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LeftSideCut (3776 KP) rated Halloween 4: The Return of Michael Myers (1988) in Movies

Mar 15, 2021  
Halloween 4: The Return of Michael Myers (1988)
Halloween 4: The Return of Michael Myers (1988)
1988 | Horror
7
6.7 (20 Ratings)
Movie Rating
Ignore the fact that Michael Myers' mask looks a bit silly in this one and there's a lot to love.
It's back-to-basics approach of Myers stalking his way though Haddonfield is a welcome one after the hospital setting of II, and the bonkers acid trip of III.
Danielle Harris displays a damn fine performance as lead kid character Jamie Lloyd, and Donald Pleasance returns again as Loomis (apparently not dead after the almost certainly fatal explosion he was right next to at the end of II), acting suitably crazy as is to be expected by now.
There are some great shots on display, once again, courtesy of the simple, striking, and terrifying look of Michael Myers (from far away this time though, seriously, the mask looks really silly close up) and the general production values are pretty decent.

It's of course not a patch on the original, but as far as sequels go, Halloween 4 is one of the better ones. Also, one character gets impaled with a shotgun, which is just ridiculous and fantastic at the same time.
  
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Lucy Liu recommended The Godfather (1972) in Movies (curated)

 
The Godfather (1972)
The Godfather (1972)
1972 | Crime, Drama
9.3 (53 Ratings)
Movie Favorite Watch

"Then I have, well, I have two movies: Godfather one and two. An incredibly absorbing story that unravels and captures a time that really existed in New York. It just draws you in and just keeps you. There are moments in that that you can’t believe. You watch it and you go, “Oh, right” and then you hear the dialogue and then you realize that this is an incredibly famous quote. [Laughs] It’s all-time, basically. A side one that I love, just ’cause I grew up watching it, and it happened to air around my birthday in December, was The Sound of Music. It reminds me very much of my childhood, that kind of hopeful, contagious optimism that Julie Andrews had — and also set in the backdrop of war. But that’s more of a childhood thing. Then there’s Drunken Master, but for different reasons, and different entertainment values, you know? It’s hard. There’s a list a mile long. In very small font. But asked to narrow it down, I will narrow it down to those movies right now. [Laughs]"

Source
  
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