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Lyndsey Gollogly (2893 KP) rated Midnight Spells ( Witches of Hollow Cove 2) in Books

Sep 20, 2023  
MS
Midnight Spells ( Witches of Hollow Cove 2)
Kim Richardson | 2023
8
8.0 (1 Ratings)
Book Rating
132 of 235
Kindle
Midnight Spells ( Witches of Hollow Cove 2)
By Kim Richardson
⭐️⭐️⭐️⭐️

Get ready for this heart-pounding and laugh out loud magical adventure! Just when I thought I’d finally gotten my life back on track, the unexpected happens. It’s the annual Night Festival in Hollow Cove, a paranormal festival extravaganza that lasts for five nights and features a multitude of powerful faces in our paranormal circles. There’s only one little problem. Someone ends up dead. And I’m the one accused of murder. As my life spirals down the crapper once again, things between me and Marcus are even more confusing than ever before—hot—but ridiculously confusing. And to add to my wondrous good fortune—something or someone is trying to kill me. So, what is a witch do to? Find the culprit and clear my name, that’s what. If you like fast-paced urban fantasy adventure with a kick-butt heroine and plenty of action, suspense, and humor, you’ll love Midnight Spells.

This is becoming one of my favourite witch series I love the characters and stories. These books are so easy to fall into and read. Ronin makes me laugh so much he is definitely one of my favs! These books would definitely lift any reading slump esteem if you like a something a little quirky. It’s still the only Gorilla shifter I’ve ever come across too!
  
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Movie Metropolis (309 KP) rated American Assassin (2017) in Movies

Jun 10, 2019  
American Assassin (2017)
American Assassin (2017)
2017 | Action, Thriller
3
6.4 (35 Ratings)
Movie Rating Watch
Great, another terrorism thriller
Just what the world needs, another ill-timed terrorism-based thriller – you can almost hear the groans can’t you? It seems the movie-going public just can’t get enough of these accounts of urban terrorism.

Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.

Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?

When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.

Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.

Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.

What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.

The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.

As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.

In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.

Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?

https://moviemetropolis.net/2017/09/15/american-assassin-review/