyment too much.
If you can accept the fact that angel wings / Pegasus wings can allow someone to fly through space, the world is well thought out and very original, and the story very enjoyable. Some of the dialogue was a little clunky but not overly annoying.
This book has a very unusual setting with plenty left to the imagination. The story takes place in a world of "discs" (I presume man-made but not wholly clear), large surfaces with a metal base and a force field keeping oxygen in and gravity working, where single multi-purpose crops ("omnicrops") provide perfect sustenance, various fungi/mosses providing building materials, luminescence and underwater/outer space breathing apparatus.
Despite this apparent sci-fi setting, the technology is at a very early stage - weapons are limited to swords/arrows and vehicles are drawn by pegasi or wind power. Space travel is accomplished by launching oneself towards your destination and hoping to reach the other, orbiting, disc. Unless you're an angel/Pegasus where your wings can apparently help propel you through space (you know, air-less space, where wings wouldn't be of any use) - but hey this is fantasy lets not get bogged down with this.
The angels have been wiped out by the ruling race during a long and nasty war. Leon, a cowardly traitorous "former" angel, is in hiding living a simple life drinking and gambling his days away after back-breaking work unloading airships. He is approached by someone he starts to believe is an angel who has tracked him down. Unfortunately she is also being tracked by an Inquisitor, and the two are forced to run.
Elena, the last angel with wings, is determined to outrun the Inquisition and find Waverrym, the mythical hidden home of the remaining angels. The two (Leon reluctantly) embark on a journey to unravel puzzles and riddles to determine the location of their only haven.
Leon is quite an annoying protagonist, being a whiney, cowardly husk of a man. His role in the story is using his angel training and knowledge to solve the riddles they uncover, while training Elena along the way.
The story is well planned out with a decent plot and well-crafted dungeon-type areas (at times it felt a little D&D/LitRPG). While there was a definite lull to my mind around the halfway mark this didn't impact my enjoyment too much.
If you can accept the fact that angel wings / Pegasus wings can allow someone to fly through space, the world is well thought out and very original, and the story very enjoyable. Some of the dialogue was a little clunky but not overly annoying.
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Andy K (10821 KP) rated Creature from the Black Lagoon (1954) in Movies
Sep 22, 2019
The creature lurks!
In the Amazon jungle, a prehistoric amphibian claw fossil is found prodding local scientists to investigate its origins. They decide on an expedition to gain more information and possibly locate its origins.
The journey is a dangerous one figuring out where to find the mysterious lagoon which is locked in a desolate location within the tropical jungle. Their undersea adventures are met with initial disappoint only locating some interesting plant and animal life.
Within the depths on the lagoon, a strange creature has taken notice of his new guests and is not too happy about it. He lurks submerged within the deep watching and waiting for his opportunity to strike. He ventures close by to gather information and figure out his opponents' vulnerabilities. He also notices the pretty girl among the crew of men.
After a few encounters with the creature, the scientists grow increasingly concerned after the creature has had his way with a few of them, so they attempt to make their escape. Somehow, a large fallen tree is now blocking their path which was clear when they arrived at the lagoon.
There will be an ultimate standoff to secure their release or the demise of the creature.
The look of this film is plain remarkable. This has to be one of the earliest movies to utilize extensive underwater footage and it is very believable. The cinematography for the time period is both beautiful and menacing when needed in glorious black and white.
Obviously, we are talking 1950s special effects here; however, the creature itself stands the test of time. I am not sure how the man in the rubber sit was able to not only see what he was doing, swim quickly in and under water as well as jump into the water while on fire at one point. The mask also was able to move the creature's mouth up and down as well as look like he was breathing while out of the water using his gills. The effect worked really well.
This film was made at a time when the previous Universal Studios monster films had run their course in the 1930s and 1940s, but were not yet into the ultra B movie era in the 1950s and beyond.
If Universal ever gets back to its current "Monster" universe after the mediocre Tom Cruise "Mummy" film, I'm sure the creature will rise again. Until then, enjoy this classic creature gem.
The journey is a dangerous one figuring out where to find the mysterious lagoon which is locked in a desolate location within the tropical jungle. Their undersea adventures are met with initial disappoint only locating some interesting plant and animal life.
Within the depths on the lagoon, a strange creature has taken notice of his new guests and is not too happy about it. He lurks submerged within the deep watching and waiting for his opportunity to strike. He ventures close by to gather information and figure out his opponents' vulnerabilities. He also notices the pretty girl among the crew of men.
After a few encounters with the creature, the scientists grow increasingly concerned after the creature has had his way with a few of them, so they attempt to make their escape. Somehow, a large fallen tree is now blocking their path which was clear when they arrived at the lagoon.
There will be an ultimate standoff to secure their release or the demise of the creature.
The look of this film is plain remarkable. This has to be one of the earliest movies to utilize extensive underwater footage and it is very believable. The cinematography for the time period is both beautiful and menacing when needed in glorious black and white.
Obviously, we are talking 1950s special effects here; however, the creature itself stands the test of time. I am not sure how the man in the rubber sit was able to not only see what he was doing, swim quickly in and under water as well as jump into the water while on fire at one point. The mask also was able to move the creature's mouth up and down as well as look like he was breathing while out of the water using his gills. The effect worked really well.
This film was made at a time when the previous Universal Studios monster films had run their course in the 1930s and 1940s, but were not yet into the ultra B movie era in the 1950s and beyond.
If Universal ever gets back to its current "Monster" universe after the mediocre Tom Cruise "Mummy" film, I'm sure the creature will rise again. Until then, enjoy this classic creature gem.