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Kirk Bage (1775 KP) rated The Battle of Algiers (1966) in Movies
Jan 28, 2021
This film-maker was unknown to me entirely before I decided to watch this film. In fact, I had only heard of the film itself quite recently from seeing it mentioned as one of the best films in the genre as a commentary on political insurgency and civil unrest. It is so well regarded that even the US military used it to prepare troops for entering Iraq. The main actors are largely unknown and many of the supporting cast and extras are not actors at all. The camera is allowed to wander and wobble, and such is the feel of random chaos at times you’d be forgiven for thinking this was a documentary. Nominated for 3 Oscars, and faultless in achieving its goal of humanising both sides of an argument, you can see the influence on Oliver Stone and Paul Greengrass, to name but two better known directors with a political edge.
It’s not a film I would feel the need to go back to, unless demonstrating to someone how to make something staged feel entirely real. I admire this film very much, but wouldn’t exactly call it entertaining or even rewarding as a story. Its purpose is to reinforce the tragedy of a people facing oppression and to realise the lengths both sides will go to in protecting their ideals and relative freedoms. The excellent hand held photography and score by the always inspirational Ennio Moricone are other reasons to watch it. As a history lesson of North Africa post WWII it also has a lot to offer.
It’s not a film I would feel the need to go back to, unless demonstrating to someone how to make something staged feel entirely real. I admire this film very much, but wouldn’t exactly call it entertaining or even rewarding as a story. Its purpose is to reinforce the tragedy of a people facing oppression and to realise the lengths both sides will go to in protecting their ideals and relative freedoms. The excellent hand held photography and score by the always inspirational Ennio Moricone are other reasons to watch it. As a history lesson of North Africa post WWII it also has a lot to offer.
Rebecca's Children: A saga of love and betrayal in 19th century Wales
8.0
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A heart-wrenching saga of revolution, regret and family secrets... For fans of Nadine Dorries, Maeve...
Historical Fiction Wales
LeftSideCut (3776 KP) rated Belfast (2021) in Movies
Jan 14, 2022
In short, Belfast is a very human and truly wonderful piece of cinema.
It's visual style is both stunning and simple, and is brimming with plenty of striking imagery.
It's themes are rich. The setting explores the civil unrest between Protestants and Catholics in 1960s Belfast. This turbulent moment in time is a constant presence for sure, but the main bulk of the narrative deals with a working class family who are struggling with debt, and are looking to potentially relocate to England in light of the city wide violence. The very heart of the story though is found in Buddy, the young son of the family who is dealing with growing up and not wanting to leave. Buddy's actor, Jude Hill, is excellent. He embodies innocent childhood and the adventure that comes with it. He's an 11 year old actor, holding his own against screen veterans such as Ciarán Hinds and Judi Dench (both fantastic as always).
Other than Buddy, most of the heavy lifting is undertaken by the mother, played by Caitriona Balfe, who really deserves an Academy Nomination for her role here. Jamie Dornan also stars, who proved to be a pleasant surprise for me, only knowing him from the obvious, and is a welcome addition to an all round stellar cast. Throughout this, the narrative touches upon loss and loneliness, and the moments of life that manage to be bittersweet.
Belfast is a sometimes heartwarming, powerful, occasionally funny, and often melancholy tale told with a lot of love and care. Kenneth Branagh has delivered a slice of cinematic gold.
It's visual style is both stunning and simple, and is brimming with plenty of striking imagery.
It's themes are rich. The setting explores the civil unrest between Protestants and Catholics in 1960s Belfast. This turbulent moment in time is a constant presence for sure, but the main bulk of the narrative deals with a working class family who are struggling with debt, and are looking to potentially relocate to England in light of the city wide violence. The very heart of the story though is found in Buddy, the young son of the family who is dealing with growing up and not wanting to leave. Buddy's actor, Jude Hill, is excellent. He embodies innocent childhood and the adventure that comes with it. He's an 11 year old actor, holding his own against screen veterans such as Ciarán Hinds and Judi Dench (both fantastic as always).
Other than Buddy, most of the heavy lifting is undertaken by the mother, played by Caitriona Balfe, who really deserves an Academy Nomination for her role here. Jamie Dornan also stars, who proved to be a pleasant surprise for me, only knowing him from the obvious, and is a welcome addition to an all round stellar cast. Throughout this, the narrative touches upon loss and loneliness, and the moments of life that manage to be bittersweet.
Belfast is a sometimes heartwarming, powerful, occasionally funny, and often melancholy tale told with a lot of love and care. Kenneth Branagh has delivered a slice of cinematic gold.
The Glutton
9.0
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One man with an insatiable hunger: a novel of desire and destruction in Revolutionary France, based...
Historical fiction France
Awix (3310 KP) rated The Quatermass Conclusion (1979) in Movies
Feb 10, 2018 (Updated Feb 10, 2018)
We're all doomed, I tell you, DOOMED!
Big-screen version of Nigel Kneale's ultra-depressing finale to his series of Quatermass TV shows and films. Kneale was only in his fifties when he wrote this, which is odd because it feels very much like an old man's wail of anguish when faced with a world he no longer feels he belongs to or even recognises. Set in the near future - one very much informed by the social unrest and generational tensions that were present in the UK when it was made - this is the story of a collapsing civilisation presented with a new threat: a hostile alien presence, which originally visited Earth five thousand years ago, has returned, basically intent on chowing down on young people (this was clearly an influence on the later Torchwood series Children of Earth). Ageing boffin Bernard Quatermass must find a solution, if he can.
It's not uncommon for SF to be not so much about predicting the future as complaining about the present, but what makes this version of Quatermass unusual is it's told primarily from the perspective of old people - there are a couple of younger sympathetic characters, but even they are thirty-five-going-on-sixty in their attitudes, and most of the younger people are depicted as either feckless wasters or violent psychopaths. (The generation gap is explained by alien influences being at work.)
Reasonably lavish, bearing in mind its TV origins, and quite successful on its own terms - but as its main intention seems to be to drive the viewer to despair, it's not especially easy to like.
It's not uncommon for SF to be not so much about predicting the future as complaining about the present, but what makes this version of Quatermass unusual is it's told primarily from the perspective of old people - there are a couple of younger sympathetic characters, but even they are thirty-five-going-on-sixty in their attitudes, and most of the younger people are depicted as either feckless wasters or violent psychopaths. (The generation gap is explained by alien influences being at work.)
Reasonably lavish, bearing in mind its TV origins, and quite successful on its own terms - but as its main intention seems to be to drive the viewer to despair, it's not especially easy to like.
Phil Leader (619 KP) rated Heroes or Theives (Steps of Power #2) in Books
Nov 14, 2019
The second book of Sherwood's epic fantasy series picks up the threads from the first, Kings or Pawns, and follows various characters in the aftermath of Saebellus' victory. Some of these are familiar, such as the defeated general Jikun, others are less so and some are completely new.
Once again the story doesn't follow the usual fantasy template. Where in the first book Saebellus was depicted as the main enemy and villain of the piece here shades of grey are cast on his character and his actions. Jikun himself is struggling to come to terms with his situation and is seemingly willing to risk everything to have some sort of revenge. Selemar is playing a risky political game, trying to invoke unrest whilst also acting as the head of the corrupt council.
Sherwood performs a tricky balancing act well, with so many stories to move forward that are only tangentially connected but each is handled effectively and told with an eye to both detail and character that keeps the reader involved in each of the plot threads.
As with the previous book there is a fair amount of political intrigue, although most is away from the claustrophobic council but is just as deadly for whoever is going to be on the losing side. The characters are constantly developing and the new characters introduced are perfectly judged and naturally intertwine with the story as it moves forward.
With this second work continuing in the excellent style of the first this series is a must read for any lover of fantasy.
Content rating: Some sexual references and language and some violence
Once again the story doesn't follow the usual fantasy template. Where in the first book Saebellus was depicted as the main enemy and villain of the piece here shades of grey are cast on his character and his actions. Jikun himself is struggling to come to terms with his situation and is seemingly willing to risk everything to have some sort of revenge. Selemar is playing a risky political game, trying to invoke unrest whilst also acting as the head of the corrupt council.
Sherwood performs a tricky balancing act well, with so many stories to move forward that are only tangentially connected but each is handled effectively and told with an eye to both detail and character that keeps the reader involved in each of the plot threads.
As with the previous book there is a fair amount of political intrigue, although most is away from the claustrophobic council but is just as deadly for whoever is going to be on the losing side. The characters are constantly developing and the new characters introduced are perfectly judged and naturally intertwine with the story as it moves forward.
With this second work continuing in the excellent style of the first this series is a must read for any lover of fantasy.
Content rating: Some sexual references and language and some violence
Time's Convert
8.0
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From the Sunday Times Number One bestselling author of A Discovery of Witches, soon to be a major...
AI
Alexander I: The Tsar Who Defeated Napoleon
Marie-Pierre Rey and Susan Emanuel
Book
Alexander I was a ruler with high aspirations for the people of Russia. Cosseted as a young grand...
Coming To My Senses: The Making of a Counterculture Cook
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The long-awaited memoir from cultural icon and culinary standard bearer Alice Waters recalls the...
Biography memoir food
The Republic for Which It Stands: The United States during Reconstruction and the Gilded Age, 1865-1896
Book
The Oxford History of the United States is the most respected multivolume history of the American...
History Politics