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Kingsdown Sundown by Will Varley
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With the follow-up to the stellar Postcards From Ursa Minor, an album that propelled Will into...
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Eleanor Luhar (47 KP) rated The Monstrous Child in Books
Jun 24, 2019
I finished this on Tuesday but have had some technical problems, which is why I'm posting it now. (Sorry.)
Apparently this is book #3 in the Mortal Gods series - but I read it believing it to be a standalone novel and really enjoyed it like that. It's another short, new YA book, which a pretty large font to fill up more space. I never used to like short books, but I've found some I've really enjoyed recently, including this one.
One of Loki's (monstrous) children is Hel, a girl with a perfectly normal human body... except her legs are dead. Like, full-on decaying dead. Still, she's a goddess, even if she's never treated as one.
Hel has learned to just deal with what she's got in life and carry on. But when she's kidnapped and taken to Asgard - the home of the gods - she finds an unexpected light of hope. His name is Baldr, and he's the only one who's ever treated her like she's normal. The only problem is that he's married.
And then, just to make matters worse, Hel is literally thrown into the underworld, sentenced to be the queen of Nifelheim for all of eternity. It's cold, smelly, and soon enough, full of dead people. She's alone, plotting her revenge on the gods, with no chance of escape - but at least it's hers. She can build her own fortress without anyone guiding her; she can order the dead around however she pleases. And she can have a high seat ready, beside hers, for when Baldr inevitably comes for her.
What she wasn't planning was a third seat...
Anyway, Hel has created Hel for the dead, the End of Days is drawing nearer, and dear old Dad has dropped by for a favour. All very... fun.
I thought this was a really different kind of book. The narrative voice is really sarcastic and youthful, pretty funny too, as well as still sounding like a Norse goddess. She also sounded somewhat modern, too - which I suppose would be the case if you were immortal. Sometimes I found her to find a little too sarcastic and bitter, a little too chatty and "different". I don't know, it just didn't sound all that natural sometimes.
The whole Norse theme was refreshing - not some paranormal YA romance that you see everywhere - and really well told. Hel was a really interesting character, too; modern enough to relate to yet still believably a Norse goddess.
As I said, I read this without realising there were other books before it in the series. I didn't realise that at all while reading - I didn't feel like I was missing anything and still enjoyed it plenty. I'm going to say 3.5 to 4 stars for The Monstrous Child. I'll have to look out for the other books.
Apparently this is book #3 in the Mortal Gods series - but I read it believing it to be a standalone novel and really enjoyed it like that. It's another short, new YA book, which a pretty large font to fill up more space. I never used to like short books, but I've found some I've really enjoyed recently, including this one.
One of Loki's (monstrous) children is Hel, a girl with a perfectly normal human body... except her legs are dead. Like, full-on decaying dead. Still, she's a goddess, even if she's never treated as one.
Hel has learned to just deal with what she's got in life and carry on. But when she's kidnapped and taken to Asgard - the home of the gods - she finds an unexpected light of hope. His name is Baldr, and he's the only one who's ever treated her like she's normal. The only problem is that he's married.
And then, just to make matters worse, Hel is literally thrown into the underworld, sentenced to be the queen of Nifelheim for all of eternity. It's cold, smelly, and soon enough, full of dead people. She's alone, plotting her revenge on the gods, with no chance of escape - but at least it's hers. She can build her own fortress without anyone guiding her; she can order the dead around however she pleases. And she can have a high seat ready, beside hers, for when Baldr inevitably comes for her.
What she wasn't planning was a third seat...
Anyway, Hel has created Hel for the dead, the End of Days is drawing nearer, and dear old Dad has dropped by for a favour. All very... fun.
I thought this was a really different kind of book. The narrative voice is really sarcastic and youthful, pretty funny too, as well as still sounding like a Norse goddess. She also sounded somewhat modern, too - which I suppose would be the case if you were immortal. Sometimes I found her to find a little too sarcastic and bitter, a little too chatty and "different". I don't know, it just didn't sound all that natural sometimes.
The whole Norse theme was refreshing - not some paranormal YA romance that you see everywhere - and really well told. Hel was a really interesting character, too; modern enough to relate to yet still believably a Norse goddess.
As I said, I read this without realising there were other books before it in the series. I didn't realise that at all while reading - I didn't feel like I was missing anything and still enjoyed it plenty. I'm going to say 3.5 to 4 stars for The Monstrous Child. I'll have to look out for the other books.
Darren (1599 KP) rated Blood Father (2016) in Movies
Sep 2, 2019
Story: Blood Father starts as John Link (Gibson) who has recovered from his own substance abuse problems to be a tattooist while being parole. He has been searching for his daughter for years but when Lydia (Moriarty) calls him in need of help he races to her aid.
Link finds out that Lydia is in over her head which leads him into going on the run breaking his parole to protect her and locate the people who are trying to kill his daughter, using old connections along the way.
Thoughts on Blood Father
Characters – John Link is a former alcoholic convict, he has cleaned himself up but when his daughter finds herself in trouble he must go back into the routes that left him in prison, he must go after the men trying to kill his daughter, while stopping himself going off the bandwagon. Lydia is the teenager daughter runaway, she finds herself in too deep with the drug cartels but now she needs to trust her father to keep her safe. Jonah is the boyfriend of Lydia that she believes she killed cause the effects of the film. Preacher is one of the people Link turns to for help while Kirby is his support while trying to stay off the drinks.
Performances – Mel Gibson might have had troubled times recently but he shows us here the talent he holds to lead a movie in the action genre. Erin Moriarty is good in this film too because she shows us a street wise character beyond her years. Diego Luna is solid as the villain but we just don’t get enough from his character. This is a problem through the film, we don’t give the support characters enough time.
Story – The story is good, as it follows a distant father daughter relationship needing to rebuild after she finds herself in trouble with the law. This works for the story because we know how the aging hero is the new thing now, as an actor that can easily be the new one that saves his child and this gives us everything we want, we have moments of comedy as the two come from difference backgrounds but overall this is everything you would expect it to be
Action/Crime – The action is fire fights between Link and anyone that gets in his way, this does work well as the crime side of the story takes us into.
Settings – The settings show us the underworld that works for the hiding from potential trouble using no iconic landmarks which makes this fully believable.
Scene of the Movie – Showdown
That Moment That Annoyed Me – We don’t learn enough about the villains.
Final Thoughts – This is a good action film that is enjoyable, short sweet and gives you everything you want.
Overall: Action film 101.
Link finds out that Lydia is in over her head which leads him into going on the run breaking his parole to protect her and locate the people who are trying to kill his daughter, using old connections along the way.
Thoughts on Blood Father
Characters – John Link is a former alcoholic convict, he has cleaned himself up but when his daughter finds herself in trouble he must go back into the routes that left him in prison, he must go after the men trying to kill his daughter, while stopping himself going off the bandwagon. Lydia is the teenager daughter runaway, she finds herself in too deep with the drug cartels but now she needs to trust her father to keep her safe. Jonah is the boyfriend of Lydia that she believes she killed cause the effects of the film. Preacher is one of the people Link turns to for help while Kirby is his support while trying to stay off the drinks.
Performances – Mel Gibson might have had troubled times recently but he shows us here the talent he holds to lead a movie in the action genre. Erin Moriarty is good in this film too because she shows us a street wise character beyond her years. Diego Luna is solid as the villain but we just don’t get enough from his character. This is a problem through the film, we don’t give the support characters enough time.
Story – The story is good, as it follows a distant father daughter relationship needing to rebuild after she finds herself in trouble with the law. This works for the story because we know how the aging hero is the new thing now, as an actor that can easily be the new one that saves his child and this gives us everything we want, we have moments of comedy as the two come from difference backgrounds but overall this is everything you would expect it to be
Action/Crime – The action is fire fights between Link and anyone that gets in his way, this does work well as the crime side of the story takes us into.
Settings – The settings show us the underworld that works for the hiding from potential trouble using no iconic landmarks which makes this fully believable.
Scene of the Movie – Showdown
That Moment That Annoyed Me – We don’t learn enough about the villains.
Final Thoughts – This is a good action film that is enjoyable, short sweet and gives you everything you want.
Overall: Action film 101.
Ivana A. | Diary of Difference (1171 KP) rated The Die of Death in Books
Oct 2, 2020
The Die of Death is the second book from The Great Devil War Series, written by Kenneth B. Andersen. If you have read my review of the first book, The Devil’s Apprentice, you would be familiar with Philip.
Philip is a good boy, but he ends up in Hell by mistake. And on top of that, he is chosen to be the Devil’s Apprentice. Even though he’s always be good, he is not good at being bad. A danger occurs in Hell and the Devil is dying. When Philip solves the mystery, he returns on Earth to continue his normal life.
But when the future of the underworld is threatened once again, they need Philip’s help. Death’s Die has been stolen, the one that decides when each person is going to die. Because of that, immortality is now spreading. Philip goes back to hell to solve the mystery, but during his adventures he discovers some horrible truths…
I really have no clue why it took me quite a long time to get to the second book, but I am so happy that I finally got to read it, and endeavour this story.
It is so unique and I am in love!
The chapters just flow through – even better than the first book – and within minutes you are captured in this world, full of good and evil, or decisions being made that question your moral time and time again, in a very understandable way for young adults as well.
The story of the Die of Death, and the scenes related to it were my favourite. I love what Kenneth created, and how Death rolls a dice at the beginning of each life, that determines how many years each person gets to live. I loved how everyone had their own hourglasses and the mysterious snake that guards them.
We get to see the Purgatory in this book too. Only for a moment, but it was wonderful to read about it. It reminded me so much of Dante’s inferno, and I loved it! There was also the theory of reincarnation, told by a dog – a scene that was quite powerful! We even got a glimpse of Heavan, a few mentions here and there, that made me want to know more.
I like Philip as a character, but Satina was my hero! She has the best comment on everything, and they make such a good team with Philip. Also – did you know Hell has its own newspaper? It’s called Hell Times! So cool!
I loved this book. I cherish it. And I can’t wait to see what happens next and I highly recommend it to you – especially this month, as it’s Spooky October already!
Philip is a good boy, but he ends up in Hell by mistake. And on top of that, he is chosen to be the Devil’s Apprentice. Even though he’s always be good, he is not good at being bad. A danger occurs in Hell and the Devil is dying. When Philip solves the mystery, he returns on Earth to continue his normal life.
But when the future of the underworld is threatened once again, they need Philip’s help. Death’s Die has been stolen, the one that decides when each person is going to die. Because of that, immortality is now spreading. Philip goes back to hell to solve the mystery, but during his adventures he discovers some horrible truths…
I really have no clue why it took me quite a long time to get to the second book, but I am so happy that I finally got to read it, and endeavour this story.
It is so unique and I am in love!
The chapters just flow through – even better than the first book – and within minutes you are captured in this world, full of good and evil, or decisions being made that question your moral time and time again, in a very understandable way for young adults as well.
The story of the Die of Death, and the scenes related to it were my favourite. I love what Kenneth created, and how Death rolls a dice at the beginning of each life, that determines how many years each person gets to live. I loved how everyone had their own hourglasses and the mysterious snake that guards them.
We get to see the Purgatory in this book too. Only for a moment, but it was wonderful to read about it. It reminded me so much of Dante’s inferno, and I loved it! There was also the theory of reincarnation, told by a dog – a scene that was quite powerful! We even got a glimpse of Heavan, a few mentions here and there, that made me want to know more.
I like Philip as a character, but Satina was my hero! She has the best comment on everything, and they make such a good team with Philip. Also – did you know Hell has its own newspaper? It’s called Hell Times! So cool!
I loved this book. I cherish it. And I can’t wait to see what happens next and I highly recommend it to you – especially this month, as it’s Spooky October already!
Gangstar New Orleans
Games and Entertainment
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The gold standard for open-world action games is back, this time in the fascinating city of New...
Phillip McSween (751 KP) rated John Wick: Chapter 3 - Parabellum (2019) in Movies
Jun 3, 2019
Hoping it Doesn't Become a Victim of its Own Success
The world is trying to kill John Wick (Keanu Reeves)…but not before he kills them first.
Acting: 9
Beginning: 10
Characters: 8
This third installment brings back a lot of the characters we have become familiar with in the first two movies. There’s Wick, of course, striking like a black mamba and trying to kill everything in his path. Winston (Ian McShane) is back as the tasteful Manager of the underworld assassin hotel being his usual charming self. I was excited to see hotel concierge Charon (Lance Reddick) get a larger slice of the action this time around as it was long overdue in my opinion.
The rest of the characters? Meh. I could take them or leave them. Reason being, they mostly felt flat for some reason. Take The Adjudicator (Asia Kate Dillon) for example. It felt like she just showed up to be an asshole for two minutes then she would disappear. Her role was annoying at best. But Wick is who we come to see. And Wick delivers. Who cares if he’s shooting at a bunch of cardboard cut-outs?
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Memorability: 8
Slightly more forgettable than the first two installments as it stumbles through a few parts here and there. There were a number of amazing scenes I can say for certain I haven’t seen done in any other action movie or any movie period. What they did with animals alone was a pleasant treat. I won’t spoil anything that you probably should know already, but I will say that the creativity and the stylistic choices of the kills makes movies like these really hard to forget.
Pace: 10
Plot: 5
There were definitely some parts that left me shaking my head. I don’t know why director Chad Stahelski chose to throw certain things in. It was almost as if they did it for the sake of trying to add more drama. With movies like these, there is no need to force anything as the drama typically comes anyway. The story is all over the place at times, overdone in others.
Resolution: 6
I watched the ending thinking, “Good…but stop there please.” It didn’t leave me wanting more, rather for the series to be done. Not sure what could have been done differently, but I think it stumbles compared to the endings of the first two.
Overall: 86
A solid addition to the franchise for sure. However, I feel it must be said: This series needs to end while it still has life. I know there is a fourth one on the way in a couple of years along with a TV show. Let’s just hope John Wick doesn’t get Hollywooded to death as a victim of its own success.
Acting: 9
Beginning: 10
Characters: 8
This third installment brings back a lot of the characters we have become familiar with in the first two movies. There’s Wick, of course, striking like a black mamba and trying to kill everything in his path. Winston (Ian McShane) is back as the tasteful Manager of the underworld assassin hotel being his usual charming self. I was excited to see hotel concierge Charon (Lance Reddick) get a larger slice of the action this time around as it was long overdue in my opinion.
The rest of the characters? Meh. I could take them or leave them. Reason being, they mostly felt flat for some reason. Take The Adjudicator (Asia Kate Dillon) for example. It felt like she just showed up to be an asshole for two minutes then she would disappear. Her role was annoying at best. But Wick is who we come to see. And Wick delivers. Who cares if he’s shooting at a bunch of cardboard cut-outs?
Cinematography/Visuals: 10
Conflict: 10
Genre: 10
Memorability: 8
Slightly more forgettable than the first two installments as it stumbles through a few parts here and there. There were a number of amazing scenes I can say for certain I haven’t seen done in any other action movie or any movie period. What they did with animals alone was a pleasant treat. I won’t spoil anything that you probably should know already, but I will say that the creativity and the stylistic choices of the kills makes movies like these really hard to forget.
Pace: 10
Plot: 5
There were definitely some parts that left me shaking my head. I don’t know why director Chad Stahelski chose to throw certain things in. It was almost as if they did it for the sake of trying to add more drama. With movies like these, there is no need to force anything as the drama typically comes anyway. The story is all over the place at times, overdone in others.
Resolution: 6
I watched the ending thinking, “Good…but stop there please.” It didn’t leave me wanting more, rather for the series to be done. Not sure what could have been done differently, but I think it stumbles compared to the endings of the first two.
Overall: 86
A solid addition to the franchise for sure. However, I feel it must be said: This series needs to end while it still has life. I know there is a fourth one on the way in a couple of years along with a TV show. Let’s just hope John Wick doesn’t get Hollywooded to death as a victim of its own success.
JT (287 KP) rated Trance (2013) in Movies
Mar 10, 2020
"Amnesia is bollocks.” That’s the thought of one of four crooks tasked with trying to discover the whereabouts of a Goya painting worth £25,000,000 from the memory of James McAvoy‘s character Simon.
Simon, an art auctioneer has a problem, well he has a few in Danny Boyle’s latest mind bending heist thriller, Trance. He’s addicted to gambling and in return for wiping his debts clear he agrees to help steel the Goya painting from an auction house for Franck (Vincent Cassel) and his criminal entourage.
In an aggressive and highly charged opening sequence, which sees Simon describe various methods in which paintings have been stolen before from the smash and grab of the old school era to the more high tech, the heist is well under way.
Simon is in the thick of the action as Franck and his accomplices take charge, and as Franck is making off with the painting he’s challenged by Simon who receives a knock to the head rendering his memory practically useless.
After staggering about through all the chaos he ends up in hospital having his brain drilled and drained and any short term memory with it.
With methods of torture clearly not working the gang turn their attention to another, hypnotherapy, and seek help from Elizabeth (Rosario Dawson) who attempts to guide Simon through hypnosis in an attempt to find out exactly where he left the painting.
And so begins a journey of discovery, deceit, greed and lust as everything is not what it seems and loyalties will be tested to the fullest.
Simon’s hypnotic journey takes him through the idyllic French countryside, to a church filled with stolen paintings to the slick London underworld as he tries in vein to piece together his broken memory, but what unfolds is not what he or any of us are probably expecting.
Simon, Franck and Elizabeth are all pretty interwoven as characters, it’s almost hard to work out who is playing each other off against the other, whose dream we’re in and at what level. You’ll find that you care about all three of them in a different way when something more is revealed about them.
The remaining trio of Franck’s gang are probably around for far too long than they need to be, but are removed for the final heart pounding third act, which accompanied by a brilliant soundtrack really intensifies the finale.
Trance is written by John Hodge and he’s reunited with Danny Boyle again having previously worked together on such films as Shallow Grave and Trainspotting, where at the crux of it all they too are heist films in a different guise.
Trance is well shot, Danny Boyle is in his element directing a dark, disturbing and at times a head scratching film, I’ve not had this much fun from a Boyle film since Shallow Grave.
Simon, an art auctioneer has a problem, well he has a few in Danny Boyle’s latest mind bending heist thriller, Trance. He’s addicted to gambling and in return for wiping his debts clear he agrees to help steel the Goya painting from an auction house for Franck (Vincent Cassel) and his criminal entourage.
In an aggressive and highly charged opening sequence, which sees Simon describe various methods in which paintings have been stolen before from the smash and grab of the old school era to the more high tech, the heist is well under way.
Simon is in the thick of the action as Franck and his accomplices take charge, and as Franck is making off with the painting he’s challenged by Simon who receives a knock to the head rendering his memory practically useless.
After staggering about through all the chaos he ends up in hospital having his brain drilled and drained and any short term memory with it.
With methods of torture clearly not working the gang turn their attention to another, hypnotherapy, and seek help from Elizabeth (Rosario Dawson) who attempts to guide Simon through hypnosis in an attempt to find out exactly where he left the painting.
And so begins a journey of discovery, deceit, greed and lust as everything is not what it seems and loyalties will be tested to the fullest.
Simon’s hypnotic journey takes him through the idyllic French countryside, to a church filled with stolen paintings to the slick London underworld as he tries in vein to piece together his broken memory, but what unfolds is not what he or any of us are probably expecting.
Simon, Franck and Elizabeth are all pretty interwoven as characters, it’s almost hard to work out who is playing each other off against the other, whose dream we’re in and at what level. You’ll find that you care about all three of them in a different way when something more is revealed about them.
The remaining trio of Franck’s gang are probably around for far too long than they need to be, but are removed for the final heart pounding third act, which accompanied by a brilliant soundtrack really intensifies the finale.
Trance is written by John Hodge and he’s reunited with Danny Boyle again having previously worked together on such films as Shallow Grave and Trainspotting, where at the crux of it all they too are heist films in a different guise.
Trance is well shot, Danny Boyle is in his element directing a dark, disturbing and at times a head scratching film, I’ve not had this much fun from a Boyle film since Shallow Grave.
Gareth von Kallenbach (974 KP) rated Underworld: Blood Wars (2017) in Movies
Jul 12, 2019
The latest installment of the Underworld franchise will not make you happy, but it may entertain you.
Let my preamble consist of this important note: I am a huge fan of the property. With that in mind, we’ll continue.
Kate Beckinsale is back in her black, skin-tight vinyl to deal death and continue the war that’s raged for 1500 years. While a few characters from previous movies show up in this film, most roles are taken by fresh faces. Scenes from the old movies as inserted under the guise of memories narrated by Selene, as well as the jumpy blood memories.
With so many films preceding this one, the creators were kind enough to run us through the major events that set up the current plot. However, as happens with most sequels, I cursed myself for not remembering to watch the previous film beforehand. I recommend doing so; it had been so long I’d forgotten connections and details.
The story of the war continues. The current crisis is coming to a head with a powerful Lycan named Marius in command of the pack. They are intent upon winning the war, once and for all, with a concentrated assault.
Both sides seek avenues to make their species more powerful, and in this case, it’s Selene’s daughter.
The action sequences are shot in the same choppy style as in previous films, but are somehow not captured as beautifully as before.
The plot proceeds at a breakneck pace, often too fast for its own good. Whether it’s due to poor writing, poor direction, or some combination of both, the short scenes feel forced. They exist purely as plot points and do little to attach the audience to the characters. Though the film was marketed as “the final showdown,” it lacks the same epic feeling of the previous one. It’s clear they are trying to milk this franchise for all it’s worth. The payout we all desperately want — a conclusive ending — just won’t come.
The crowning failure comes at a pivotal point when two characters are screaming at each other while pushing bullets out of their skin. It made me feel like I was watching a campy, low-budget action flick. It was so bad that my movie buddy and I started laughing out loud.
We are both huge fans of the property, but were greatly disappointed by poor movie-making and the lack of closure to the story. They probably won’t be given another chance to finish it.
Despite all of this, the acting is actually pretty good. And let’s be honest here: if you are a fan of this franchise, you’re going to go watch it no matter what I say. That’s fine, but don’t go in with high expectations. You can extract some entertainment, but this is just not a good film.
Let my preamble consist of this important note: I am a huge fan of the property. With that in mind, we’ll continue.
Kate Beckinsale is back in her black, skin-tight vinyl to deal death and continue the war that’s raged for 1500 years. While a few characters from previous movies show up in this film, most roles are taken by fresh faces. Scenes from the old movies as inserted under the guise of memories narrated by Selene, as well as the jumpy blood memories.
With so many films preceding this one, the creators were kind enough to run us through the major events that set up the current plot. However, as happens with most sequels, I cursed myself for not remembering to watch the previous film beforehand. I recommend doing so; it had been so long I’d forgotten connections and details.
The story of the war continues. The current crisis is coming to a head with a powerful Lycan named Marius in command of the pack. They are intent upon winning the war, once and for all, with a concentrated assault.
Both sides seek avenues to make their species more powerful, and in this case, it’s Selene’s daughter.
The action sequences are shot in the same choppy style as in previous films, but are somehow not captured as beautifully as before.
The plot proceeds at a breakneck pace, often too fast for its own good. Whether it’s due to poor writing, poor direction, or some combination of both, the short scenes feel forced. They exist purely as plot points and do little to attach the audience to the characters. Though the film was marketed as “the final showdown,” it lacks the same epic feeling of the previous one. It’s clear they are trying to milk this franchise for all it’s worth. The payout we all desperately want — a conclusive ending — just won’t come.
The crowning failure comes at a pivotal point when two characters are screaming at each other while pushing bullets out of their skin. It made me feel like I was watching a campy, low-budget action flick. It was so bad that my movie buddy and I started laughing out loud.
We are both huge fans of the property, but were greatly disappointed by poor movie-making and the lack of closure to the story. They probably won’t be given another chance to finish it.
Despite all of this, the acting is actually pretty good. And let’s be honest here: if you are a fan of this franchise, you’re going to go watch it no matter what I say. That’s fine, but don’t go in with high expectations. You can extract some entertainment, but this is just not a good film.